Shinto

The phallus appears in another form at the festival held in honour of the Sahe no Kami on the first full moon in every year. The Makura no Sōshi, written about a. d. 1000, tells us that it was then the custom for the boys in the Imperial Palace to go about striking the younger women with the potsticks used for making gruel on this occasion. This was supposed to ensure fertility. It reminds us of the Roman practice at the spring festival of Lupercalia, alluded to by Shakespeare in his 'Julius Cæsar': -

"Forget not in your speed, Antonius,
To touch Calphurnia; for our elders say
The barren touched in this holy chase
Shake off their steril curse."

The Japanese novelist and antiquary Kiōden, writing about a century ago, informs us that a similar custom was at that time still practised in the province of Echigo. He gives a drawing of the sticks used for the purpose, of the phallic character of which there can be no doubt. They were called kedzurikake (part-shaved), and consisted of wands whittled near the top into a mass of adherent shavings, as in the illustration.

Kedzurikake of elder or willow are still made in some places. In Harima, on the 14th day of the 1st month, kedzurikake are hung up under the eaves in substitution for the kadomatsu, or fir trees placed by the entrance gate at the New Year. In Suwo, kedzurikake, made of a thorny tree called tara, are placed on each side of the front and back doors at this season, no doubt with the object of averting evil influences. When the kadomatsu and other New Year's decorations are removed on the 15th day of the 1st month, they are in many places collected by the boys as material for a bonfire. This is called dondo or sagichō, and the burning of the kedzurikake is a feature of it. In the Yamagata ken, wherever there are stone images of Dōsōjin, the phallic God of Roads,[160 - I have before me a picture of a Dōsōjin. It stands at cross-roads, and is a phalloid natural boulder over which depends a shimenaha supported by two bamboos. In front of it are little piles of stones, of which the similar offerings to the Buddhist children's God Jizōsama are doubtless a survival. The modern practice of bringing the Jizō of the neighbourhood and dumping them down before the lodging of a newly-married couple is no doubt a similar case of survival. A custom which began with the Dōsōjin is continued with the Jizō, which now occupy their place at crossways.] the boys at this time make a bonfire of fir trees and straw, and build for themselves a hut beside it. When the people assemble, they come out and fire it. If the dumplings made on the 14th are roasted in this fire and eaten, malignant diseases need not be feared during the ensuing half year. In Hitachi this hut is called the "Hall of the Sai no Kami." The embers are used for re-lighting the domestic fires or kept as charms against pestilence.

Fire, kindled from kedzurikake after prayer, was given out to the people by the priests of Gion in Kiōto on the last day of the year. It was transferred to a slow match, and used for rekindling the household fires, the object being to prevent pestilence during the coming year.[161 - We may compare with this an old English custom mentioned by Brand of the priests blessing candles at Candlemas and distributing them to the people, "so that the Divil may fly out of the habitation."] The mythical burning of a wobashira (also a phallic emblem) by Izanagi in Yomi was probably suggested by some such custom.[162 - See above, p. 93. (#FNanchor_64_64)] It will be observed that the prophylactic virtue of the phallus has not been forgotten in the kedzurikake.

The kedzurikake are sometimes described as the shintai of Dōsōjin, and are placed on the domestic altar to be worshipped as his representative. They are also, by a known confusion of ideas, presented to the Gods as offerings. The Ainus of Yezo, who have adopted the kedzurikake as the general form of offering to their Gods at all times, and attach to it no phallic signification, were no doubt familiar with this use of it by their Japanese neighbours. It is by them called inao or nusa, the latter being the old Japanese word for offering. The facility with which such offerings could be prepared by savages must have been a recommendation.

The two cylindrical shingi, or "divine sticks," eight or nine inches in circumference and one foot long, thrown to the crowd by the priests of Seidaiji, near Okayama, on the night of the 14th day of the 1st month, and called o fuku (luck), to keep off pestilence and bring prosperity, are probably of phallic origin.

