The Free Lances: A Romance of the Mexican Valley

It was not an amiable mood for a lover contemplating a visit to his sweetheart. Still, natural enough under the circumstances; and Florence Kearney, wavering no longer, turned his steps towards that part of the city where dwelt Don Ignacio Valverde.

Chapter Five

A Studied Insult

In a small house of the third Municipality, in the street called Casa Calvo, dwelt Don Ignacio Valverde. It was a wooden structure – a frame dwelling – of French-Creole fashion, consisting of but a single story, with casement windows that opened on a verandah, in the Southern States termed piazza; this being but little elevated above the level of the outside street. Besides Don Ignacio and his daughter, but one other individual occupied the house – their only servant, a young girl of Mexican nativity and mixed blood, half white, half Indian – in short, a mestiza. The straitened circumstances of the exile forbade a more expensive establishment. Still, the insignia within were not those of pinched poverty. The sitting-room, if small, was tastefully furnished, while, among other chattels speaking of refinement, were several volumes of books, a harp and a guitar, with accompaniment of sheets of music. The strings of these instruments Luisa Valverde knew how to touch with the skill of a professional, both being common in her own country.

On that night, when the election of the filibustering officers was being held in Poydras Street, her father, alone with her in the same sitting-room, asked her to play the harp to the accompaniment of a song. Seating herself to the instrument, she obeyed, singing one of those romanzas in which the language of Cervantes is so rich. It was, in fact, the old song “El Travador,” from which has been filched the music set to Mrs Norton’s beautiful lay, “Love not.” But on this night the spirit of the Mexican señorita was not with her song. Soon as it was finished, and her father had become otherwise engaged, she stepped out of the room, and, standing in the piazza, glanced through the trellised lattice-work that screened it from the street. She evidently expected some one to come that way. And as her father had invited Florence Kearney to supper, and she knew of it, it would look as if he were the expected one.

If so, she was disappointed for a time, though a visitor made his appearance. The door bell, pulled from the outside, soon after summoned Pepita, the Mexican servant, to the front, and presently a heavy footfall on the wooden steps of the porch, told of a man stepping upon the piazza.

Meanwhile the young lady had returned within the room; but the night being warm, the hinged casement stood ajar, and she could see through it the man thus entering. An air of disappointment, almost chagrin, came over her countenance, as the moonlight disclosed to her view the dark visage of Carlos Santander.

“Pasa V. adientro, Señor Don Carlos,” said her father also recognising their visitor through the casement; and in a moment after the Creole stepped into the room, Pepita placing a chair for him.

“Though,” continued Don Ignacio, “we did not expect to have the honour of your company this evening, you are always welcome.”

Notwithstanding this polite speech, there was a certain constraint or hesitancy in the way it was spoken, that told of some insincerity. It was evident that on that night at least Don Carlos’ host looked upon him in the light of an intruder. Evidence of the same was still more marked on the countenance, as in the behaviour of Don Ignacio’s daughter. Instead of a smile to greet the new-comer, something like a frown sat upon her beautiful brow, while every now and then a half-angry flash from her large liquid eyes, directed towards him, might have told him he was aught but welcome. Clearly it was not for him she had several times during the same night passed out into the piazza and looked through its lattice-work.

In truth, both father and daughter seemed disturbed by Santander’s presence, both expecting one whom, for different reasons, they did not desire him to meet. If the Creole noticed their repugnance, he betrayed no sign of it. Don Carlos Santander, besides being physically handsome, was a man of rare intellectual strength, with many accomplishments, among others the power of concealing his thoughts under a mask of imperturbable coolness. Still, on this night his demeanour was different from its wont. He looked flurried and excited, his eyes scintillating as with anger at some affront lately offered him, and the sting of which still rankled in his bosom. Don Ignacio noticed this, but said nothing. Indeed, he seemed to stand in awe of his guest, as though under some mysterious influence. So was he, and here it may as well be told. Santander, though by birth an American and a native of New Orleans, was of Mexican parentage, and still regarded himself as a citizen of the country of his ancestors. Only to his very intimates was it known that he held a very high place in the confidence of Mexico’s Dictator. But Don Ignacio knew this, and rested certain hopes upon it. More than once had Santander, for motives that will presently appear, hinted to him the possibility of a return to his own land, with restoration of the estates he had forfeited. And the exiled patriot, wearied with long waiting, was at length willing to lend an ear to conditions, which, in other days, he might have spurned as humiliating if not actually dishonourable.

It was to talk of these Santander had now presented himself; and his host suspecting it, gave the young lady a side look, as much as to say, “Leave the room, Luisita.”

