From Sea to Sea; Letters of Travel

The modern side of Jeypore must not be mixed with the ancient.

IV

THE TEMPLE OF MAHADEO AND THE MANNERS OF SUCH AS SEE INDIA. THE MAN BY THE WATER-TROUGHS AND HIS KNOWLEDGE. THE VOICE OF THE CITY AND WHAT IT SAID. PERSONALITIES AND THE HOSPITAL. THE HOUSE BEAUTIFUL OF JEYPORE AND ITS BUILDERS.

From the Cotton-Press the Englishman wandered through the wide streets till he came into an Hindu temple – rich in marble stone and inlay, and a deep and tranquil silence, close to the Public Library of the State. The brazen bull was hung with flowers, and men were burning the evening incense before Mahadeo; while those who had prayed their prayer beat upon the bells hanging from the roof and passed out, secure in the knowledge that the God had heard them. If there be much religion, there is little reverence, as Westerns understand the term, at the services of the Gods of the East. A tiny little maiden, child of a monstrously ugly, wall-eyed priest, staggered across the marble pavement to the shrine and threw, with a gust of childish laughter, the blossoms she was carrying into the lap of the Great Mahadeo himself. Then she made as though she would leap up to the bell and ran away, still laughing, into the shadow of the cells behind the shrine, while her father explained that she was but a baby and that Mahadeo would take no notice. The temple, he said, was specially favoured by the Maharaja, and drew from lands an income of twenty thousand rupees a year. Thakoors and great men also gave gifts out of their benevolence; and there was nothing in the wide world to prevent an Englishman from following their example.

By this time – for Amber and the Cotton-Press had filled the hours – night was falling, and the priests unhooked the swinging jets and began to light up the impassive face of Mahadeo with gas. They used Swedish matches!

Full night brought the hotel and its curiously composed human menagerie.

There is, if a work-a-day world will believe, a society entirely outside, and unconnected with, that of the Station – a planet within a planet, where nobody knows anything about the Collector's wife, the Colonel's dinner-party, or what was really the matter with the Engineer. It is a curious, an insatiably curious, thing, and its literature is Newman's Bradshaw. Wandering "old arms-sellers" and others live upon it, and so do the garnetmen and the makers of ancient Rajput shields. The world of the innocents abroad is a touching and unsophisticated place, and its very atmosphere urges the Anglo-Indian unconsciously to an extravagant mendacity. Can you wonder, then, that a guide of long-standing should in time grow to be an accomplished liar?

Into this world sometimes breaks the Anglo-Indian returned from leave, or a fugitive to the sea, and his presence is like that of a well-known land-mark in the desert. The old arms-seller knows and avoids him, and he is detested by the jobber of gharis who calls every one "my lord" in English, and panders to the "glaring race anomaly" by saying that every carriage not under his control is "rotten, my lord, having been used by natives." One of the privileges of playing at tourist is the brevet-rank of "Lord."

There are many, and some very curious, methods of seeing India. One of these is buying English translations of the more Zolaistic of Zola's novels and reading them from breakfast to dinner-time in the verandah. Yet another, even simpler, is American in its conception. Take a Newman's Bradshaw and a blue pencil, and race up and down the length of the Empire, ticking off the names of the stations "done." To do this thoroughly, keep strictly to the railway buildings and form your conclusions through the carriage-windows. These eyes have seen both ways of working in full blast; and, on the whole, the first is the most commendable.

Let us consider now with due reverence the modern side of Jeypore. It is difficult to write of a nickel-plated civilisation set down under the immemorial Aravalis in the first state of Rajputana. The red-grey hills seem to laugh at it, and the ever-shifting sand-dunes under the hills take no account of it, for they advance upon the bases of the monogrammed, coronet-crowned lamp-posts, and fill up the points of the natty tramways near the Waterworks, which are the outposts of the civilisation of Jeypore.

