The Other Side of Midnight

The Other Side of Midnight
Sidney Sheldon

One of Sidney Sheldon’s most popular and bestselling titles, published in ebook format for a new generation of fans.A gripping, glamorous novel of scorching sensuality and heart-stopping evil.A beautiful French actress whose craving for passion and vengeance takes her from the gutters of Paris to the bedroom of a powerful billionaire; a dynamic Greek tycoon who never forgets an insult, never forgives an injury; and a handsome war hero lured from his wife by another woman.From Paris to Washington, Hollywood to the islands of Greece, The Other Side of Midnight is the story of four star-crossed lives enmeshed in a deadly ritual of passion, intrigue and corruption.

Sidney Sheldon

The Other Side of Midnight

Dedication

To Jorja

who pleasures me in a thousand ways

Prologue

Athens: 1947

Through the dusty windshield of his car Chief of Police Georgios Skouri watched the office buildings and hotels of down-town Athens collapse in a slow dance of disintegration, one after the other like rows of giant pins in some cosmic bowling alley.

‘Twenty minutes,’ the uniformed policeman at the wheel promised. ‘No traffic.’

Skouri nodded absently and stared at the buildings. It was an illusion that never ceased to fascinate him. The shimmering heat from the pitiless August sun enveloped the buildings in undulating waves that made them seem to be cascading down to the streets in a graceful waterfall of steel and glass.

It was ten minutes past noon, and the streets were almost deserted, but even the few pedestrians abroad were too lethargic to give more than a passing curious glance at the three police cars racing east towards Hellenikon, the airport that lay twenty miles from the centre of Athens. Chief Skouri was riding in the first car. Under ordinary circumstances, he would have stayed in his comfortable, cool office while his subordinates went out to work in the blazing noon heat, but these circumstances were far from ordinary and Skouri had a twofold reason for being here personally. First, in the course of this day planes would be arriving carrying VIPs from various parts of the globe, and it was necessary to see that they were welcomed properly and whisked through Customs with a minimum of bother. Second, and more important the airport would be crowded with foreign newspaper reporters and newsreel cameramen. Chief Skouri was not a fool, and it had occurred to him as he had shaved that morning that it would do no harm to his career if he were shown in newsreels as he took the eminent visitors into his charge. It was an extraordinary stroke of fate that had decreed that a worldwide event as sensational as this one had occurred in his domain, and he would be stupid not to take advantage of it. He had discussed it in great detail with the two people in the world closest to him: his wife and his mistress. Anna, a middle-aged, ugly, bitter woman of peasant stock, had ordered him to keep away from the airport and stay in the background so that he could not be blamed if anything went wrong. Melina, his sweet, beautiful young angel, had advised him to greet the dignitaries. She agreed with him that an event like this could catapult him into instant fame. If Skouri handled this well, at the very least he would get a raise in salary and – God willing – might even be made Commissioner of Police when the present Commissioner retired. For the hundredth time Skouri reflected on the irony that Melina was his wife and Anna was his mistress, and he wondered again where he had gone wrong.

Now Skouri turned his thoughts to what lay ahead. He must make certain that everything went perfectly at the airport. He was bringing with him a dozen of his best men. His main problem, he knew, would be controlling the press. He had been astonished by the number of important newspaper and magazine reporters that had poured into Athens from all over the world. Skouri himself had been interviewed six times – each time in a different language. His answers had been translated into German, English, Japanese, French, Italian and Russian. He had just begun to enjoy his new celebrity when the Commissioner had called to inform him that he felt it was unwise for the Chief of Police to comment publicly on a murder trial that had not yet taken place. Skouri was sure that the Commissioner’s real motivation was jealousy, but he had prudently decided not to press the issue and had refused all further interviews. However, the Commissioner certainly could not complain if he, Skouri, happened to be at the airport at the centre of activity while the newsreel cameras were photographing the arriving celebrities.

