"Of course there must be one," he insisted carelessly. "Is there anything in the world more likely to go queer than a clock?"
"There are five clocks in the house. Why should they all go wrong at the same time and in the same manner?"
He smiled. "I don't know," he said frankly. "I'll investigate, if you will permit me."
"Of course.... And, about L'Ombre. What could explain its presence in the moat? It is a creature of icy waters; it is extremely limited in its range. My father has often said that, except L'Ombre which has appeared at long intervals in our moat, L'Ombre never has been seen in Brittany."
"From where does this clear water come which fills the moat?" he asked, smiling.
"From living springs in the bottom."
"No doubt," he said cheerfully, "a long subterranean vein of water connects these springs with some distant Alpine river, somewhere—in the Pyrenees, perhaps—" He hesitated, for the explanation seemed as far-fetched as the water.
Perhaps it so appeared to her, for she remained politely silent.
Suddenly, in the house, a clock struck five times. They both sat listening intently. From the depths of the ancient mansion, the other clocks repeated the strokes, first one, then another, then two sounding their clear little bells almost in unison. All struck five. He drew out his watch and looked at it. The hour was three in the afternoon.
After a moment her attitude, a trifle rigid, relaxed. He muttered something about making an examination of the clocks, adding that to adjust and regulate them would be a simple matter.
She sat very still beside him on the stone coping—her dark eyes wandered toward the forest—wonderful eyes, dreamily preoccupied—the visionary eyes of a Bretonne, full of the mystery and beauty of magic things unseen.
Venturing, at last, to disturb the delicate sequence of her thoughts: "Madame," he said, "have you heard any rumours concerning enemy airships—or, undersea boats?"
The tranquil gaze returned, rested on him: "No, but something has been happening in the Aulnes Étang."
"What?"
"I don't know. But every day the wild ducks rise from it in fright—clouds of them—and the curlew and lapwings fill the sky with their clamour."
"A poacher?"
"I know of none remaining here in Finistère."
"Have you seen anything in the sky? An eagle?"
"Only the wild fowl whirling above the étang."
"You have heard nothing—from the clouds?"
"Only the vanneaux complaining and the wild curlew answering."
"Where is L'Ombre?" he asked, vaguely troubled.
She rose; he followed her across the bridge and along the mossy border of the moat. Presently she stood still and pointed down in silence.
For a while he saw nothing in the moat; then, suspended midway between surface and bottom, motionless in the transparent water, a shadow, hanging there, colourless, translucent—a phantom vaguely detached from the limpid element through which it loomed.
L'Ombre lay very still in the silvery-grey depths where the glass of the stream reflected the façade of that ancient house.
Around the angle of the moat crept a ripple; a rat appeared, swimming, and, seeing them, dived. L'Ombre never stirred.
An involuntary shudder passed over Neeland, and he looked up abruptly with the instinct of a creature suddenly trapped—but not yet quite realizing it.
In the grey forest walling that silent place, in the monotonous sky overhead, there seemed something indefinitely menacing; a menace, too, in the intense stillness; and, in the twisted, uplifted limbs of every giant tree, a subtle and suspended threat.
He said tritely and with an effort: "For everything there are natural causes. These may always be discovered with ingenuity and persistence.... Shall we examine your clocks, Madame?"
"Yes.... Will your General be annoyed because I have asked that an officer be sent here? Tell me truthfully, are you annoyed?"
"No, indeed," he insisted, striving to smile away the inexplicable sense of depression which was creeping over him.
He looked down again at the grey wraith in the water, then, as they turned and walked slowly back across the bridge together, he said, suddenly:
"Something is wrong somewhere in Finistère. That is evident to me. There have been too many rumours from too many sources. By sea and land they come—rumours of things half seen, half heard—glimpses of enemy aircraft, sea-craft. Yet their presence would appear to be an impossibility in the light of the military intelligence which we possess.
"But we have investigated every rumour; although I, personally, know of no report which has been confirmed. Nevertheless, these rumours persist; they come thicker and faster day by day. But this—" He hesitated, then smiled—"this seems rather different–"
"I know. I realize that I have invited ridicule–"
"Countess–"
"You are too considerate to say so.... And perhaps I have become nervous—imagining things. It might easily be so. Perhaps it is the sadness of the past year—the strangeness of it, and–"
She sighed unconsciously.
"It is lonely in the Wood of Aulnes," she said.
"Indeed it must be very lonely here," he returned in a low voice.
"Yes.... Aulnes Wood is—too remote for them to send our wounded here for their convalescence. I offered Aulnes. Then I offered myself, saying that I was ready to go anywhere if I might be of use. It seems there are already too many volunteers. They take only the trained in hospitals. I am untrained, and they have no leisure to teach … nobody wanted me."
She turned and gazed dreamily at the forest.
"So there is nothing for me to do," she said, "except to remain here and sew for the hospitals." … She looked out thoughtfully across the fern-grown carrefour: "Therefore I sew all day by the latticed window there—all day long, day after day—and when one is young and when there is nobody—nothing to look at except the curlew flying—nothing to hear except the vanneaux, and the clocks striking the hour–"
Her voice had altered subtly, but she lifted her proud little head and smiled, and her tone grew firm again:
"You see, Monsieur, I am truly becoming a trifle morbid. It is entirely physical; my heart is quite undaunted."
"You heart, Madame, is but a part of the great, undaunted heart of France."
"Yes … therefore there could be no fear—no doubt of God.... Affairs go well with France, Monsieur?—may I ask without military impropriety?"
"France, as always, faces her destiny, Madame. And her destiny is victory and light."
"Surely … I knew; only I had heard nothing for so long.... Thank you, Monsieur."
He said quietly: "The Light shall break. We must not doubt it, we English. Nor can you doubt the ultimate end of this vast and hellish Darkness which has been let loose upon the world to assail it. You shall live to see light, Madame—and I also shall see it—perhaps–"