In The Levant

Nothing now remains of the monuments and temples which the pride and piety of the Athenians erected upon the field of Marathon. The visitor at the Arsenal of Venice remembers the clumsy lion which is said to have stood on this plain, and in the Temple of Theseus, at Athens, he may see a slab which was found in this meadow; on it is cut in very low relief the figure of a soldier, but if the work is Greek the style of treatment is Assyrian.

The Temple of Theseus, which occupies an elevation above the city and west of the Areopagus, is the best-preserved monument of Grecian antiquity, and if it were the only one, Athens would still be worthy of a pilgrimage from the ends of the earth. Behind it is a level esplanade, used as a drill-ground, upon one side of which have been gathered some relics of ancient buildings and sculptures; seated there in an ancient marble chair, we never wearied of studying the beautiful proportions of this temple, which scarcely suffers by comparison with the Parthenon or that at Pæstum. In its construction the same subtle secret of curved lines and inclined verticals was known, a secret which increases its apparent size and satisfies the eye with harmony.

While we were in Athens the antiquarians were excited by the daily discoveries in the excavations at the Keramicus (the field where the Athenian potters worked). Through the portion of this district outside the gate Dipylum ran two streets, which were lined with tombs; one ran to the Academe, the other was the sacred way to Eleusis. The excavations have disclosed many tombs and lovely groups of funereal sculpture, some of which are in situ, but many have been removed to the new Museum. The favorite device is the seated figure of the one about to die, who in this position of dignity takes leave of those most loved; perhaps it is a wife, a husband, a lovely daughter, a handsome boy, who calmly awaits the inevitable moment, while the relatives fondly look or half avert their sorrowful faces. In all sculpture I know nothing so touching as these family farewells. I obtained from them a new impression of the Greek dignity and tenderness, of the simplicity and nobility of their domestic life.

The Museum, which was unarranged, is chiefly one of fragments, but what I saw there and elsewhere scattered about the town gave me a finer conception of the spirit of the ancient art than all the more perfect remains in Europe put together; and it seems to me that nowhere except in Athens is it possible to attain a comprehension of its depth and loveliness. Something, I know, is due to the genius loci, but you come to the knowledge that the entire life, even the commonest, was pervaded by something that has gone from modern art. In the Museum we saw a lovely statue of Isis, a noble one of Patroclus, fine ones of athletes, and also, showing the intercourse with Egypt, several figures holding the sacred sistrum, and one of Rameses II. But it is the humbler and funereal art that gives one a new conception of the Greek grace, tenderness, and sensibility. I have spoken of the sweet dignity, the high-born grace, that accepted death with lofty resignation, and yet not with stoical indifference, of some of the sepulchral groups. There was even more poetry in some that are simpler. Upon one slab was carved a figure, pensive, alone, wrapping his drapery about him and stepping into the silent land, on that awful journey that admits of no companion. On another, which was also without inscription, a solitary figure sat in one corner; he had removed helmet and shield, and placed them on the ground behind him; a line upon the stone indicated the boundary of the invisible world, and, with a sad contemplation, the eyes of the soldier were fixed upon that unknown region into which he was about to descend.

Scarcely a day passed that we did not ascend the Acropolis; and again and again we traversed the Areopagus, the Pnyx, the Museum hills. From the valley of the Agora stone steps lead up the Areopagus to a bench cut in the rock. Upon this open summit the Areopagite Council held, in the open air, its solemn sessions; here it sat, it is said, at night and in the dark, that no face of witness or criminal, or gesture of advocate, should influence the justice of its decisions. Dedicated to divine justice, it was the most sacred and awful place in Athens; in a cavern underneath it was the sanctuary of the dread Erinnyes, the avenging Euries, whom a later superstition represented with snakes twisted in their hair; whatever the gay frivolity of the city, this spot was silent, and respected as the dread seat of judicature of the highest causes of religion or of politics. To us Mars Hill is chiefly associated with the name of St. Paul; and I do not suppose it matters much whether he spoke to the men of Athens in this sacred place or, as is more probable, from a point farther down the hill, now occupied by a little chapel, where he would be nearer to the multitude of the market-place. It does not matter; it was on the Areopagus, and in the centre of temples and a thousand statues that bespoke the highest civilization of the pagan world, that Paul proclaimed the truth, which man’s egotism continually forgets, that in temples made with hands the Deity does not dwell.

From this height, on the side of the Museum Hill, we see the grotto that has been dignified with the title of the “prison of Socrates,” but upon slight grounds. When the philosopher was condemned, the annual sacred ship which was sent with thank-offerings to Delos was still absent, and until its return no execution was permitted in Athens. Every day the soldiers who guarded Socrates ascended this hill, and went round the point to see if the expected vessel was in sight; and it is for their convenience that some antiquarian designated this grotto as the prison. The delay of the ship gave us his last immortal discourse.

We went one evening by the Temple of Jupiter, along the Ilissus, to the old Stadium. This classic stream, the Ilissus, is a gully, with steep banks and a stony bottom, and apparently never wet except immediately after a rain. You would think by the flattery it received from the ancient Athenians that it was larger than the Mississippi. The Panathenaic Stadium, as it is called, because its chief use was in the celebration of the games of the great quadrennial festival, was by nature and art exceedingly well adapted to chariot races and other contests. Open at the end, where a bridge crossed the Ilissus, it extended a hundred feet broad six hundred and fifty feet into the hill, upon the three sloping sides of which, in seats of marble, could be accommodated fifty thousand spectators. Here the Greek youth contended for the prizes in the chariot race, and the more barbarous Roman emperors amused a degenerate people with the sight of a thousand wild beasts hunted and slain in a single celebration.