The gruel partaken of at the Sahe no Kami festival on the 15th of the 1st month was made of rice, and was coloured with an admixture of the small red bean called adzuki.[163 - Phaseolus radiatus.] The bean is a well-known synonym in Japan for the kteis. The colour red is also significant. It suggests the ruddy complexion of health caused by an abundance of life-giving blood in the lips and cheeks. Children love this colour. Max Nordau says: "As a feeling of pleasure is always connected with dynamogeny or the production of force, every living thing instinctively seeks for dynamogenous sense impressions. Now red is especially dynamogenous." In 'Œdipus Tyrannus,' the Chorus invoke the aid of ruddy-faced Bacchus against pestilence. In Korea red is a terror to devils. A modern Japanese writer says that red is obnoxious to devils on account of its cheerful appearance.

Small-pox being a Kijin biō, or demon-sent disease, the colour red is freely employed in combating it. The candles at the bedside are red, and the clothing of the patient and nurse. The God of Small-pox is worshipped with offerings of red gohei (there is here some confusion of ideas) and of red adzuki beans. Red paper is hung round the necks of the bottles of sake offered to him. Red papier maché figures of Daruma are placed near the sick-bed. It is explained that red, being a yô (male, bright, positive) colour, is fitted to counteract dark, wintry, negative influences. The potency of red as a charm against small-pox is not unknown to European folk-lore.

Phalli are coloured a bright red, or, what comes to the same thing, gilt. Saruta-hiko, a phallic deity, has a bright red complexion. Torii are painted red. Demons and stage villains have red faces, probably as an indication of great animal vigour.

Griffis, in his 'Mikado's Empire,' tells us that "when by reason of good fortune or a lucky course of events there is great joy in a family it is customary to make kowameshi, or red rice, and give an entertainment to friends and neighbours. The rice is coloured by boiling red beans with it. If for any cause the colour is not a fine red, it is a bad omen for the family." There is a modern superstition that if, on the 7th day of the 1st month, a male swallows seven, and a female fourteen red beans, they will be free from sickness all their lives.

The Tō-yū-ki, a work published in 1795, has the following: -

"In many places along the highway at Atsumi, in the province of Deha, where the cliffs stand up steeply on both sides, shime-naha are stretched across from one cliff to another. Below these shime-naha there are placed skilfully carved wooden phalli fronting the road. They are very large, being seven or eight feet in length and perhaps three or four feet in circumference. I thought this too shocking, and questioned the inhabitants why they did so. Their answer was that it was a very ancient custom. They were called Sai no kami,[164 - The modern spelling sai implies an altered conception of the function of these objects. It means good luck, a vaguer and more general idea than sahe, which means prevention (of disease).]and were made afresh every year on the 15th day of the 1st month. As they were local Gods, they were by no means neglectful of them, allowing them to remain even when high officials passed that way. They were not at all, I was told, put up for the amusement of the young folks. Moreover, seeing a number of slips of paper attached to the shime-naha, I inquired what they might be. It appeared that they were fastened there secretly by the women of the place as a prayer for handsome lovers. Truly this is one of those old customs which linger in remote parts. Phalli and ktenes of stone are worshipped by the country-folks in many places as the shintai of their ujigami."

The selection of a rocky pass for the erection of these objects, and the association with them of shime-naha,[165 - See Index.] show that their original function, namely, to prevent the passage of evil beings or influences, was not forgotten. The prayers of the women betray a misconception of the proper object of this cult.

Near the end of the Kogojiui there is a passage which makes mention of the phallus as a magical appliance. As it has some anthropological interest, I quote it at length:

"Of yore, in the age of the Gods, Oho-toko-nushi no Kami (great-earth-master-deity), on a day that he was cultivating a rice-field, gave his labourers the flesh of oxen to eat. At this time the child of Mi-toshi no Kami (august-harvest-god) went to that rice-field and spat upon the food, after which he returned and reported the matter to his father. Mi-toshi no Kami was wroth and let loose locusts on that field, so that the leaves of the young rice suddenly withered away and it became like dwarf bamboos. Upon this Oho-toko-nushi no Kami caused the diviners to ascertain by their art the reason of this. They replied that it was owing to a curse sent by Mi-toshi no Kami, and advised him to offer a white pig, a white horse, and a white cock in order to dispel his anger. When amends had been made to Mi-toshi no Kami in the manner directed, the latter replied, saying: 'Truly it was my doing. Take bare stalks of hemp, and make of them a reel with which to reel it, take the leaves and sweep it therewith, take "push-grass"[166 - The names of plants.]of Heaven and push it therewith. Take, moreover, crow-fan[167 - The names of plants.]and fan it, and if then the locusts do not depart, take ox-flesh and place it in the runnels, adding to it shapes of the male stem (phalli). Moreover, strew the banks of earth between the fields with water-lily seeds, ginger, walnut leaves and salt.' When these instructions were carried out the leaves of the young rice became thick again, and the harvest was a plentiful one. This is the reason why at the present day the Department of Religion worships Mi-toshi no Kami with offerings of a white pig, a white horse, and a white cock."

The facts quoted in the preceding pages show that there was some confusion between the use of the male and female emblems as non-religious magical appliances and their cult as deities. Primarily they were symbols, next objects of magic. Finally Religion intervened, and by her handmaids Personification and Myth raised them to the rank of deities, consecrating this step still further by devoting a formal ritual to their service. The kteis has received somewhat less attention than the phallus. It is no doubt identical with the Yachimata hime of the Michiahe norito, and in the Kojiki, its representative the peach is dubbed kami. But the Nihongi in the parallel passage merely speaks of its efficacy in repelling evil spirits, and refrains from deifying or even personifying it.

The circumstance that the Sahe no Kami were worshipped by the roadsides and at crossways[168 - Crossways had a special sanctity in many countries. The Hermæ of ancient Greece stood at crossways.] led to their being looked upon as guide-Gods and the special friends of travellers. Saruta-hiko, a phallic deity, represented as dwelling at the eight crossways of Heaven, is said to have acted as guide to Ninigi on his descent to earth. He is popularly called Dōsōjin, or Road-ancestor-deity, and is depicted as of gigantic stature, with a portentously long nose, which (the suggestion is not mine) may perhaps have a phallic morphological signification.

The worship of these deities was extremely popular in ancient Japan. They were much appealed to in divination,[169 - See Index, Tsuji-ura.] and were prayed to by most travellers when starting on a journey. The phrase chi buri no Kami (Gods along the road) means the Sahe no Kami. The Sahe no Kami were the mitama par excellence. They were also called tamuke no Kami (Gods of offerings) because travellers were in the habit of carrying a nusa-bukuro (offering-bag) containing hemp leaves and rice, of which a little was offered to each of them when passing. All unforeseen disasters or illnesses on a journey were attributed to a neglect of the worship of these deities.

But a very little advance in enlightenment shows that the sexual instincts need restraint[170 - Measures were taken in ancient Greece to check the excesses of the Bacchanalian rites.] rather than the stimulus which they must derive from such a cult. So early as a. d. 939 a deity of this kind which stood in a conspicuous position in Kiōto, and was worshipped by all travellers, was removed to a less prominent situation. Phallicism ultimately disappeared from official Shinto. But it lingered long in popular customs, and is not quite extinct even at the present day, especially in eastern Japan. I have myself witnessed a procession in which a phallus, several feet high and painted a bright red, was carried on a bier by a crowd of coolies in festal uniform, shouting, laughing, and zig-zagging tumultuously from one side of the street to another. In the lupanars they are honoured by having a lamp of simple construction kept burning before them, and are prayed to by the proprietor for numerous clients. The boys' festival of dondo, on the 15th of the 1st month, still retains traces of its phallic origin.[171 - For further evidence on this subject, Dr. Buckley's 'Phallicism in Japan' (Chicago, 1895), the Nihongi, i. 11, and Dr. Griffis's 'Religions of Japan' may be consulted.]