Escape from the city by the Railway Station till you meet the cactus and the mud-bank and the Maharaja's Cotton-Press. Pass between a tramway and a trough for wayfaring camels till your foot sinks ankle-deep in soft sand, and you come upon what seems to be the fringe of illimitable desert – mound upon mound of tussocks overgrown with plumed grass where the parrots sit and swing. Here, if you have kept to the road, you shall find a dam faced with stone, a great tank, and pumping machinery fine as the heart of a municipal engineer can desire – pure water, sound pipes, and well-kept engines. If you belong to what is sarcastically styled an "able and intelligent municipality" under the British Rule, go down to the level of the tank, scoop up the water in your hands and drink, thinking meanwhile of the defects of the town whence you came. The experience will be a profitable one. There are statistics in connection with the Waterworks figures relating to "three-throw-plungers," delivery and supply, which should be known to the professional reader. They would not interest the unprofessional who would learn his lesson among the thronged standpipes of the city.

While the Englishman was preparing in his mind a scathing rebuke for an erring municipality that he knew of, a camel swung across the sands, its driver's jaw and brow bound mummy-fashion to guard against the dust. The man was evidently a stranger to the place, for he pulled up and asked the Englishman where the drinking-troughs were. He was a gentleman and bore very patiently with the Englishman's absurd ignorance of his dialect. He had come from some village, with an unpronounceable name, thirty kos away, to see his brother's son, who was sick in the big Hospital. While the camel was drinking the man talked, lying back along his mount. He knew nothing of Jeypore, except the names of certain Englishmen in it, the men who, he said, had made the Waterworks and built the Hospital for his brother's son's comfort.

And this is the curious feature of Jeypore; though happily the city is not unique in its peculiarity. When the late Maharaja ascended the throne, more than fifty years ago, it was his royal will and pleasure that Jeypore should advance. Whether he was prompted by love for his subjects, desire for praise, or the magnificent vanity with which Jey Singh must have been so largely dowered, are questions that concern nobody. In the latter years of his reign, he was supplied with Englishmen who made the State their fatherland, and identified themselves with its progress as only Englishmen can. Behind them stood the Maharaja ready to spend money with a lavishness that no Supreme Government would dream of; and it would not be too much to say that they together made the State what it is. When Ram Singh died, Madho Singh, his successor, a conservative Hindu, forbore to interfere in any way with the work that was going forward. It is said in the city that he does not overburden himself with the cares of State, the driving power being mainly in the hands of a Bengali, who has everything but the name of Minister. Nor do the Englishmen, it is said in the city, mix themselves with the business of government; their business being wholly executive.

They can, according to the voice of the city, do what they please, and the voice of the city – not in the main roads, but in the little side-alleys where the stall-less bull blocks the path – attests how well their pleasure has suited the pleasure of the people. In truth, to men of action few things could be more delightful than having a State of fifteen thousand square miles placed at their disposal, as it were, to leave their mark on. Unfortunately for the vagrant traveller, those who work hard for practical ends prefer not to talk about their doings, and he must, therefore, pick up what information he can at second-hand or in the city. The men at the standpipes explain that the Maharaja Sahib's father gave the order for the Waterworks and that Yakub (Jacob) Sahib made them – not only in the city, but out away in the district. "Did the people grow more crops thereby?" "Of course they did. Were canals made only to wash in?" "How much more crops?" "Who knows? The Sahib had better go and ask some official." Increased irrigation means increase of revenue for the State somewhere, but the man who brought about the increase does not say so.

After a few days of amateur Globe-trotting, a shamelessness great as that of the other loafer – the red-nosed man who hangs about one garden and is always on the eve of starting for Calcutta – possesses the masquerader; so that he feels equal to asking a Resident for a parcel-gilt howdah, or dropping into dinner with a Lieutenant-Governor. No man has a right to keep anything back from a Globe-trotter, who is a mild, temperate, gentlemanly, and unobtrusive seeker after truth. Therefore he who, without a word of enlightenment, sends the visitor into a city which he himself has beautified and adorned and made clean and wholesome, deserves unsparing exposure. And the city may be trusted to betray him. The malli in the Ram Newas Gardens – Gardens which are finer than any in India and fit to rank with the best in Paris – says that the Maharaja gave the order and Yakub Sahib made the Gardens. He also says that the Hospital just outside the Gardens was built by Yakub Sahib, and if the Sahib will go to the centre of the Gardens, he will find another big building, a Museum by the same hand.

