Captains All and Others

“You go out o’ that door,” ses old Cook, pointing to it. “Go and do your worst. You won’t get any money ‘ere.”

“Stop a minute,” ses Emma, and afore they could stop ‘er she ran upstairs. Mrs. Cook went arter ‘er and ‘igh words was heard up in the bedroom, but by-and-by Emma came down holding her head very ‘igh and looking at Jack Bates as though he was dirt.

“How am I to know Charlie owes you this money?” she ses.

Jack Bates turned very red, and arter fumbling in ‘is pockets took out about a dozen dirty bits o’ paper, which Charlie ‘ad given ‘im for I O U’s. Emma read ‘em all, and then she threw a little parcel on the table.

“There’s your money,” she ses; “take it and go.”

Mrs. Cook and ‘er father began to call out, but it was no good.

“There’s seventy-two pounds there,” ses Emma, who was very pale; “and ‘ere’s a ring you can have to ‘elp make up the rest.” And she drew Charlie’s ring off and throwed it on the table. “I’ve done with ‘im for good,” she ses, with a look at ‘er mother.

Jack Bates took up the money and the ring and stood there looking at ‘er and trying to think wot to say. He’d always been uncommon partial to the sex, and it did seem ‘ard to stand there and take all that on account of Charlie Tagg.

“I only wanted my own,” he ses, at last, shuffling about the floor.

“Well, you’ve got it,” ses Mrs. Cook, “and now you can go.”

“You’re pi’soning the air of my front parlour,” ses old Cook, opening the winder a little at the top.

“P’r’aps I ain’t so bad as you think I am,” ses Jack Bates, still looking at Emma, and with that ‘e walked over to Charlie and dumped down the money on the table in front of ‘im. “Take it,” he ses, “and don’t borrow any more. I make you a free gift of it. P’r’aps my ‘art ain’t as black as my face,” he ses, turning to Mrs. Cook.

They was all so surprised at fust that they couldn’t speak, but old Cook smiled at ‘im and put the winder up agin. And Charlie Tagg sat there arf mad with temper, locking as though ‘e could eat Jack Bates without any salt, as the saying is.

“I—I can’t take it,” he ses at last, with a stammer.

“Can’t take it? Why not?” ses old Cook, staring. “This gentleman ‘as given it to you.” “A free gift,” ses Mrs. Cook, smiling at Jack very sweet.

“I can’t take it,” ses Charlie, winking at Jack to take the money up and give it to ‘im quiet, as arranged. “I ‘ave my pride.”

“So ‘ave I,” ses Jack. “Are you going to take it?”

Charlie gave another look. “No,” he ses, “I cant take a favour. I borrowed the money and I’ll pay it back.

“Very good,” ses Jack, taking it up. “It’s my money, ain’t it?”

“Yes,” ses Charlie, taking no notice of Mrs. Cook and ‘er husband, wot was both talking to ‘im at once, and trying to persuade ‘im to alter his mind.

“Then I give it to Miss Emma Cook,” ses Jack Bates, putting it into her hands. “Good-night everybody and good luck.”

He slammed the front door behind ‘im and they ‘eard ‘im go off down the road as if ‘e was going for fire-engines. Charlie sat there for a moment struck all of a heap, and then ‘e jumped up and dashed arter ‘im. He just saw ‘im disappearing round a corner, and he didn’t see ‘im agin for a couple o’ year arterwards, by which time the Sydney gal had ‘ad three or four young men arter ‘im, and Emma, who ‘ad changed her name to Smith, was doing one o’ the best businesses in the chandlery line in Poplar.

THE CONSTABLE’S MOVE

Mr. Bob Grummit sat in the kitchen with his corduroy-clad legs stretched on the fender. His wife’s half-eaten dinner was getting cold on the table; Mr. Grummit, who was badly in need of cheering up, emptied her half-empty glass of beer and wiped his lips with the back of his hand.

“Come away, I tell you,” he called. “D’ye hear? Come away. You’ll be locked up if you don’t.”

