Was he Davy Driscoll?
Martin sighed heavily. He was certain it was.
Almost.
He wondered how the dead man had sustained his fatal injuries. A knife wound? A gunshot? Martin hadn’t heard gunfire and assumed no one else had, either. He shuddered. Never mind the shock that had seized him—he made no pretense of expertise in violent death, whether accidental, self-inflicted or the work of another.
He could hear approaching police cars. The York farm had always been a refuge, not just for Oliver, but for him, too—for all those who loved the land, its history and the family. The violence done to Charles and Deborah and their young son had occurred in London, not here.
“Alfred...” Martin bit back fear. “He was here when I left the house.”
“Oliver didn’t bring him to the potting shed. He probably returned Alfred to your cottage before he came down.”
It had to be the case. The puppy would have been out the open door, yapping at their feet by now, and he was trained to stay close and wouldn’t have gone far. Martin shut his eyes. “Oliver,” he whispered, “where the devil are you?”
“Good question,” Henrietta said.
He opened his eyes and turned to her. “You weren’t supposed to hear that.”
“I know.”
She didn’t look ruffled by his gruffness. She seemed sincerely troubled by the day’s events, but if she was MI5, she’d be able to fake sincerity. “Oliver isn’t a killer,” Martin said.
Henrietta turned by a tall, cracked stone urn. Her eyes had an unexpected, genuine warmth to them. “Of course he isn’t.”
3 (#u951240e0-74d3-5ee9-b773-8a019319d286)
London, Heathrow Airport
Emma eased toward an empty carousel, away from the throngs in Heathrow’s crowded baggage claim. She hadn’t expected a call. It was an unknown caller. She almost let it go to voice mail but instead answered with a simple hello, without using her name.
“Dear Emma. Where are you?”
She recognized Oliver York’s voice and slowed her pace. “Heathrow. Did you get my voice mail?”
“This morning. Yes. You and Colin want to see me. Why?”
“We’ll come to you. Are you in London or at your farm?”
“I didn’t do it.”
Emma went still. His voice was ragged, barely a whisper. This wasn’t the irreverent, relentlessly good-natured Oliver York she knew. “Do what, Oliver?”
“I didn’t kill that man. I tried to help him. I don’t know if it was murder, suicide, an accident. I don’t know anything. Tell the police. They’re looking for me.”
“Oliver, talk to me. Where are you?”
“I’m going dark. I trust you. Trust me. Colin and I will never be friends now.” His attempt to return to his natural cheekiness fell flat. “I hope you two had a fabulous honeymoon.”
“I can’t help you if you go dark,” Emma said. “We’ll come to you.”
He was gone.
She slid her phone into her tote bag and rejoined Colin at their baggage carousel. He’d collected their bags, hers a wheeled case, his a duffel he had slung over his shoulder. They’d packed more than they would have for a typical business trip. They’d put together the meetings at the last minute but were dressed professionally in clothes that had seen them through nights out in Ireland.
She told him about Oliver’s call. “He’s in trouble, Colin.”
“Damn right he is. I just got a call from my MI5 contact. Oliver took off from his farm this morning and left behind a dead body.”
“Who?”
“They don’t know yet. It was a quick call. He wants our help. He’ll pave the way for us to talk to the detectives.” Colin hoisted his bag higher on his shoulder. “Looks as if we’re renting a car and driving to the Cotswolds instead of taking the train into London.”
Emma absorbed the change in plan. She didn’t know Colin’s MI5 contact, just that they’d met during his first undercover mission five years ago. She raised the handle on her bag. Matt Yankowski, their boss in Boston, would want to know she and Colin had landed in the middle of a British death investigation involving Oliver York. “We need to check in with Yank.”
“Have at it.”
“It’s your MI5 contact.”
“It’s your art thief on the lam and your grandfather whose house was broken into. If we walked into a bunch of arms traffickers, I’d make the call. I’ll rent the car.” He dipped a hand into her jacket pocket and withdrew her phone, then folded her fingers around it and winked. “Tell Yank I said hi.”
“All right. It does make sense that I make the call. I’ll check with my brother at the same time to see if he knows anything about the break-in.”
Colin took the lead as they switched their route and started toward the car rental kiosks. Emma unlocked her phone and hit Yank’s cell phone number. It was early in Boston but Yank picked up on the first ring. “I just had a call from MI5. They know you’re in London and called Oliver York this morning, asked if you have an idea where to find him. Imagine that.”
“We don’t know where he is. Do they know the identity of the dead man?”
“Not yet. Where’s your grandfather?”
“I haven’t been in touch with him since we left Dublin. We stopped to see him on the way to the airport. He was having tea on the terrace.”
“Has Oliver been in touch with him?”
“Not that I’m aware of.”
“Will he now that he’s on the run? Those two have an unusual friendship.”
“Anything is possible,” Emma said.
“Keep me posted. I’ll see what we can do on our end.”
Yank disconnected without further comment. A short conversation. Emma pictured him at his Back Bay apartment with his wife, Lucy, a clinical psychologist who’d opened up a knitting shop on Newbury Street after balking at moving from their home and her work in northern Virginia. As unorthodox and risky as his brainchild, HIT, was, Yank was a straight arrow. Late forties, chiseled good looks, crisp suits and dedicated to the FBI. He’d known what he was getting into when he’d gone after her—an ex-nun and a Sharpe—to join the FBI and then to become a part of his unique team.
She dialed an art-crimes detective she knew at Scotland Yard, and he put her in touch with the detective chief investigator leading the inquiry into the death at Oliver York’s farm. He listened attentively and instructed her and Colin to come straight to the farm when they arrived in the village.
The calls to her grandfather and her older brother, Lucas, who ran Sharpe Fine Art Recovery, were easier. Neither answered. She left voice mails and caught up with Colin. He had the paperwork finished for their rental car. They’d be on the road to the Cotswolds in no time.
“How’d it go?” he asked her. “Did Yank ask if we had a good time on our honeymoon?”