One Summer

Chapter Two

She knew exactly what she wanted. Bryan might’ve been a bit ahead of the scheduled starting date for the American Summer project for Life-style, but she enjoyed the idea of being a step ahead of Shade Colby. Petty, perhaps, but she did enjoy it.

In any case, she doubted a man like him would appreciate the timeless joy of the last day of school. When else did summer really start, but with that one wild burst of freedom?

She chose an elementary school because she wanted innocence. She chose an inner-city school because she wanted realism. Children who would step out the door and into a limo weren’t the image she wanted to project. This school could’ve been in any city across the country. The kids who’d bolt out the door would be all kids. People who looked at the photograph, no matter what their age, would see something of themselves.

Bryan gave herself plenty of time to set up, choosing and rejecting half a dozen vantage points before she settled on one. It wasn’t possible or even advisable to stage the shoot. Only random shots would give her what she wanted—the spontaneity and the rush.

When the bell rang and the doors burst open, she got exactly that. It was well worth nearly being trampled under flying sneakers. With shouts and yells and whistles, kids poured out into the sunshine.

Stampede. That was the thought that went through her mind. Crouching quickly, Bryan shot up, catching the first rush of children at an angle that would convey speed, mass and total confusion.

Let’s go, let’s go! It’s summer and every day’s Saturday. September was years away. She could read it on the face of every child.

Turning, she shot the next group of children head-on. In the finished spot, they’d appear to be charging right out of the page of the magazine. On impulse, she shifted her camera for a vertical shot. And she got it. A boy of eight or nine leaped down the flight of steps, hands flung high, a grin splitting his face. Bryan shot him in midair while he hung head and shoulders above the scattering children. She’d captured the boy filled with the triumph of that magic, golden road of freedom spreading out in all directions.

Though she was dead sure which shot she’d print for the assignment, Bryan continued to work. Within ten minutes, it was over.

Satisfied, she changed lenses and angles. The school was empty now, and she wanted to record it that way. She didn’t want the feel of bright sunlight here, she decided as she added a low-contrast filter. When she developed the print, Bryan would “dodge” the light in the sky by holding something over that section of the paper to keep it from being overexposed. She wanted the sense of emptiness, of waiting, as a contrast to the life and energy that had just poured out of the building. She’d exhausted a roll of film before she straightened and let the camera hang by its strap.

School’s out, she thought with a grin. She felt that charismatic pull of freedom herself. Summer was just beginning.

Since resigning from the staff of Celebrity, Bryan had found her work load hadn’t eased. If anything, she’d found herself to be a tougher employer than the magazine. She loved her work and was likely to give it all of her day and most of her evenings. Her ex-husband had once accused her of being obsessed not with her camera, but by it. It was something she’d neither been able to deny nor defend. After two days of working with Shade, Bryan had discovered she wasn’t alone.

She’d always considered herself a meticulous craftsman. Compared to Shade, she was lackadaisical. He had a patience in his work that she admired even as it set her teeth on edge. They worked from entirely different perspectives. Bryan shot a scene and conveyed her personal viewpoint—her emotions, her feelings about the image. Shade deliberately courted ambiguity. While his photographs might spark off a dozen varied reactions, his personal view almost always remained his secret. Just as everything about him remained half shadowed.

He didn’t chat, but Bryan didn’t mind working in silence. It was nearly like working alone. His long, quiet looks could be unnerving, however. She didn’t care to be dissected as though she were in a viewfinder.

They’d met twice since their first encounter in her studio, both times to argue out their basic route and the themes for the assignment. She hadn’t found him any easier, but she had found him sharp. The project meant enough to both of them to make it possible for them to do as she’d suggested—meet somewhere in the middle.

After her initial annoyance with him had worn off, Bryan had decided they could become friends over the next months—professional friends, in any case. Then, after two days of working with him, she’d known it would never happen. Shade didn’t induce simple emotions like friendship. He’d either dazzle or infuriate. She didn’t choose to be dazzled.

Bryan had researched him thoroughly, telling herself her reason was routine. You didn’t go on the road with a man you knew virtually nothing about. Yet the more she’d found out—rather, the more she hadn’t found out—the deeper her curiosity had become.

He’d been married and divorced in his early twenties. That was it—no anecdotes, no gossip, no right and wrong. He covered his tracks well. As a photographer for International View, Shade had spent a total of five years overseas. Not in pretty Paris, London and Madrid, but in Laos, Lebanon, Cambodia. His work there had earned him a Pulitzer nomination and the Overseas Press Club Award.

