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The Death Shot: A Story Retold

Год написания книги
2017
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He, too, has a horse, the best in the troop – taken from the stable of the master he has so basely betrayed, so pitilessly plundered.

And that master at the moment nearly mad! Raging frantically around the room where they are left confined, nearly all the others frantic as he. For scarce any of them who has not like reason.

In the darkness groping, confusedly straying over the floor, stunned and stupified, they reel like drunken men; as they come in contact tremblingly interrogating one another as to what can have occurred.

By the silence outside it would seem as if everybody were murdered, massacred – coloured servants within the house, colonists without – all!

And what of Colonel Armstrong’s own daughters? To their father it is a period of dread suspense – an agony indescribable. Much longer continued it would drive him mad. Perhaps he is saved from insanity by anger – by thoughts of vengeance, and the hope of living to accomplish it.

While mutually interrogating, one starts the suggestion that the whole affair may be a travestie– a freak of the younger, and more frolicksome members of the colonist fraternity. Notwithstanding its improbability, the idea takes, and is entertained, as drowning men catch at straws.

Only for an instant. The thing is too serious, affecting personages of too much importance, to be so trifled with. There are none in the settlement who would dare attempt such practical joking with its chief – the stern old soldier, Armstrong. Besides, the sounds heard outside were not those of mirth, mocking its opposite. The shouts and shrieks had the true ring of terror, and the accents of despair.

No. It could not be anything of a merrymaking, but what they at first supposed it – a tragedy.

Their rage returns, and they think only of revenge. As before, but to feel their impotence. The door, again tried, with all their united strength, refuses to stir from its hinges. As easily might they move the walls. The window railings alike resist their efforts; and they at length leave off, despairingly scattering through the room.

One alone remains, clinging to the window bars. It is Hawkins. He stays not with any hope of being able to wrench them off. He has already tested the strength of his arms, and found it insufficient. It is that of his lungs he now is determined to exert, and does so, shouting at the highest pitch of his voice.

Not that he thinks there is any chance of its being heard at the rancheria, nearly a half-mile off, with a grove of thick timber intervening. Besides, at that late hour the settlers will be asleep.

But in the grove between, and nearer, he knows there is a tent; and inside it a man who will be awake, if not dead – his comrade, Cris Tucker.

In the hope Cris may still be in the land of the living, Hawkins leans against the window bars and, projecting his face outward, as far as the jawbones will allow, he gives utterance to a series of shouts, interlarded with exclamations, that in the ears of a sober Puritan would have sounded terribly profane.

Chapter Fifty Three.

A horrid spectacle

On a log outside the tent sits Cris Tucker, with the fire before him, kindled for cooking the turkey. The bird is upon a spit suspended above the blaze. A fat young “gobbler,” it runs grease at every pore, causing the fire to flare up. Literally is it being broiled by its own grease, and is now well-nigh done brown.

Perceiving this, Tucker runs his eyes inquiringly along the path leading towards the mission, at the same time setting his ears to listen. What can be keeping his comrade, who promised so soon to be back?

“Promises are like pie-crust,” says Cris in soliloquy; “Old Hawk aint keeping his, and I guess aint goin’ to. I heard they war to have a big dine up there the night. So I suppose the colonel’s axed him in for a glass o’ his whiskey punch. Hawk’s jest the one to take it – a dozen, if they insist. Well, there’s no reason I should wait supper any longer. I’m ’most famished as it is. Besides, that bird’s gettin’ burnt.”

Rising up from the log, he takes the turkey off the spit, and carries it inside the tent. Then dishing, he sets it upon the table; the dish a large platter of split wood rudely whittled into oblong oval shape, the table a stump with top horizontally hewn, over which the tent has been erected.

Placing a “pone” of corn-bread, and some salt alongside, he sits down; though not yet to commence eating. As certainly his comrade should now soon be back, he will give him ten minutes’ grace.

The position is agreeable, at the same time having its drawbacks. The odour pervading the tent is delicious; still there is the sense of taste to be satisfied, and that of smell but provokes it. The savoury aroma of the roast turkey is keenly appetising, and Cris can’t hold out much longer.

