John Marchmont's Legacy. Volume 3 of 3

"Do you remember that poor foolish German woman who believed that the spirit of a dead king came to her in the shape of a blackbird? She was not a good woman, I know, dear; but she must have loved the king very truly, or she never could have believed anything so foolish. I don't believe in people's love when they love 'wisely,' Edward: the truest love is that which loves 'too well.'

"From the time of my baby's birth everything was changed. I was more miserable, perhaps, because that dull, dead apathy cleared away, and my memory came back, and I thought of you, dear, and cried over my little angel's face as he slept. But I wasn't alone any longer. The world seemed narrowed into the little circle round my darling's cradle. I don't think he is like other babies, Edward. I think he has known of my sorrow from the very first, and has tried in his mute way to comfort me. The God who worked so many miracles, all separate tokens of His love and tenderness and pity for the sorrows of mankind, could easily make my baby different from other children, for a wretched mother's consolation.

"In the autumn after my darling's birth, Paul and his sister came for me one night, and took me away from the pavilion by the water to a deserted farmhouse, where there was a woman to wait upon me and take care of me. She was not unkind to me, but she was rather neglectful of me. I did not mind that, for I wanted nothing except to be alone with my precious boy – your son, Edward; your son. The woman let me walk in the garden sometimes. It was a neglected garden, but there were bright flowers growing wild, and when the spring came again my pet used to lie on the grass and play with the buttercups and daisies that I threw into his lap; and I think we were both of us happier and better than we had been in those two close rooms over the boat-house.

"I have told you all now, Edward, all except what happened this morning, when my stepmother and Hester Jobson came into my room in the early daybreak, and told me that I had been deceived, and that you were alive. My stepmother threw herself upon her knees at my feet, and asked me to forgive her, for she was a miserable sinner, she said, who had been abandoned by God; and I forgave her, Edward, and kissed her; and you must forgive her too, dear, for I know that she has been very, very wretched. And she took the baby in her arms, and kissed him, – oh, so passionately! – and cried over him. And then they brought me here in Mr. Jobson's cart, for Mr. Jobson was with them, and Hester held me in her arms all the time. And then, darling, then after a long time you came to me."

Edward put his arms round his wife, and kissed her once more. "We will never speak of this again, darling," he said. "I know all now; I understand it all. I will never again distress you by speaking of your cruel wrongs."

"And you will forgive Olivia, dear?"

"Yes, my pet, I will forgive – Olivia."

He said no more, for there was a footstep on the stair, and a glimmer of light shone through the crevices of the door. Hester Jobson came into the room with a pair of lighted wax-candles, in white crockery-ware candlesticks. But Hester was not alone; close behind her came a lady in a rustling silk gown, a tall matronly lady, who cried out, —

"Where is she, Edward? Where is she? Let me see this poor ill-used child."

It was Mrs. Arundel, who had come to Kemberling to see her newly-found daughter-in-law.

"Oh, my dear mother," cried the young man, "how good of you to come! Now, Mary, you need never again know what it is to want a protector, a tender womanly protector, who will shelter you from every harm."

Mary got up and went to Mrs. Arundel, who opened her arms to receive her son's young wife. But before she folded Mary to her friendly breast, she took the girl's two hands in hers, and looked earnestly at her pale, wasted face.

She gave a long sigh as she contemplated those wan features, the shining light in the eyes, that looked unnaturally large by reason of the girl's hollow cheeks.

"Oh, my dear," cried Mrs. Arundel, "my poor long-suffering child, how cruelly they have treated you!"

Edward looked at his mother, frightened by the earnestness of her manner; but she smiled at him with a bright, reassuring look.

