"My Novel" — Volume 09

"My Novel" — Volume 09
Эдвард Джордж Бульвер-Литтон

Edward Bulwer-Lytton

«My Novel» — Volume 09

BOOK NINTH

INITIAL CHAPTER

ON PUBLIC LIFE

Now that I am fairly in the heart of my story, these preliminary chapters must shrink into comparatively small dimensions, and not encroach upon the space required by the various personages whose acquaintance I have picked up here and there, and who are now all crowding upon me like poor relations to whom one has unadvisedly given a general invitation, and who descend upon one simultaneously about Christmas time. Where they are to be stowed, and what is to become of them all, Heaven knows; in the mean while, the reader will have already observed that the Caxton Family themselves are turned out of their own rooms, sent a packing, in order to make way for the new comers.

But to proceed: Note the heading to the present Chapter, "ON PUBLIC LIFE,"—a thesis pertinent to this portion of my narrative; and if somewhat trite in itself, the greater is the stimulus to suggest thereon some original hints for reflection.

Were you ever in public life, my dear reader? I don't mean, by that question, to ask whether you were ever Lord Chancellor, Prime Minister, Leader of the Opposition, or even a member of the House of Commons. An author hopes to find readers far beyond that very egregious but very limited segment of the Great Circle. Were you ever a busy man in your vestry, active in a municipal corporation, one of a committee for furthering the interests of an enlightened candidate for your native burgh, town, or shire,—in a word, did you ever resign your private comforts as men in order to share the public troubles of mankind? If ever you have so far departed from the Lucretian philosophy, just look back—was it life at all that you lived? Were you an individual distinct existence,—a passenger in the railway,—or were you merely an indistinct portion of that common flaine which heated the boiler and generated the steam that set off the monster train?—very hot, very active, very useful, no doubt; but all your identity fused in flame, and all your forces vanishing in gas.

And do you think the people in the railway carriages care for you? Do you think that the gentleman in the worsted wrapper is saying to his neighbour with the striped rug on his comfortable knees, "How grateful we ought to be for that fiery particle which is crackling and hissing under the boiler. It helps us on a fraction of an inch from Vauxhall to Putney!" Not a bit of it. Ten to one but he is saying, "Not sixteen miles an hour! What the deuce is the matter with the stoker?"

Look at our friend Audley Egerton. You have just had a glimpse of the real being that struggles under the huge copper; you have heard the hollow sound of the rich man's coffers under the tap of Baron Levy's friendly knuckle, heard the strong man's heart give out its dull warning sound to the scientific ear of Dr. F——-. And away once more vanishes the separate existence, lost again in the flame that heats the boiler, and the smoke that curls into air from the grimy furnace.

Look to it, O Public Man, whoever thou art, and whatsoever thy degree,— see if thou canst not compound matters, so as to keep a little nook apart for thy private life; that is, for thyself! Let the Great Popkins Question not absorb wholly the individual soul of thee, as Smith or Johnson. Don't so entirely consume thyself under that insatiable boiler, that when thy poor little monad rushes out from the sooty furnace, and arrives at the stars, thou mayest find no vocation for thee there, and feel as if thou hadst nothing to do amidst the still splendours of the Infinite. I don't deny to thee the uses of "Public Life;" I grant that it is much to have helped to carry that Great Popkins Question; but Private Life, my friend, is the life of thy private soul; and there may be matters concerned with that which, on consideration, thou mayest allow cannot be wholly mixed up with the Great Popkins Question, and were not finally settled when thou didst exclaim, "I have not lived in vain,—the Popkins Question is carried at last!" Oh, immortal soul, for one quarter of an hour per diem de-Popkinize thine immortality!

