The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 03

Eiimit virtus, populumque falsis
Dedocet uti
Vocibus.—HOR. Lib. ii. Od. ii. 17.

True virtue can the crowd unteach
Their false mistaken forms of speech;
Virtue, to crowds a foe profest,
Disdains to number with the blest
Phraates, by his slaves ador'd,
And to the Parthian crown restor'd. FRANCIS.

In the reign of Jenghiz Can, conqueror of the east, in the city of Samarcand, lived Nouradin the merchant, renowned throughout all the regions of India, for the extent of his commerce, and the integrity of his dealings. His warehouses were filled with all the commodities of the remotest nations; every rarity of nature, every curiosity of art, whatever was valuable, whatever was useful, hasted to his hand. The streets were crowded with his carriages; the sea was covered with his ships; the streams of Oxus were wearied with conveyance, and every breeze of the sky wafted wealth to Nouradin.

At length Nouradin felt himself seized with a slow malady, which he first endeavoured to divert by application, and afterwards to relieve by luxury and indulgence; but finding his strength every day less, he was at last terrified, and called for help upon the sages of physick; they filled his apartments with alexipharmicks, restoratives, and essential virtues; the pearls of the ocean were dissolved, the spices of Arabia were distilled, and all the powers of nature were employed to give new spirits to his nerves, and new balsam to his blood. Nouradin was for some time amused with promises, invigorated with cordials, or soothed with anodynes; but the disease preyed upon his vitals, and he soon discovered with indignation, that health was not to be bought. He was confined to his chamber, deserted by his physicians, and rarely visited by his friends; but his unwillingness to die flattered him long with hopes of life.

At length, having passed the night in tedious languor, he called to him Almamoulin, his only son, and dismissing his attendants, "My son," says he, "behold here the weakness and fragility of man; look backward a few days, thy father was great and happy, fresh as the vernal rose, and strong as the cedar of the mountain; the nations of Asia drank his dews, and art and commerce delighted in his shade. Malevolence beheld me, and sighed: 'His root,' she cried, 'is fixed in the depths; it is watered by the fountains of Oxus; it sends out branches afar, and bids defiance to the blast; prudence reclines against his trunk, and prosperity dances on his top.' Now, Almamoulin, look upon me withering and prostrate; look upon me, and attend. I have trafficked, I have prospered, I have rioted in gain; my house is splendid, my servants are numerous; yet I displayed only a small part of my riches; the rest, which I was hindered from enjoying by the fear of raising envy, or tempting rapacity, I have piled in towers, I have buried in caverns, I have hidden in secret repositories, which this scroll will discover. My purpose was, after ten months more spent in commerce, to have withdrawn my wealth to a safer country; to have given seven years to delight and festivity, and the remaining part of my days to solitude and repentance; but the hand of death is upon me; a frigorifick torpor encroaches upon my veins; I am now leaving the produce of my toil, which it must be thy business to enjoy with wisdom." The thought of leaving his wealth filled Nouradin with such grief, that he fell into convulsions, became delirious, and expired.

Almamoulin, who loved his father, was touched a while with honest sorrow, and sat two hours in profound meditation, without perusing the paper which he held in his hand. He then retired to his own chamber, as overborne with affliction, and there read the inventory of his new possessions, which swelled his heart with such transports, that he no longer lamented his father's death. He was now sufficiently composed to order a funeral of modest magnificence, suitable at once to the rank of Nouradin's profession, and the reputation of his wealth. The two next nights he spent in visiting the tower and the caverns, and found the treasures greater to his eye than to his imagination.

Almamoulin had been bred to the practice of exact frugality, and had often looked with envy on the finery and expenses of other young men: he therefore believed, that happiness was now in his power, since he could obtain all of which he had hitherto been accustomed to regret the want. He resolved to give a loose to his desires, to revel in enjoyment, and feel pain or uneasiness no more.

He immediately procured a splendid equipage, dressed his servants in rich embroidery, and covered his horses with golden caparisons. He showered down silver on the populace, and suffered their acclamations to swell him with insolence. The nobles saw him with anger, the wise men of the state combined against him, the leaders of armies threatened his destruction. Almamoulin was informed of his danger: he put on the robe of mourning in the presence of his enemies, and appeased them with gold, and gems, and supplication.

