Arena One: Slaverunners

I am struck by a pang of worry. I prefer when the roads are covered in snow and ice, when they are impassable to vehicles, because the only people who have cars and fuel these days are slaverunners – merciless bounty hunters that work to feed Arena One. They patrol everywhere, looking for any survivors, to kidnap them and bring them to the arena as slaves. There, I’m told, they make them fight to the death for entertainment.

Bree and I have been lucky. We haven’t seen any slaverunners in the years we’ve been up here – but I think that’s only because we live so high up, in such a remote area. Only once did I hear the high-pitched whine of a slaverunner’s engine, far off in the distance, on the other side of the river. I know they are down there, somewhere, patrolling. And I don’t take any chances – I make sure we keep a low profile, rarely burning wood unless we need to, and keeping a close eye on Bree at all times. Most of the times I take her hunting with me – I would have today if she weren’t so sick.

I turn back to the plateau and fix my eyes on the smaller lake. Frozen solid, shining in the afternoon light, it sits there like a lost jewel, hiding behind a copse of trees. I approach it, taking a few tentative steps on the ice to make sure it doesn’t crack. Once I feel it’s solid, I take a few more. I find a spot, remove the small axe from my belt and chop down hard, several times. A crack appears. I remove my knife, take a knee and strike hard, right in the center of the crack. I work the tip of the knife in there and carve a small hole, just big enough to extract a fish.

I hurry back to shore, slipping and sliding, then wedge the fishing rod between two tree branches, unravel the string, and run back out and drop it in the hole. I yank it a few times, hoping that the flash of the metal hook might attract some living creatures beneath the ice. But I can’t help feeling it’s a futile endeavor, can’t help suspecting that anything that ever lived in these mountain lakes died long ago.

It’s even colder up here, and I can’t just stand here, staring at the line. I have to keep moving. I turn and walk away from the lake, the superstitious part of me telling me I might just catch a fish if I don’t stand there staring. I walk in small circles around the trees, rubbing my hands, trying to keep warm. It does little good.

That’s when I remember the dry wood. I look down and search for kindling, but it is a futile task. The ground is covered in snow. I look up at the trees, and see the trunks and branches are mostly covered in snow, too. But there, in the distance, I spot a few wind-swept trees free of snow. I make my way over to them and inspect the bark, running my hand along it. I am relieved to see that some of the branches are dry. I take out my axe and chop one of the bigger branches. All I need is an armful of wood, and this large branch will do perfectly.

I catch it as it comes down, not wanting to let it hit the snow, then brace it against the trunk and chop it again, clean in half. I do this again and again, until I have a small stack of kindling, enough to carry in my arms. I set it down in the nook of a branch, safe and dry from the snow below.

I look around, inspecting the other trunks, and as I look closer, something gives me pause. I approach one of the trees, looking closely, and realize its bark is different than the others. I look up, and realize it’s not a pine; it’s a maple. I am surprised to see a maple so high up here, and even more surprised that I actually recognize it. In fact, a maple is probably the only thing in nature I would recognize. Despite myself, a memory comes flooding back.

Once, when I was young, my Dad got it into his head to take me on a nature outing. God knows why, but he took me to tap maple trees. We drove for hours to some godforsaken part of the country, me carrying a metal bucket, him carrying a spout, and then spent hours more roaming the woods with a guide, searching for the perfect maples. I remember the look of disappointment on his face after he tapped his first tree and a clear liquid oozed out into our bucket. He had been expecting syrup.

Our guide laughed at him, told him that maple trees didn’t produce syrup – they produced sap. The sap had to be boiled down to syrup. It was a process that took hours, he said. It took about 80 gallons of sap to make a single quart of syrup.

Dad looked down at the overflowing bucket of sap in his hand and turned bright red, as if someone had sold him a rotten bill of goods. He was the proudest man I’d ever met, and if there was anything he hated more than feeling stupid, it was someone making fun of him. When the man laughed, he threw his bucket at him, barely missing him, took my hand, and we stormed off.

After that, he never took me out into nature again.

I didn’t mind, though – and actually enjoyed the outing, even though he fumed silently in the car the whole way home. I’d managed to collect a small cup of the sap before he’d taken me away, and I remember secretly sipping it on the car ride home, when he wasn’t looking. I loved it. It tasted like sugar water.

Standing here now, before this tree, I recognize it as I would a sibling. This specimen, so high up, is thin and scrawny, and I’d be surprised if it holds any sap at all. But I’ve got nothing to lose. I take out my knife and strike the tree, again and again, in the same spot. Then I burrow the knife into the hole, pushing deeper and deeper, twisting and turning. I don’t really expect anything to happen.

I’m shocked when a drop of sap leaks out. And even more shocked when, moments later it turns into a small, trickling stream. I hold out my finger, touch it, and raise it to my tongue. I feel the sugar rush, and recognize the taste immediately. Just as I remembered. I can’t believe it.