CHAPTER II

It had not been without much persuasion on the part of Jackeymo that Riccabocca had consented to settle himself in the house which Randal had recommended to him. Not that the exile conceived any suspicion of the young man beyond that which he might have shared with Jackeymo, namely, that Randal's interest in the father was increased by a very natural and excusable admiration of the daughter; but the Italian had the pride common to misfortune,—he did not like to be indebted to others, and he shrank from the pity of those to whom it was known that he had held a higher station in his own land. These scruples gave way to the strength of his affection for his daughter and his dread of his foe. Good men, however able and brave, who have suffered from the wicked, are apt to form exaggerated notions of the power that has prevailed against them. Jackeymo had conceived a superstitious terror of Peschiera; and Riccabocca, though by no means addicted to superstition, still had a certain creep of the flesh whenever he thought of his foe.

But Riccabocca—than whom no man was more physically brave, and no man, in some respects, more morally timid—feared the count less as a foe than as a gallant. He remembered his kinsman's surpassing beauty, the power he had obtained over women. He knew him versed in every art that corrupts, and wholly void of the conscience that deters. And Riccabocca had unhappily nursed himself into so poor an estimate of the female character, that even the pure and lofty nature of Violante did not seem to him a sufficient safeguard against the craft and determination of a practised and remorseless intriguer. But of all the precautions he could take, none appeared more likely to conduce to safety than his establishing a friendly communication with one who professed to be able to get at all the count's plans and movements, and who could apprise Riccabocca at once should his retreat be discovered. "Forewarned is forearmed," said he to himself, in one of the proverbs common to all nations. However, as with his usual sagacity he came to reflect upon the alarming intelligence conveyed to him by Randal, namely, that the count sought his daughter's hand, he divined that there was some strong personal interest under such ambition; and what could be that interest save the probability of Riccabocca's ultimate admission to the Imperial grace, and the count's desire to assure himself of the heritage to an estate that he might be permitted to retain no more? Riccabocca was not indeed aware of the condition (not according to usual customs in Austria) on which the count held the forfeited domains. He knew not that they had been granted merely on pleasure; but he was too well aware of Peschiera's nature to suppose that he would woo a bride without a dower, or be moved by remorse in any overture of reconciliation. He felt assured too—and this increased all his fears—that Peschiera would never venture to seek an interview with himself; all the count's designs on Violante would be dark, secret, and clandestine. He was perplexed and tormented by the doubt whether or not to express openly to Violante his apprehensions of the nature of the danger to be apprehended. He had told her vaguely that it was for her sake that he desired secrecy and concealment. But that might mean anything: what danger to himself would not menace her? Yet to say more was so contrary to a man of his Italian notions and Machiavellian maxims! To say to a young girl, "There is a man come over to England on purpose to woo and win you. For Heaven's sake take care of him; he is diabolically handsome; he never fails where he sets his heart.—/Cospetto!/" cried the doctor, aloud, as these admonitions shaped themselves to speech in the camera obscura of his brain; "such a warning would have undone a Cornelia while she was yet an innocent spinster." No, he resolved to say nothing to Violante of the count's intention, only to keep guard, and make himself and Jackeymo all eyes and all ears.

The house Randal had selected pleased Riccabocca at first glance. It stood alone, upon a little eminence; its upper windows commanded the high road. It had been a school, and was surrounded by high walls, which contained a garden and lawn sufficiently large for exercise. The garden doors were thick, fortified by strong bolts, and had a little wicket lattice, shut and opened at pleasure, from which Jackeymo could inspect all visitors before he permitted them to enter.

An old female servant from the neighbourhood was cautiously hired; Riccabocca renounced his Italian name, and abjured his origin. He spoke English sufficiently well to think he could pass as an Englishman. He called himself Mr. Richmouth (a liberal translation of Riccabocca). He bought a blunderbuss, two pairs of pistols, and a huge housedog. Thus provided for, he allowed Jackeymo to write a line to Randal and communicate his arrival.

