In Château Land

Neurdein Freres, Photo.

Anne de Thou, Dame de Cheverny

While listening to this genealogical disquisition our eyes turned to a most attractive looking tea table which was set forth with superb silver, and thin slices of bread and butter and cake. With appetites sharpened by our long ride through the fresh air, I fear that we all gazed longingly at that tempting regale, and for Miss Cassandra, Lydia and I positively trembled. With her strong feeling that the world was made for herself and those whom she loves, it would not have surprised us to see the good lady sit down at this hospitable looking table and invite the rest of the party to join her. Lydia adroitly led the conversation toward Chambord and the afternoon tea which our chauffeur had promised us there, adding, gracefully, "It is very kind of the Marquise to allow us to go through her beautiful château while the family is in residence." "Yes," assented Miss Cassandra, "but how much more hospitable if she would invite us to drink tea with her!" After admiring the beautifully decorated ceiling and the handsome leather hangings, we left the dining room and its temptations for what was a much greater attraction to the men of the party, the fine suits of armor in the Salle des Gardes.

Although Cheverny cherishes its Bourbon traditions, like the proverbially happy nation and happy woman it has no history to speak of, having even escaped the rigors of the French Revolution. In the past, as to-day, this château seems to have been a homelike and peaceful abode, its long façade and pavilions having looked down through many centuries upon a smiling garden and a vast lawn, which shut it in from the world beyond even more effectually than its great gates.

From Cheverny our way lay across a stretch of open, level country and then through the forest of Chambord, which includes 11,000 acres of woodland. By the time we reached the château, we were, as Miss Cassandra expresses it in classic phrase, "faint yet pursuing" for lack of the refreshment to which we were not made welcome at Cheverny. Our chauffeur, being accustomed to famished pilgrims, conducted us at once to a garden café quite near the château, from whence we could study its long façade while enjoying our tea and pâtisserie. And what a huge monument is this château of Chambord to the effete monarchy of France, built up from the life-blood and toil of thousands! It impressed us as more brutally rich and splendid than any of the palaces that we had seen, rising as it does in its great bulk so unexpectedly from the dead level of the sandy plain, with no especial reason for its existence except the will of a powerful sovereign. It is not strange that the salamander of Francis I appears upon so many of the châteaux of France, for to this art-loving, luxurious, and débonnaire King she owes Chambord, Fontainebleau, St. Germain and the smaller châteaux of Azay-le-Rideau, Anet and Villers-Cotterets. Although Francis I brought from Italy, to beautify his palaces, Leonardo Da Vinci, Primaticcio, Benvenuto Cellini, Florentin Rosso and other foreign artists, it has been decided by those who know more about the matter than we do, that Chambord owes more to its first architect, Maître Pierre le Nepvue, dit Trinqueau, than to anyone else. It seemed to us that this master hand was happier in the construction of Chenonceaux, Blois and some of the other châteaux of France, than here at Chambord, but this is a matter of individual taste. Vast, palatial, magnificent Chambord certainly is, and much more attractive on the north façade, where the château is reflected in the waters of the Cosson, than from the café where we were seated. The long line of buildings in the south front is somewhat monotonous, even broken as it is by the several towers, and the great central lantern, which appears to the best advantage from this side. Rich as is all the ornamentation of Chambord, it is skyward that it breaks forth into the greatest exuberance of Renaissance decoration. We reached the central lantern, with the single fleur-de-lis atop, by one of the remarkable staircases for which the palaces of Francis I are so famous. This staircase, which is formed by two spirals starting from different points, and winding about the same hollow shaft in the centre, is so constructed that persons can go up and down without meeting. Mr. Henry James considered this double staircase "a truly majestic joke," but in days when courts lived and moved and had their being in intrigues, schemes and plots, it doubtless had its uses.

Neurdein Freres, Photo.

Château of Chambord

Mademoiselle de Montpensier gives in her diary an amusing account of her first acquaintance with this double stairway. She came, when a child, to Chambord to visit her father, Gaston, Duke of Orleans, who stood at the top of the stairs to receive her, and called to her to come to him. As she flew up one flight her agile parent ran down the other; upon which the little girl gave chase, only to find that when she had gained the bottom he was at the top. "Monsieur," she said, "laughed heartily to see me run so fast in the hope of catching him, and I was glad to see Monsieur so well amused."