But the Englishman went first to the Hospital, and found the out-patients beginning to arrive. A Hospital cannot tell lies about its own progress as a municipality can. Sick folk either come or lie in their own villages. In the case of the Mayo Hospital, they came, and the operation book showed that they had been in the habit of coming. Doctors at issue with provincial and local administrations, Civil Surgeons who cannot get their indents complied with, ground-down and mutinous practitioners all India over, would do well to visit the Mayo Hospital, Jeypore. They might, in the exceeding bitterness of their envy, be able to point out some defects in its supplies, or its beds, or its splints, or in the absolute isolation of the women's quarters from the men's.

From the Hospital the Englishman went to the Museum in the centre of the Gardens, and was eaten up by it, for Museums appealed to him. The casing of the jewel was in the first place superb – a wonder of carven white stone of the Indo-Saracenic style. It stood on a stone plinth, and was rich in stone-tracery, green marble columns from Ajmir, red marble, white marble colonnades, courts with fountains, richly carved wooden doors, frescoes, inlay, and colour. The ornamentation of the tombs of Delhi, the palaces of Agra, and the walls of Amber have been laid under contribution to supply the designs in bracket, arch, and soffit; and stone-masons from the Jeypore School of Art have woven into the work the best that their hands could produce. The building in essence if not in the fact of to-day, is the work of Freemasons. The men were allowed a certain scope in their choice of detail and the result – but it should be seen to be understood, as it stands in those Imperial Gardens. And, observe, the man who had designed it, who had superintended its erection, had said no word to indicate that there were such a thing in the place, or that every foot of it, from the domes of the roof to the cool green chunam dadoes and the carving of the rims of the fountains in the courtyard, was worth studying! Round the arches of the great centre court are written in Sanskrit and Hindi, texts from the great Hindu writers of old, bearing on the beauty of wisdom and the sanctity of true knowledge.

In the central corridor are six great frescoes, each about nine feet by five, copies of illustrations in the Royal Folio of the Razmnameh, the Mahabharata, which Abkar caused to be done by the best artists of his day. The original is in the Museum, and he who can steal it will find a purchaser at any price up to fifty thousand pounds.

V

OF THE SORDIDNESS OF THE SUPREME GOVERNMENT ON THE REVENUE SIDE; AND OF THE PALACE OF JEYPORE. A GREAT KING'S PLEASURE-HOUSE, AND THE WORK OF THE SERVANTS OF STATE.

Internally, there is, in all honesty, no limit to the luxury of the Jeypore Museum. It revels in "South Kensington" cases – of the approved pattern – that turn the beholder homesick, and South Kensington labels, whereon the description, measurements, and price of each object are fairly printed. These make savage one who knows how labelling is bungled in some of the Government Museums – our starved barns that are supposed to hold the economic exhibits, not of little States, but of great Provinces.

The floors are of dark red chunam, overlaid with a discreet and silent matting; the doors, where they are not plate glass, are of carved wood, no two alike, hinged by sumptuous brass hinges on to marble jambs and opening without noise. On the carved marble pillars of each hall are fixed revolving cases of the South Kensington pattern to show textile fabrics, gold lace, and the like. In the recesses of the walls are more cases, and on the railing of the gallery that runs round each of the three great central rooms, are fixed low cases to hold natural history specimens and wax models of fruits and vegetables.

Hear this, Governments of India from the Punjab to Madras! The doors come true to the jamb, the cases, which have been through a hot weather, are neither warped nor cracked, nor are there unseemly tallow-drops and flaws in the glasses. The maroon cloth, on or against which the exhibits are placed, is of close texture, untouched by the moth, neither stained nor meagre nor sunfaded; the revolving cases revolve freely without rattling; there is not a speck of dust from one end of the building to the other, because the menial staff are numerous enough to keep everything clean, and the Curator's office is a veritable office – not a shed or a bath-room, or a loose-box partitioned from the main building. These things are so because money has been spent on the Museum, and it is now a rebuke to all other Museums in India from Calcutta downwards. Whether it is not too good to be buried away in a native State is a question which envious men may raise and answer as they choose. Not long ago, the editor of a Bombay paper passed through it, but having the interests of the Egocentric Presidency before his eyes, dwelt more upon the idea of the building than its structural beauties; saying that Bombay, who professed a weakness for technical education, should be ashamed of herself. And he was quite right.