He then sought to strengthen himself by an alliance with the princes of Tartary, and offered the price of kingdoms for a wife of noble birth. His suit was generally rejected, and his presents refused; but the princess of Astracan once condescended to admit him to her presence. She received him, sitting on a throne, attired in the robe of royalty, and shining with the jewels of Golconda; command sparkled in her eyes, and dignity towered on her forehead. Almamoulin approached and trembled. She saw his confusion and disdained him: "How," says she, "dares the wretch hope my obedience, who thus shrinks at my glance? Retire, and enjoy thy riches in sordid ostentation; thou wast born to be wealthy, but never canst be great."

He then contracted his desires to more private and domestick pleasures. He built palaces, he laid out gardens[4 - See Vathek.], he changed the face of the land, he transplanted forests, he levelled mountains, opened prospects into distant regions, poured fountains from the tops of turrets, and rolled rivers through new channels.

These amusements pleased him for a time; but languor and weariness soon invaded him. His bowers lost their fragrance, and the waters murmured without notice. He purchased large tracts of land in distant provinces, adorned them with houses of pleasure, and diversified them with accommodations for different seasons. Change of place at first relieved his satiety, but all the novelties of situation were soon exhausted; he found his heart vacant, and his desires, for want of external objects, ravaging himself.

He therefore returned to Samarcand, and set open his doors to those whom idleness sends out in search of pleasure. His tables were always covered with delicacies; wines of every vintage sparkled in his bowls, and his lamps scattered perfumes. The sound of the lute, and the voice of the singer, chased away sadness; every hour was crowded with pleasure; and the day ended and began with feasts and dances, and revelry and merriment. Almamoulin cried out, "I have at last found the use of riches; I am surrounded by companions, who view my greatness without envy; and I enjoy at once the raptures of popularity, and the safety of an obscure station. What trouble can he feel, whom all are studious to please, that they may be repaid with pleasure? What danger can he dread, to whom every man is a friend?"

Such were the thoughts of Almamoulin, as he looked down from a gallery upon the gay assembly regaling at his expense; but, in the midst of this soliloquy, an officer of justice entered the house, and in the form of legal citation, summoned Almamoulin to appear before the emperor. The guests stood awhile aghast, then stole imperceptibly away, and he was led off without a single voice to witness his integrity. He now found one of his most frequent visitants accusing him of treason, in hopes of sharing his confiscation; yet, unpatronized and unsupported, he cleared himself by the openness of innocence, and the consistence of truth; he was dismissed with honour, and his accuser perished in prison.

Almamoulin now perceived with how little reason he had hoped for justice or fidelity from those who live only to gratify their senses; and, being now weary with vain experiments upon life and fruitless researches after felicity, he had recourse to a sage, who, after spending his youth in travel and observation, had retired from all human cares, to a small habitation on the banks of Oxus, where he conversed only with such as solicited his counsel. "Brother," said the philosopher, "thou hast suffered thy reason to be deluded by idle hopes, and fallacious appearances. Having long looked with desire upon riches, thou hadst taught thyself to think them more valuable than nature designed them, and to expect from them, what experience has now taught thee, that they cannot give. That they do not confer wisdom, thou mayest be convinced, by considering at how dear a price they tempted thee, upon thy first entrance into the world, to purchase the empty sound of vulgar acclamation. That they cannot bestow fortitude or magnanimity, that man may be certain, who stood trembling at Astracan, before a being not naturally superior to himself. That they will not supply unexhausted pleasure, the recollection of forsaken palaces, and neglected gardens, will easily inform thee. That they rarely purchase friends, thou didst soon discover, when thou wert left to stand thy trial uncountenanced and alone. Yet think not riches useless; there are purposes to which a wise man may be delighted to apply them; they may, by a rational distribution to those who want them, ease the pains of helpless disease, still the throbs of restless anxiety, relieve innocence from oppression, and raise imbecility to cheerfulness and vigour. This they will enable thee to perform, and this will afford the only happiness ordained for our present state, the confidence of Divine favour, and the hope of future rewards."

No. 121. TUESDAY, MAY 14, 1751

O imitatores, servum pecus! Hor. Lib. i. Ep. xix. 19.

Away, ye imitators, servile herd! ELPHINSTON.

