The Drunkard

CHAPTER I

VIGNETTE OF EARLY MORNING. "GILBERT IS COMING HOME!"

The white magic of morning was at work over the village of Mortland Royal. From a distant steading came the thin brazen cry of a cock, thin as a bugle, and round the Lothians' sleeping house the bubble of bird-song began.

In the orchard before the house, which ran down to the trout stream, Trust, the brown spaniel dog, came out of a barrel in his little fenced enclosure, sniffed the morning air, yawned, and went back again into his barrel. White mist was rising from the water-meadows, billowed into delicate eddies and spirals by the first breeze of day, and already touched by the rosy fingers of dawn.

In the wood beyond the meadows an old cock-pheasant made a sound like high hysteric laughter.

The house, with its gravel-sweep giving directly on to the unfenced orchard, was long and low. The stones were mellowed by time, and orange, olive, and ash-coloured lichens clung to them. The roof was of tiles, warm red and green with age, the windows mullioned, the chimney-stack, which cut deep into the roof, high and with the grace of Tudor times.

The place was called the "Old House" in the village and was a veritable sixteenth century cottage, rather spoilt by repairs and minor extensions, but still, in the silent summer morning, with something of the grace and fragrance of an Elizabethan song. It was quite small, really, a large cottage and nothing more, but it had a personality of its own and it was always very tranquil.

On such a summer dawn as this with the rabbits frisking in the pearl-hung grass, on autumn days of brown and purple, or keen spring mornings when the wind fifed a tune among the bare branches of the apple-trees; on dead winter days when sea-birds from the marshes flitted against the grey sky like sudden drifts of snow, a deep peace ever brooded over the house.

The air began to grow fresher and the mists to disperse as the breeze came over the great marshes a mile beyond the village. Out on the mud-flats with their sullen tidal creeks the sun was rising like a red Host from the far sea which tolled like a Mass bell. The curlews with their melancholy voices were beginning to fly inland from the marshes, high up in the still sky. The plovers were calling, the red-shanks piping in the marrum grass, and a sedge of herons shouted their hoarse "frank, frank" as they clanged away over the saltings.

Only the birds were awake in this remote Norfolk village, the cows in the meadows had but just turned in their sleep, and not even the bees were yet a-wing. Peace, profound and brooding, lay over the Poet's house.

Dawn blossomed into perfect morning, all gold and blue. It began, early as it was, to grow hot. Trust came out of his barrel and began to pad round his little yard with bright brown eyes.

There was a sound of some one stirring in the silent house, and presently the back door, in the recess near the entrance gates, was flung wide open and a housemaid with untidy hair and eyes still heavy with sleep, stood yawning upon the step. There was a rattle of cinders and the cracking of sticks as the fire was lit in the kitchen beyond. Trust, in the orchard, heard the sound. He could smell the wood-smoke from the chimney. Presently one of the Great Ones, the Beloved Ones, would let him out for a scamper in the dew. Then there would be biscuits for the dog Trust.

And now brisk footsteps were heard upon the road outside the entrance gates. In a moment more these were pushed open with a rattle, and Tumpany swung in humming a little tune.

Tumpany was a shortish thick-set man of fifty, with a red clean-shaven face. He walked with his body bent forward, his arms hanging at his sides, and always seemed about to break into a short run. It was five years since he had retired even from the coast-guard, but Royal Navy was written large all over him, and would be until he tossed off his last pint of beer and sailed away to Fidler's Green – "Nine miles to windward of Hell," as he loved to explain to the housemaid and the cook.

Tumpany's wife kept a small shop in the village, and he himself did the boots and knives, cleaned Gilbert's guns and went wild-fowling with him in the winter, was the more immediate Providence of the Dog Trust, and generally a most important and trusted person in the little household of the Poet.

There was an almost exaggerated briskness in Tumpany's walk and manner as he turned into the kitchen. Blanche, the housemaid, was now "doing" the dining-room, in the interior of the house, but Phoebe, the cook – a stalwart lass of three and twenty – had just got the fire to her liking and was giving a finishing touch of polish to the range.