The system of the Museum is complete in intention, as are its appointments in design. At present there are some fifteen thousand objects of art, covering a complete exposition of the arts, from enamels to pottery and from brass-ware to stone-carving, of the State of Jeypore. They are compared with similar arts of other lands. Thus a Damio's sword – a gem of lacquer-plated silk and stud-work – flanks the tulwars of Marwar and the jezails of Tonk; and reproductions of Persian and Russian brass-work stand side by side with the handicrafts of the pupils of the Jeypore School of Art. A photograph of His Highness the present Maharaja is set among the arms, which are the most prominent features of the first or metal-room. As the villagers enter, they salaam reverently to the photo, and then move on slowly, with an evidently intelligent interest in what they see. Ruskin could describe the scene admirably – pointing out how reverence must precede the study of art, and how it is good for Englishmen and Rajputs alike to bow on occasion before Geisler's cap. They thumb the revolving cases of cloths do those rustics, and artlessly try to feel the texture through the protecting glass. The main object of the Museum is avowedly provincial – to show the craftsman of Jeypore the best that his predecessors could do, and what foreign artists have done. In time – but the Curator of the Museum has many schemes which will assuredly bear fruit in time, and it would be unfair to divulge them. Let those who doubt the thoroughness of a Museum under one man's control, built, filled, and endowed with royal generosity – an institution perfectly independent of the Government of India – go and exhaustively visit Dr. Hendley's charge at Jeypore. Like the man who made the building, he refuses to talk, and so the greater part of the work that he has in hand must be guessed at.

At one point, indeed, the Curator was taken off his guard. A huge map of the kingdom showed in green the portions that had been brought under irrigation, while blue circles marked the towns that owned dispensaries. "I want to bring every man in the State within twenty miles of a dispensary – and I've nearly done it," said he. Then he checked himself, and went off to food-grains in little bottles as being neutral and colourless things. Envy is forced to admit that the arrangement of the Museum – far too important a matter to be explained off-hand – is Continental in its character, and has a definite end and bearing – a trifle omitted by many institutions other than Museums. But – in fine, what can one say of a collection whose very labels are gilt-edged! Shameful extravagance? Nothing of the kind – only finish, perfectly in keeping with the rest of the fittings – a finish that we in kutcha[3 - casual: half-finished.] India have failed to catch.

From the Museum go out through the city to the Maharaja's Palace – skilfully avoiding the man who would show you the Maharaja's European billiard-room, – and wander through a wilderness of sunlit, sleepy courts, gay with paint and frescoes, till you reach an inner square, where smiling grey-bearded men squat at ease and play chaupur[4 - something like parchesi.]4 – just such a game as cost the Pandavs the fair Draupadi – with inlaid dice and gayly lacquered pieces. These ancients are very polite and will press you to play, but give no heed to them, for chaupur is an expensive game – expensive as quail-fighting, when you have backed the wrong bird and the people are laughing at your inexperience. The Maharaja's Palace is gay, overwhelmingly rich in candelabra, painted ceilings, gilt mirrors, and other evidences of a too hastily assimilated civilisation; but, if the evidence of the ear can be trusted, the old, old game of intrigue goes on as merrily as of yore. A figure in saffron came out of a dark arch into the sunlight, almost falling into the arms of one in pink. "Where have you come from?" "I have been to see – " the name was unintelligible. "That is a lie; you have not!" Then, across the court, some one laughed a low, croaking laugh. The pink and saffron figures separated as though they had been shot, and disappeared into separate bolt-holes. It was a curious little incident, and might have meant a great deal or just nothing at all. It distracted the attention of the ancients bowed above the chaupur cloth.