I have been informed by a letter from one of the universities, that among the youth from whom the next swarm of reasoners is to learn philosophy, and the next flight of beauties to hear elegies and sonnets, there are many, who, instead of endeavouring by books and meditation to form their own opinions, content themselves with the secondary knowledge, which a convenient bench in a coffee-house can supply; and without any examination or distinction, adopt the criticisms and remarks, which happen to drop from those who have risen, by merit or fortune, to reputation and authority.

These humble retailers of knowledge my correspondent stigmatises with the name of Echoes; and seems desirous that they should be made ashamed of lazy submission, and animated to attempts after new discoveries and original sentiments.

It is very natural for young men to be vehement, acrimonious, and severe. For, as they seldom comprehend at once all the consequences of a position, or perceive the difficulties by which cooler and more experienced reasoners are restrained from confidence, they form their conclusions with great precipitance. Seeing nothing that can darken or embarrass the question, they expect to find their own opinion universally prevalent, and are inclined to impute uncertainty and hesitation to want of honesty, rather than of knowledge. I may, perhaps, therefore, be reproached by my lively correspondent, when it shall be found, that I have no inclination to persecute these collectors of fortuitous knowledge with the severity required; yet, as I am now too old to be much pained by hasty censure, I shall not be afraid of taking into protection those whom I think condemned without a sufficient knowledge of their cause.

He that adopts the sentiments of another, whom he has reason to believe wiser than himself, is only to be blamed when he claims the honours which are not due but to the author, and endeavours to deceive the world into praise and veneration; for, to learn, is the proper business of youth; and whether we increase our knowledge by books or by conversation, we are equally indebted to foreign assistance.

The greater part of students are not born with abilities to construct systems, or advance knowledge; nor can have any hope beyond that of becoming intelligent hearers in the schools of art, of being able to comprehend what others discover, and to remember what others teach. Even those to whom Providence hath allotted greater strength of understanding, can expect only to improve a single science. In every other part of learning, they must be content to follow opinions, which they are not able to examine; and, even in that which they claim as peculiarly their own, can seldom add more than some small particle of knowledge, to the hereditary stock devolved to them from ancient times, the collective labour of a thousand intellects.

In science, which, being fixed and limited, admits of no other variety than such as arises from new methods of distribution, or new arts of illustration, the necessity of following the traces of our predecessors is indisputably evident; but there appears no reason, why imagination should be subject to the same restraint. It might be conceived, that of those who profess to forsake the narrow paths of truth, every one may deviate towards a different point, since, though rectitude is uniform and fixed, obliquity may be infinitely diversified. The roads of science are narrow, so that they who travel them, must either follow or meet one another; but in the boundless regions of possibility, which fiction claims for her dominion, there are surely a thousand recesses unexplored, a thousand flowers unplucked, a thousand fountains unexhausted, combinations of imagery yet unobserved, and races of ideal inhabitants not hitherto described.

Yet, whatever hope may persuade, or reason evince, experience can boast of very few additions to ancient fable. The wars of Troy, and the travels of Ulysses, have furnished almost all succeeding poets with incidents, characters, and sentiments. The Romans are confessed to have attempted little more than to display in their own tongue the inventions of the Greeks. There is, in all their writings, such a perpetual recurrence of allusions to the tales of the fabulous age, that they must be confessed often to want that power of giving pleasure which novelty supplies; nor can we wonder that they excelled so much in the graces of diction, when we consider how rarely they were employed in search of new thoughts.

The warmest admirers of the great Mantuan poet can extol him for little more than the skill with which he has, by making his hero both a traveller and a warrior, united the beauties of the Iliad and the Odyssey in one composition: yet his judgment was perhaps sometimes overborne by his avarice of the Homeric treasures; and, for fear of suffering a sparkling ornament to be lost, he has inserted it where it cannot shine with its original splendour.

When Ulysses visited the infernal regions, he found among the heroes that perished at Troy, his competitor, Ajax, who, when the arms of Achilles were adjudged to Ulysses, died by his own hand in the madness of disappointment. He still appeared to resent, as on earth, his loss and disgrace, Ulysses endeavoured to pacify him with praises and submission; but Ajax walked away without reply. This passage has always been considered as eminently beautiful; because Ajax, the haughty chief, the unlettered soldier, of unshaken courage, of immovable constancy, but without the power of recommending his own virtues by eloquence, or enforcing his assertions by any other argument than the sword, had no way of making his anger known, but by gloomy sullenness and dumb ferocity. His hatred of a man whom he conceived to have defeated him only by volubility of tongue, was therefore naturally shewn by silence more contemptuous and piercing than any words that so rude an orator could have found, and by which he gave his enemy no opportunity of exerting the only power in which he was superior.