Having reached the central lantern we found ourselves upon a flat roof, surrounded by a perfectly bewildering maze of peaks, pinnacles, lanterns, chimneys and spires, which constitute what our guide is pleased to call the ensemble de la toiture. This vast terrace, which covers the main building of the palace, is one of the architectural marvels of France. Here it seems as if the architect had allowed himself unlimited freedom in decoration, in which he was aided by such artists as Jean Goujon and Cousin, who zealously worked upon the ornamentation of these bell turrets, balconies and towers, as if to prove the sincerity and beauty of French art. This luxuriant flowing forth, in stone carving, of foliage, flower, boss and emblem, has resulted in an ensemble of indescribable charm, the dazzling light stone of Bourré, of which the château is built, lending itself harmoniously to the elaborate Renaissance decoration.

It was of Jean Goujon, whose exquisite work we see now and again in these châteaux, that some writer has said, that the muse of Ronsard whispered in the ear of the French sculptor, and thus Goujon's masterpieces were poems of Ronsard translated in marble. It is a rather pretty fancy, but Lydia and I cannot remember its author. Walter says that he can understand why the Counts of Blois built their castle here, as this place seems to have formed part of a system of fortresses which guarded the Loire, making it possible, in the time of Charles VII, for Joan of Arc to move her army up the river to Orleans; but why Francis should have transformed this old castle into a palace is not so easy to understand. When so many more attractive sites were to be found, it seems strange that he should have chosen this sandy flat upon the border of what was then the sad and barren Solange. One reason given is that the country about Chambord was rich in game, and we know that Francis was an inveterate hunter; another theory is that a charming woman, the Comtesse de Thoury, one of the early loves of the King, had a manor in the neighborhood.

"Both excellent reasons!" exclaimed Archie, "Dame Quickly is evidently an apt student of human nature."

These various surmises and bits of information were poured into our ears by the guide, a plump and merry soul, whom Archie at once dubbed Dame Quickly. As she conducted us from room to room, she turned to me and, with a flash of her black eyes, exclaimed, "If these walls could speak, what tales they could tell!" adding that, for her part, she believed that the King came here for the hunting, the Comtesse de Thoury having been a love of his youth, and, with a knowing shake of her head, "You know, Mesdames, how short is the memory of man for an early love, especially a king's memory, when another is always to be found to take the vacant place." When we explained this philosophic reflection upon their sex to the men of the party, they declared that an unfair advantage was being taken by this facetious dame, simply because they were not able to answer back and vindicate the eternal fidelity of man. Then, as if divining what was being said, through her quick woman's instinct, she drew us toward a window in the study of Francis I and showed us these lines scratched upon one of the panes:

Souvent femme varie;
Mal habile qui s'y fie.

Some discredit is thrown upon the authenticity of these lines, and if Francis wrote them in his old age, his point of view must have greatly changed since his earlier days, when he so gaily and gallantly said that a court without ladies was a year without spring and a spring without roses. Francis spent much of his time in his later years at Chambord, his chief solace being the companionship of his lovely sister, Marguerite, Queen of Navarre, the author of the Heptameron, whose beauty and intellect were the inspiration of many French poets.

One of the pleasing sides of the character of the King was his devoted affection for this sister, with whom he had spent a happy youth at Amboise, and she, loving him beyond any other being, wrote verses to express her grief when they were separated. A varied, many-sided, personality was Francis I, and with all his faults possessed of a charm of his own, and a taste in the fine arts that added much to the beauty of his kingdom. Something of this we said to Dame Quickly, who replied, with another wise shake of her head, "The history of Francis is a wonderful history, Mesdames, made up of many things. There is always state policy, and religion, et un peu les femmes," the knowing look and shrug with which this bit of wisdom was communicated is simply untranslatable.

Only a few of the 365 rooms of Chambord are furnished; we were shown the bedroom of the late Comte de Chambord, a ghostly apartment, it seemed to us in the fading daylight, the bed hung with elaborate tapestries, the work of the loyal hands of the ladies of Poitou. Miss Cassandra asked the guide if she would not be afraid to sleep in this dismal chamber. "No," she answered, "there are no revenants here, the great people who lived here do not walk, they had such an active life with their hunting and fêtes that they are content to rest quietly in their beds."