In the Palace-gardens there is even a greater stillness than that about the courts, and here nothing of the West, unless a critical soul might take exception to the lamp-posts. At the extreme end lies a lake-like tank swarming with muggers.[5 - crocodiles.] It is reached through an opening under a block of zenana buildings. Remembering that all beasts by the palaces of Kings or the temples of priests in this country would answer to the name of "Brother," the Englishman cried with the voice of faith across the water. And the mysterious freemasonry did not fail. At the far end of the tank rose a ripple that grew and grew and grew like a thing in a nightmare, and became presently an aged mugger. As he neared the shore, there emerged, the green slime thick upon his eyelids, another beast, and the two together snapped at a cigar-butt – the only reward for their courtesy. Then, disgusted, they sank stern first with a gentle sigh. Now a mugger's sigh is the most suggestive sound in animal speech. It suggested first the zenana buildings overhead, the walled passes through the purple hills beyond, a horse that might clatter through the passes till he reached the Man Sagar Lake below the passes, and a boat that might row across the Man Sagar till it nosed the wall of the Palace-tank, and then – then uprose the mugger with the filth upon his forehead and winked one horny eyelid – in truth he did! – and so supplied a fitting end to a foolish fiction of old days and things that might have been. But it must be unpleasant to live in a house whose base is washed by such a tank.

And so back through the chunamed courts, and among the gentle sloping paths between the orange trees, up to an entrance of the palace, guarded by two rusty brown dogs from Kabul, each big as a man, and each requiring a man's charpoy to sleep upon. Very gay was the front of the palace, very brilliant were the glimpses of the damask-couched, gilded rooms within, and very, very civilised were the lamp-posts with Ram Singh's monogram, devised to look like V. R., at the bottom, and a coronet at the top. An unseen brass band among the orange bushes struck up the overture of the Bronze Horse. Those who know the music will see at once that that was the only tune which exactly and perfectly fitted the scene and its surroundings. It was a coincidence and a revelation.

In his time and when he was not fighting, Jey Singh, the second, who built the city, was a great astronomer – a royal Omar Khayyam, for he, like the tent-maker of Nishapur, reformed a calendar, and strove to wring their mysteries from the stars with instruments worthy of a king. But in the end he wrote that the goodness of the Almighty was above everything, and died, leaving his observatory to decay without the palace-grounds.

From the Bronze Horse to the grass-grown enclosure that holds the Yantr Samrat, or Prince of Dials, is rather an abrupt passage. Jey Singh built him a dial with a gnomon some ninety feet high, to throw a shadow against the sun, and the gnomon stands to-day, though there is grass in the kiosque at the top and the flight of steps up the hypotenuse is worn. He built also a zodiacal dial – twelve dials upon one platform – to find the moment of true noon at any time of the year, and hollowed out of the earth place for two hemispherical cups, cut by belts of stone, for comparative observations.

He made cups for calculating eclipses, and a mural quadrant and many other strange things of stone and mortar, of which people hardly know the names and but very little of the uses. Once, said a man in charge of two tiny elephants, Indur and Har, a Sahib came with the Viceroy, and spent eight days in the enclosure of the great neglected observatory, seeing and writing things in a book. But he understood Sanskrit– the Sanskrit upon the faces of the dials, and the meaning of the gnoma and pointers. Nowadays no one understands Sanskrit – not even the Pundits; but without doubt Jey Singh was a great man.

The hearer echoed the statement, though he knew nothing of astronomy, and of all the wonders in the observatory was only struck by the fact that the shadow of the Prince of Dials moved over its vast plate so quickly that it seemed as though Time, wroth at the insolence of Jey Singh, had loosed the Horses of the Sun and were sweeping everything – dainty Palace-gardens and ruinous instruments – into the darkness of eternal night. So he went away chased by the shadow on the dial, and returned to the hotel, where he found men who said – this must be a catch-word of Globe-trotters – that they were "much pleased at" Amber. They further thought that "house-rent would be cheap in those parts," and sniggered over the witticism. There is a class of tourists, and a strangely large one, who individually never get farther than the "much pleased" state under any circumstances. This same class of tourists, it has also been observed, are usually free with hackneyed puns, vapid phrases, and alleged or bygone jokes. Jey Singh, in spite of a few discreditable laches, was a temperate and tolerant man; but he would have hanged those Globe-trotters in their trunk-straps as high as the Yantr Samrat.