As the car sped down Sygrou Avenue and swung left at the sea towards Phaleron, Skouri felt a tightening in his stomach. They were now only five minutes from the airport. He mentally checked over the list of celebrities who would be arriving in Athens before nightfall.

Armand Gautier was suffering from airsickness. He had a deep-seated fear of flying that stemmed from an excessive love of himself and his life and that, combined with the turbulence usually found off the coast of Greece in summer, had made him violently nauseous. He was a tall, ascetically thin man with scholarly features, a high forehead and a perpetually sardonic mouth. At twenty-two Gautier had helped create La Nouvelle Vague in France’s struggling movie industry and in the years that followed had gone on to even bigger triumphs in the theatre. Now acknowledged as one of the world’s greatest directors, Gautier lived his role to the hilt. Until the last twenty minutes it had been a most pleasant flight. The stewardesses recognizing him had catered to his needs and had let him know they were available for other activities. Several passengers had come up to him during the flight to say how much they admired his films and plays, but he was most interested in the pretty English University student who was attending St Anne’s at Oxford. She was writing a thesis on the theatre for her master’s and had chosen Armand Gautier as her subject. Their conversation had gone well until the girl had brought up the name of Noelle Page.

‘You used to be her director, didn’t you?’ she said. ‘I hope I can get into her trial. It’s going to be a circus.’

Gautier found himself gripping the sides of his seat, and the strength of his reaction surprised him. Even after all these years the memory of Noelle evoked a pain in him that was as sharp as ever. No one had ever touched him as she had, and no one ever would again. Since Gautier had read of Noelle’s arrest three months earlier, he had been able to think of nothing else. He had cabled her and written her, offering to do whatever he could to help, but he had never received a reply. He had had no intention of attending her trial, but he knew he could not stay away. He told himself that it was because he wanted to see whether she had changed since they had lived together. And yet he admitted to himself there was another reason. The theatrical part of him had to be there to view the drama, to watch Noelle’s face as the judge told her whether she was to live or die.

The metallic voice of the pilot came over the intercom to announce that they would be landing in Athens in three minutes, and the excitement of the anticipation of seeing Noelle again made Armand Gautier forget his airsickness.

Dr Israel Katz was flying to Athens from Capetown, where he was the resident neurosurgeon and chief of staff at Groote Schuur, the large new hospital that had just been built. Israel Katz was recognized as one of the leading neurosurgeons in the world. Medical journals were filled with his innovations. His patients included a prime minister, a president and a king.

He leaned back in the seat of the BOAC plane, a man of medium height, with a strong, intelligent face, deep-set brown eyes and long, slender, restless hands. Dr Katz was tired, and because of that he began to feel the familiar pain in a right leg that was no longer there, a leg amputated six years earlier by a giant with an axe.

It had been a long day. He had done predawn surgery, visited half a dozen patients and then walked out of a Board of Directors’ meeting at the hospital in order to fly to Athens for the trial. His wife, Esther, had tried to dissuade him.

‘There is nothing you can do for her now, Israel.’

Perhaps she was right, but Noelle Page had once risked her life to save his and he owed her something. He thought of Noelle now, and he felt the same indescribable feeling that he had felt whenever he had been with her. It was as though the mere memory of her could dissipate the years that separated them. It was romantic fantasy, of course. Nothing could ever bring those years back. Dr Israel Katz felt the plane shudder as the wheels were lowered and it started its descent. He looked out the window and spread out below him was Cairo, where he would transfer to a TAE plane to Athens, and Noelle. Was she guilty of murder? As the plane headed for the runway he thought about the other terrible murder she had committed in Paris.

