Bedded For The Italian's Pleasure

Bedded For The Italian's Pleasure
Anne Mather

Mills & Boon are excited to present The Anne Mather Collection – the complete works by this classic author made available to download for the very first time! These books span six decades of a phenomenal writing career, and every story is available to read unedited and untouched from their original release.When desire overrules all sense… When Juliet meets broodingly handsome Italian Raphael Marchese, there is an instant and dangerous attraction between them. But because of the pretense Juliet has agreed to in order to help a friend, Rafe mistakenly thinks she's a gold-digger who's engaged to another man!However, the tension between Juliet and Rafe is stronger than reason, and it erupts. Raphael makes love to her–passionately and ardently. He reasons that though he can never have her, he can enjoy the pleasure of her body….

Mills & Boon is proud to present a fabulous collection of fantastic novels by bestselling, much loved author

ANNE MATHER

Anne has a stellar record of achievement within the

publishing industry, having written over one hundred

and sixty books, with worldwide sales of more than

forty-eight MILLION copies in multiple languages.

This amazing collection of classic stories offers a chance

for readers to recapture the pleasure Anne’s powerful,

passionate writing has given.

We are sure you will love them all!

I’ve always wanted to write—which is not to say I’ve always wanted to be a professional writer. On the contrary, for years I only wrote for my own pleasure and it wasn’t until my husband suggested sending one of my stories to a publisher that we put several publishers’ names into a hat and pulled one out. The rest, as they say, is history. And now, one hundred and sixty-two books later, I’m literally—excuse the pun—staggered by what’s happened.

I had written all through my infant and junior years and on into my teens, the stories changing from children’s adventures to torrid gypsy passions. My mother used to gather these manuscripts up from time to time, when my bedroom became too untidy, and dispose of them! In those days, I used not to finish any of the stories and Caroline, my first published novel, was the first I’d ever completed. I was newly married then and my daughter was just a baby, and it was quite a job juggling my household chores and scribbling away in exercise books every chance I got. Not very professional, as you can imagine, but that’s the way it was.

These days, I have a bit more time to devote to my work, but that first love of writing has never changed. I can’t imagine not having a current book on the typewriter—yes, it’s my husband who transcribes everything on to the computer. He’s my partner in both life and work and I depend on his good sense more than I care to admit.

We have two grown-up children, a son and a daughter, and two almost grown-up grandchildren, Abi and Ben. My e-mail address is mystic-am@msn.com (mailto:mystic-am@msn.com) and I’d be happy to hear from any of my wonderful readers.

Bedded for the Italian’s Pleasure

Anne Mather

www.millsandboon.co.uk (http://www.millsandboon.co.uk)

CONTENTS

Cover (#u1e6edcf0-8533-5b9f-bb3c-ab97f3c989a1)

About the Author (#ue3ebb355-80c0-5804-ae5e-8ae925ef2114)

Title Page (#u3dc1e5c7-b84b-5744-8e1f-a646990e7d43)

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

EPILOGUE

Copyright (#litres_trial_promo)

CHAPTER ONE (#u311e9e0a-db3c-5077-803f-a76d52bde6a7)

JULIET wondered what it was like in the Caymans at this time of year. Pretty much like Barbados, she assumed. They were all islands in the Caribbean, weren’t they? But she’d never been to the Caymans.

Still, whatever they were like, they had to be better than this gloomy employment agency, whose sickly green walls and wafer-thin carpet were a poor substitute for the comfort she was used to. Had been born to, she amended, fighting back the tears of self-pity that formed in her eyes. Beautiful violet eyes, her father used to call them. They reminded him of her mother, who’d died when she was just a baby. How long ago it all seemed.

One thing she knew, her father would never have allowed her to be duped by a man like David Hammond. But her father, too, had died of a brain tumour when Juliet was just nineteen and a year later David had seemed like a knight in shining armour.

If only she’d realised that his main interest in her was the trust fund her father had left her. That just a handful of years after their society wedding he’d take off with the woman he’d introduced to Juliet as his secretary. With her stupid indulgence, he’d taken charge of her trust fund. By the time she’d realised what was happening, he’d transferred the bulk of it to an offshore account in his own name.

She’d been so naïve. She’d let David’s good looks and boyish charm blind her to any faults in his character. She’d believed he loved her; ignored the advice of friends when they’d told her he’d been seen with someone else. Now the few pounds he’d left in their joint account were running out fast.

Of course, those friends that had stuck by her had been sympathetic. They’d even offered to help her out financially, but Juliet had known their friendship couldn’t last under those circumstances. No, she had to get a job; though what kind of a job she could get with no qualifications she dreaded to think. If only she’d continued her education after her father died. But David’s appearance in her life had blinded her to practical things.

She glanced round the waiting room again, wondering what sort of qualifications her fellow applicants had. There were five other people in the room besides herself: two men and three women, all of whom seemed totally indifferent to their surroundings. If she didn’t know better, she’d have said they were indifferent to being offered employment, too. At least two of them looked half-asleep—or stoned.

Which could be good news or bad, depending on the way you looked at it. Surely after interviewing someone dressed in torn jeans or a grungy T-shirt, or that girl whose arms were covered with lurid tattoos, Juliet, in her navy pinstripe suit and two-inch heels, would be a relief. Or perhaps not. Perhaps unskilled jobs were more likely to be offered to people who didn’t look as if they could afford to be out of work.

‘Mrs Hammond?’