Next morning, in the grey dawn, the Englishman rose up and shook the sand of Jeypore from his feet, and went with Master Coryatt and Sir Thomas Roe to "Adsmir," wondering whether a year in Jeypore would be sufficient to exhaust its interest, and why he had not gone out to the tombs of the dead Kings and the passes of Gulta and the fort of Motee Dungri. But what he wondered at most – knowing how many men who have in any way been connected with the birth of an institution, do, to the end of their days, continue to drag forward and exhume their labours and the honours that did not come to them – was the work of the two men who, together for years past, have been pushing Jeypore along the stone-dressed paths of civilisation, peace, and comfort. "Servants of the Raj" they called themselves, and surely they have served the Raj past all praise. The people in the city and the camel-driver from the sand-hills told of their work. They themselves held their peace as to what they had done, and, when pressed, referred – crowning baseness – to reports. Printed ones!

VI

SHOWING HOW HER MAJESTY'S MAILS WENT TO UDAIPUR AND FELL OUT BY THE WAY.

Arrived at Ajmir, the Englishman fell among tents pitched under the shadow of a huge banian tree, and in them was a Punjabi. Now there is no brotherhood like the brotherhood of the Pauper Province; for it is even greater than the genial and unquestioning hospitality which, in spite of the loafer and the Globe-trotter, seems to exist throughout India. Ajmir being British territory, though the inhabitants are allowed to carry arms, is the headquarters of many of the banking firms who lend to the Native States. The complaint of the Setts[6 - native bankers.] to-day is that their trade is bad, because an unsympathetic Government induces Native States to make railways and become prosperous. "Look at Jodhpur!" said a gentleman whose possessions might be roughly estimated at anything between thirty and forty-five lakhs. "Time was when Jodhpur was always in debt – and not so long ago, either. Now, they've got a railroad and are carrying salt over it, and, as sure as I stand here, they have a surplus! What can we do?" Poor pauper! However, he makes a little profit on the fluctuations in the coinage of the States round him, for every small king seems to have the privilege of striking his own image and inflicting the Great Exchange Question on his subjects. It is a poor State that has not two seers and five different rupees.

From a criminal point of view, Ajmir is not a pleasant place. The Native States lie all round and about it, and portions of the district are ten miles off, Native State-locked on every side. Thus the criminal, who may be a burglarious Meena lusting for the money bags of the Setts, or a Peshawari down south on a cold weather tour, has his plan of campaign much simplified.

The Englishman made only a short stay in the town, hearing that there was to be a ceremony —tamasha covers a multitude of things – at the capital of His Highness the Maharana of Udaipur – a town some hundred and eighty miles south of Ajmir, not known to many people beyond Viceroys and their Staffs and the officials of the Rajputana Agency. So he took a Neemuch train in the very early morning and, with the Punjabi, went due south to Chitor, the point of departure for Udaipur. In time the Aravalis gave place to a dead, flat, stone-strewn plain, thick with dhak-jungle. Later the date-palm fraternised with the dhak, and low hills stood on either side of the line. To this succeeded a tract rich in pure white stone – the line was ballasted with it. Then came more low hills, each with a cock's comb of splintered rock, overlooking dhak-jungle and villages fenced with thorns – places that at once declared themselves tigerish. Last, the huge bulk of Chitor showed itself on the horizon. The train crossed the Gumber River and halted almost in the shadow of the hills on which the old pride of Udaipur was set.

It is difficult to give an idea of the Chitor fortress; but the long line of brown wall springing out of bush-covered hill suggested at once those pictures, such as the Graphic publishes, of the Inflexible or the Devastation– gigantic men-of-war with a very low free-board ploughing through green sea. The hill on which the fort stands is ship-shaped and some miles long, and, from a distance, every inch appears to be scarped and guarded. But there was no time to see Chitor. The business of the day was to get, if possible, to Udaipur from Chitor Station, which was composed of one platform, one telegraph-room, a bench, and several vicious dogs.

