I did not think the occasion an opportune one for exploring caves, but to have withdrawn would have demanded a “moral courage,” as people commonly say when they mean cowardice, which I did not possess. We stepped within a narrow crevice of the great cliff. Moore lit a lantern and went in advance; the negro followed with a flaring torch.
Suddenly an idea occurred to me, which I felt bound to communicate to Moore. “My dear fellow,” I said in a whisper, “is this quite sportsmanlike? You know you are after some treasure, real or imaginary, and, I put it to you as a candid friend, is not this just a little bit like poaching? Your brother’s land, you know.”
“What I am looking for is in my own land,” said Moore. “The river is the march. Come on.”
We went on, now advancing among fairy halls, glistering with stalactites or paved with silver sand, and finally pushing our way through a concealed crevice down dank and narrow passages in the rock. The darkness increased; the pavement plashed beneath our feet, and the drip, drip of water was incessant. “We are under the river-bed,” said Moore, “in a kind of natural Thames Tunnel.” We made what speed we might through this combination of the Valley of the Shadow with the Slough of Despond, and soon were on firmer ground again beneath Moore’s own territory. Probably no other white men had ever crawled through the hidden passage and gained the further penetralia of the cave, which now again began to narrow. Finally we reached four tall pillars, of about ten feet in height, closely surrounded by the walls of rock. As we approached these pillars, that were dimly discerned by the torchlight, our feet made a faint metallic jingling sound among heaps of ashes which strewed the floor. Moore and I went up to the pillars and tried them with our knives. They were of wood, all soaked and green with the eternal damp. “Peter,” said Moore, “go in with the lantern and try if you can find anything there.”
Peter had none of the superstitions of his race, or he would never have been our companion. “All right, massa; me look for Brer Spook.”
So saying, Peter walked into a kind of roofed over-room, open only at the front, and examined the floor with his lantern, stamping occasionally to detect any hollowness in the ground.
“Nothing here, massa, but this dead fellow’s leg-bone and little bits of broken jugs,” and the dauntless Peter came out with his ghastly trophy.
Moore seemed not to lose heart.
“Perhaps,” he said, “there is something on the roof. Peter, give me a back.”
Peter stooped down beside one of the wooden pillars and firmly grasped his own legs above the knee. Moore climbed on the improvised ladder, and was just able to seize the edge of the roof, as it seemed to be, with his hands.
“Now steady, Peter,” he exclaimed, and with a spring he drew himself up till his head was above the level of the roof. Then he uttered a cry, and, leaping from Peter’s back retreated to the level where we stood in some confusion.
“Good God!” he said, “what a sight!”
“What on earth is the matter?” I asked.
“Look for yourself, if you choose,” said Moore, who was somewhat shaken, and at the same time irritated and ashamed.
Grasping the lantern, I managed to get on to Peter’s shoulders, and by a considerable gymnastic effort to raise my head to the level of the ledge, and at the same time to cast the light up and within.
The spectacle was sufficiently awful.
I was looking along a platform, on which ten skeletons were disposed at full length, with the skulls still covered with long hair, and the fleshless limbs glimmering white and stretching back into the darkness.
On the right hand, and crouching between a skeleton and the wall of the chamber (what we had taken for a roof was the floor of a room raised on pillars), I saw the form of a man. He was dressed in gay colours, and, as he sat with his legs drawn up, his arms rested on his knees.
On the first beholding of a dreadful thing, our instinct forces us to rush against it, as if to bring the horror to the test of touch. This instinct wakened in me. For a moment I felt dazed, and then I continued to stare involuntarily at the watcher of the dead. He had not stirred. My eyes became accustomed to the dim and flickering light which the lantern cast in that dark place.
“Hold on, Peter,” I cried, and leaped down to the floor of the cave.
“It’s all right, Moore,” I said. “Don’t you remember the picture in old Lafitau’s ‘Mœurs des Sauvages Américains’? We are in a burying-place of the Cherouines, and the seated man is only the kywash, ‘which is an image of woode keeping the deade.’”
“Ass that I am!” cried Moore. “I knew the cave led us from the Sachem’s Cave to the Sachem’s Mound, and I forgot for a moment how the fellows disposed of their dead. We must search the platform. Peter, make a ladder again.”
Moore mounted nimbly enough this time. I followed him.