"Morning, my girl!" said Tumpany in a bluff, cheery voice.

Phoebe did not answer, but went on polishing the handle of the oven door.

He repeated the salutation, a shade less confidently.

The girl gave a final leisurely twist of the leather, surveyed her work critically for a moment, and then rose to her feet.

"There are them knives," she said shortly, pointing to a basket upon the table, "and the boots is in the back kitchen."

"You needn't be so short with a man, Phoebe."

"You needn't have been so beastly drunk last night. Then them knives wouldn't want doing this morning. If it hadn't been for me the dog wouldn't have had no food. If the mistress knew she would have given you what for, as I expect your missis have already if the truth were known."

"Damn the mistress!" said Tumpany. He adored Mary Lothian, as Phoebe very well knew, but his head burned and he was in the uncertain temper of the "morning after." The need of self-assertion was paramount.

"Now, no beastly language in my kitchen," said the girl. "You go and do your damning – and them knives – in the outhouse. I wonder you've the face to come here at all, Master being away too. Get out, do!"

With a very red and sulky face, Tumpany gathered up the knives and shambled away to his own particular sanctum.

The ex-sailor was confused in his mind. There was a buzzing in his head like that of bees in a hive. He had a faint recollection of being turned out of the Mortland Arms just before ten o'clock the night before. His muddy memories showed him the stern judicial face of the rather grim old lady who kept the Inn. He seemed to feel her firm hands upon his shoulders yet.

But had he come back to the Old House? He was burning to ask the cook. One thing was satisfactory. His mistress had not seen him or else Phoebe's threat would have meant nothing. Yet what had happened in his own house? He had woke up in the little parlour behind the shop. Some one had covered him with an overcoat. He had not dared to go upstairs to his wife. He hoped – here he began to rub a knife up and down the board with great vigour – he did hope that he hadn't set about her. There was a sick fear in the man's heart as he polished his knives.

In many ways a better fellow never breathed. He was extremely popular in the village, Gilbert Lothian swore by him, Mary Lothian liked him very well. He was a person of some consequence in the village community where labourers worked early and late for a wage of thirteen shillings a week. His pension was a good one, the little shop kept by his wife was not unprosperous, Lothian was generous. He only got drunk now and then – generally at the time when he drew his pension – but when he did his wife suffered. He would strike her, not knowing what he did. The dreadful marks would be on her face in the morning and he would suffer an agony of dull and inarticulate remorse.

So, even in the pretty cottage of this prosperous and popular man – so envied by his poorer neighbours —surgit amari aliquid!

.. If only things had been all right last night!

Tumpany put down his knife with a bang. He slipped from his little outhouse, and slunk across the orchard. Then he opened the iron gate of the dog's kennel.

The dog Trust exploded over Tumpany like a shell of brown fur. He leapt at him in an ecstasy of love and greeting and then, unable to express his feelings in any other way, rolled over on his back with his long pink tongue hanging out, and his eyes blinking in the sun.

"Goodorg," said Tumpany, a little comforted, and then both he and Trust slunk back to the outhouse. There was a sympathetic furtiveness in the animal also. It was as though the Dog Trust quite understood.

Tumpany resumed his work. Two rabbits which he had shot the day before were hanging from the roof, and Trust looked up at them with eager eyes. A rabbit represented the unattainable to Trust. He was a hard-working and highly-trained sporting dog, a wild-fowling dog especially, and he was never allowed to retrieve a rabbit for fear of spoiling the tenderness of his mouth. When one of the delicious little creatures bolted under his very nose, he must take no notice of it at all. Trust held the (wholly erroneous) belief that if only he had the chance he could run down a rabbit in the open field. He did not realise that a dog who will swim over a creek with a snipe or tiny ring-plover in his mouth and drop it without a bone being broken must never touch fur. His own greatness forbade these baser joys, but like the Prince in the story who wanted to make mud pies with the beggar children, he was unconscious of his position, and for him too – on this sweet morning – surgit amari aliquid.