Randal lost no time in calling. With his usual adaptability and his powers of dissimulation, he contrived easily to please Mrs. Riccabocca, and to increase the good opinion the exile was disposed to form of him. He engaged Violante in conversation on Italy and its poets. He promised to bring her books. He began, though more distantly than he could have desired,—for her sweet stateliness awed him,—the preliminaries of courtship. He established himself at once as a familiar guest, riding down daily in the dusk of evening, after the toils of office, and returning at night. In four or five days he thought he had made great progress with all. Riccabocca watched him narrowly, and grew absorbed in thought after every visit. At length one night, when he and Mrs. Riccabocca were alone in the drawing-room, Violante having retired to rest, he thus spoke as he filled his pipe,—

"Happy is the man who has no children! Thrice happy he who has no girls!"

"My dear Alphonso!" said the wife, looking up from the waistband to which she was attaching a neat mother-o'-pearl button. She said no more; it was the sharpest rebuke she was in the custom of administering to her husband's cynical and odious observations. Riccabocca lighted his pipe with a thread paper, gave three great puffs, and resumed,

"One blunderbuss, four pistols, and a house-dog called Pompey, who would have made mincemeat of Julius Caesar!"

"He certainly eats a great deal, does Pompey!" said Mrs. Riccabocca, simply. "But if he relieves your mind!"

"He does not relieve it in the least, ma'am," groaned Riccabocca; "and that is the point I am coming to. This is a most harassing life, and a most undignified life. And I who have only asked from Heaven dignity and repose! But if Violante were once married, I should want neither blunderbuss, pistol, nor Pompey. And it is that which would relieve my mind, cara mia,—Pompey only relieves my larder."

Now Riccabocca had been more communicative to Jemima than he had been to Violante. Having once trusted her with one secret, he had every motive to trust her with another; and he had accordingly spoken out his fears of the Count di Peschiera. Therefore she answered, laying down the work, and taking her husband's hand tenderly,

"Indeed, my love, since you dread so much (though I own that I must think unreasonably) this wicked, dangerous man, it would be the happiest thing in the world to see dear Violante well married; because, you see, if she is married to one person she cannot be married to another; and all fear of this count, as you say, would be at an end."

"You cannot express yourself better. It is a great comfort to unbosom one's-self to a wife, after all," quoth Riccabocca.

"But," said the wife, after a grateful kiss,—"but where and how can we find a husband suitable to the rank of your daughter?"

"There! there! there!" cried Riccabocca, pushing back his chair to the farther end of the room, "that comes of unbosoming one's-self! Out flies one secret; it is opening the lid of Pandora's box; one is betrayed, ruined, undone!"

"Why, there's not a soul that can hear us!" said Mrs. Riccabocca, soothingly.

"'That's chance, ma'am! If you once contract the habit of blabbing out a secret when nobody's by, how on earth can you resist it when you have the pleasurable excitement of telling it to all the world? Vanity, vanity,— woman's vanity! Woman never could withstand rank,—never!" The doctor went on railing for a quarter of an hour, and was very reluctantly appeased by Mrs. Riccabocca's repeated and tearful assurances that she would never even whisper to herself that her husband had ever held any other rank than that of doctor. Riccabocca, with a dubious shake of the head, renewed,

"I have done with all pomp and pretension. Besides, the young man is a born gentleman: he seems in good circumstances; he has energy and latent ambition; he is akin to L'Estrange's intimate friend: he seems attached to Violante. I don't think it probable that we could do better. Nay, if Peschiera fears that I shall be restored to my country, and I learn the wherefore, and the ground to take, through this young man—why, gratitude is the first virtue of the noble!"

"You speak, then, of Mr. Leslie?"

"To be sure—of whom else?"

Mrs. Riccabocca leaned her cheek on her hand thoughtfully. "Now you have told me that, I will observe him with different eyes."

"Anima mia, I don't see how the difference of your eyes will alter the object they look upon!" grumbled Riccabocca, shaking the ashes out of his pipe.

"The object alters when we see it in a different point of view!" replied Jemima, modestly. "This thread does very well when I look at it in order to sew on a button, but I should say it would never do to tie up Pompey in his Kennel."

"Reasoning by illustration, upon my soul!" ejaculated Riccabocca, amazed.

