Heart of the West [Annotated]

"Where do you live, little boy?" he asked respectfully.

"Granite Junction," said Bobby without emphasis.

The room was warm. Cherokee took off his cap, and then removed his beard and wig.

"Say!" exclaimed Bobby, with a show of interest, "I know your mug, all right."

"Did you ever see me before?" asked Cherokee.

"I don't know; but I've seen your picture lots of times."

"Where?"

The boy hesitated. "On the bureau at home," he answered.

"Let's have your name, if you please, buddy."

"Robert Lumsden. The picture belongs to my mother. She puts it under her pillow of nights. And once I saw her kiss it. I wouldn't. But women are that way."

Cherokee rose and beckoned to Trinidad.

"Keep this boy by you till I come back," he said. "I'm goin' to shed these Christmas duds, and hitch up my sleigh. I'm goin' to take this kid home."

"Well, infidel," said Trinidad, taking Cherokee's vacant chair, "and so you are too superannuated and effete to yearn for such mockeries as candy and toys, it seems."

"I don't like you," said Bobby, with acrimony. "You said there would be a rifle. A fellow can't even smoke. I wish I was at home."

Cherokee drove his sleigh to the door, and they lifted Bobby in beside him. The team of fine horses sprang away prancingly over the hard snow. Cherokee had on his $500 overcoat of baby sealskin. The laprobe that he drew about them was as warm as velvet.

Bobby slipped a cigarette from his pocket and was trying to snap a match.

"Throw that cigarette away," said Cherokee, in a quiet but new voice.

Bobby hesitated, and then dropped the cylinder overboard.

"Throw the box, too," commanded the new voice.

More reluctantly the boy obeyed.

"Say," said Bobby, presently, "I like you. I don't know why. Nobody never made me do anything I didn't want to do before."

"Tell me, kid," said Cherokee, not using his new voice, "are you sure your mother kissed that picture that looks like me?"

"Dead sure. I seen her do it."

"Didn't you remark somethin' a while ago about wanting a rifle?"

"You bet I did. Will you get me one?"

"To-morrow – silver-mounted."

Cherokee took out his watch.

"Half-past nine. We'll hit the Junction plumb on time with Christmas Day. Are you cold? Sit closer, son."

XVIII

A CHAPARRAL PRINCE

Nine o'clock at last, and the drudging toil of the day was ended. Lena climbed to her room in the third half-story of the Quarrymen's Hotel. Since daylight she had slaved, doing the work of a full-grown woman, scrubbing the floors, washing the heavy ironstone plates and cups, making the beds, and supplying the insatiate demands for wood and water in that turbulent and depressing hostelry.

The din of the day's quarrying was over – the blasting and drilling, the creaking of the great cranes, the shouts of the foremen, the backing and shifting of the flat-cars hauling the heavy blocks of limestone. Down in the hotel office three or four of the labourers were growling and swearing over a belated game of checkers. Heavy odours of stewed meat, hot grease, and cheap coffee hung like a depressing fog about the house.

Lena lit the stump of a candle and sat limply upon her wooden chair. She was eleven years old, thin and ill-nourished. Her back and limbs were sore and aching. But the ache in her heart made the biggest trouble. The last straw had been added to the burden upon her small shoulders. They had taken away Grimm. Always at night, however tired she might be, she had turned to Grimm for comfort and hope. Each time had Grimm whispered to her that the prince or the fairy would come and deliver her out of the wicked enchantment. Every night she had taken fresh courage and strength from Grimm.

To whatever tale she read she found an analogy in her own condition. The woodcutter's lost child, the unhappy goose girl, the persecuted stepdaughter, the little maiden imprisoned in the witch's hut – all these were but transparent disguises for Lena, the overworked kitchenmaid in the Quarrymen's Hotel. And always when the extremity was direst came the good fairy or the gallant prince to the rescue.

So, here in the ogre's castle, enslaved by a wicked spell, Lena had leaned upon Grimm and waited, longing for the powers of goodness to prevail. But on the day before Mrs. Maloney had found the book in her room and had carried it away, declaring sharply that it would not do for servants to read at night; they lost sleep and did not work briskly the next day. Can one only eleven years old, living away from one's mamma, and never having any time to play, live entirely deprived of Grimm? Just try it once and you will see what a difficult thing it is.