Oni. -Oni, or demons, have no individual names. It is clear from the Kojiki and Nihongi mythical narratives that the oni exorcised by means of the peach[172 - Nihongi, i. 30.] are the same as the "thunders" and the "armies of Yomi." In other words, they are primarily personified diseases.[173 - According to St. Augustine, the devils of Scripture are our passions and unbridled appetites.] They afterwards lost this specific character. Motoöri defines oni as ashiki kami, or "evil deity." He condemns their identification by the Wamiôshô with the spirits of the dead. There is a story of a tenth-century hero who cut off the arm of an oni and brought it home with him, but was tricked out of it by the owner, who came to his house in the disguise of an old woman.

The oni have red faces, hairy persons, horns, and sometimes only one eye. They are said to devour men. The modern ideas respecting them are mostly borrowed from Buddhist sources.

Gods of Good and Ill Luck. – Among deified human properties we may reckon the Gods of Good and Ill Luck produced when Izanagi washed in the sea after his return from Yomi. Their names, Naobi and Magatsubi, contain the elements nao, straight, and maga, crooked.

Naki-sahame, the Goddess of weeping, Ta-jikara-wo (hand-strength-male), whose shintai is a bow, and Omohi-kane, the thought combiner, are rather mythical personages than deities on the effective list. It is doubtful whether Mari no kami, the foot-ball God, who has three faces, is a personification of skill or a hazy, imaginative recollection of some distinguished player.

The very terrible deity known as Bimbō-gami, the God of Poverty, is of later origin.

CHAPTER IX.

THE PRIESTHOOD

Shinto illustrates the principle enunciated by Herbert Spencer, that "in early stages of social evolution the secular and the sacred are but little distinguished." The Mikado was at the same time high priest and king. There was no well-marked distinction between secular and religious ceremonies. The functionaries who performed the latter had no specially sacerdotal character and no distinctive costume. The Jingikwan, or Department of Religion, was simply a Government bureau, and the rites celebrated in its chapel were as much Government proceedings as the issuing of decrees or the collection of taxes. Almost any official might be called upon to discharge religious functions. The local governors on their appointment made a round of visits for worship to all the shrines in their jurisdiction. All the principal shrines had State endowments. The word matsuri-goto, government, is simply matsuri, a religious festival, with the termination koto, thing, which adds nothing to its etymological significance. Hirata says that the worship of the Gods is the source of Government-nay, it is Government. The same word miya (august-house) was in common use both for shrines and palaces. There was, however, a beginning of a differentiation of sacred and secular functions. The Mikado delegated some of his religious duties to the Nakatomi House, and, as we shall see, other religious duties were hereditary in other families. Thus a Sun-worship Be, or hereditary corporation, was established in 577. One version of the myth of Ohonamochi represents him as giving up his authority with the words, "Let the august grandchild direct the public affairs of which I have charge: I will retire and direct secret matters." Evidently we have here an echo of some actual separation of civil and religious authority. Far on into historical times the guardians of the "Great Shrine" of Ohonamochi in Idzumo retained a title (kuni no miyakko) which, like that of pontifex at Rome, implied the performance of secular duties. In the reign of Kwammu (782-806) it was found that the local nobility (kuni no miyakko), many of whom still acted as governors, neglected their civil functions, on the pretence that their time was occupied by religious duties. A decree was therefore issued that in future no local nobles should hold the office of civil governor.

The Mikado. – The chief priest of Shinto is the Mikado himself. Jimmu, the legendary founder of the dynasty, is represented as performing sacrifice in person. Jingō is said to have acted on one occasion as kannushi. In historical times Mikados presided personally over the ceremonies of Nihiname, Shinkonjiki, Kanname, and other festivals. Even at the present day the Mikado's priestly functions are not entirely obsolete.

