Vixen. Volume I

Vixen. Volume I
Mary Braddon

Braddon M. E. Mary Elizabeth

Vixen, Volume I

CHAPTER I

A Pretty Horsebreaker

The moon had newly risen, a late October moon, a pale almost imperceptible crescent, above the dark pine spires in the thicket through which Roderick Vawdrey came, gun in hand, after a long day's rabbit-shooting. It was not his nearest way home, but he liked the broad clearing in the pine wood, which had a ghostly look at dusk, and was so still and lonely that the dart of a squirrel through the fallen leaves was a startling event. Here and there a sturdy young oak that had been newly stripped of its bark lay among the fern, like the naked corpse of a giant. Here and there a tree had been cut down and slung across the track, ready for barking. The ground was soft and spongy, slippery with damp dead leaves, and inclined in a general way to bogginess; but it was ground that Roderick Vawdrey had known all his life, and it seemed more natural to him than any other spot upon mother earth.

On the edge of this thicket there was a broad ditch, with more mud and dead fern in it than water, a ditch strongly suspected of snakes, and beyond the ditch the fence that enclosed Squire Tempest's domain – an old manor house in the heart of the New Forest. It had been an abbey before the Reformation, and was still best known as the Abbey House.

"I wonder whether I'm too late to catch her," speculated Roderick, shifting his bag from one shoulder to the other; "she's no end of fun."

In front of the clearing there was a broad five-barred gate, and beside the gate a keeper's cottage. The flame of a newly-lighted candle flashed out suddenly upon the autumn dusk, while Roderick stood looking at the gate.

"I'll ask at the lodge," he said; "I should like to say good-bye to the little thing before I go back to Oxford."

He walked quickly on to the gate. The keeper's children were playing at nothing particular just inside it.

"Has Miss Tempest gone for her ride this afternoon?" he asked.

"Ya-ase," drawled the eldest shock-headed youngster.

"And not come back yet?"

"Noa. If she doant take care her'll be bogged."

Roderick hitched his bag on to the top of the gate, and stood at ease waiting. It was late for the little lady of Tempest Manor to be out on her pony; but then it was an understood thing within a radius of ten miles or so that she was a self-willed young person, and even at fifteen years of age she had a knack of following her own inclination with that noble disregard of consequences which characterises the heaven-born ruler.

Mr. Vawdrey had not waited more than ten minutes when there came the thud of hoofs upon the soft track, a flash of gray in the distance, something flying over those forky branches sprawling across the way, then a half-sweet, half-shrill call, like a bird's, at which the keeper's children scattered themselves like a brood of scared chickens, and now a rush, and a gray pony shooting suddenly into the air and coming down on the other side of the gate, as if he were a new kind of skyrocket.

"What do you think of that, Rorie?" cried the shrill sweet voice of the gray pony's rider!

"I'm ashamed of you, Vixen," said Roderick, "you'll come to a bad end some of these days."

"I don't care if I do, as long as I get my fling first," replied Vixen, tossing her tawny mane.

She was a slim young thing, in a short Lincoln-green habit. She had a small pale face, brown eyes that sparkled with life and mischief, and a rippling mass of reddish-auburn hair falling down her back under a coquettish little felt hat.

"Hasn't your mamma forbidden jumping, Vixen?" remonstrated Roderick, opening the gate and coming in.

"Yes, that she has, sir," said the old groom, riding up at a jog-trot on his thickset brown cob. "It's quite against Mrs. Tempest's orders, and it's a great responsibility to go out with Miss Violet. She will do it."

"You mean the pony will do it, Bates," cried Vixen. "I don't jump. How can I help it if papa has given me a jumping pony? If I didn't let Titmouse take a gate when he was in the humour, he'd kick like old boots, and pitch me a cropper. It's an instinct of self-preservation that makes me let him jump. And as for poor dear, pretty little mamma," continued Vixen, addressing herself to Roderick, and changing her tone to one of patronising tenderness, "if she had her way, I should be brought up in a little box wrapped in jeweller's wool, to keep me safe. But you see I take after papa, Rorie; and it comes as natural to me to fly over gates as it does to you to get ploughed for smalls. There, Bates," jumping off the pony, "you may take Titmouse home, and I'll come presently and give him some apples, for he has been a dear, darling, precious treasure of a ponykins."

She emphasised this commendation with a kiss on Titmouse's gray nose, and handed the bridle to Bates.

"I'm going to walk home with Mr. Vawdrey," she said.

"But, Vixen, I can't, really," said Roderick; "I'm due at home at this moment, only I couldn't leave without saying good-bye to little Vix."

"And you're over due at Oxford, too, aren't you?" cried Vixen, laughing; "you're always due somewhere – never in the right place. But whether you are due or not, you're coming up to the stables with me to give Titmouse his apples, and then you're coming to dine with us on your last night at home. I insist upon it; papa insists; mamma insists – we all insist."