When Æneas is sent by Virgil to the shades, he meets Dido the queen of Carthage, whom his perfidy had hurried to the grave; he accosts her with tenderness and excuses; but the lady turns away like Ajax in mute disdain. She turns away like Ajax; but she resembles him in none of those qualities which give either dignity or propriety to silence. She might, without any departure from the tenour of her conduct, have burst out like other injured women into clamour, reproach, and denunciation; but Virgil had his imagination full of Ajax, and therefore could not prevail on himself to teach Dido any other mode of resentment.

If Virgil could be thus seduced by imitation, there will be little hope, that common wits should escape; and accordingly we find, that besides the universal and acknowledged practice of copying the ancients, there has prevailed in every age a particular species of fiction. At one time all truth was conveyed in allegory; at another, nothing was seen but in a vision; at one period all the poets followed sheep, and every event produced a pastoral; at another they busied themselves wholly in giving directions to a painter.

It is indeed easy to conceive why any fashion should become popular, by which idleness is favoured, and imbecility assisted; but surely no man of genius can much applaud himself for repeating a tale with which the audience is already tired, and which could bring no honour to any but its inventor.

There are, I think, two schemes of writing, on which the laborious wits of the present time employ their faculties. One is the adaptation of sense to all the rhymes which our language can supply to some word, that makes the burden of the stanza; but this, as it has been only used in a kind of amorous burlesque, can scarcely be censured with much acrimony. The other is the imitation of Spenser, which, by the influence of some men of learning and genius, seems likely to gain upon the age, and therefore deserves to be more attentively considered.

To imitate the fictions and sentiments of Spenser can incur no reproach, for allegory is perhaps one of the most pleasing vehicles of instruction. But I am very far from extending the same respect to his diction or his stanza. His style was in his own time allowed to be vicious, so darkened with old words and peculiarities of phrase, and so remote from common use, that Jonson boldly pronounces him to have written no language. His stanza is at once difficult and unpleasing; tiresome to the ear by its uniformity, and to the attention by its length. It was at first formed in imitation of the Italian poets, without due regard to the genius of our language. The Italians have little variety of termination, and were forced to contrive such a stanza as might admit the greatest number of similar rhymes; but our words end with so much diversity, that it is seldom convenient for us to bring more than two of the same sound together. If it be justly observed by Milton, that rhyme obliges poets to express their thoughts in improper terms, these improprieties must always be multiplied, as the difficulty of rhyme is increased by long concatenations.

The imitators of Spenser are indeed not very rigid censors of themselves, for they seem to conclude, that when they have disfigured their lines with a few obsolete syllables, they have accomplished their design, without considering that they ought not only to admit old words, but to avoid new. The laws of imitation are broken by every word introduced since the time of Spenser, as the character of Hector is violated by quoting Aristotle in the play. It would, indeed, be difficult to exclude from a long poem all modern phrases, though it is easy to sprinkle it with gleanings of antiquity. Perhaps, however, the style of Spenser might by long labour be justly copied; but life is surely given us for higher purposes than to gather what our ancestors have wisely thrown away, and to learn what is of no value, but because it has been forgotten.

No. 122. SATURDAY, MAY 18, 1751

Nescio qua natale solum dulcedine captos

      Ducit. OVID, Ex Pon. Lib. i. Ep. iii. 35.

By secret charms our native land attracts.

Nothing is more subject to mistake and disappointment than anticipated judgment concerning the easiness or difficulty of any undertaking, whether we form our opinion from the performances of others, or from abstracted contemplation of the thing to be attempted.

Whatever is done skilfully appears to be done with ease; and art, when it is once matured to habit, vanishes from observation. We are therefore more powerfully excited to emulation, by those who have attained the highest degree of excellence, and whom we can therefore with least reason hope to equal.