The sap leaks out at faster now, and I’m losing much of it as it drips down the trunk. I look around desperately for something to hold it in, a bucket of some kind – but of course there is none. And then I remember: my thermos. I pull my plastic thermos out of my waistband and turn it upside down, emptying it of water. I can get fresh water anywhere, especially with all this snow – but this sap is precious. I hold the empty thermos flush against the tree, wishing I had a proper spout. I cram the plastic against the trunk as close as I can, and manage to catch much of it. It fills more slowly than I’d like, but within minutes, I’ve managed to fill half the thermos.

The flow of sap stops. I wait for a few seconds, wondering if it will start again, but it doesn’t.

I look around and spot another maple, about ten feet in the distance. I rush over to it, raise my knife excitedly and strike hard this time, envisioning myself filling the thermos, envisioning the look of surprise on Bree’s face when she tastes it. It might not be nutritious, but it will sure make her happy.

But this time, when my knife strikes the trunk, there is a sharp splitting noise that I don’t expect, and this is followed by the groaning of timber. I look up to see the entire tree leaning, and I realize, too late, that this tree, frozen over in a coat of ice, was dead. The plunging of my knife was all it needed to tip it over the edge.

A moment later the entire tree, at least twenty feet, falls over, crashing down to the ground. It stirs up an enormous cloud of snow and pine needles. I crouch down, nervous I might have alerted someone to my presence. I am furious with myself. That was careless. Stupid. I should have examined the tree more carefully first.

But after a few moments my heartbeat settles, as I realize there’s no one else up here. I become rational again, realize that trees fall by themselves in the forest all the time, and its crash wouldn’t necessarily give away a human presence. And as I look to the place where the tree once stood, I do a double-take. I find myself staring in disbelief.

There, in the distance, hiding behind a grove of trees, built right into the side of the mountain itself, is a small, stone cottage. It is a tiny structure, a perfect square, about fifteen feet wide and deep, built about twelve feet high, with walls made of ancient stone blocks. A small chimney rises from the roof, and small windows are set into the walls. The wooden front door, shaped in an arch, is ajar.

This little cottage is so well camouflaged, blends so perfectly with its surroundings, that even while staring at it, I can barely pick it out. Its roof and walls are covered in snow, and the exposed stone blends perfectly into the landscape. The cottage looks ancient, as if it were built hundreds of years ago. I can’t understand what it’s doing here, who would have built it, or why. Maybe it was built for a caretaker for a state park. Maybe it was home to a recluse. Or a survival nut.

It looks like it hasn’t been touched in years. I carefully scan the forest floor, looking for footprints, or animal prints, in or out. But there are none. I think back to when the snow started falling, several days ago, and do the math in my head. No one has been in or out of here for at least three days.

My heart races at the thought of what could be inside. Food, clothing, medicine, weapons, materials – anything would be a godsend.

I move cautiously across the clearing, checking over my shoulder as I go just to make sure no one is watching. I move quickly, leaving big, conspicuous footprints in the snow. As I reach the front door, I turn and look one more time, then stand there and wait for several seconds, listening. There is no sound but that of the wind and a nearby stream, which runs just a few feet in front of the house. I reach out and slam the back of my axe handle hard on the door, a loud reverberating noise, to give any animals that might be hiding inside a final warning.

There is no response.

I quickly shove open the door, pushing back the snow, and step inside.

It’s dark in here, lit only by the last light of day streaming in through the small windows, and it takes my eyes a moment to adjust. I wait, standing with my back against the door, on guard in case any animals might be using this space as shelter. But after several more seconds of waiting, my eyes fully adjust to the dim light and it is clear that I’m alone.

The first thing I notice about this little house is its warmth. Perhaps it is because it is so small, with a low ceiling, and built right into the stone mountain itself; or perhaps because it is protected from the wind. Even though the windows are wide open to the elements, even though the door is still ajar, it must be at least fifteen degrees warmer in here – much warmer than Dad’s house ever is, even with a fire going. Dad’s house was built cheaply to begin with, with paper-thin walls and vinyl siding, built on a corner of a hill that always seems to be in the wind’s direct path.

But this place is different. The stone walls are so thick and well-built, I feel snug and safe in here. I can only imagine how warm this place could get if I shut the door, boarded up the windows, and had a fire in the fireplace – which looks to be in working shape.

The inside consists of one large room, and I squint into the darkness as I comb the floor, looking for anything, anything at all, that I can salvage. Amazingly, this place looks like it’s never been entered since the war. Every other house I’ve seen had smashed windows, debris scattered all over the place, and had clearly been picked clean of anything useful, down to the wiring. But not this one. It is pristine and clean and tidy, as if its owner just got up one day and walked away. I wonder if it was before the war even began. Judging from the cobwebs on the ceiling, and its incredible location, hidden so well behind the trees, I am guessing it was. That no one’s been here in decades.