His photographs were available for study and dissection, but his personal life remained obscure. He socialized rarely. What friends he had were unswervingly loyal and frustratingly closed-mouthed. If she wanted to learn more about him, Bryan would have to do it on the job.

Bryan considered the fact that they’d agreed to spend their last day in L.A. working at the beach a good sign. They’d decided on the location without any argument. Beach scenes would be an ongoing theme throughout the essay—California to Cape Cod.

At first they walked along the sand together, like friends or lovers, not touching but in step with each other. They didn’t talk, but Bryan had already learned that Shade didn’t make idle conversation unless he was in the mood.

It was barely ten, but the sun was bright and hot. Because it was a weekday morning, most of the sun-and water-seekers were the young or the old. When Bryan stopped, Shade kept walking without either of them saying a word.

It was the contrast that had caught her eye. The old woman was bundled in a wide, floppy sun hat, a long beach dress and a crocheted shawl. She sat under an umbrella and watched her granddaughter—dressed only in frilly pink panties—dig a hole in the sand beside her. Sun poured over the little girl. Shadow blanketed the old woman.

She’d need the woman to sign a release form. Invariably, asking someone if you could take her picture stiffened her up, and Bryan avoided it whenever it was possible. In this case it wasn’t, so she was patient enough to chat and wait until the woman had relaxed again.

Her name was Sadie, and so was her granddaughter’s. Before she’d clicked the shutter the first time, Bryan knew she’d title the print Two Sadies. All she had to do was get that dreamy, faraway look back in the woman’s eyes.

It took twenty minutes. Bryan forgot she was uncomfortably warm as she listened, thought and reasoned out the angles. She knew what she wanted. The old woman’s careful self-preservation, the little girl’s total lack of it, and the bond between them that came with blood and time.

Lost in reminiscence, Sadie forgot about the camera, not noticing when Bryan began to release the shutter. She wanted the poignancy—that’s what she’d seen. When she printed it, Bryan would be merciless with the lines and creases in the grandmother’s face, just as she’d highlight the flawlessness of the toddler’s skin.

Grateful, Bryan chatted a few more minutes, then noted the woman’s address with the promise of a print. She walked on, waiting for the next scene to unfold.

Shade had his first subject as well, but he didn’t chat. The man lay facedown on a faded beach towel. He was red, flabby and anonymous. A businessman taking the morning off, a salesman from Iowa—it didn’t matter. Unlike Bryan, he wasn’t looking for personality, but for the sameness of those who grilled their bodies under the sun. There was a plastic bottle of tanning lotion stuck in the sand beside him and a pair of rubber beach thongs.

Shade chose two angles and shot six times without exchanging a word with the snoring sunbather. Satisfied, he scanned the beach. Three yards away, Bryan was casually stripping out of her shorts and shirt. The sleek red maillot rose tantalizing high at the thighs. Her profile was to him as she stepped out of her shorts. It was sharp, well defined, like something sculpted with a meticulous hand.

Shade didn’t hesitate. He focused her in his viewfinder, set the aperture, adjusted the angle no more than a fraction and waited. At the moment when she reached down for the hem of her T-shirt, he began to shoot.

She was so easy, so unaffected. He’d forgotten anyone could be so totally unselfconscious in a world where self-absorption had become a religion. Her body was one long lean line, with more and more exposed as she drew the shirt over her head. For a moment, she tilted her face up to the sun, inviting the heat. Something crawled into his stomach and began to twist, slowly.

Desire. He recognized it. He didn’t care for it.

It was, he could tell himself, what was known in the trade as a decisive moment. The photographer thinks, then shoots, while watching the unfolding scene. When the visual and the emotional elements come together—as they had in this case, with a punch—there was success. There were no replays here, no reshooting. Decisive moment meant exactly that, all or nothing. If he’d been shaken for a instant, it only proved he’d been successful in capturing that easy, lazy sexuality.

Years before, he’d trained himself not to become overly emotional about his subjects. They could eat you alive. Bryan Mitchell might not look as though she’d take a bite out of a man, but Shade didn’t take chances. He turned away from her and forgot her. Almost.

It was more than four hours later before their paths crossed again. Bryan sat in the sun near a concession stand, eating a hot dog buried under mounds of mustard and relish. On one side of her she’d set her camera bag, on the other a can of soda. Her narrow red sunglasses shot his reflection back at him.

“How’d it go?” she asked with her mouth full.

“All right. Is there a hot dog under that?”

“Mmm.” She swallowed and gestured toward the stand. “Terrific.”

“I’ll pass.” Reaching down, Shade picked up her warming soda and took a long pull. It was orange and sweet. “How the hell do you drink this stuff?”