We passed through the council chamber of the château, where there are more tapestries, these presented by the loyal inhabitants of Blois and the Limousin districts, and here also is a quite useless throne donated by some devoted legitimists. In the chapel, we were shown some tapestry worked by Madame Royale, during her imprisonment in the Temple, that daughter of Marie Antoinette who alone survived her unfortunate family and as Duchesse d'Angoulême lived to quite an advanced age.

The fast-fading daylight made it impossible to see many of the portraits in the great reception room; among them we noticed two portraits of Anne of Austria, and a Van Loo of the beautiful unloved Queen of Louis XV, Marie Leczinska. In this picture she appears so graceful and charming that one wonders how the King could have been insensible to her attractions; but one need never be surprised at the vagaries of royalty, and it is not to be expected that diplomatic alliances should be happy.

What interested the men of the party especially, was the little light wagon in which, we were told, the owner of Chambord, the Duc de Parme, went a hunting with that good legitimist, the Master of Cheverny.

"I am glad," said Walter, "that the noble Duke has a neighbor of the same stripe to go a hunting with him, the grandeur of this great palace without a friendly neighbor to come in and take a hand at cards or crack a joke with him, would be simply appalling."

"The idea of jokes in this vast mausoleum of departed grandeur!" exclaimed Miss Cassandra. "It would be like dancing in a cemetery. Do ask that lively black-eyed dame how many there are in family when the owners are at home."

"Monsieur le Duc has twenty-two children," was the reply. "He lives in Italy, but comes here sometimes for the hunting."[2 - Since Mrs. Leonard wrote of this conversation at Chambord, the château has passed into the possession of Prince Sixtus de Bourbon, son and heir of the late Duke of Parma. The present owner of Chambord in making good his title to the château testified that not a penny of its revenue has ever been applied to any other purposes than the restoration and upkeep of the domain.]

"And does he bring his family with him?"

"Pas tout le monde at the same time, Madame, although we have enough rooms for them all."

Laughing over this ready rejoinder, we parted from our merry cicerone with exchanges of compliments and a clink of silver. I am quite sure that Walter and Archie gave her the fee twice over because of her beaux yeux and her merry wit.

It is late, and I am tired after the grande tournée, as they call our afternoon trip here, and Walter reminds me

"That the best of all ways
To lengthen our days
Is not to steal a few hours from the night, my dear."

XIII

CHINON AND FONTEVRAULT

    Le Cheval Blanc, Angers, September 12th.

Fate certainly seemed to be against my seeing Chinon to-day, as we awoke this morning to hear the rain pattering against our windows. A rather disconsolate party, we gathered around the table for the breakfast, which we had ordered an hour earlier, in order to make the day as long as possible. Miss Cassandra, who was the only really cheerful member of the party, reminded us of the many days of sunshine that we have had in Touraine, adding with her usual practical optimism, "And thee must remember, my dear, that constant sunshine makes the desert," this to Lydia, but we all took the wise saying to heart and were quite cheerful by the time we had finished our breakfast, perhaps also for the more material reason that Walter, through various gratuities and persuasions, had succeeded in making it of better cheer than the ordinary light déjeuner. Another pleasing circumstance was the assurance of the chauffeur, who arrived while we were still in the breakfast room, that the clouds were breaking away and that we should have sunshine by noon. By the time we had reached Villandry the sun was struggling through the clouds, and as we approached Chinon, its long line of ancient ruins and the little town clustered beneath were bathed in sunshine.

Neurdein Freres, Photo.

Ruins of Château of Coudray at Chinon

Although from several points the old château on the crest of the hill, dominated by the lofty Tour de l'Horloge, is beautiful and impressive, the best general view of it is from the middle of the lower bridge, from which we could see the three distinct foundations, the Château of St. George at the upper or right side, the bridge which connects it with the Tour de l'Horloge, the Château du Milieu, and finally the Château de Coudray at the extreme lower or left end of the plateau. The whole is far more ruinous than the other famous castles of Touraine and requires as much imagination to make it whole and habitable as some of the ruins along the Rhine. Of the Château of St. George, built by the Plantagenet Kings to protect the one vulnerable point in a position almost impregnable in its day, nothing is left but parts of the lower wall. So ruinous, indeed, is this château, that one is almost ready to accept Pantagruel's derivation of the name of Chinon, or Caino, from Cain, the son of Adam its founder.