Time passes, and no sign of Hawkins returning. Tucker’s position becomes intolerable; the bird is getting cold, its juices drying up, the repast will be spoilt.

Besides, his comrade has not kept faith with him. In all probability he has eaten supper at the house, and at that moment is enjoying a jorum of whisky punch, quite forgetful of him. Tucker. Cris can stand it no longer; and, drawing out his knife, he takes the turkey by the leg, and cuts a large slice from its breast.

This eaten, another slice of breast is severed and swallowed. Then a wing is carved off, and lastly a leg, which he polishes to the smoothness of a drumstick. —

The young hunter, now no longer ravenous, proceeds more leisurely, and completes his repast by tranquilly chewing up the gizzard, and after it the liver – the last a tit-bit upon the prairies, as in a Strasburg paté.

Washing all down with a gourd of whisky and water, he lights his pipe; and, seated by the mangled remains of the gobbler, commences smoking.

For a time the inhaled nicotine holds him tranquil; though not without wondering why his comrade is so long in patting in an appearance.

When over two hours have elapsed, his wonder becomes changed to anxiety. Not strange it should, recalling the reason why he has been left alone.

This increasing to keen apprehension, he can no longer stay within the tent. He will go up to the house, and find out what is detaining Hawkins.

Donning his skin cap, and stepping out into the open air, he starts off towards the mission-building.

Less than ten minutes’ walking brings him to its walls, by their main front entrance.

There he pauses, surprised at the stillness surrounding the place. It is profound, unnatural.

For some moments he remains in front of the massive pile, looking at it, and listening. Still no sound, within or without.

True, it is time for the inmates to be a-bed.

But if so, where is Hawkins? He may be drinking, but surely not sleeping within!

In any case, Cris deems it his duty to look him up; and with this intent determines to enter.

He is not on terms of social equality with those who occupy the mission; still, under the circumstances, he cannot be considered intruding.

He sees that the great door is closed, but the wicket is ajar; presumptive proof of Hawkins being inside. There are no lights in the front windows, but, as Cris knows, those of the dining-room open backward.

Hesitating no longer, he steps under the arched portal, passes on through the saguan, and once more emerges into moonlight within the patio.

There, suddenly stopping, he stands aghast. For he beholds a sight that almost causes his hair to crisp up, and raise the cap from his head.

Down into the hollow quadrangle – enclosed on every side, except that towards heaven – the moonbeams are falling in full effulgence. By their light he sees forms lying along the pavement in every possible position. They are human bodies – men and boys, among them some whose drapery declares them to be women. They are black, brown, or yellow; but all spotted and spattered with red – with blood! Fresh, but fast freezing in the chill night air, it is already darkened, almost to the hue of ink.

The hunter turns faint, sick, as he contemplates this hecatomb of corpses. A spectacle far more fearful than any ever witnessed upon battle-field. There men lie in death from wounds given, as received under the grand, if delusive, idea of glory. Those Cris Tucker sees must have been struck down by the hand of the assassin!

For a time he stands gazing upon them, scarce knowing what to do.

His first impulse is to turn back, rush out of the courtyard, and away altogether from the place.

But a thought – a loyal thought or instinct, stays him. Where is Hawkins? His body may be among the rest – Cris is almost sure it will be found there – and affection for his friend prompts him to seek for it. There may still be breath in it – a spark of departing life, capable of being called back.

With this hope, however faint, he commences searching among the corpses.

The spectacle, that has sickened, makes his step feeble. He staggers as he passes among the prostrate forms, at times compelled to stride over them.

He examines one after another, bending low down to each – lower where they lie in shadow, and it is more difficult to distinguish their features.

Going the round of the courtyard, he completes the scrutiny of all. Living or dead, Hawkins is not among them.

Nor is there the body of any white man, or woman. The stricken victims are of every age, and both sexes. But all, male as female, are negroes or mulattoes – the slaves of the establishment. Many of them he recognises; knows them to be the house-servants.
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