The kywash had no more terrors for us, and we penetrated beyond the fleshless dead into the further extremity of the sepulchre. Here we lifted and removed vast piles of deerskin bags, and of mats, filled as they were with “the dreadful dust that once was man.” As we reached the bottom of the first pile something glittered yellow and bright beneath the lantern.
Moore stooped and tried to lift what looked like an enormous plate. He was unable to raise the object, still weighed down as it was with the ghastly remnants of the dead. With feverish haste we cleared away the débris, and at last lifted and brought to light a huge and massive disk of gold, divided into rays which spread from the centre, each division being adorned with strange figures in relief – figures of animals, plants, and what looked like rude hieroglyphs.
This was only the firstfruits of the treasure.
A silver disk, still larger, and decorated in the same manner, was next uncovered, and last, in a hollow dug in the flooring of the sepulchre, we came on a great number of objects in gold and silver, which somewhat reminded us of Indian idols. These were thickly crusted with precious stones, and were accompanied by many of the sacred emeralds and opals of old American religion. There were also some extraordinary manuscripts, if the term may be applied to picture writing on prepared deerskins that were now decaying. We paid little attention to cloaks of the famous feather-work, now a lost art, of which one or two examples are found in European museums. The gold, and silver, and precious stones, as may be imagined, overcame for the moment any ethnological curiosity.
* * * * *
Dawn was growing into day before we reached the mouth of the cave again, and after a series of journeys brought all our spoil to the light of the upper air. It was quickly enough bestowed in bags and baskets. Then, aided by three of Moore’s stoutest hands, whom we found waiting for us in the pine wood, we carried the whole treasure back, and lodged it in the strong room which had been the retreat of Gumbo.
III
The conclusion of my story shall be very short. What was the connection between Gumbo and the spoils of the Sachem’s Mound, and how did the treasures of the Aztec Temple of the Sun come to be concealed in the burial place of the Red Man? All this Moore explained to me the day after we secured the treasures.
“My father,” said Moore, “was, as you know, a great antiquarian, and a great collector of Mexican and native relics. He had given almost as much time as Brasseur de Bourbourg to Mexican hieroglyphics, and naturally had made nothing out of them. His chief desire was to discover the Secret of the Pyramid – not the pyramids of Egypt, as you fancied, but the Pyramid of the Sun, Tonatiuh, at Teohuacan. To the problem connected with this mysterious structure, infinitely older than the empire of Montezuma, which Cortes destroyed, he fancied he had a clue in this scroll.”
Moore handed me a prepared sheet of birch bark, like those which the red men use for their rude picture writings. It was very old, but the painted characters were still brilliant, and even a tyro could see that they were not Indian, but of the ancient Mexican description. In the upper left-hand corner was painted a pyramidal structure, above which the sun beamed. Eight men, over whose heads the moon was drawn, were issuing from the pyramid; the two foremost bore in their hands effigies of the sun and moon; each of the others seemed to carry smaller objects with a certain religious awe. Then came a singular chart, which one might conjecture represented the wanderings of these men, bearing the sacred things of their gods. In the lowest corner of the scroll they were being received by human beings dressed unlike themselves, with head coverings of feathers and carrying bows in their hands.
“This scroll,” Moore went on, “my father bought from one of the last of the red men who lingered on here, a prey to debt and whisky. My father always associated the drawings with the treasures of Teohuacan, which, according to him, must have been withdrawn from the pyramid, and conveyed secretly to the north, the direction from which the old Toltec pyramid builders originally came. In the north they would find no civilized people like themselves, he said, but only the Indians. Probably, however, the Indians would receive with respect the bearers of mysterious images and rites, and my father concluded that the sacred treasures of the Sun might still be concealed among some wandering tribe of red men. He had come to this conclusion for some time, when I and my brother returned from school, hastily summoned back, to find him extremely ill. He had suffered from a paralytic stroke, and he scarcely recognized us. But we made out, partly from his broken and wandering words, partly from old Tom (Peter’s father, now dead), that my father’s illness had followed on a violent fit of passion. He had picked up, it seems, from some Indians a scroll which he considered of the utmost value, and which he placed in a shelf of the library. Now, old Gumbo was a house-servant at that time, and, dumb as he was, and stupid as he was, my father had treated him with peculiar kindness. Unluckily Gumbo yielded to the favourite illusion of all servants, white and black, male and female, that anything they find in the library may be used to light a fire with. One chilly day Gumbo lighted the fire with the newly purchased Indian birch scroll. My father, when he heard of this performance, lost all self-command. In his ordinary temper the most humane of men, he simply raged at Gumbo. He would teach him, he said, to destroy his papers. And it appeared, from what we could piece together (for old Tom was very reticent and my father very incoherent), that he actually branded or tattooed a copy of what Gumbo had burnt on the nigger’s body!”