We climbed up the hill and rang the bell at the Tour de l'Horloge, which is the only part of the buildings still boasting a roof, and here the concierge and his family tuck themselves away somewhere within its high, narrow walls. The bell that we rang is on the outer side of the tower, and in the course of time a girl, about as big as the old key she carried, unlocked a door in the archway through which we entered. The level spaces inside between the different buildings have been laid out as a sort of promenade which is open to the public on Sundays and holidays. The view up and down the slow, shallow river with its yellow sand-flats, little green islands, and the softly wooded country beyond seemed to us one of the most charming in Touraine. The concierge, who was attempting to act as guide to two separate parties at once, hurried us around in such a bewildering fashion that it would be almost impossible for me to give the exact locations of the different buildings. What we all remember distinctly is the bare, roofless hall, of which only a western gable and a vast chimney-piece remain, in which Joan had her audience with the King. This hall was the throne room, in 1429, when the fearless Maid appeared at Chinon, having journeyed one hundred and fifty leagues through a country occupied, in many places, by English and Burgundian troops, in order to deliver her message to the King. Although the meeting between Charles VII and Joan was by candlelight, even in the garish light of day it seemed strangely real here in this great ruinous hall. Nearly three hundred knights were present, and the King is said to have stood a little apart amidst a group of warriors and courtiers, many of them more richly dressed than himself, with the idea, perhaps, of testing Joan.

There are various accounts of this audience, but the one that we like best because it seems the most probable is that Joan knew the King at once, although she had never seen him, and going straight to him, accosted him humbly and reverently like the poor, little shepherdess that she was.

"Gentle Dauphin," she said to the King (for she did not think it right to call him King so long as he was not crowned), "My name is Joan the maid; the King of Heaven sendeth you word by me that you shall be anointed and crowned in the city of Rheims, and shall be lieutenant of the King of Heaven who is King of France. It is God's pleasure that our enemies, the English, should depart to their own country; if they depart not evil will come to them, and the kingdom is sure to continue yours."

Even after these earnest words from Joan, the King, although impressed, was not convinced, and with some reluctance allowed her to remain at Chinon. We were afterwards shown the lodgings, which this inhospitable royal host gave to the persistent visitor, in a very thick-walled little tower, and according to our guide, Joan could get in or out of her room, on an upper floor, only when her guards put a ladder up to her small window, permanent stairways being considered unsafe for such guests.

The King saw Joan again several times. She did not delude herself as to the doubts he still entertained. "Gentle Dauphin," she said to him one day, "Why do you not believe me? I say unto you that God hath compassion on you, on your kingdom and your people; St. Louis and Charlemagne are kneeling before Him, making prayer for you, and I will say unto you, so please you, a thing which will give you to understand that you ought to believe me." Charles gave her audience on this occasion, in the presence, according to some accounts, of four witnesses, the most trusted of his intimates, who swore to reveal nothing, and, according to others, completely alone. "What she said to him there is none who knows," wrote Alan Chartier a short time after [in July, 1429], "but it is quite certain that he was all radiant with joy thereat, as at a revelation from the Holy Spirit."

Archie, who read the most recent life of Joan of Arc, on the steamer, as a preparation for Chinon, reminds us that after much sifting of history and tradition, it has been decided by learned authorities that the revelation of the Maid, which filled the King with joy, was a positive assurance that he was the rightful heir to the throne of France and the true son of his father, Charles VI.

It is not strange that Charles VII should have doubted his own paternity with a mother as unnatural and depraved as Isabel of Bavaria, and that with a kingdom chiefly in the hands of the English he should have seriously questioned his right and title to the throne, being himself of a weak and doubting nature. It is said, that in an hour of great despondency, Charles prayed to God from the depths of his heart that if he were the true heir of the house of France, and the kingdom justly his, God would be pleased to help him and defend it for him. This prayer, which he thought known to God alone, the Maid recalled to the mind of the King, thus giving the sign and seal of her mission, and by this revelation she not only caused the King to believe in her, but strengthened his confidence in himself and in his right and title. True to herself and "the voices," for she never spoke as of her own motion, it was always a superior power speaking through her, as the mouthpiece. She said: "I tell thee on behalf of my Lord that thou art the true heir of France and son of the King."