Philippe Sorel stood at the railing of his yacht watching the harbour of Piraeus moving closer. He had enjoyed the sea voyage because it was one of the rare opportunities he had to escape from his fans. Sorel was one of the few sure box-office attractions in the world, and yet the odds against his ever rising to stardom had been tremendous. He was not a handsome man. On the contrary. He had the face of a boxer who had lost his last dozen matches, his nose had been broken several times, his hair was thin and he walked with a slight limp. None of these things mattered, for Philippe Sorel had sex appeal. He was an educated, soft-spoken man, and the combination of his innate gentleness and truck-driver’s face and body drove the women frantic and made men look up to him as a hero. Now as his yacht approached the harbour, Sorel wondered again what he was doing here. He had postponed a movie that he had wanted to make in order to attend Noelle’s trial. He was only too well aware of what an easy target he would be for the press as he sat in the courtroom every day, completely unprotected by his press agents and managers. The reporters were certain to misunderstand his attendance and think that it was a bid to reap publicity from the murder trial of his former mistress. Any way he looked at it, it was going to be an agonizing experience, but Sorel had to see Noelle again, had to find out if there was some way in which he could help her. As the yacht began to slide into the white-stoned breakwater of the harbour, he thought about the Noelle he had known, lived with and loved, and he came to a conclusion: Noelle was perfectly capable of murder.

As Philippe Sorel’s yacht was approaching the coast of Greece, the Special Assistant to the President of the United States was in a Pan American Clipper, one hundred air miles northwest of the Hellenikon Airport. William Fraser was in his fifties, a handsome grey-haired man with a craggy face and an authoritative manner. He was staring at a brief in his hand, but he had not turned a page or stirred for more than an hour. Fraser had taken a leave of absence to make this journey, even though it had come at a most inconvenient time, in the midst of a congressional crisis. He knew how painful the next few weeks were going to be for him, and yet he felt that he had no choice. This was a journey of vengeance, and the thought filled Fraser with a cold satisfaction. Deliberately Fraser forced his thoughts away from the trial that would begin tomorrow and looked out the window of the plane. Far below he could see an excursion boat bobbing its way towards Greece, its coast looming in the distance.

Auguste Lanchon had been seasick and terrified for three days. He was seasick because the excursion boat which he had boarded in Marseille had been caught in the tail end of a mistral, and he was terrified because he was afraid that his wife would find out what he was doing. Auguste Lanchon was in his sixties, a fat, bald-headed man with small stumpy legs and a pockmarked face with porcine eyes and thin lips that constantly had a cheap cigar clamped between them. Lanchon owned a dress shop in Marseille and he could not afford – or at least that is what he constantly told his wife – to take a vacation like rich people. Of course, he reminded himself, this was not truly a vacation. He had to see his darling Noelle once again. In the years since she had left him, Lanchon had followed her career avidly in the gossip columns, in newspapers and magazines. When she had starred in her first play, he had taken the train all the way to Paris to see her, but Noelle’s stupid secretary had kept them apart. Later he had watched Noelle’s movies, seeing them again and again and remembering how she had once made love to him. Yes, this trip would be expensive, but Auguste Lanchon knew that it would be worth every sou of it. His precious Noelle would remember the good times they used to have together, and she would turn to him for protection. He would bribe a judge or some other official – if it did not cost too much – and Noelle would be freed, and he would set her up in a little apartment in Marseille where she would always be available to him when he wanted her.

If only his wife did not find out what he was doing.