The Stadium has been lately re-excavated, and at the time of our visit the citizens were erecting some cheap benches at one end, and preparing, in a feeble way, for what it pleases them to call the Olympic Games, which were to be inaugurated the following Sunday. The place must inevitably dwarf the performance, and comparison render it ridiculous. The committee-men may seem to themselves Olympic heroes, and they had the earnest air of trying to make themselves believe that they were really reviving the ancient glory of Greece, or that they could bring it back by calling a horse-race and the wrestling of some awkward peasants an “Olympiad.” The revival could be, as we afterwards learned it was, only a sickly and laughable affair. The life of a nation is only preserved in progress, not in attempts to make dead forms live again. It is difficult to have chariot races or dramatic contests without chariots or poets, and I suppose the modern imitation would scarcely be saved from ludicrousness, even if the herald should proclaim that now a Patroclus and now an Aristophanes was about to enter the arena. The modern occupants of Athens seem to be deceiving themselves a little with names and shadows. In the genuine effort to revive in its purity the Greek language, and to inspire a love of art and literature, the Western traveller will wholly sympathize. In the growth of a liberal commercial spirit he will see still more hope of a new and enduring Greek state. But a puerile imitation of a society and a religion which cannot possibly have a resurrection excites only a sad smile. There is no more pitiful sight than a man who has lost his ideals, unless it be a nation which has lost its ideals. So long as the body of the American people hold fast to the simple and primitive conception of a republican society,—to the ideals of a century ago,—the nation can survive, as England did, a period of political corruption. There never was, not under Themistocles nor under Scanderbeg, a more glorious struggle for independence than that which the battle of Navarino virtually terminated. The world had a right to expect from the victors a new and vigorous national life, not a pale and sentimental copy of a splendid original, which is now as impossible of revival as the Roman Empire. To do the practical and money-getting Greeks justice, I could not learn that they took a deep interest in the “Olympiad”; nor that the inhabitants of ancient Sparta were jealous of the re-institution of the national games in Athens, since, they say, there are no longer any Athenians to be jealous of.

The ancient Athenians were an early people; they liked the dewy freshness of the morning; they gave the first hours of the day to the market and to public affairs, and the rising sun often greeted the orators on the bema, and an audience on the terrace below. We had seen the Acropolis in almost every aspect, but I thought that one might perhaps catch more of its ancient spirit at sunrise than at any other hour.

It is four o’clock when my companion and I descend into the silent street and take our way to the ancient citadel by the shortest and steepest path. Dawn is just breaking in pink, and the half-moon is in the sky. The sleepy guard unbolts the gate and admits us, but does not care to follow; and we pass the Propylæa and have the whole field to ourselves. There is a great hush as we come into the silent presence of the gray Parthenon; the shades of night are still in its columns. We take our station on a broken pillar, so that we can enjoy a three-quarters view of the east front. As the light strengthens we have a pink sky for background to the temple, and the smooth bay of Phalerum is like a piece of the sky dropped down. Very gradually the light breaks on the Parthenon, and in its glowing awakening it is like a sentient thing, throwing shadows from its columns and kindling more and more; the lion gargoyles on the corners of the pediment have a life which we had not noticed before. There is now a pink tint on the fragments of columns lying at the side; there is a reddish hue on the plain about Piræus; the strait of Salamis is green, but growing blue; Phalerum is taking an iridescent sheen; I can see, beyond the Gulf of Ægina, the distant height of Acro-Corinth. .

The city is still in heavy shadow, even the Temple of Theseus does not relax from its sombreness. But the light mounts; it catches the top of the white columns of the Propylæa, it shines on the cornice of the Erechtheum, and creeps down in blushes upon the faces of the Caryatides, which seem to bow yet in worship of the long-since-departed Pallas Athene. The bugles of the soldiers called to drill on the Thesean esplanade float up to us; they are really bugle-notes summoning the statues and the old Panathenaic cavalcades on the friezes to life and morning action. The day advances, the red sun commanding the hill and flooding it with light, and the buildings glowing more and more in it, but yet casting shadows. A hawk sweeps around from the north and hangs poised on motionless wings over the building just as the sun touches it. We climb to the top of the western pediment for the wide sweep of view. The world has already got wind of day, and is putting off its nightcaps and opening its doors. As we descend we peer about for a bit of marble as a memento of our visit; but Lord Elgin has left little for the kleptomaniac to carry away.

At this hour the Athenians ought to be assembling on the Pnyx to hear Demosthenes, who should be already on the bema; but the bema has no orator, and the terrace is empty. We might perhaps see an early representation at the theatre of Dionysus, into which we can cast a stone from this wall. We pass the gate, scramble along the ragged hillside,—the dumping-ground of the excavators on the Acropolis,—and stand above the highest seats of the Amphitheatre. No one has come. The white marble chairs in the front row—carved with the names of the priests of Bacchus and reserved for them—wait, and even the seats not reserved are empty. There is no white-clad chorus manoeuvring on the paved orchestra about the altar; the stage is broken in, and the crouching figures that supported it are the only sign of life. One would like to have sat upon these benches, that look on the sea, and listened to a chorus from the Antigone this morning. One would like to have witnessed that scene when Aristophanes, on this stage, mimicked and ridiculed Socrates, and the philosopher, rising from his undistinguished seat high up among the people, replied.