Children of the Soil

“But I beg pardon of you. People have a right to mention what belongs to them, and I am accustomed to that; but to-day is Saturday, and on Saturday there is so much work. Moreover, in affairs of this sort, you will understand – sometimes, when Jews come, I bargain with them; but this time I should prefer if you would speak with my father. It would be easier for both.”

“Then till to-morrow,” said Pan Stanislav, who lacked the boldness to say that in questions of money he preferred to be treated like a Jew.

“Perhaps you would permit me to pour you more tea?”

“No, I thank you. Good-night.” And, rising, he extended his hand; but the young lady gave hers far less cordially than at the greeting, so that he touched barely the ends of her fingers. In going, she said, —

“The servant will show you the chamber.”

And Pan Stanislav was left alone. He felt a certain discontent, and was dissatisfied with himself, though he did not wish to acknowledge that fact in his heart. He began even to persuade himself that he had done well, since he had come hither, not to talk politely, but to get money. What was Panna Plavitski to him? She neither warmed nor chilled him. If she considered him a churl, so much the better; for it happens generally that the more disagreeable a creditor, the more people hasten to pay him.

But his discontent was increased by that reasoning; for a certain voice whispered to him that this time it was not merely a question of good-breeding, but also in some degree of compassion for a wearied woman. He felt, besides, that by acting so urgently he was satisfying his pose, not his heart, all the more because she pleased him. As in that sleeping village and in that moonlight night he had found something special, so in that young lady he found something which he had looked for in vain in foreign women, and which moved him more than he expected. But people are often ashamed of feelings which are very good. Pan Stanislav was ashamed of emotions, especially; hence he determined to be inexorable, and on the morrow to squeeze old Plavitski without mercy.

Meanwhile the servant conducted him to the bed-chamber. Pan Stanislav dismissed him at once, and was alone. That was the same chamber which they gave him, when, during the life of Plavitski’s first wife, he came to Kremen with his mother; and remembrances beset him again. The windows looked out on a garden, beyond which lay a pond; the moon was looking into the water, and the pond could be seen more easily than in former times, for it was hidden then by a great aged ash-tree, which must have been broken down by a storm, since on that spot there was sticking up merely a stump with a freshly broken piece at the top. The light of the moon seemed to centre on that fragment, which was gleaming very brightly. All this produced an impression of great calm. Pan Stanislav, who lived in the city amid mercantile labors, therefore in continual tension of his physical and mental powers, and at the same time in continual unquiet, felt that condition of the country around him as he would a warm bath after great toil. He was penetrated by relief. He tried to reflect on business transactions, how were they turning, would they give loss or profit, finally on Bigiel, his partner, and how Bigiel would manage various interests in his absence, – but he could not continue.

Then he began to think of Panna Plavitski. Her person, though it had made a good impression, was indifferent to him, even for this reason, that he saw her for the first time; but she interested him as a type. He was thirty years old and something more, therefore of the age in which instinct, with a force almost invincible, urges a man to establish a domestic hearth, take a wife, and have a family. The greatest pessimism is powerless against this instinct; neither art nor any calling in life protects a man against it. In consequence of this, misanthropes marry in spite of their philosophy, artists in spite of their art, as do all those men who declare that they give to their objects not a half, but a whole soul. Exceptions confirm the principle that, in general, men cannot live a conventional lie and swim against the currents of nature. For the great part, only those do not marry for whom the same power that creates marriage stands in the way of it; that is, those whom love has deceived. Hence, celibacy in advanced life, if not always, is most frequently a hidden tragedy.

Stanislav Polanyetski was neither a misanthrope nor an artist; neither was he a man proclaiming theories against marriage. On the contrary, he wanted to marry, and he was convinced that he ought to marry. He felt that for him the time had arrived; hence he looked around for the woman. From that came the immense interest which women roused in him, especially unmarried ones. Though he had spent some years in France and Belgium, he had not sought love among married women, even among those who were over giddy. He was an active and occupied person, who contended that only idle men can romance with married women, and in general that besieging other men’s wives is possible only where men have very much money, little honor, and nothing to do, consequently in a society where there is a whole class long since enriched, sunk in elegant idleness, and of dishonest life. He was himself, in truth, greatly occupied, hence he wished to love in order to marry; therefore only unmarried women roused in him curiosity of soul and body. When he met a young lady, the first question he asked himself was, “Is she not the woman?” or at least, “Is she not the kind of woman?” At present his thoughts were circling around Panna Plavitski in this manner. To begin with, he had heard much of her from her relative living in Warsaw; and he had heard things that were good and even touching. Her calm, mild face was before his eyes now. He recalled her hands, very shapely, with long fingers, though somewhat sunburnt, her dark blue eyes, then the slight shadow over her mouth. Her voice too pleased him. Notwithstanding all this, he repeated his promise that he would make no compromise and must have his own; still he was angry at the fate which had brought him to Kremen as a creditor. Speaking to himself in mercantile language, he repeated in spirit, “The quality is good, but I will not ‘reflect,’ as I did not come for it.”

Still he “reflected,” and that to such a degree that after he had undressed and lain down, he could not sleep for a long time. The cocks began to crow, the window panes were growing pale and green; but under his closed eyelids he saw yet the calm forehead of Panna Plavitski, the shadow over her mouth, and her hands pouring out the tea. Then, when sleep became overpowering, it seemed to him as though he were holding those hands in his own and drawing her toward him, and she was pulling back and turning her head aside, as if to escape a kiss. In the morning he woke late, and remembering Panna Plavitski, thought, “Ah, she will look like that!”