In adjusting the probability of success by a previous consideration of the undertaking, we are equally in danger of deceiving ourselves. It is never easy, nor often possible, to comprise the series of any process with all its circumstances, incidents, and variations, in a speculative scheme. Experience soon shows us the tortuosities of imaginary rectitude, the complications of simplicity, and the asperities of smoothness. Sudden difficulties often start up from the ambushes of art, stop the career of activity, repress the gaiety of confidence, and when we imagine ourselves almost at the end of our labours, drive us back to new plans and different measures.

There are many things which we every day see others unable to perform, and perhaps have even ourselves miscarried in attempting; and yet can hardly allow to be difficult; nor can we forbear to wonder afresh at every new failure, or to promise certainty of success to our next essay; but when we try, the same hindrances recur, the same inability is perceived, and the vexation of disappointment must again be suffered.

Of the various kinds of speaking or writing, which serve necessity, or promote pleasure, none appears so artless or easy as simple narration; for what should make him that knows the whole order and progress of an affair unable to relate it? Yet we hourly find such as endeavour to entertain or instruct us by recitals, clouding the facts which they intend to illustrate, and losing themselves and their auditors in wilds and mazes, in digression and confusion. When we have congratulated ourselves upon a new opportunity of inquiry, and new means of information, it often happens, that without designing either deceit or concealment, without ignorance of the fact, or unwillingness to disclose it, the relator fills the ear with empty sounds, harasses the attention with fruitless impatience, and disturbs the imagination by a tumult of events, without order of time, or train of consequence.

It is natural to believe, upon the same principle, that no writer has a more easy task than the historian. The philosopher has the works of omniscience to examine; and is therefore engaged in disquisitions, to which finite intellects are utterly unequal. The poet trusts to his invention, and is not only in danger of those inconsistencies, to which every one is exposed by departure from truth; but may be censured as well for deficiencies of matter, as for irregularity of disposition, or impropriety of ornament. But the happy historian has no other labour than of gathering what tradition pours down before him, or records treasure for his use. He has only the actions and designs of men like himself to conceive and to relate; he is not to form, but copy characters, and therefore is not blamed for the inconsistency of statesmen, the injustice of tyrants, or the cowardice of commanders. The difficulty of making variety consistent, or uniting probability with surprise, needs not to disturb him; the manners and actions of his personages are already fixed; his materials are provided and put into his hands, and he is at leisure to employ all his powers in arranging and displaying them.

Yet, even with these advantages, very few in any age have been able to raise themselves to reputation by writing histories; and among the innumerable authors, who fill every nation with accounts of their ancestors, or undertake to transmit to futurity the events of their own time, the greater part, when fashion and novelty have ceased to recommend them, are of no other use than chronological memorials, which necessity may sometimes require to be consulted, but which fright away curiosity, and disgust delicacy.

It is observed, that our nation, which has produced so many authors eminent for almost every other species of literary excellence, has been hitherto remarkably barren of historical genius; and so far has this defect raised prejudices against us, that some have doubted whether an Englishman can stop at that mediocrity of style, or confine his mind to that even tenour of imagination, which narrative requires.

They who can believe that nature has so capriciously distributed understanding, have surely no claim to the honour of serious confutation. The inhabitants of the same country have opposite characters in different ages; the prevalence or neglect of any particular study can proceed only from the accidental influence of some temporary cause; and if we have failed in history, we can have failed only because history has not hitherto been diligently cultivated.

But how is it evident, that we have not historians among us, whom we may venture to place in comparison with any that the neighbouring nations can produce? The attempt of Raleigh is deservedly celebrated for the labour of his researches, and the elegance of his style; but he has endeavoured to exert his judgment more than his genius, to select facts, rather than adorn them; and has produced an historical dissertation, but seldom risen to the majesty of history.

The works of Clarendon deserve more regard. His diction is indeed neither exact in itself, nor suited to the purpose of history. It is the effusion of a mind crowded with ideas, and desirous of imparting them; and therefore always accumulating words, and involving one clause and sentence in another. But there is in his negligence a rude inartificial majesty, which, without the nicety of laboured elegance, swells the mind by its plenitude and diffusion. His narration is not perhaps sufficiently rapid, being stopped too frequently by particularities, which, though they might strike the author who was present at the transactions, will not equally detain the attention of posterity. But his ignorance or carelessness of the art of writing is amply compensated by his knowledge of nature and of policy; the wisdom of his maxims, the justness of his reasonings, and the variety, distinctness, and strength of his characters.