He gave a little laugh at the sarcasm, and sticking his short pipe in his mouth lurched slowly to the front-room door and scowled at his wife as she lurked at the back of the window watching intently the furniture which was being carried in next door.

“Come away or else you’ll be locked up,” repeated Mr. Grummit. “You mustn’t look at policemen’s furniture; it’s agin the law.”

Mrs. Grummit made no reply, but, throwing appearances to the winds, stepped to the window until her nose touched, as a walnut sideboard with bevelled glass back was tenderly borne inside under the personal supervision of Police-Constable Evans.

“They’ll be ‘aving a pianner next,” said the indignant Mr. Grummit, peering from the depths of the room.

“They’ve got one,” responded his wife; “there’s the end if it stickin’ up in the van.”

Mr. Grummit advanced and regarded the end fixedly. “Did you throw all them tin cans and things into their yard wot I told you to?” he demanded.

“He picked up three of ‘em while I was upstairs,” replied his wife. “I ‘eard ‘im tell her that they’d come in handy for paint and things.”

“That’s ‘ow coppers get on and buy pianners,” said the incensed Mr. Grummit, “sneaking other people’s property. I didn’t tell you to throw good ‘uns over, did I? Wot d’ye mean by it?”

Mrs. Grummit made no reply, but watched with bated breath the triumphal entrance of the piano. The carman set it tenderly on the narrow footpath, while P. C. Evans, stooping low, examined it at all points, and Mrs. Evans, raising the lid, struck a few careless chords.

“Showing off,” explained Mrs. Grummit, with a half turn; “and she’s got fingers like carrots.”

“It’s a disgrace to Mulberry Gardens to ‘ave a copper come and live in it,” said the indignant Grummit; “and to come and live next to me!– that’s what I can’t get over. To come and live next door to a man wot has been fined twice, and both times wrong. Why, for two pins I’d go in and smash ‘is pianner first and ‘im after it. He won’t live ‘ere long, you take my word for it.”

“Why not?” inquired his wife.

“Why?” repeated Mr. Grummit. “Why? Why, becos I’ll make the place too ‘ot to hold him. Ain’t there enough houses in Tunwich without ‘im a-coming and living next door to me?”

For a whole week the brain concealed in Mr. Grummit’s bullet-shaped head worked in vain, and his temper got correspondingly bad. The day after the Evans’ arrival he had found his yard littered with tins which he recognized as old acquaintances, and since that time they had travelled backwards and forwards with monotonous regularity. They sometimes made as many as three journeys a day, and on one occasion the heavens opened to drop a battered tin bucket on the back of Mr. Grummit as he was tying his bootlace. Five minutes later he spoke of the outrage to Mr. Evans, who had come out to admire the sunset.

“I heard something fall,” said the constable, eyeing the pail curiously.

“You threw it,” said Mr. Grummit, breathing furiously.

“Me? Nonsense,” said the other, easily. “I was having tea in the parlour with my wife and my mother-in-law, and my brother Joe and his young lady.”

“Any more of ‘em?” demanded the hapless Mr. Grummit, aghast at this list of witnesses for an alibi.

“It ain’t a bad pail, if you look at it properly,” said the constable. “I should keep it if I was you; unless the owner offers a reward for it. It’ll hold enough water for your wants.”

Mr. Grummit flung indoors and, after wasting some time concocting impossible measures of retaliation with his sympathetic partner, went off to discuss affairs with his intimates at the Bricklayers’ Arms. The company, although unanimously agreeing that Mr. Evans ought to be boiled, were miserably deficient in ideas as to the means by which such a desirable end was to be attained.

“Make ‘im a laughing-stock, that’s the best thing,” said an elderly labourer. “The police don’t like being laughed at.”

“‘Ow?” demanded Mr. Grummit, with some asperity.

“There’s plenty o’ ways,” said the old man.

“I should find ‘em out fast enough if I ‘ad a bucket dropped on my back, I know.”

Mr. Grummit made a retort the feebleness of which was somewhat balanced by its ferocity, and subsided into glum silence. His back still ached, but, despite that aid to intellectual effort, the only ways he could imagine of making the constable look foolish contained an almost certain risk of hard labour for himself.