In the city of Athens Frederick Stavros was working in his tiny law office on the second floor of an old run-down building in the poor Monastiraki section of the city. Stavros was an intense young man, eager and ambitious, struggling to make a living from his chosen profession. Because he could not afford an assistant, he was forced to do all the tedious background legal research himself. Ordinarily he hated this part of his work, but this time he did not mind because he knew that if he won this case his services would be in such demand that he would never have to worry again for the rest of his life. He and Elena could be married and begin to raise a family. He would move into a suite of luxurious offices, hire law clerks and join a fashionable club like the Athenee Lesky, where one met affluent potential clients. The metamorphosis had already begun. Every time Frederick Stavros walked out into the streets of Athens, he was recognized and stopped by someone who had seen his picture in the newspaper. In a few short weeks he had jumped from anonymity to the attorney who was defending Larry Douglas. In the privacy of his soul Stavros admitted to himself that he had the wrong client. He would have preferred to be defending the glamorous Noelle Page instead of a nonentity like Larry Douglas, but he himself was a nonentity. It was enough that he, Frederick Stavros, was a major participant in the most sensational murder case of the century. If the accused were acquitted, there would be enough glory for everyone. There was only one thing that plagued Stavros, and he thought about it constantly. Both defendants were charged with the same crime, but another attorney was defending Noelle Page. If Noelle Page was found innocent, and Larry Douglas was convicted … Stavros shuddered and tried not to think about it. The reporters kept asking him whether he thought the defendants were guilty. He smiled to himself at their naïveté. What did it matter whether they were guilty or innocent? They were entitled to the best legal defence that money could buy. In his case he admitted that the definition was stretched a bit. But in the case of Noelle Page’s lawyer … ah, that was something else again. Napoleon Chotas had undertaken her defence, and there was no more brilliant criminal lawyer in the world. Chotas had never lost an important case. As he thought about that, Frederick Stavros smiled to himself. He would not have admitted it to anyone, but he was planning to ride to victory on Napoleon Chotas’ talent.

While Frederick Stavros was toiling in his dingy law office, Napoleon Chotas was attending a black-tie dinner party at a luxurious home in the fashionable Kolonaki section of Athens. Chotas was a thin, emaciated-looking man with the large, sad eyes of a bloodhound in a corrugated face. He concealed a brilliant, incisive brain behind a mild, vaguely baffled manner. Now toying with his dessert, Chotas sat, preoccupied, thinking about the trial that would begin tomorrow. Most of the conversation that evening had centred around the forthcoming trial. The discussion had been a general one, for the guests were too discreet to ask him direct questions. But towards the end of the evening as the ouzo and brandy flowed more freely, the hostess asked, ‘Tell us, do you think they are guilty?’

Chotas replied innocently, ‘How could they be? One of them is my client.’ He drew appreciative laughter.

‘What is Noelle Page really like?’

Chotas hesitated. ‘She’s a most unusual woman,’ he replied carefully. ‘She’s beautiful and talented – ’ To his surprise he found that he was suddenly reluctant to discuss her. Besides, there was no way one could capture Noelle with words. Until a few months ago he had only been dimly aware of her as a glamorous figure flitting through the gossip columns and adorning the covers of movie magazines. He had never laid eyes on her, and if he had thought of her at all, it had been with the kind of indifferent contempt he felt towards all actresses. All body and no brain. But, God, how wrong he had been! Since meeting Noelle he had fallen hopelessly in love with her. Because of Noelle Page he had broken his cardinal rule: Never become emotionally involved with a client. Chotas remembered vividly the afternoon he had been approached to undertake her defence. He had been in the midst of packing for a trip that he and his wife were going to make to New York where their daughter had just had her first baby. Nothing, he had believed, could have stopped him from making that journey. But it had only taken two words. In his mind’s eye he saw his butler walk into the bedroom, hand him the telephone and say, ‘Constantin Demiris.’

The island was inaccessible except by helicopter and yacht, and both the airfield and the private harbour were patrolled twenty-four hours a day by armed guards with trained German shepherds. The island was Constantin Demiris’ private domain, and no one intruded without an invitation. Over the years its visitors had included kings and queens, presidents and ex-presidents, movie stars, opera singers and famous writers and painters. They had all come away awed. Constantin Demiris was the third wealthiest, and one of the most powerful men in the world, and he had taste and style and knew how to spend his money to create beauty.