Nakatomi. – For many centuries most of the Mikado's sacerdotal functions have been delegated. In the Jimmu legend there is mention of the appointment of a Michi no Omi (minister of the way) as ruler of a festival in honour of Taka-musubi. At the dawn of history we find the Nakatomi hereditary corporation the recognized vicars of the Mikado. Tradition traces their descent from the God Koyane. The most probable etymology of Nakatomi explains it as put for Naka-tsu-omi, that is to say, the minister of the middle. Hirata understands by this that the Nakatomi were mediators between the Gods and the Mikado, reciting the Mikado's norito to the Gods, and communicating to him their instructions received by divination. In Shinto, however, there was no indispensable sacerdotal mediator. There was nothing to prevent the Mikado, or any one, from holding direct communication with the deities.

A branch of the Nakatomi House, which in the seventh century took the name of Fujihara, was famous in later history. Up to 1868 the nominal Prime Ministers and Regents were invariably taken from it. The officials of the Jingikwan, or Department of Religion, were largely Nakatomi, as were also the Chokushi, or Imperial envoys to the local shrines. Yet the Nakatomi were hardly what we should call a priestly caste, like the Levites or Brahmins. The local priesthood were not ordinarily Nakatomi, and many of this House held purely civil appointments.

The Jingikwan took precedence even of the Dajōkwan, or Grand Council of State. It was presided over by an official called Haku. He had the supreme control of all the Shinto State ceremonies, and authority over the local priesthood. He was assisted by a vice-president, and had a staff of Imbe, Urabe, and clerks. The Haku took the place of the Mikado when the latter was prevented by illness from offering his daily prayers. From the eleventh century up till quite recently the Haku was one of the Shirakaha family, who trace their descent from the Mikado Kwazan (985-6), and enjoyed the title of Ô, or prince. As explained above, the Nakatomi were practically the Imperial family.

Imbe. – The Imbe were another hereditary corporation, descended, it was said, from the God Futodama (great-gift). Their chief business was to prepare the offerings, and their name Imi-be (imi means avoidance, or religious abstinence) has reference to the care with which they avoided all sources of impurity in doing so. The Imbe, after praying to the Mountain-God, cut down with a sacred (imi) axe the trees required for shrines, or at least began the work, leaving it to be completed by ordinary workmen. They also dug the foundations with a sacred (imi) mattock. Two of the norito, namely, the Ohotono and the Mikado, were read by them. It was also their duty, at least at one period, to deliver the regalia to the Mikado at his coronation.

A Chinese description of Japan, written long before the Kojiki or Nihongi, gives the following account of what were in all probability the predecessors of the Imbe: -

"They (the Japanese) appoint a man whom they call an 'abstainer.' He is not allowed to comb his hair, to wash, to eat flesh, or to approach women. When they are fortunate, they make him presents, but if they are ill, or meet with disaster, they set it down to the abstainer's failure to keep his vows, and unite to put him to death."[174 - For an account of similar priests or medicine men in many other countries, see 'The Golden Bough.' The Nazirite (Numbers vi.) is their Jewish counterpart.]

This is a description of a typical ascetic. In the Imbe of historical times we have the closely allied idea of scrupulous attention to religious purity. But they were not celibates or vegetarians except ad hoc when a festival was impending, and so far from neglecting the care of their persons, strict cleanliness was incumbent upon them.

Urabe. – A third hereditary religious corporation in ancient Japan was that of the diviners or Urabe. They are mentioned in the Nihongi under the date a. d. 585. They were divided at a later period into four branches, belonging respectively to the provinces of Iki, Tsushima, Idzu, and Hitachi. Twenty of these diviners were attached to the Jingikwan. It was their duty to decide by the deer's shoulder-blade or tortoise-shell divination such matters as were referred to them by the superior officials of the department. Urabe were despatched to the provinces to fetch the rice which was used in the Ohonihe ceremony. It was also their duty to take away and throw into a river the harahe-tsu-mono, or offerings of purification. For many centuries this office has been in the hands of the Yoshida family, whose exorbitant pretensions fill Hirata with indignation.

The Nakatomi, Imbe, Urabe, and Ô (princes of the Shirakaha House), constitute what are called the Shi-sei, or four surnames of the Jingikwan.

Saishu. – The high-priest at Ise was called Saishu, or worship-master. This office was hereditary in the Fujinami family, a branch of the Nakatomi.