After some weeks of discussion and delay, Joan's plan for the relief of Orleans was adopted, troops were gathered together, of which she was given the command, or as she naïvely expressed it, she was made the "war-chief." Yolande, Queen of Sicily, the young Queen's mother and the Duc d'Alençon, were her zealous advocates. Yolande gave of her treasures for the relief of Orleans, and soon at the head of her army, her banner flying, upon which was inscribed the name of the Prince of Peace, surrounded by the lilies of France and with her troops singing Veni Creator, the dauntless Maid passed through these gates and Chinon knew her no more.

We know that Joan accomplished in less than a year all that she had promised. The city of Orleans was relieved, she had led Charles to Rheims to be crowned and had done much toward delivering France from the English. Then came the sad part of the story, which you know so well. While we were following the fortunes of the Maid, and here where she had so courageously taken up what she deemed her heaven-appointed task, feeling more than ever before the cruelty and rank injustice of her treatment, Lydia exclaimed: "Nothing could prove more forcibly the old saying about the ingratitude of princes than the King's treatment of Joan!"

A voice behind us echoed, "Nothing," and we turned to see M. La Tour, who had followed us and entered the hall so quietly that we had not known that he was anywhere within miles of us. "No," he said, when the first greetings were over, "I am not here to defend my country for her treatment of the noble and fearless Maid. She did much to regain the territory of France from the English and to establish the King upon his throne; she came to him in the darkest hour and inspired him with hope and courage, and yet in the time of her trial he basely deserted her. No, there is no excuse except that at the King's side there were many men jealous of the success and military glory of Jeanne, to whisper tales in his ear. He was a weak and vacillating creature, at the best, ready to follow the last person who talked to him, and he probably believed some of the stories told him about the good Maid."

"And then," as Archie reminded him, "Joan was given papers to sign which she was not able to read and thus set her mark to her own death warrant."

"A sad and shameful tale!" exclaimed the young Frenchman, as we passed by the donjon where Joan had been lodged and by the scanty ruins of the little chapel where she stopped to pray, and wept because the angels left her.

Just then, as we were passing on to find some traces of the several Angevin kings, who lived and died at Chinon, something happened which I cannot quite explain. In some way Lydia was separated from us, as we were passing from one ruinous castle to another. She has not told me, and indeed there has been little time to have a word with her, but I shall always think that she was so impressed by the wonderful story, which seems so real here, where Joan saw the angels and revealed her mission, that Lydia was in a way overwhelmed by the mysterious, spiritual power of it all, and lingered behind us for the peace and rest of being alone, and away from all the talk and from that small child, with the big key, who recited her monotonous tale like a parrot. Then later, in trying to find us, Lydia must have gone off quite a distance in the wrong direction, and so became confused and lost her way among the ruins. This is only my explanation. Lydia is writing to you and may give you another. All that I know is that we heard a sharp, sudden cry and turning we saw the poor dear perched up quite high on the ruins of a wall, with a steep, precipitous descent between her and ourselves. Miss Cassandra was scared out of her wits, M. La Tour begged Lydia to be calm, in French and English, with the most dramatic gestures, while Archie, without a word, sprang up the steep ascent, agile and surefooted like the good mountain climber that he is, and without more ado picked Lydia up in his strong arms and bore her down the precipice as if she had been a baby, and she is no light weight, as you know. All that Lydia said, when she found herself in Miss Cassandra's embrace, was "I am so ashamed of myself for losing my head. I think I was just a little dizzy, and I was so afraid of falling from that wall."

"Don't think about it, dear," said Miss Cassandra, "now that you are safe and sound, thanks to Dr. Vernon."

The good lady was so overjoyed at having her treasure beside her again that she would have been quite ready to include her deliverer in the warm embrace with which she welcomed Lydia, nor do I think that Archie would have objected. The situation was somewhat strained, for the moment, as he had been living at rather high pressure with the Joan of Arc associations when Lydia's escapade came to cap the climax. Miss Cassandra's eyes were brimming over with tears, and I was more ready to weep than to laugh, when Walter, as usual, came to the rescue with his sound common sense, saying to Lydia, whose modesty and reserve were distinctly shocked by the idea of having made a scene.