Demiris sat in his richly panelled library now, relaxed in a deep armchair, smoking one of the flat-shaped Egyptian cigarettes especially blended for him, thinking about the trial that would begin in the morning. The press had been trying to get to him for months, but he had simply made himself unavailable. It was enough that his mistress was going to be tried for murder, enough that his name would be dragged into the case, even indirectly. He refused to add to the furore by granting any interviews. He wondered what Noelle was feeling now, at this moment, in her cell in the Nikodemous Street Prison. Was she asleep? Awake? Filled with panic at the ordeal that lay before her? He thought of his last conversation with Napoleon Chotas. He trusted Chotas and knew that the lawyer would not fail him. Demiris had impressed upon the attorney that it did not matter to him whether Noelle was innocent or guilty. Chotas was to see to it that he earned every penny of the stupendous fee that Constantin Demiris was paying him to defend her. No, he had no reason to worry. The trial would go well. Because Constantin Demiris was a man who never forgot anything, he remembered that Catherine Douglas’ favourite flowers were Triantafylias, the beautiful roses of Greece. He reached forwards and picked up a note pad from his desk. He made a notation. Triantafylias. Catherine Douglas.

It was the least he could do for her.

PART ONE

Chapter One

Catherine

Chicago: 1919–1939

Every large city has a distinctive image, a personality that gives it its own special cachet. Chicago in the 1920’s was a restless, dynamic giant, crude and without manners, one booted foot still in the ruthless era of the tycoons who helped give birth to it: William B. Ogden and John Wentworth, Cyrus McCormick and George M. Pullman. It was a kingdom that belonged to the Philip Armours and Gustavus Swifts and Marshall Fields. It was the domain of cool professional gangsters like Hymie Weiss and Scarface Al Capone.

One of Catherine Alexander’s earliest memories was of her father taking her into a bar with a saw-dust-covered floor and swinging her up to the dizzyingly high stool. He ordered an enormous glass of beer for himself and a Green River for her. She was five years old, and she remembered how proud her father was as strangers crowded around to admire her. All the men ordered drinks and her father paid for them. She recalled how she had kept pressing her body against his arm to make sure he was still there. He had only returned to town the night before, and Catherine knew that he would soon leave again. He was a travelling salesman, and he had explained to her that his work took him to distant cities and he had to be away from her and her mother for months at a time so that he could bring back nice presents. Catherine had desperately tried to make a deal with him. If he would stay with her, she would give up the presents. Her father had laughed and said what a precocious child she was and then had left town, and it was six months before she saw him again. During those early years her mother whom she saw every day seemed a vague, shapeless personality, while her father, whom she saw only on brief occasions, was vivid and wonderfully clear. Catherine thought of him as a handsome, laughing man, full of sparkling humour and warm, generous gestures. The occasions when he came home were like holidays, full of treats and presents and surprises.

When Catherine was seven, her father was fired from his job, and their life took on a new pattern. They left Chicago and moved to Gary, Indiana, where he went to work as a salesman in a jewellery store. Catherine was enrolled in her first school. She had a wary, arms-length relationship with the other children and was terrified of her teachers, who misinterpreted her lonely standoffishness as conceit. Her father came home to dinner every night, and for the first time in her life Catherine felt that they were a real family, like other families. On Sunday the three of them would go to Miller Beach and rent horses and ride for an hour or two along the sand dunes. Catherine enjoyed living in Gary, but six months after they moved there, her father lost his job again and they moved to Harvey, a suburb of Chicago. School was already in session, and Catherine was the new girl, shut out from the friendships that had already been formed. She became known as a loner. The children, secure in the safety of their own groups, would come up to the gangly newcomer and ridicule her cruelly.

During the next few years Catherine donned an armour of indifference, which she wore as a shield against the attacks of the other children. When the armour was pierced, she struck back with a trenchant, caustic wit. Her intention was to alienate her tormentors so that they would leave her alone, but it had an unexpectedly different affect. She worked on the school paper, and in her first review about a musical that her classmates had staged, she wrote, ‘Tommy Belden had a trumpet solo in the second act, but he blew it.’ The line was widely quoted, and – surprise of surprises – Tommy Belden came up to her in the hall the next day and told Catherine that he thought it was funny.