I see the outline of an object against the far wall, and I make my way towards it, hands in front of me, groping in the darkness. When my hands touch it, I realize it is a chest of drawers. I run my fingers over its smooth, wood surface and can feel them covered in dust. I run my fingers over small knobs – drawer handles. I pull delicately, opening them one at a time. It is too dark to see, so I reach into each drawer with my hand, combing the surface. The first drawer yields nothing. Neither does the second. I open them all, quickly, my hopes falling – when suddenly, at the fifth drawer, I stop. There, in the back, I feel something. I slowly pull it out.

I hold it up to the light, and at first I can’t tell what it is; but then I feel the telltale aluminum foil, and I realize: it’s a chocolate bar. A few bites were taken out of it, but it is still wrapped in its original wrapping, and mostly preserved. I unwrap it just a bit and hold it to my nose and smell it. I can’t believe it: real chocolate. We haven’t had chocolate since the war.

The smell brings a sharp hunger pang, and it takes all my willpower not to tear it open and devour it. I force myself to remain strong, carefully re-wrapping it and stowing it in my pocket. I will wait until I am with Bree to enjoy it. I smile, anticipating the look on her face when she takes her first bite. It will be priceless.

I quickly rummage through the remaining drawers, now hopeful I’ll find all sorts of treasure. But everything else comes up empty. I turn back to the room and walk through its width and breadth, along the walls, to all four corners, looking for anything at all. But the place is deserted.

Suddenly, I step on something soft. I kneel down and pick it up, holding it to the light. I am amazed: a teddy bear. It is worn, and missing an eye, but still, Bree loves teddy bears and misses the one she left behind. She will be ecstatic when she sees this. It looks like this is her lucky day.

I cram the bear in my belt, and as I get up, I feel my hand brush something soft on the floor. I grab it and hold it up, and am delighted to realize it’s a scarf. It’s black and covered in dust, so I couldn’t see it in the darkness, and as I hold it to my neck and chest, I can already feel its warmth. I hold it out the window and shake it hard, removing all the dust. I look at it in the light: it is long and thick – not even any holes. It is like pure gold. I immediately wrap it around my neck and tuck it under my shirt, and already feel much warmer. I sneeze.

The sun is setting, and as it seems I’ve found everything I’m going to, I begin to exit. As I head for the door, suddenly, I stub my toe into something hard, metal. I stop and kneel down, feeling for it in case it’s a weapon. It’s not. It’s a round, iron knob, attached to the wooden floor. Like a knocker. Or a handle.

I yank it left and right. Nothing happens. I try twisting it. Nothing. Then I take a chance and stand off to the side and pull it hard, straight up.

A trap door opens, raising a cloud of dust.

I look down and discover a crawlspace, about four feet high, with a dirt floor. My heart soars at the possibilities. If we lived here, and there was ever trouble, I could hide Bree down here. This little cottage becomes even more valuable in my eyes.

And not only that. As I look down, I catch sight of something gleaming. I push the heavy wooden door all the way back and quickly scramble down the ladder. It is black down here, and I hold my hands in front of me, groping my way. As I take a step forward, I feel something. Glass. Shelves are built into the wall, and lined up on them are glass jars. Mason jars.

I pull one down and hold it up to the light. Its contents are red and soft. It looks like jam. I quickly unscrew the tin lid, hold it to my nose and smell it. The pungent smell of raspberries hits me like a wave. I stick a finger in, scoop it and hold it tentatively to my tongue. I can’t believe it: raspberry jam. And it tastes as fresh as if it were made yesterday.

I quickly tighten the lid, cram the jar into my pocket, and hurry back to the shelves. I reach out and feel dozens more in the blackness. I grab the closest one, rush back to the light, and hold it up. It looks like pickles.

I am in awe. This place is a gold mine.

I wish I could take it all, but my hands are freezing, I don’t have anything to carry it with, and it’s getting dark out. So I put the jar of pickles back where I found it, scramble up the ladder, and, as I make it back to the main floor, close the trap door firmly behind me. I wish I had a lock; I feel nervous leaving all of that down there, unprotected. But then I remind myself this place hasn’t been touched in years – and that I probably never would have even noticed it if that tree didn’t fall.

As I leave, I close the door all the way, feeling protective, already feeling as if this is our home.

Pockets full, I hurry back towards the lake – but suddenly freeze as I sense movement and hear a noise. At first I worry someone has followed me; but as I slowly turn, I see something else. A deer is standing there, ten feet away, staring back at me. It is the first deer I’ve seen in years. Its large, black eyes lock onto mine, then it suddenly turns and bolts.

I am speechless. I’ve spent month after month searching for a deer, hoping I could get close enough to throw my knife at it. But I’d never been able to find one, anywhere. Maybe I wasn’t hunting high enough. Maybe they’ve lived up here all along.