“But,” I interrupted, “your father knew all the scroll had to tell him, else he could not have copied it on Gumbo. So why was he in such a rage?”
“You,” said Moore, with some indignation, “are not a collector, and you can’t understand a collector’s feelings. My father knew the contents of the scroll, but what of that? The scroll was the first edition, the real original, and Gumbo had destroyed it. Job would have lost his temper if Job had been a collector. Let me go on. My brother and I both conjectured that the scroll had some connection with the famous riches of the Sun and the secret of the Pyramid of Teohuacan. Probably, we thought, it had contained a chart (now transferred to Gumbo’s frame) of the hiding-place of the treasure. However, in the confusion caused by my father’s illness, death, and burial, Gumbo escaped, and, being an unusually stupid nigger, he escaped due south-west. Here he seems to have fallen into the hands of some slave-holding Indians, who used him even worse than any white owners would have done, and left him the mere fragment you saw. He filtered back here through the exchange of commerce, ‘the higgling of the market,’ and as soon as I recognized him at the sale I made up my mind to purchase him. So did my brother; but, thanks to Peter and his hornets, I became Gumbo’s owner. On examining him, after he was well washed on the night of the attack, I found this chart, as you may call it, branded on Gumbo’s back.” Here Moore made a rapid tracing on a sheet of paper. “I concluded that the letters S M (introduced by my father, of course, as the Indian scroll must have been ‘before letters’) referred to the Sachem’s Mound, which is in my land; that the Sun above referred to the treasures of the Sun, that S C stood for the Sachem’s Cave, and that the cave led, under the river, within the mound. We might have opened the mound by digging on our own land, but it would have been a long job, and must have attracted curiosity and brought us into trouble. So, you see, the chart Gumbo destroyed was imprinted by my father on his black back, and though he knew nothing of the secret he distinctly had it.”
“Yes,” said I, “but why did you ask for a razor when you were left alone with Gumbo?”
“Why,” said Moore, “I knew Gumbo was marked somewhere and somehow, but the place and manner I didn’t know. And my father might have remembered the dodge of Histiæus in Herodotus: he might have shaved Gumbo’s head, tattooed the chart on that, and then allowed the natural covering to hide the secret ‘on the place where the wool ought to grow.’”
THE ROMANCE OF THE FIRST RADICAL
A PREHISTORIC APOLOGUE
“Titius. Le premier qui supprime un abus, comme on dit, est toujours victime du service qu’il rend.
Un Homme du Peuple. C’est de sa faute! Pourquoi se mêlé t’il de ce qui ne le regarde pas.” – Le Prêtre de Nemi.
The Devil, according to Dr. Johnson and other authorities, was the first Whig. History tells us less about the first Radical – the first man who rebelled against the despotism of unintelligible customs, who asserted the rights of the individual against the claims of the tribal conscience, and who was eager to see society organized, off-hand, on what he thought a rational method. In the absence of history, we must fall back on that branch of hypothetics which is known as prehistoric science. We must reconstruct the Romance of the First Radical from the hints supplied by geology, and by the study of Radicals at large, and of contemporary savages among whom no Radical reformer has yet appeared. In the following little apologue no trait of manners is invented.