Daigūji. – The high-priests of Atsuta, Kashima, Usa, and Aso were termed Daigūji, or great-shrine-functionaries. There was a Dai-gū-ji at Ise, subordinate to the Saishu. This office was also hereditary.

Kannushi. – Kannushi is for kami-nushi, that is, deity-master. It is the most general word for Shinto priest. Properly it is only the chief priest of the shrine who is so designated. The Kannushi are appointed by the State. In early times their duties were performed by officials who already held secular posts. In 820 a decree was made prohibiting this practice, as it was found that such Kannushi neglected the care of the shrines of which they had charge. At the present time many Kannushi combine other avocations with their sacerdotal functions. The title may even be conferred on a layman by way of honour. The late famous actor Danjuro was an example. Kannushi are not exempted from military service. They are not celibates, and may return to the laity whenever they please. It is only when engaged in worship that they wear the distinctive dress of their office, which consists of a loose gown, fastened at the waist with a girdle, and a black cap called eboshi, bound round the head with a broad white fillet. Even this is not really a sacerdotal costume, but simply one of the old official dresses of the Mikado's Court. No special education is necessary for the discharge of the duties of a Kannushi, which consist in the recital of the annual prayers and in attending to the repair of the shrine.

Hafuri or Hōri. – The hafuri are priests of an inferior grade. This word, though now written with Chinese characters which mean "prayer-official," is connected with the verb hoburu or hafuru, to slaughter, to throw away. Hōmuru, to bury, is another form of the same word. The Nihongi says that in 642, at the bidding of the village hafuri, horses and cattle were killed as a sacrifice in order to procure rain. The high-priest of the God Minagata at Suha is styled Oho-hafuri (great hafuri). At the festival of this God the heads of seventy-five deer are presented as offerings, while the flesh is eaten by the priests. If others than the priests wish to partake of it without pollution, they get chopsticks from the priests which answer this purpose. These facts point to the conclusion that the hafuri were originally sacrificers. Offerings of animal food were common in ancient times.

The term hafuri-tsu-mono (flung-away-things) is used as equivalent to harahi-tsu-mono (expiatory offerings), and is also applied to funeral offerings.

Negi. – This was another name for priests of lower rank. The word is probably connected with negafu, to pray. The negi of Miha and Mikami are called imi-bi (fire-avoid) because they are specially careful to avoid impurity in respect to fire. They will not use the same fire for cooking as other people.

Miyakko. – The hereditary chief priests of Kitsuki in Idzumo and the affiliated shrine of Hinokuma in Kir were called miyakko, a term which originally meant "local governor."

Priestesses.-There are several categories of priestesses attached to Shinto shrines. Their mythical prototype is Uzume, the Goddess who danced before the cave into which the Sun-Goddess retired when insulted by her brother Susa no wo.

Saiwö. – At the beginning of every reign, an unmarried princess of the Imperial blood was chosen by divination and consecrated to the service of the Sun-Goddess at Ise. For three years previous to taking up her duties she went every first day of the month to an imi-dono (sacred-hall) and worshipped towards the Great Shrine of Ise. This was called the mi-tose no mono-imi, or "three years' purity." The Saiwö is also called Itsuki no miya or Saigū, sacred or worship-palace-properly the name of her residence. There was a similar appointment to the shrine of Kamo, where the Ujigami of the Mikados was worshipped. She was also called Saiwö, and both herself and her residence were termed Sai-in, that is, "sacred hall." These offices were discontinued early in the thirteenth century.

Kamu no ko (God-child). – The Kamu no ko were also called miko, august child, or sometimes mono-imi, that is, avoiders of (impure) things. They were young girls attached to all the principal shrines for the performance of the kagura dances, and cooking the food for offerings. They also occasionally became the medium of divinely inspired utterances. From the Yengishiki we learn that at that time there were a number of kamuko in the palace for the service of the numerous shrines there. They were appointed at the age of seven or upwards from the families of the local nobles (miyakko). Their places were supplied by others when they got married.