"I shall take you home to Dangerfield with me, my poor love," she said to Mary; "and I shall nurse you, and make you as plump as a partridge, my poor wasted pet. And I'll be a mother to you, my motherless child. Oh, to think that there should be any wretch vile enough to – But I won't agitate you, my dear. I'll take you away from this bleak horrid county by the first train to-morrow morning, and you shall sleep to-morrow night in the blue bedroom at Dangerfield, with the roses and myrtles waving against your window; and Edward shall go with us, and you shan't come back here till you are well and strong; and you'll try and love me, won't you, dear? And, oh, Edward, I've seen the boy! and he's a superb creature, the very image of what you were at a twelvemonth old; and he came to me, and smiled at me, almost as if he knew I was his grandmother; and he has got FIVE teeth, but I'm sorryto tell you he's cutting them crossways, the top first instead of the bottom, Hester says."

"And Belinda, mother dear?" Edward said presently, in a grave undertone.

"Belinda is an angel," Mrs. Arundel answered, quite as gravely. "She has been in her own room all day, and no one has seen her but her mother; but she came down to the hall as I was leaving the house this evening, and said to me, 'Dear Mrs. Arundel, tell him that he must not think I am so selfish as to be sorry for what has happened. Tell him that I am very glad to think his young wife has been saved.' She put her hand up to my lips to stop my speaking, and then went back again to her room; and if that isn't acting like an angel, I don't know what is."

CHAPTER XIII

"ALL WITHIN IS DARK AS NIGHT."

Paul Marchmont did not leave Stony-Stringford Farmhouse till dusk upon that bright summer's day; and the friendly twilight is slow to come in the early days of July, however a man may loathe the sunshine. Paul Marchmont stopped at the deserted farmhouse, wandering in and out of the empty rooms, strolling listlessly about the neglected garden, or coming to a dead stop sometimes, and standing stock-still for ten minutes at a time, staring at the wall before him, and counting the slimy traces of the snails upon the branches of a plum-tree, or the flies in a spider's web. Paul Marchmont was afraid to leave that lonely farmhouse. He was afraid as yet. He scarcely knew what he feared, for a kind of stupor had succeeded the violent emotions of the past few hours; and the time slipped by him, and his brain grew bewildered when he tried to realise his position.

It was very difficult for him to do this. The calamity that had come upon him was a calamity that he had never anticipated. He was a clever man, and he had put his trust in his own cleverness. He had never expected to be found out.

Until this hour everything had been in his favour. His dupes and victims had played into his hands. Mary's grief, which had rendered her a passive creature, utterly indifferent to her own fate, – her peculiar education, which had taught her everything except knowledge of the world in which she was to live, – had enabled Paul Marchmont to carry out a scheme so infamous and daring that it was beyond the suspicion of honest men, almost too base for the comprehension of ordinary villains.

He had never expected to be found out. All his plans had been deliberately and carefully prepared. Immediately after Edward's marriage and safe departure for the Continent, Paul had intended to convey Mary and the child, with the grim attendant whom he had engaged for them, far away, to one of the remotest villages in Wales.

Alone he would have done this; travelling by night, and trusting no one; for the hired attendant knew nothing of Mary's real position. She had been told that the girl was a poor relation of Paul's, and that her story was a very sorrowful one. If the poor creature had strange fancies and delusions, it was no more than might be expected; for she had suffered enough to turn a stronger brain than her own. Everything had been arranged, and so cleverly arranged, that Mary and the child would disappear after dusk one summer's evening, and not even Lavinia Weston would be told whither they had gone.

Paul had never expected to be found out. But he had least of all expected betrayal from the quarter whence it had come. He had made Olivia his tool; but he had acted cautiously even with her. He had confided nothing to her; and although she had suspected some foul play in the matter of Mary's disappearance, she had been certain of nothing. She had uttered no falsehood when she swore to Edward Arundel that she did not know where his wife was. But for her accidental discovery of the secret of the pavilion, she would never have known of Mary's existence after that October afternoon on which the girl left Marchmont Towers.