CHAPTER II

He was roused by the servant, who brought coffee and took his clothes to be brushed. When the servant brought them back, Pan Stanislav asked if it were not the custom of the house to meet in the dining-room for coffee.

“No,” answered the servant; “because the young lady rises early, and the old gentleman sleeps late.”

“And has the young lady risen?”

“The young lady is at church.”

“True, to-day is Sunday. But does not the young lady go to church with the old gentleman?”

“No; the old gentleman goes to high Mass, and then goes to visit the canon, so the young lady prefers early Mass.”

“What do they do here on Sunday?”

“They sit at home; Pan Gantovski comes to dinner.”

Pan Stanislav knew this Gantovski as a small boy. In those times they nicknamed him “Little Bear,” for he was a thick little fellow, awkward and surly. The servant explained that Pan Gantovski’s father had died about five years before, and that the young man was managing his estate in the neighboring Yalbrykov.

“And does he come here every Sunday?”

“Sometimes he comes on a week day in the evening.”

“A rival!” thought Pan Stanislav. After a while he inquired, —

“Has the old gentleman risen?”

“It must be that he has rung the bell, for Yozef has gone to him.”

“Who is Yozef?”

“The valet.”

“And who art thou?”

“I am his assistant.”

“Go and inquire when it will be possible to see the old gentleman.”

The servant went out and returned soon.

“The old gentleman sends to say that when he dresses he will beg you to come.”

“Very well.”

The servant went out; Pan Stanislav remained alone and waited, or rather was bored, a good while. Patience began to fail him at last; and he was about to stroll to the garden, when Yozef came with the announcement that the old gentleman begged him to come.

Yozef conducted him then to a chamber at the other end of the house. Pan Stanislav entered, and at the first moment did not recognize Pan Plavitski. He remembered him as a person in the bloom of life and very good-looking; now an old man stood before him, with a face as wrinkled as a baked apple, – a face to which small blackened mustaches strove in vain to lend the appearance of youth. Hair as black as the mustaches, and parted low at the side of the head, indicated also pretensions as yet unextinguished.

But Plavitski opened his arms: “Stas! how art thou, dear boy? Come hither!” And, pointing to his white shirt, he embraced the head of Pan Stanislav, and pressed it to his bosom, which moved with quick breathing.

The embrace continued a long time, and for Pan Stanislav, much too long. Plavitski said at last, —

“Let me look at thee, Anna, drop for drop! My poor beloved Anna!” and Plavitski sobbed; then he wiped with his heart finger[1 - Third, or ring finger.] his right eyelid, on which, however, there was not a tear, and repeated, —

“As like Anna as one drop is like another! Thy mother was always for me the best and the most loving relative.”

Pan Stanislav stood before him confused, also somewhat stunned by a reception such as he had not expected, and by the odor of wax, powder, and various perfumes, which came from the face, mustaches, and shirt of the old man.

“How is my dear uncle?” asked he at last, judging that this title, which moreover he had given in years of childhood to Plavitski, would answer best to the solemn manner of his reception.

“How am I?” repeated Plavitski. “Not long for me now, not long! But just for this reason I greet thee in my house with the greater affection, – I greet thee as a father. And if the blessing of a man standing over the grave, and who at the same time is the eldest member of the family, has in thy eyes any value, I give it thee.”

And seizing Pan Stanislav’s head a second time, he kissed it and blessed him. The young man changed still more, and constraint was expressed on his face. His mother was a relative and friend of Plavitski’s first wife: to Plavitski himself no affectionate feelings had ever attracted her, so far as he could remember; hence the solemnity of the reception, to which he was forced to yield, was immensely disagreeable to him. Pan Stanislav had not the least family feeling for Plavitski. “This monkey,” thought he, “is blessing me instead of talking money;” and he was seized by a certain indignation, which might help him to explain matters clearly.

“Now sit down, dear boy,” said Plavitski, “and be as if in thy own house.”

Pan Stanislav took a seat, and began, “Dear uncle, for me it is very pleasant to visit uncle. I should have done so surely, even without business; but uncle knows that I have come also on that affair which my mother – ”

Here the old man laid his hand on Pan Stanislav’s knee suddenly. “But hast thou drunk coffee?” asked he.

“I have,” answered Pan Stanislav, driven from his track.

“Marynia goes to church early. I beg pardon, too, that I have not given thee my room; but I am old, I am accustomed to sleep here. This is my nest.” Then, with a circular sweep of the hand, he directed attention to the chamber.

Unconsciously Pan Stanislav let his eyes follow the motion of the hand. On a time this chamber had been to him a ceaseless temptation, for in it had hung the arms of Plavitski. The only change in it was the wall, which in the old time was rose-colored, and represented, on an endless number of squares, young shepherdesses, dressed à la Watteau, and catching fish with hooks. At the window stood a toilet-table with a white cover, and a mirror in a silver frame. On the table was a multitude of little pots, vials, boxes, brushes, combs, nail files, etc. At one side, in the corner, was a table with pipes and pipe-stems with amber mouth-pieces; on the wall, above the sofa, was the head of a wild boar, and under it two double-barrelled guns, a hunting-bag, horns, and, in general, the weapons of hunting; in the depth was a table with papers, open shelves with a certain number of books. Everywhere the place was full of old furniture more or less needed and ornamental, but indicating that the occupant of the chamber was the centre around which everything turned in that house, and that he cared greatly for himself. In one word, it was the chamber of an old single man, – an egotist full of petty anxiety for his personal comfort, and full of pretensions. Pan Stanislav did not need long reflection to divine that Plavitski would not give up his chamber for anything, nor to any man.