The characters of our romance lived shortly after the close of the last glacial epoch in Europe, when the ice had partly withdrawn from the face of the world, and when land and sea had almost assumed their modern proportions. At this period Europe was inhabited by scattered bands of human creatures, who roamed about its surface much as the black fellows used to roam over the Australian continent. The various groups derived their names from various animals and other natural objects, such as the sun, the cabbage, serpents, sardines, crabs, leopards, bears, and hyænas. It is important for our purpose to remember that all the children took their family name from the mother’s side. If she were of the Hyæna clan, the children were Hyænas. If the mother were tattooed with the badge of the Serpent, the children were Serpents, and so on. No two persons of the same family name and crest might marry, on pain of death. The man of the Bear family who dwelt by the Mediterranean might not ally himself with a woman of the Bear clan whose home was on the shores of the Baltic, and who was in no way related to him by consanguinity. These details are dry, but absolutely necessary to the comprehension of the First Radical’s stormy and melancholy career. We must also remember that, among the tribes, there was no fixed or monarchical government. The little democratic groups were much influenced by the medicine-men or wizards, who combined the functions of the modern clergy and of the medical profession. The old men, too, had some power; the braves, or warriors, constituted a turbulent oligarchy; the noisy outcries of the old women corresponded to the utterances of an intelligent daily press. But the real ruler was a body of strange and despotic customs, the nature of which will become apparent as we follow the fortunes of the First Radical.
THE YOUTH OF WHY-WHY
Why-Why, as our hero was commonly called in the tribe, was born, long before Romulus built his wall, in a cave which may still be observed in the neighbourhood of Mentone. On the warm shores of the Mediterranean, protected from winds by a wall of rock, the group of which Why-Why was the offspring had attained conditions of comparative comfort. The remains of their dinners, many feet deep, still constitute the flooring of the cave, and the tourist, as he pokes the soil with the point of his umbrella, turns up bits of bone, shreds of chipped flint, and other interesting relics. In the big cave lived several little families, all named by the names of their mothers. These ladies had been knocked on the head and dragged home, according to the marriage customs of the period, from places as distant as the modern Marseilles and Genoa. Why-Why, with his little brothers and sisters, were named Serpents, were taught to believe that the serpent was the first ancestor of their race, and that they must never injure any creeping thing. When they were still very young, the figure of the serpent was tattooed over their legs and breasts, so that every member of primitive society who met them had the advantage of knowing their crest and highly respectable family name.
The birth of Why-Why was a season of discomfort and privation. The hill tribe which lived on the summit of the hill now known as the Tête du Chien had long been aware that an addition to the population of the cave was expected. They had therefore prepared, according to the invariable etiquette of these early times, to come down on the cave people, maltreat the ladies, steal all the property they could lay hands on, and break whatever proved too heavy to carry. Good manners, of course, forbade the cave people to resist this visit, but etiquette permitted (and in New Caledonia still permits) the group to bury and hide its portable possessions. Canoes had been brought into the little creek beneath the cave, to convey the women and children into a safe retreat, and the men were just beginning to hide the spears, bone daggers, flint fish-hooks, mats, shell razors, nets, and so forth, when Why-Why gave an early proof of his precocity by entering the world some time before his arrival was expected.
Instantly all was confusion. The infant, his mother and the other non-combatants of the tribe, were bundled into canoes and paddled, through a tempestuous sea, to the site of the modern Bordighiera. The men who were not with the canoes fled into the depths of the Gorge Saint Louis, which now severs France from Italy. The hill tribe came down at the double, and in a twinkling had “made hay” (to borrow a modern agricultural expression) of all the personal property of the cave dwellers. They tore the nets (the use of which they did not understand), they broke the shell razors, they pouched the opulent store of flint arrowheads and bone daggers, and they tortured to death the pigs, which the cave people had just begun to try to domesticate. After performing these rites, which were perfectly legal – indeed, it would have been gross rudeness to neglect them – the hill people withdrew to their wind-swept home on the Tête du Chien.
Philosophers who believe in the force of early impressions will be tempted to maintain that Why-Why’s invincible hatred of established institutions may be traced to these hours of discomfort in which his life began.
The very earliest years of Why-Why, unlike those of Mr. John Stuart Mill, whom in many respects he resembled, were not distinguished by proofs of extraordinary intelligence. He rather promptly, however, showed signs of a sceptical character. Like other sharp children, Why-Why was always asking metaphysical conundrums. Who made men? Who made the sun? Why has the cave-bear such a hoarse voice? Why don’t lobsters grow on trees? – he would incessantly demand. In answer to these and similar questions, the mother of Why-Why would tell him stories out of the simple mythology of the tribe. There was quite a store of traditional replies to inquisitive children, replies sanctioned by antiquity and by the authority of the medicine-men, and in this lore Why-Why’s mother was deeply versed.