But here Paul had been betrayed by the carelessness of the hired girl who acted as Mary Arundel's gaoler and attendant. It was Olivia's habit to wander often in that dreary wood by the water during the winter in which Mary was kept prisoner in the pavilion over the boat-house. Lavinia Weston and Paul Marchmont spent each of them a great deal of their time in the pavilion; but they could not be always on guard there. There was the world to be hoodwinked; and the surgeon's wife had to perform all her duties as a matron before the face of Kemberling, and had to give some plausible account of her frequent visits to the boat-house. Paul liked the place for his painting, Mrs. Weston informed her friends; and he was so enthusiastic in his love of art, that it was really a pleasure to participate in his enthusiasm; so she liked to sit with him, and talk to him or read to him while he painted. This explanation was quite enough for Kemberling; and Mrs. Weston went to the pavilion at Marchmont Towers three or four times a week without causing any scandal thereby.

But however well you may manage things yourself, it is not always easy to secure the careful co-operation of the people you employ. Betsy Murrel was a stupid, narrow-minded young person, who was very safe so far as regarded the possibility of any sympathy with, or compassion for, Mary Arundel arising in her stolid nature; but the stupid stolidity which made her safe in one way rendered her dangerous in another. One day, while Mrs. Weston was with the hapless young prisoner, Miss Murrel went out upon the water-side to converse with a good-looking young bargeman, who was a connexion of her family, and perhaps an admirer of the young lady herself; and the door of the painting-room being left wide open, Olivia Marchmont wandered listlessly into the pavilion – there was a dismal fascination for her in that spot, on which she had heard Edward Arundel declare his love for John Marchmont's daughter – and heard Mary's voice in the chamber at the top of the stone steps.

This was how Olivia had surprised Paul's secret; and from that hour it had been the artist's business to rule this woman by the only weapon which he possessed against her, – her own secret, her own weak folly, her mad love of Edward Arundel and jealous hatred of the woman whom he had loved. This weapon was a very powerful one, and Paul used it unsparingly.

When the woman who, for seven-and-twenty years of her life, had lived without sin; who from the hour in which she had been old enough to know right from wrong, until Edward Arundel's second return from India, had sternly done her duty, – when this woman, who little by little had slipped away from her high standing-point and sunk down into a morass of sin; when this woman remonstrated with Mr. Marchmont, he turned upon her and lashed her with the scourge of her own folly.

"You come and upbraid me," he said, "and you call me villain and arch-traitor, and say that you cannot abide this, your sin; and that your guilt, in keeping our secret, cries to you in the dead hours of the night; and you call upon me to undo what I have done, and to restore Mary Marchmont to her rights. Do you remember what her highest right is? Do you remember that which I must restore to her when I give her back this house and the income that goes along with it? If I restore Marchmont Towers, I must restore to her Edward Arundel's love! You have forgotten that, perhaps. If she ever re-enters this house, she will come back to it leaning on his arm. You will see them together – you will hear of their happiness; and do you think that hewill ever forgive you for your part of the conspiracy? Yes, it is a conspiracy, if you like; if you are not afraid to call it by a hard name, why should I fear to do so? Will he ever forgive you, do you think, when he knows that his young wife has been the victim of a senseless, vicious love? Yes, Olivia Marchmont; any love is vicious which is given unsought, and is so strong a passion, so blind and unreasoning a folly, that honour, mercy, truth, and Christianity are trampled down before it. How will you endure Edward Arundel's contempt for you? How will you tolerate his love for Mary, multiplied twentyfold by all this romantic business of separation and persecution?

"You talk to me of my sin. Who was it who first sinned? Who was it who drove Mary Marchmont from this house, – not once only, but twice, by her cruelty? Who was it who persecuted her and tortured her day by day and hour by hour, not openly, not with an uplifted hand or blows that could be warded off, but by cruel hints and inuendoes, by unwomanly sneers and hellish taunts? Look into your heart, Olivia Marchmont; and when you make atonement for your sin, I will make restitution for mine. In the meantime, if this business is painful to you, the way lies open before you: go and take Edward Arundel to the pavilion yonder, and give him back his wife; give the lie to all your past life, and restore these devoted young lovers to each other's arms."

This weapon never failed in its effect. Olivia Marchmont might loathe herself, and her sin, and her life, which was made hideous to her because of her sin; but she could not bring herself to restore Mary to her lover-husband; she could not tolerate the idea of their happiness. Every night she grovelled on her knees, and swore to her offended God that she would do this thing, she would render this sacrifice of atonement; but every morning, when her weary eyes opened on the hateful sunlight, she cried, "Not to-day – not to-day."