The State of Udaipur is as backward as Jeypore is advanced – if we judge it by the standard of civilisation. It does not approve of the incursions of Englishmen, and, to do it justice, it thoroughly succeeds in conveying its silent sulkiness. Still, where there is one English Resident, one Doctor, one Engineer, one Settlement Officer, and one Missionary, there must be a mail at least once a day. There was a mail. The Englishman, men said, might go by it if he liked, or he might not. Then, with a great sinking of the heart, he began to realise that his caste was of no value in the stony pastures of Mewar, among the swaggering gentlemen, who were so lavishly adorned with arms. There was a mail, the ghost of a tonga, with tattered side-cloths and patched roof, inconceivably filthy within and without, and it was Her Majesty's. There was another tonga, – an aram tonga, a carriage of ease – but the Englishman was not to have it. It was reserved for a Rajput Thakur who was going to Udaipur with his "tail." The Thakur, in claret-coloured velvet with a blue turban, a revolver – Army pattern – a sword, and five or six friends, also with swords, came by and indorsed the statement. Now, the mail tonga had a wheel which was destined to become the Wheel of Fate, and to lead to many curious things. Two diseased yellow ponies were extracted from a dung-hill and yoked to the tonga; and after due deliberation Her Majesty's mail started, the Thakur following.

In twelve hours, or thereabouts, the seventy miles between Chitor and Udaipur would be accomplished. Behind the tonga cantered an armed sowar. He was the guard. The Thakur's tonga came up with a rush, ran deliberately across the bows of the Englishman, chipped a pony, and passed on. One lives and learns. The Thakur seems to object to following the foreigner.

At the halting-stages, once in every six miles, that is to say, the ponies were carefully undressed and all their accoutrements fitted more or less accurately on to the backs of any ponies that might happen to be near; the released animals finding their way back to their stables alone and unguided. There were no grooms, and the harness hung on by special dispensation of Providence. Still the ride over a good road, driven through a pitilessly stony country, had its charms for a while. At sunset the low hills turned to opal and wine-red and the brown dust flew up pure gold; for the tonga was running straight into the sinking sun. Now and again would pass a traveller on a camel, or a gang of Bunjarras[7 - Gipsy traders.] with their pack-bullocks and their women; and the sun touched the brasses of their swords and guns till the poor wretches seemed rich merchants come back from travelling with Sindbad.

On a rock on the right-hand side, thirty-four great vultures were gathered over the carcass of a steer. And this was an evil omen. They made unseemly noises as the tonga passed, and a raven came out of a bush on the right and answered them. To crown all, one of the hide and skin castes sat on the left-hand side of the road, cutting up some of the flesh that he had stolen from the vultures. Could a man desire three more inauspicious signs for a night's travel? Twilight came, and the hills were alive with strange noises, as the red moon, nearly at her full, rose over Chitor. To the low hills of the mad geological formation, the tumbled strata that seem to obey no law, succeeded level ground, the pasture lands of Mewar, cut by the Beruch and Wyan, streams running over smooth water-worn rock, and, as the heavy embankments and ample waterways showed, very lively in the rainy season.

In this region occurred the last and most inauspicious omen of all. Something had gone wrong with a crupper, a piece of blue and white punkah-cord. The Englishman pointed it out, and the driver, descending, danced on that lonely road an unholy dance, singing the while: "The dumchi![8 - The crupper.] The dumchi! The dumchi!" in a shrill voice. Then he returned and drove on, while the Englishman wondered into what land of lunatics he was heading. At an average speed of six miles an hour, it is possible to see a great deal of the country; and, under brilliant moonlight, Mewar was desolately beautiful. There was no night traffic on the road, no one except the patient sowar, his shadow an inky blot on white, cantering twenty yards behind. Once the tonga strayed into a company of date trees that fringed the path, and once rattled through a little town, and once the ponies shied at what the driver said was a rock. But It jumped up in the moonlight and went away.