But life has many compensations. The open door of the brick shed was darkened suddenly. Phoebe, who in reality had a deep admiration for Mr. Tumpany, had relented, and in her hand was a mug of beer.

"There!" she said with a grin, "and take care it don't hiss as it goes down. Pipes red hot I expect! Lord what fools men are!"

Tumpany said nothing, but the deep "gluck gluck" of satisfaction as he drank was far more eloquent than words.

Phoebe watched him with a pitying and almost maternal wonder in her simple mind.

"A good thing you've come early, and Mistress ain't up yet," she said. "I went into the cellar as quiet as a cat, and I held a dish-cloth over the spigot when I knocked it in again so as to deaden the sound. You can hear the knock all over the house else!"

"Thank ye, Phoebe, my dear. That there beer's in lovely condition; and I don't mind saying I wanted it bad."

"Well, take care, as you don't want it another day so early. I see your wife last night!"

She paused, maliciously enjoying the anxiety which immediately clouded the man's round, red face.

"It's all right," she said at length. "She was out when you come home from the public, and she found you snoring in the parlour. There was no words passed. I must get to work."

She hurried back to her kitchen. Tumpany began to whistle.

The growing warmth of the morning had melted the congealed blood which hung from the noses of the rabbits. One or two drops fell upon the flags of the floor and the Dog Trust licked them up with immense relish.

Thus day began for the humbler members of the Poet's household.

At a few minutes before eight o'clock, the mistress of the house came down stairs, crossed the hall and went into the dining room.

Mary Lothian was a woman of thirty-eight. She was tall, of good figure, and carried herself well. She was erect, without producing any impression of stiffness. She walked firmly, but with grace.

Her abundant hair was pale gold in colour and worn in a simple Greek knot. The nose, slightly aquiline, was in exact proportion to the face. This was of an oval contour, though not markedly so, and was just a little thin. The eyes under finely drawn brows, were a clear and steadfast blue.

In almost every face the mouth is the most expressive feature. If the eyes are the windows of the soul, the mouth is its revelation. It is the true indication of what is within. The history of a man or woman's life lies there. For those who can read, its subtle changing curves at some time or another, betray all secrets of evil or of good. It is the first feature that sensual vices coarsen or self-control refines. The sin of pride moulds it into shapes that cannot be hidden. Envy, hatred and malice must needs write their superscription there, and the blood stirs about our hearts when we read of an angelic smile.

The Greeks knew this, and when their actors trod the marble stage of Dionysius at Athens, or the theatre of Olympian Zeus by the hill Kronian, their faces were masked. The lips of Hecuba were always frozen into horror. The mouths of the heralds of the Lysistrata were set in one curve of comedy throughout the play. Voices of gladness or sorrow came from lips of wax or clay, which never changed as the living lips beneath them needs must do. A certain sharpness and reality, as of life suddenly arrested at one moment of passion, was aimed at. Men's real mouths were too mobile and might betray things alien to the words they chanted.

The mouth of Mary Lothian was beautiful. It was rather large, well-shaped without possessing any purely æsthetic appeal, and only a very great painter could have realised it upon canvas. In a photograph it was nothing, unless a pure accident of the camera had once in a way caught its expression. The mouth of this woman was absolutely frank and kind. Its womanly dignity was overlaid with serene tenderness, a firm sweetness which never left it. In repose or in laughter – it was a mouth that could really laugh – this kindness and simplicity was always there. Always it seemed to say "here is a good woman and one without guile."

The whole face was capable without being clever. No freakish wit lurked in the calm, open eyes, there was nothing of the fantastic, little of the original in the quiet comely face. All kind and simple people loved Mary Lothian and her —

Men with feverish minds and hectic natures could see but little in her – a quiet woman moving about a tranquil house. There was nothing showy in her grave distinction. She never thought about attracting people, only of being kind to them. Not as a companion for their lighter hours nor as a sharer in their merriment, did people come to her. It was when trouble of mind, body or estate assailed them that they came and found a "most silver flow of subtle-paced counsel in distress."