"My mother will be as angry as – "

"Old boots!" interjected Vixen. "That's the best comparison I know."

"Awfully vulgar for a young lady."

"You taught it me. How can I help being vulgar when I associate with you? You should hear Miss McCroke preach at me sermons so long" – here Vixen extended her arms to the utmost – "and I'm afraid they'd make as much impression on Titmouse as they do upon me. But she's a dear old thing, and I love her immensely."

This was Vixen's usual way, making up for all shortcomings with the abundance of her love. The heart was always atoning for the errors of the head.

"I wouldn't be Miss McCroke for anything. She must have a bad time of it with you."

"She has," assented Vixen, with a remorseful sigh; "I fear I'm bringing her sandy hairs with sorrow to the grave. That hair of hers never could be gray, you know, it's too self-opinionated in its sandiness. Now come along, Rorie, do. Titmouse will be stamping about his box like a maniac if he doesn't get those apples."

She gave a little tug with both her small doeskin-covered hands at Roderick's arm. He was still standing by the gate irresolute, inclination drawing him to the Abbey House, duty calling him home to Briarwood, five miles off, where his widowed mother was expecting his return.

"My last night at home, Vix," he said remonstrantly; "I really ought to dine with my mother."

"Of course you ought, and that's the very reason why you'll dine with us. So 'kim over, now,' as Bates says to the horses; I don't know what there is for dinner," she added confidentially, "but I feel sure it's something nice. Dinner is papa's particular vanity, you know. He's very weak about dinner."

"Not so weak as he is about you, Vixen."

"Do you really think papa is as fond of me as he is of his dinner?"

"I'm sure of it!"

"Then he must be very fond of me," exclaimed Vixen, with conviction. "Now, are you coming?"

Who could resist those little soft hands in doeskin? Certainly not Rorie. He resigned himself to the endurance of his mother's anger in the future as a price to be paid for the indulgence of his inclination in the present, gave Vixen his arm, and turned his face towards the Abbey House.

They walked through shrubberies that would have seemed a pathless wilderness to a stranger, but every turn in which was familiar to these two. The ground was undulating, and vast thickets of rhododendron and azalea rose high above them, or sank in green valleys below their path. Here and there a group of tall firs towered skyward above the dark entanglement of shrubs, or a great beech spread its wide limbs over the hollows; here and there a pool of water reflected the pale moonshine.

The house lay low, sheltered and shut in by those rhododendron thickets, a long, rambling pile of building, which had been added to, and altered, and taken away from, and added to again, like that well-known puzzle in mental arithmetic which used to amuse us in our childhood. It was all gables, and chimney-stacks, and odd angles, and ivy-mantled wall, and richly-mullioned windows, or quaint little diamond-paned lattices, peeping like a watchful eye from under the shadow of a jutting cornice. The stables had been added in Queen Elizabeth's time, after the monks had been routed from their snug quarters, and the Abbey had been bestowed upon one of the Tudor favourites. These Elizabethan stables formed the four sides of a quadrangle, stone-paved, with an old marble basin in the centre – a basin which the Vicar pronounced to be an early Saxon font, but which Squire Tempest refused to have removed from the place it had occupied ever since the stables were built. There were curious carvings upon the six sides, but so covered with mosses and lichens that nobody could tell what they meant; and the Squire forbade any scraping process by officious antiquarians, which might lead to somebody's forcible appropriation of the ancient basin.

The Squire was not so modern in his ideas as to set up his own gasometer, so the stables were lighted by lanterns, with an oil-lamp fixed here and there against the wall. Into this dim uncertain light came Roderick and Vixen, through the deep stone archway which opened from the shrubbery into the stable-yard, and which was solid enough for the gate of a fortified town.

Titmouse's stable was lighted better then the rest. The door stood open, and there was Titmouse, with the neat little quilted doeskin saddle still on his back, waiting to be fed and petted by his young mistress. It was a pretty picture, the old low-ceiled stable, with its wide stalls and roomy loose-boxes and carpet of plaited straw, golden against the deep brown of the woodwork.

Vixen ran into the box, and took off Titmouse's bridle, he holding down his head, like a child submitting to be undressed. Then, with many vigorous tugs at straps and buckles, and a good deal of screwing up of her rosy lips in the course of the effort, Vixen took off her pony's saddle.

"I like to do everything I can for him," she explained, as Rorie watched her with an amused smile; "I'd wisp him down if they'd let me."

She left the leather panel on Titmouse's back, hung up saddle and bridle, and skipped off to a corn-chest to hunt for apples. Of these she brought half-a-dozen or so in the skirt of her habit, and then, swinging herself lightly into a comfortable corner of the manger, began to carry out her system of reward for good conduct, with much coquetry on her part and Titmouse's, Rorie watching it all from the empty stall adjoining, his folded inns resting on the top of the partition. He said not another word about his mother, or the duty that called him home to Briarwood, but stood and watched this pretty horsebreaker in a dreamy contentment.