"And," continued Jemima, "when I am to regard one who is to constitute the happiness of that dear child, and for life, can I regard him as I would the pleasant guest of an evening? Ah, trust me, Alphonso; I don't pretend to be wise like you; but when a woman considers what a man is likely to prove to woman,—his sincerity, his honour, his heart,—oh, trust me, she is wiser than the wisest man!"

Riccabocca continued to gaze on Jemima with unaffected admiration and surprise. And certainly, to use his phrase, since he had unbosomed himself to his better half, since he had confided in her, consulted with her, her sense had seemed to quicken, her whole mind to expand.

"My dear," said the sage, "I vow and declare that Machiavelli was a fool to you. And I have been as dull as the chair I sit upon, to deny myself so many years the comfort and counsel of such a—But, /corpo di Bacco!/ forget all about rank; and so now to bed.—One must not holloa till one's out of the wood," muttered the ungrateful, suspicious villain, as he lighted the chamber candle.

CHAPTER III

RICCABOCCA could not confine himself to the precincts within the walls to which he condemned Violante. Resuming his spectacles, and wrapped in his cloak, he occasionally sallied forth upon a kind of outwatch or reconnoitring expedition,—restricting himself, however, to the immediate neighbourhood, and never going quite out of sight of his house. His favourite walk was to the summit of a hillock overgrown with stunted bush-wood. Here he would sit himself musingly, often till the hoofs of Randal's horse rang on the winding road, as the sun set, over fading herbage, red and vaporous, in autumnal skies. Just below the hillock, and not two hundred yards from his own house, was the only other habitation in view,—a charming, thoroughly English cottage, though somewhat imitated from the Swiss, with gable ends, thatched roof, and pretty, projecting casements, opening through creepers and climbing roses. From his height he commanded the gardens of this cottage, and his eye of artist was pleased, from the first sight, with the beauty which some exquisite taste had given to the ground. Even in that cheerless season of the year, the garden wore a summer smile; the evergreens were so bright and various, and the few flow ers still left so hardy and so healthful. Facing the south, a colonnade, or covered gallery, of rustic woodwork had been formed, and creeping plants, lately set, were already beginning to clothe its columns. Opposite to this colonnade there was a fountain which reminded Riccabocca of his own at the deserted Casino. It was indeed singularly like it; the same circular shape, the same girdle of flowers around it. But the jet from it varied every day, fantastic and multiform, like the sports of a Naiad,—sometimes shooting up like a tree, sometimes shaped as a convolvulus, sometimes tossing from its silver spray a flower of vermilion, or a fruit of gold,—as if at play with its toy like a happy child. And near the fountain was a large aviary, large enough to enclose a tree. The Italian could just catch a gleam of rich colour from the wings of the birds, as they glanced to and fro within the network, and could hear their songs, contrasting the silence of the freer populace of air, whom the coming winter had already stilled.

Riccabocca's eye, so alive to all aspects of beauty, luxuriated in the view of this garden. Its pleasantness had a charm that stole him from his anxious fear and melancholy memories.

He never saw but two forms within the demesnes, and he could not distinguish their features. One was a woman, who seemed to him of staid manner and homely appearance: she was seen but rarely. The other a man, often pacing to and fro the colonnade, with frequent pauses before the playful fountain, or the birds that sang louder as he approached. This latter form would then disappear within a room, the glass door of which was at the extreme end of the colonnade; and if the door were left open, Riccabocca could catch a glimpse of the figure bending over a table covered with books.

Always, however, before the sun set, the man would step forth more briskly, and occupy himself with the garden, often working at it with good heart, as if at a task of delight; and then, too, the woman would come out, and stand by as if talking to her companion. Riccabocca's curiosity grew aroused. He bade Jemima inquire of the old maid-servant who lived at the cottage, and heard that its owner was a Mr. Oran,—a quiet gentleman, and fond of his book.