Since the passing of Victoria and the high-noon of her reign, the purely English ideal of womanhood has disappeared curiously from contemporary art and has not the firm hold upon the general mind that it had thirty years ago.

The heroines of poems and fictions are complex people to-day, world-weary, tempestuous and without peace of heart or mind. The two great voices of the immediate past have lost much of their meaning for modern ears.

– Not many pens nor brushes are busy with such ladies now.

– Who sings such Isabels to-day? It is Calypso of the magic island of whom the modern world loves to hear, and few poets sing Penelope faithful by the hearth any more.

But when deep peace broods over a dwelling, it is from the Mary Lothians of England that it comes.

Mary was very simply dressed, but there was an indescribable air of distinction about her. The skirt of white piqué hung perfectly, the cream-coloured blouse with drawn-thread work at the neck and wrists was fresh and dainty. On her head was a panama hat with a scarf of mauve silk tied loosely round it and hanging down her back in two long ends.

In one hand she held a silver-headed walking cane, in the other a small prayer-book, for she was going to matins before breakfast.

She spoke a word to the cook and went out of the back door, calling a good-morning to Tumpany as she passed his shed, and then went through the entrance-gate into the village street.

By this hour the labourers were all at work in the fields and farmyards – the hay harvest was over and the corn cutting about to begin – but the cottage doors were open and the children were gathering in little groups, ready to proceed to school.

There was a fresh smell of wood-smoke in the air and the gardens of the cottages were brilliant with flowers.

Mary Lothian, however, was thinking very little about the village – to which she was Lady Bountiful. She hardly noticed the sweet day springing over the country side.

She was thinking of Gilbert.

He had been away for a week now and she had heard no news of him except for a couple of brief telegrams.

For several days before he went to London, she had seen the signs of restlessness and ennui approaching. She knew them well. He had been irritable and moody by fits and starts. After lunch he had slept away the afternoons, and at dinner he had been feverishly gay. Once or twice he had driven into Wordingham – the local town – during the afternoon, and had returned late at night, very angry on one of these occasions to find her sitting up for him.

"I wish to goodness you would go to bed, Mary," he had said with a sullen look in his eyes. "I do hate being fussed over as if I were a child. I hate my comings and goings spied upon in this ridiculous way. I must have freedom! Kindly try and remember that you have married a poet – an artist! – and not some beef-brained ordinary fool!"

The servants had gone to bed, but she had lit candles in old silver holders, and spread a dainty supper for him in case he should be hungry, taking especial care over the egg sandwiches and the salad which he said she made so perfectly.

She had gone to bed without a word, for she knew well what made him speak to her like that. She lay awake listening, her room was over the dining room, and heard the clink of a glass and the gurgle of a syphon. He was having more drink then. When he came upstairs he went into the dressing room where he sometimes slept, and before long she heard him breathing heavily in sleep. He always came to her room when he was himself.

Then she had gone downstairs noiselessly to find her little supper untouched, a smear of cigarette ash upon the tablecloth, and that he had forgotten to extinguish the candles.

There came a day when he was especially kind and sweet. His recent irritation and restlessness seemed to have quite gone. He smoked pipes instead of cigarettes, always a good sign in him, and in the afternoon they had gone for a long tramp together over the marshes. She was very happy. For the last year, particularly since his name had become well-known and he was seriously counted among the celebrities of the hour, he had not cared to be with her so much as in the past. He only wanted to be with her when he was depressed and despondent about the future. Then he came for comfort and clung to her like a boy with his mother. "It's for the sake of my Art," he would say often enough, though she never reproached him with neglect. "I must be a great deal alone now. Things come to me when I am alone. I love being with you, sweetheart, but we must both make a sacrifice for my work. It means the future. It means everything for both of us!"

He used not to be like this, she sometimes reflected. In the earlier days, when he was actually doing the work which had brought him fame, he had never wanted to be away from her. He used to read her everything, ask her opinion about all his work. Life had been more simple. She had known every detail of his. He had not drunk much in those days. In those days there had been no question of that at all. After the success it was different.