“I need a lot of sugar. I got some shots I’m pretty pleased with.” She held out a hand for the can. “I want to make prints before we leave tomorrow.”

“As long as you’re ready at seven.”

Bryan wrinkled her nose as she finished off her hot dog. She’d rather work until 7:00 A.M. than get up that early. One of the first things they’d have to iron out on the road was the difference in their biological schedules. She understood the beauty and power of a sunrise shot. She just happened to prefer the mystery and color of sunset.

“I’ll be ready.” Rising, she brushed sand off her bottom, then pulled her T-shirt over her suit. Shade could’ve told her she was more modest without it. The way the hem skimmed along her thighs and drew the eyes to them was nearly criminal. “As long as you drive the first shift,” she continued. “By ten I’ll be functional.”

He didn’t know why he did it. Shade was a man who analyzed each movement, every texture, shape, color. He cut everything into patterns, then reassembled them. That was his way. Impulse wasn’t. Yet he reached out and curled his fingers around her braid without thinking of the act or the consequences. He just wanted to touch.

She was surprised, he could see. But she didn’t pull away. Nor did she give him that small half smile women used when a man couldn’t resist touching what attracted him.

Her hair was soft; his eyes had told him that, but now his fingers confirmed it. Still, it was frustrating not to feel it loose and free, not to be able to let it play between his fingers.

He didn’t understand her. Yet. She made her living recording the elite, the glamorous, the ostentatious, yet she seemed to have no pretensions. Her only jewelry was a thin gold chain that fell to her breasts. On the end was a tiny ankh. Again, she wore no makeup, but her scent was there to tantalize. She could, with a few basic female touches, have turned herself into something breathtaking, but she seemed to ignore the possibilities and rely on simplicity. That in itself was stunning.

Hours before, Bryan had decided she didn’t want to be dazzled. Shade was deciding at that moment that he didn’t care to be stunned. Without a word, he let her braid fall back to her shoulder.

“Do you want me to take you back to your apartment or your studio?”

So that was it? He’d managed to tie her up in knots in a matter of seconds, and now he only wanted to know where to dump her off. “The studio.” Bryan reached down and picked up her camera bag. Her throat was dry, but she tossed the half-full can of soda into the trash. She wasn’t certain she could swallow. Before they’d reached Shade’s car, she was certain she’d explode if she didn’t say something.

“Do you enjoy that cool, remote image you’ve perfected, Shade?”

He didn’t look at her, but he nearly smiled. “It’s comfortable.”

“Except for the people who get within five feet of you.” Damned if she wouldn’t get a rise out of him. “Maybe you take your own press too seriously,” she suggested. “Shade Colby, as mysterious and intriguing as his name, as dangerous and as compelling as his photographs.”

This time he did smile, surprising her. Abruptly he looked like someone she’d want to link hands with, laugh with. “Where in hell did you read that?”

“Celebrity,” she muttered. “April, five years ago. They did an article on the photo sales in New York. One of your prints sold for seventy-five hundred at Sotheby’s.”

“Did it?” His gaze slid over her profile. “You’ve a better memory than I.”

Stopping, she turned to face him. “Damn it, I bought it. It’s a moody, depressing, fascinating street scene that I wouldn’t have given ten cents for if I’d met you first. And if I wasn’t so hooked on it, I’d pitch it out the minute I get home. As it is, I’ll probably have to turn it to face the wall for six months until I forget that the artist behind it is a jerk.”

Shade watched her soberly, then nodded. “You make quite a speech once you’re rolling.”

With one short, rude word, Bryan turned and started toward the car again. As she reached the passenger side and yanked open the door, Shade stopped her. “Since we’re essentially going to be living together for the next three months, you might want to get the rest of it out now.”

Though she tried to speak casually, it came out between her teeth. “The rest of what?”

“Whatever griping you have to do.”

She took a deep breath first. She hated to be angry. Invariably it exhausted her. Resigned to it, Bryan curled her hands around the top of the door and leaned toward him. “I don’t like you. I’d say it’s just that simple, but I can’t think of anyone else I don’t like.”

“No one?”

“No one.”

For some reason, he believed her. He nodded, then dropped his hands over hers on top of the door. “I’d rather not be lumped in a group in any case. Why should we have to like each other?”

“It’d make the assignment easier.”

He considered this while holding her hands beneath his. The tops of hers were soft, the palms of his hard. He liked the contrast, perhaps too much. “You like things easy?”

He made it sound like an insult, and she straightened. Her eyes were on a level with his mouth, and she shifted slightly. “Yes. Complications are just that. They get in the way and muck things up. I’d rather shovel them aside and deal with what’s important.”