While Riccabocca thus amused himself, Randal had not been prevented, either by his official cares or his schemes on Violante's heart and fortune, from furthering the project that was to unite Frank Hazeldean and Beatrice di Negra. Indeed, as to the first, a ray of hope was sufficient to fire the ardent and unsuspecting lover. And Randal's artful misrepresentation of his conference with Mrs. Hazeldean removed all fear of parental displeasure from a mind always too disposed to give itself up to the temptation of the moment. Beatrice, though her feelings for Frank were not those of love, became more and more influenced by Randal's arguments and representations, the more especially as her brother grew morose, and even menacing, as days slipped on, and she could give no clew to the retreat of those whom he sought for. Her debts, too, were really urgent. As Randal's profound knowledge of human infirmity had shrewdly conjectured, the scruples of honour and pride, that had made her declare she would not bring to a husband her own encumbrances, began to yield to the pressure of necessity. She listened already, with but faint objections, when Randal urged her not to wait for the uncertain discovery that was to secure her dowry, but by a private marriage with Frank escape at once into freedom and security. While, though he had first held out to young Hazeldean the inducement of Beatrice's dowry as a reason of self-justification in the eyes of the squire, it was still easier to drop that inducement, which had always rather damped than fired the high spirit and generous heart of the poor Guardsman. And Randal could conscientiously say, that when he had asked the squire if he expected fortune with Frank's bride, the squire had replied, "I don't care." Thus encouraged by his friend and his own heart, and the softening manner of a woman who might have charmed many a colder, and fooled many a wiser man, Frank rapidly yielded to the snares held out for his perdition. And though as yet he honestly shrank from proposing to Beatrice or himself a marriage without the consent, and even the knowledge, of his parents, yet Randal was quite content to leave a nature, however good, so thoroughly impulsive and undisciplined, to the influences of the first strong passion it had ever known. Meanwhile, it was so easy to dissuade Frank from even giving a hint to the folks at home. "For," said the wily and able traitor, "though we may be sure of Mrs. Hazeldean's consent, and her power over your father, when the step is once taken, yet we cannot count for certain on the squire, he is so choleric and hasty. He might hurry to town, see Madame di Negra, blurt out some passionate, rude expressions, which would wake her resentment, and cause her instant rejection. And it might be too late if he repented afterwards, as he would be sure to do."

Meanwhile Randal Leslie gave a dinner at the Clarendon Hotel (an extravagance most contrary to his habits), and invited Frank, Mr. Borrowell, and Baron Levy.

But this house-spider, which glided with so much ease after its flies, through webs so numerous and mazy, had yet to amuse Madame di Negra with assurances that the fugitives sought for would sooner or later be discovered. Though Randal baffled and eluded her suspicion that he was already acquainted with the exiles ("the persons he had thought of were," he said, "quite different from her description;" and he even presented to her an old singing-master and a sallow-faced daughter, as the Italians who had caused his mistake), it was necessary for Beatrice to prove the sincerity of the aid she had promised to her brother, and to introduce Randal to the count. It was no less desirable to Randal to know, and even win the confidence of this man—his rival.

The two met at Madame di Negra's house. There is something very strange, and almost mesmerical, in the rapport between two evil natures. Bring two honest men together, and it is ten to one if they recognize each other as honest; differences in temper, manner, even politics, may make each misjudge the other. But bring together two men unprincipled and perverted—men who, if born in a cellar, would have been food for the hulks or gallows—and they understand each other by instant sympathy. The eyes of Franzini, Count of Peschiera, and Randal Leslie no sooner met than a gleam of intelligence shot from both. They talked on indifferent subjects,—weather, gossip, politics,—what not. They bowed and they smiled; but all the while, each was watching, plumbing the other's heart, each measuring his strength with his companion; each inly saying, "This is a very remarkable rascal; am I a match for him?" It was at dinner they met; and following the English fashion, Madame di Negra left them alone with their wine.

Then, for the first time, Count di Peschiera cautiously and adroitly made a covered push towards the object of the meeting.