In English the students were assigned Captain Horatio Hornblower to read. Catherine hated it. Her book report consisted of one sentence: ‘His barque was worse than his bight,’ and her teacher, who was a weekend sailor, gave her an ‘A.’ Her classmates began to quote her remarks and in a short time she was known as the school wit.

That year Catherine turned fourteen and her body was beginning to show the promise of a ripening woman. She would examine herself in the mirror for hours on end, brooding about how to change the disaster she saw reflected. Inside she was Myrna Loy, driving men mad with her beauty, but her mirror – which was her bitter enemy – showed hopelessly tangled black hair that was impossible to manage, solemn grey eyes, a mouth that seemed to grow wider by the hour and a nose that was slightly turned up. Maybe she wasn’t really ugly, she told herself cautiously, but on the other hand no one was going to knock down doors to sign her up as a movie star. Sucking in her cheeks and squinting her eyes sexily she tried to visualize herself as a model. It was depressing. She struck another pose. Eyes open wide, expression eager, a big friendly smile. No use. She wasn’t the All-American type either. She wasn’t anything. Her body was going to be all right, she dourly supposed, but nothing special. And that, of course, was what she wanted more than anything in the world: to be something special, to be Somebody, to be Remembered, and never, never, never, never, to die.

The summer she was fifteen, Catherine came across Science and Health by Mary Baker Eddy and for the next two weeks she spent an hour a day before her mirror, willing her reflection to become beautiful. At the end of that time the only change she could detect was a new patch of acne on her chin and a pimple on her forehead. She gave up sweets, Mary Baker Eddy and looking in the mirror.

Catherine and her family had moved back to Chicago and settled in a small, dreary apartment on the north side, in Rogers Park, where the rent was cheap. The country was moving deeper into an economic depression. Catherine’s father was working less and drinking more, and he and her mother were constantly yelling at each other in a never-ending series of recriminations that drove Catherine out of the house. She would go down to the beach half a dozen blocks away and walk along the shore, letting the brisk wind give wings to her thin body. She spent long hours staring at the restless grey lake, filled with some desperate longing to which she could not put a name. She wanted something so much that at times it would engulf her in a sudden wave of unbearable pain.

Catherine had discovered Thomas Wolfe, and his books were like a mirror image of the bittersweet nostalgia that filled her, but it was a nostalgia for a future that had not happened yet, as though somewhere, sometime, she had lived a wonderful life and was restless to live it again. She had begun to have her periods, and while she was physically changing into a woman, she knew that her needs, her longings, this aching-wanting was not physical and had nothing to do with sex. It was a fierce and urgent longing to be recognized, to lift herself above the billions of people who teemed the earth, so everyone would know who she was, so when she walked by, they would say, ‘There goes Catherine Alexander, the great – ’ The great what? There was the problem. She did not know what she wanted, only that she ached desperately for it. On Saturday afternoons whenever she had enough money, she would go to the State and Lake Theatre or to the McVickers or the Chicago, and see movies. She would completely lose herself in the wonderful, sophisticated world of Cary Grant and Jean Arthur, laugh with Wallace Beery and Marie Dressler and agonize over Bette Davis’ romantic disasters. She felt closer to Irene Dunne than to her mother.

Catherine was in her senior year at Senn High School and her archenemy, the mirror, had finally become her friend. The girl in the mirror had a lively, interesting face. Her hair was raven black and her skin a soft, creamy white. Her features were regular and fine, with a generous, sensitive mouth and intelligent grey eyes. She had a good figure with firm, well-developed breasts, gently curving hips and shapely legs. There was an air of aloofness about her image, a hauteur that Catherine did not feel, as though her reflection possessed a characteristic that she did not. She supposed that it was part of the protective armour she had worn since her early school days.