Lena's home was in Texas, away up among the little mountains on the Pedernales River, in a little town called Fredericksburg[108 - Fredericksburg is in the Hill Country west of Austin and north of San Antonio. It is near but not "on" the Pedernales. Fredericksburg was settled largely by Germans (as was most of Central Texas), and as recently as the 1940's German was commonly spoken in its cafes. Even today (2004) the main street (named Der Hauptstrasse) boasts an array of German restaurants. Austin had a large German population when O. Henry lived there in the 1890's, and when he was publishing a weekly humorous newspaper called _The Rolling Stone_ he lost many subscribers and advertisers by satirizing the Germans. Note his treatment of a German accent later in this story.]. They are all German people who live in Fredericksburg. Of evenings they sit at little tables along the sidewalk and drink beer and play pinochle and scat[109 - scat– skat, a popular German card game]. They are very thrifty people.

Thriftiest among them was Peter Hildesmuller, Lena's father. And that is why Lena was sent to work in the hotel at the quarries, thirty miles away. She earned three dollars every week there, and Peter added her wages to his well-guarded store. Peter had an ambition to become as rich as his neighbour, Hugo Heffelbauer, who smoked a meerschaum pipe three feet long and had wiener schnitzel and hassenpfeffer for dinner every day in the week. And now Lena was quite old enough to work and assist in the accumulation of riches. But conjecture, if you can, what it means to be sentenced at eleven years of age from a home in the pleasant little Rhine village to hard labour in the ogre's castle, where you must fly to serve the ogres, while they devour cattle and sheep, growling fiercely as they stamp white limestone dust from their great shoes for you to sweep and scour with your weak, aching fingers. And then – to have Grimm taken away from you!

Lena raised the lid of an old empty case that had once contained canned corn and got out a sheet of paper and a piece of pencil. She was going to write a letter to her mamma. Tommy Ryan was going to post it for her at Ballinger's. Tommy was seventeen, worked in the quarries, went home to Ballinger's every night, and was now waiting in the shadows under Lena's window for her to throw the letter out to him. That was the only way she could send a letter to Fredericksburg. Mrs. Maloney did not like for her to write letters.

The stump of the candle was burning low, so Lena hastily bit the wood from around the lead of her pencil and began. This is the letter she wrote:

Dearest Mamma: – I want so much to see you. And Gretel and Claus and Heinrich and little Adolf. I am so tired. I want to see you. To-day I was slapped by Mrs. Maloney and had no supper. I could not bring in enough wood, for my hand hurt. She took my book yesterday. I mean "Grimm's Fairy Tales," which Uncle Leo gave me. It did not hurt any one for me to read the book. I try to work as well as I can, but there is so much to do. I read only a little bit every night. Dear mamma, I shall tell you what I am going to do. Unless you send for me to-morrow to bring me home I shall go to a deep place I know in the river and drown. It is wicked to drown, I suppose, but I wanted to see you, and there is no one else. I am very tired, and Tommy is waiting for the letter. You will excuse me, mamma, if I do it.

    Your respectful and loving daughter,
    Lena.

Tommy was still waiting faithfully when the letter was concluded, and when Lena dropped it out she saw him pick it up and start up the steep hillside. Without undressing she blew out the candle and curled herself upon the mattress on the floor.

At 10:30 o'clock old man Ballinger came out of his house in his stocking feet and leaned over the gate, smoking his pipe. He looked down the big road, white in the moonshine, and rubbed one ankle with the toe of his other foot. It was time for the Fredericksburg mail to come pattering up the road.

Old man Ballinger had waited only a few minutes when he heard the lively hoofbeats of Fritz's team of little black mules, and very soon afterward his covered spring wagon stood in front of the gate. Fritz's big spectacles flashed in the moonlight and his tremendous voice shouted a greeting to the postmaster of Ballinger's. The mail-carrier jumped out and took the bridles from the mules, for he always fed them oats at Ballinger's.

While the mules were eating from their feed bags old man Ballinger brought out the mail sack and threw it into the wagon.

Fritz Bergmann was a man of three sentiments – or to be more accurate – four, the pair of mules deserving to be reckoned individually. Those mules were the chief interest and joy of his existence. Next came the Emperor of Germany and Lena Hildesmuller.

"Tell me," said Fritz, when he was ready to start, "contains the sack a letter to Frau Hildesmuller from the little Lena at the quarries? One came in the last mail to say that she is a little sick, already. Her mamma is very anxious to hear again."

"Yes," said old man Ballinger, "thar's a letter for Mrs. Helterskelter, or some sich name. Tommy Ryan brung it over when he come. Her little gal workin' over thar, you say?"

"In the hotel," shouted Fritz, as he gathered up the lines; "eleven years old and not bigger as a frankfurter. The close-fist of a Peter Hildesmuller! – some day I shall with a big club pound that man's dummkopf – all in and out the town. Perhaps in this letter Lena will say that she is yet feeling better. So, her mamma will be glad. Auf wiedersehen, Herr Ballinger – your feets will take cold out in the night air."