Again and again, during Edward Arundel's residence at Kemberling Retreat, she had set out from Marchmont Towers with the intention of revealing to him the place where his young wife was hidden; but, again and again, she had turned back and left her work undone. She couldnot – she could not. In the dead of the night, under pouring rain, with the bleak winds of winter blowing in her face, she had set out upon that unfinished journey, only to stop midway, and cry out, "No, no, no – not to-night; I cannot endure it yet!"

It was only when another and a fiercer jealousy was awakened in this woman's breast, that she arose all at once, strong, resolute, and undaunted, to do the work she had so miserably deferred. As one poison is said to neutralise the evil power of another, so Olivia Marchmont's jealousy of Belinda seemed to blot out and extinguish her hatred of Mary. Better anything than that Edward Arundel should have a new, and perhaps a fairer, bride. The jealous woman had always looked upon Mary Marchmont as a despicable rival. Better that Edward should be tied to this girl, than that he should rejoice in the smiles of a lovelier woman, worthier of his affection. This was the feeling paramount in Olivia's breast, although she was herself half unconscious how entirely this was the motive power which had given her new strength and resolution. She tried to think that it was the awakening of her conscience that had made her strong enough to do this one good work; but in the semi-darkness of her own mind there was still a feeble glimmer of the light of truth, and it was this that had prompted her to cry out on her knees before the altar in Hillingsworth church, and declare the sinfulness of her nature.

* * * * *

Paul Marchmont stopped several times before the ragged, untrimmed fruit-trees in his purposeless wanderings in the neglected garden at Stony Stringford, before the vaporous confusion cleared away from his brain, and he was able to understand what had happened to him.

His first reasonable action was to take out his watch; but even then he stood for some moments staring at the dial before he remembered why he had taken the watch from his pocket, or what it was that he wanted to know. By Mr. Marchmont's chronometer it was ten minutes past seven o'clock; but the watch had been unwound upon the previous night, and had run down. Paul put it back in his waistcoat-pocket, and then walked slowly along the weedy pathway to that low latticed window in which he had often seen Mary Arundel standing with her child in her arms. He went to this window and looked in, with his face against the glass. The room was neat and orderly now; for the woman whom Mr. Marchmont had hired had gone about her work as usual, and was in the act of filling a little brown earthenware teapot from a kettle on the hob when Paul stared in at her.

She looked up as Mr. Marchmont's figure came between her and the light, and nearly dropped the little brown teapot in her terror of her offended employer.

But Paul pulled open the window, and spoke to her very quietly. "Stop where you are," he said; "I want to speak to you. I'll come in."

He went into the house by a door, that had once been the front and principal entrance, which opened into a low wainscoted hall. From this room he went into the parlour, which had been Mary Arundel's apartment, and in which the hired nurse was now preparing her breakfast. "I thought I might as well get a cup of tea, sir, whiles I waited for your orders," the woman murmured, apologetically; "for bein' knocked up so early this morning, you see, sir, has made my head that bad, I could scarcely bear myself; and – "

Paul lifted his hand to stop the woman's talk, as he had done before. He had no consciousness of what she was saying, but the sound of her voice pained him. His eyebrows contracted with a spasmodic action, as if something had hurt his head.

There was a Dutch clock in the corner of the room, with a long pendulum swinging against the wall. By this clock it was half-past eight.

"Is your clock right?" Paul asked.

"Yes, sir. Leastways, it may be five minutes too slow, but not more."

Mr. Marchmont took out his watch, wound it up, and regulated it by the

Dutch clock.

"Now," he said, "perhaps you can tell me clearly what happened. I want no excuses, remember; I only want to know what occurred, and what was said – word for word, remember."

He sat down but got up again directly, and walked to the window; then he paced up and down the room two or three times, and then went back to the fireplace and sat down again. He was like a man who, in the racking torture of some physical pain, finds a miserable relief in his own restlessness.

"Come," he said; "I am waiting."