She had gone to his study in the morning, after nights when he had been working late, and had been struck with fear when she had looked at the tantalus. But, then, he had been spruce and cheerful at breakfast and had made a hearty meal. Her remonstrances had been easily swept away. He had laughed.

"Darling, don't be an old goose! You don't understand a bit. What? – Oh, yes, I suppose I did have rather a lot of whiskey last night. But I did splendid work. And it is only once in a way. I'm as fit this morning as I ever was in my life. But I'm working double tides now. You know what an immense strain it is. Just let me consolidate my reputation, become absolutely secure, and – well, then you'll see!"

But for months now things had not improved, and on this particular day, a week ago now, the sudden change in Gilbert, when the placidity of the old time seemed to have returned, was like cool water to a wound.

They had been such friends again! In the evening they had got out all her music and while he played, she had sung the dear old songs of their courtship and early married life. They had the "Keys Of Heaven," "The Rain Is on the River," "My Dear Soul" and the "Be My Dear and Dearest!" of Cotsford Dick.

On the next morning the post had brought letters calling Gilbert to London. He had to arrange with Messrs. Ince and Amberley about his new book. Mr. Amberley had asked him to dine – "You don't perhaps quite understand, dear, but when Amberley asks one, one must go" – there were other important things to see after.

Gilbert had not asked her to come with him. She would have liked to have gone to London very much. It was a long time since she had been to a theatre, ages since she had heard a good concert. And shopping too! It seemed such a good opportunity, while the sales were on.

She had hinted as much, but he had shaken his head with decision: "No, dear, not now. I am going strictly on business. I couldn't give you the time I should want to, and I should hate that. It wouldn't be fair to you. We'll go up in the Autumn, just you and I together and have a really good time. That will be far jollier. For heaven's sake, don't let's try to mix up business with pleasure. It's fatal to both."

Had he known that he was to be called to London? Had he arranged it beforehand, itching to be free of her gentle yoke, her wise, restraining hand? Was that the reason that he had been so affectionate the day before he went away? His conscience was uneasy perhaps .. ?

And why had he not written – was there a sordid, horrible reason for his silence; when was he coming back .. ?

These were the sad, disturbing thoughts stirring in Mary's mind as the near tolling of the bell smote upon her ears and she entered the Churchyard.

The church at Mortland Royal was large and noble. It would have held the total population of the village three times over. Relic of Tudor times when Norfolk was the rich and prosperous centre of the wool industry of England, it was only one of the many pious monuments of a vanished past which still keep watch and ward over the remote, forgotten villages of the North East Coast.

Stately still the fane, in its noble masses, its fairness, majesty and strength, the slender intricacy and rich meshes of its tracery in which no single cusp or finial is in vain, no stroke of the chisel useless. Stately the grey towers also, foursquare for centuries to the winds of the Wash. Dust the man who made it, but uncrumbled stone the body of his dream. He had thought in light and shadow. He had seen these immemorial stones when the sun of July mornings was hot upon them, or the early dusks of December left them to the dark. Out of the spaces of light and darkness in the vision of his mind this strong tower had been built.

Inviolate, it was standing now.

But as Mary passed through the great porch with its worn and weathered saints into the Church itself, the breath of the morning was damp and there was a chill within.

The gallant chirrup of the swallows flying round the tower, sank to a faint "cheep, cheep," the voice of the tolling bell became muffled and funereal, and mildew lay upon the air. "Non sum qualis eram," the lorn interior seemed to echo to her steps, "bonae sub regno Ecclesiæ."

There was a little American organ in the Chancel. No more would the rich plainsong of Gregory echo under these ancient roofs like a flowing tide in some cavern of the sea.

The stone Altar was covered with a decaying web of crimson upon which was embroidered a symbol of sickly, faded yellow. Perhaps never again would a Priest raise the Monstrance there, while the ceremonial candle-flames were pallid in the morning light and hushed voices hymned the Lamb of God.

These, all these, were in the olden time and long ago.