The Illustrated Man

The Illustrated Man
Ray Douglas Bradbury

A classic collection of stories – all told on the skin of a man – from the author of Fahrenheit 451.If El Greco had painted miniatures in his prime, no bigger than your hand, infinitely detailed, with his sulphurous colour and exquisite human anatomy, perhaps he might have used this man’s body for his art…Yet the Illustrated Man has tried to burn the illustrations off. He’s tried sandpaper, acid, and a knife. Because, as the sun sets, the pictures glow like charcoals, like scattered gems. They quiver and come to life. Tiny pink hands gesture, tiny mouths flicker as the figures enact their stories – voices rise, small and muted, predicting the future.Here are sixteen tales: sixteen illustrations… the seventeenth is your own future told on the skin of the Illustrated Man.

RAY BRADBURY

The Illustrated Man

Dedication (#ulink_a3937e29-d27f-5b6d-9e08-d7771e231020)

This book is forFATHER, MOTHER, and SKIPwith love

Contents

Cover (#u7d0bd052-39c3-558a-b6ee-6c44dd7d353b)

Title Page (#uca405a63-9585-5b06-bf40-f87ce5ac11a6)

Dedication (#u8cb3809b-e248-53ab-a7c8-f1da0d3e1030)

Prologue: The Illustrated Man (#ua83594f3-0e82-537b-8bb2-6f8e9f3316d8)

The Veld (#ud0082483-706a-53cd-b01e-9718ce190310)

Kaleidoscope (#u024f9f15-4b97-58e2-9409-53e7a885cb3b)

The Other Foot (#u4636c652-fd4f-5044-a9f3-eddee884005c)

The Highway (#litres_trial_promo)

The Man (#litres_trial_promo)

The Long Rain (#litres_trial_promo)

Usher II (#litres_trial_promo)

The Last Night of the World (#litres_trial_promo)

The Rocket (#litres_trial_promo)

No Particular Night or Morning (#litres_trial_promo)

The Fox and the Forest (#litres_trial_promo)

The Visitor (#litres_trial_promo)

Marionettes, Inc. (#litres_trial_promo)

The City (#litres_trial_promo)

Zero Hour (#litres_trial_promo)

The Playground (#litres_trial_promo)

Epilogue (#litres_trial_promo)

About the Author (#litres_trial_promo)

Other Works (#litres_trial_promo)

Copyright (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

Prologue: The Illustrated Man (#ulink_bcfbe600-f189-5386-aedb-f238e107e3e9)

It was a warm afternoon in early September when I first met the Illustrated Man. Walking along an asphalt road, I was on the final leg of a two weeks’ walking tour of Wisconsin. Late in the afternoon I stopped, ate some pork, beans, and a doughnut, and was preparing to stretch out and read when the Illustrated Man walked over the hill and stood for a moment against the sky.

I didn’t know he was Illustrated then, I only knew that he was tall, once well muscled, but now, for some reason, going to fat. I recall that his arms were long, and the hands thick, but that his face was like a child’s, set upon a massive body.

He seemed only to sense my presence, for he didn’t look directly at me when he spoke his first words:

‘Do you know where I can find a job?’

‘I’m afraid not,’ I said.

‘I haven’t had a job that’s lasted in forty years,’ he said.

Though it was a hot late afternoon, he wore his wool shirt buttoned tight about his neck. His sleeves were rolled and buttoned down over his thick wrists. Perspiration was streaming from his face, yet he made no move to open his shirt.

‘Well,’ he said at last, ‘this is as good a place as any to spend the night. Do you mind company?’

‘I have some extra food you’d be welcome to,’ I said.

He sat down heavily, grunting. ‘You’ll be sorry you asked me to stay,’ he said. ‘Everyone always is. That’s why I’m walking. Here it is, early September, the cream of the Labour Day carnival season. I should be making money hand over fist at any small town sideshow celebration, but here I am with no prospects.’

He took off an immense shoe and peered at it closely. ‘I usually keep a job about ten days. Then something happens and they fire me. By now every carnival in America won’t touch me with a ten-foot pole.’

‘What seems to be the trouble,’ I asked.

For an answer, he unbuttoned his tight collar, slowly. With his eyes shut, he put a slow hand to the task of unbuttoning his shirt all the way down. He slipped his fingers in to feel his chest. ‘Funny,’ he said, eyes still shut. ‘You can’t feel them but they’re there. I always hope that someday I’ll look and they’ll be gone. I walk in the sun for hours on the hottest days, baking, and hope that my sweat’ll wash them off, the sun’ll cook them off, but at sundown they’re still there.’ He turned his head slightly toward me and exposed his chest. ‘Are they still there now?’

After a long while I exhaled. ‘Yes,’ I said. ‘They’re still there.’

The Illustrations.

‘Another reason I keep my collar buttoned up,’ he said, opening his eyes, ‘is the children. They follow me along country roads. Everyone wants to see the pictures, and yet nobody wants to see them.’

He took his shirt off and wadded it in his hands. He was covered with Illustrations from the blue tattooed ring about his neck to his belt line.