Then came a great blasted heath whereon nothing was more than six inches high – a wilderness covered with grass and low thorn; and here, as nearly as might be midway between Chitor and Udaipur, the Wheel of Fate, which had been for some time beating against the side of the tonga, came off, and Her Majesty's mails, two bags including parcels, collapsed on the wayside: while the Englishman repented him that he had neglected the omens of the vultures and the raven, the low-caste man and the mad driver.

There was a consultation and an examination of the wheel, but the whole tonga was rotten, and the axle was smashed and the axle pins were bent and nearly red-hot. "It is nothing," said the driver, "the mail often does this. What is a wheel?" He took a big stone and began hammering proudly on the tire, to show that that at least was sound. A hasty court-martial revealed that there was absolutely not one single relief vehicle on the whole road between Chitor and Udaipur.

Now this wilderness was so utterly waste that not even the barking of a dog or the sound of a night-fowl could be heard. Luckily the Thakur had, some twenty miles back, stepped out to smoke by the roadside, and his tonga had been passed meanwhile. The sowar was sent back to find that tonga and bring it on. He cantered into the haze of the moonlight and disappeared. Then said the driver: "Had there been no tonga behind us, I should have put the mails on a horse, because the Sirkar's mail cannot stop." The Englishman sat down upon the parcels-bag, for he felt that there was trouble coming. The driver looked East and West and said: "I, too, will go and see if the tonga can be found, for the Sirkar's dak cannot stop. Meantime, oh, Sahib, do you take care of the mails – one bag and one bag of parcels." So he ran swiftly into the haze of the moonlight and was lost, and the Englishman was left alone in charge of Her Majesty's mails, two unhappy ponies, and a lop-sided tonga. He lit a fire, for the night was bitterly cold, and only mourned that he could not destroy the whole of the territories of His Highness, the Maharana of Udaipur. But he managed to raise a very fine blaze, before he reflected that all this trouble was his own fault for wandering into Native States undesirous of Englishmen.

The ponies coughed dolorously from time to time, but they could not lift the weight of a dead silence that seemed to be crushing the earth. After an interval measurable by centuries, sowar, driver, and Thakur's tonga reappeared; the latter full to the brim and bubbling over with humanity and bedding. "We will now," said the driver, not deigning to notice the Englishman who had been on guard over the mails, "put the Sirkar's mail into this tonga and go forward." Amiable heathen! He was going – he said so – to leave the Englishman to wait in the Sahara, for certainly thirty hours and perhaps forty-eight. Tongas are scarce on the Udaipur road. There are a few occasions in life when it is justifiable to delay Her Majesty's Mail. This was one of them. Seating himself upon the parcels-bag, the Englishman cried in what was intended to be a very terrible voice, but the silence soaked it up and left only a thin trickle of sound, that any one who touched the bags would be hit with a stick, several times, over the head. The bags were the only link between him and the civilisation he had so rashly foregone. And there was a pause.

The Thakur put his head out of the tonga and spoke shrilly in Mewari. The Englishman replied in English-Urdu. The Thakur withdrew his head, and from certain grunts that followed seemed to be wakening his retainers. Then two men fell sleepily out of the tonga and walked into the night. "Come in," said the Thakur, "you and your baggage. My pistol is in that corner; be careful." The Englishman, taking a mail-bag in one hand for safety's sake, – the wilderness inspires an Anglo-Indian Cockney, with unreasoning fear, – climbed into the tonga, which was then loaded far beyond Plimsoll mark, and the procession resumed its journey. Every one in the vehicle – it seemed as full as the railway carriage that held Alice through the Looking-Glass – was Sahib and Hazur. Except the Englishman. He was simple tum (thou), and a revolver, Army pattern, was printing every diamond in the chequer-work of its handle, on his right hip. When men desired him to move, they prodded him with the handles of tulwars till they had coiled him into an uneasy lump. Then they slept upon him, or cannoned against him as the tonga bumped. It was an aram tonga, a tonga for ease. That was the bitterest thought of all!

In due season the harness began to break once every five minutes, and the driver vowed that the wheels would give way also.