Christmas Eve

Of poetry and rhetoric,
And exult with hearts set free,
In blessed imbecility
Scrawled, perchance, on some torn sheet
Leaving Sallust incomplete
Gone, his pride of sculptor, painter!
—Love, while able to acquaint her
While the thousand statues yet
Fresh from chisel, pictures wet
From brush, she saw on every side,
Chose rather with an infant's pride
To frame those portents which impart
Such unction to true Christian Art.
Gone, music too! The air was stirred
By happy wings: Terpander's[3 - Terpander, a famous Lesbian musician and lyric poet, 670 B.C.] bird
(That, when the cold came, fled away)
Would tarry not the wintry day,—
As more-enduring sculpture must,
Till filthy saints rebuked the gust
With which they chanced to get a sight
Of some dear naked Aphrodite
They glanced a thought above the toes of,
By breaking zealously her nose off.
Love, surely, from that music's lingering,
Might have filched her organ-fingering,
Nor chosen rather to set prayings
To hog-grunts, praises to horse-neighings.
Love was the startling thing, the new:
Love was the all-sufficient too;
And seeing that, you see the rest:
As a babe can find its mother's breast
As well in darkness as in light,
Love shut our eyes, and all seemed right.
True, the world's eyes are open now:
—Less need for me to disallow
Some few that keep Love's zone unbuckled,
Peevish as ever to be suckled,
Lulled by the same old baby-prattle
With intermixture of the rattle,
When she would have them creep, stand steady
Upon their feet, or walk already,
Not to speak of trying to climb.
I will be wise another time,
And not desire a wall between us,
When next I see a church-roof cover
So many species of one genus,
All with foreheads bearing lover
Written above the earnest eyes of them;
All with breasts that beat for beauty,
Whether sublimed, to the surprise of them,
In noble daring, steadfast duty,
The heroic in passion, or in action,—
Or, lowered for sense's satisfaction,
To the mere outside of human creatures,
Mere perfect form and faultless features.
What? with all Rome here, whence to levy
Such contributions to their appetite,
With women and men in a gorgeous bevy,
They take, as it were, a padlock, clap it tight
On their southern eyes, restrained from
feeding
On the glories of their ancient reading,
On the beauties of their modern singing,
On the wonders of the builder's bringing,
On the majesties of Art around them,—
And, all these loves, late struggling incessant,
When faith has at last united and bound them,
They offer up to God for a present?
Why, I will, on the whole, be rather proud of it,—
And, only taking the act in reference
To the other recipients who might have allowed it,
I will rejoice that God had the preference.

XII

So I summed up my new resolves:
Too much love there can never be.
And where the intellect devolves
Its function on love exclusively,
I, a man who possesses both,
Will accept the provision, nothing loth,
—Will feast my love, then depart elsewhere,
That my intellect may find its share.
And ponder, O soul, the while thou departest,
And see them applaud the great heart of the artist,
Who, examining the capabilities
Of the block of marble he has to fashion
Into a type of thought or passion,—
Not always, using obvious facilities,
Shapes it, as any artist can,
Into a perfect symmetrical man,
Complete from head to foot of the life-size,
Such as old Adam stood in his wife's eyes,—
But, now and then, bravely aspires to consummate
A Colossus by no means so easy to come at,
And uses the whole of his block for the bust,
Leaving the mind of the public to finish it,
Since cut it ruefully short he must:
On the face alone he expends his devotion,
He rather would mar than resolve to diminish it,