She was but too glad to obey. Just then she preferred a turn upon the piazza; and into this she silently glided, leaving her father alone with the guest who had so inopportunely intruded.

It is not necessary to repeat what passed between the two men. Their business was to bring to a conclusion a compact they had already talked of, though only in general terms. It had reference to the restitution of Don Ignacio’s confiscated estates, with, of course, also the ban of exile being removed from him. The price of all this, the hand of his daughter given to Carlos Santander. It was the Creole who proposed these terms, and insisted upon them, even to the humiliation of himself. Madly in love with Luisa Valverde, he suspected that on her side there was no reciprocity of the passion. But he would have her hand if he could not her heart.

On that night the bargain was not destined to reach a conclusion, their conference being interrupted by the tread of booted feet, just ascending the front steps, and crossing the floor of the piazza. This followed by an exchange of salutations, in which the voice of Luisa Valverde was heard mingling with that of a man.

Don Ignacio looked more troubled than surprised. He knew who was there. But when the words spoken outside reached the ears of Carlos Santander, first, in openly exchanged salutations and then whispers seemingly secret and confidential, he could no longer keep his seat, but springing up, exclaimed —

“Carrai! It’s that dog of an Irlandes!”

“Hish!” continued his host. “The Señor Florencio will hear you.”

“I wish him to hear me. I repeat the expression, and plainly in his own native tongue. I call him a cur of an Irishman.”

Outside was heard a short, sharp ejaculation, as of a man startled by some sudden surprise. It was followed by an appealing speech, this in the softer accents of a woman. Then the casement was drawn abruptly open, showing two faces outside. One, that of Florence Kearney, set in an angry frown; the other, Luisa Valverde’s, pale and appealing. An appeal idle and too late, as she herself saw. The air had become charged with the electricity of deadliest anger, and between the two men a collision was inevitable.

Without waiting for a word of invitation, Kearney stepped over the casement sill, and presented himself inside the room. Don Ignacio and the Creole were by this also on their feet; and for a second or so the three formed a strange triangular tableau– the Mexican with fear on his face, that of Santander still wearing the expression of insult, as when he had exclaimed, “Cur of an Irishman!” Kearney confronting him with a look of indignant defiance.

There was an interval of silence, as that of calm preceding storm. It was broken by the guest latest arrived saying a few words to his host, but in calm, dignified tone; an apology for having unceremoniously entered the room.

“No need to apologise,” promptly rejoined Don Ignacio. “You are here by my invitation, Señor Don Florencio, and my humble home is honoured by your presence.”

The Hidalgo blood, pure in Valverde’s veins, had boiled up at seeing a man insulted under his roof.

“Thanks,” said the young Irishman.

“And now, sir,” he continued, turning to Santander and regarding him with a look of recovered coolness, “having made my apology, I require yours.”

“For what?” asked Santander, counterfeiting ignorance.

“For using language that belongs to the bagnios of New Orleans, where, I doubt not, you spend most part of your time.”

Then, suddenly changing tone and expression of face, he added —

“Cur of a Creole! you must take back your words!”

“Never! It’s not my habit to take, but to give; and to you I give this!”

So saying, he stepped straight up to the Irishman, and spat in his face.

Kearney’s heart was on fire. His hand was already on the butt of his pistol; but, glancing behind, he saw that pale appealing face, and with an effort restrained himself, calmly saying to Santander —

“Calling yourself a gentleman, you will no doubt have a card and address. May I ask you to favour me with it, as to-morrow I shall have occasion to write to you? If a scoundrel such as you can boast of having a friend, you may as well give him notice he will be needed. Your card, sir!”

“Take it!” hissed the Creole, flinging his card on the table. Then glaring around, as if his glance would annihilate all, he clutched hold of his hat, bowed haughtily to Don Ignacio, looked daggers at his daughter, and strode out into the street.

Though to all appearance defeated and humbled, he had in truth succeeded in his design, one he had long planned and cherished to bring about, – a duel with Kearney, in which his antagonist should be challenger. This would give him the choice of weapons, which, as he well knew, would ensure to him both safety and success. Without the certainty of this, Carlos Santander would have been the last man to provoke such an encounter; for, with all his air of bravache, he was the veriest of cowards.

Chapter Six

“To the Salute!”

The thick “swamp-fog” still hovered above the Crescent City, when a carriage, drawn by two horses, rolled out through one of its suburbs, and on along the Shell Road, and in the direction of Lake Pontchartrain.

It was a close carriage – a hackney – with two men upon the driver’s seat, and three inside. Of these last, one was Captain Florence Kearney, and another Lieutenant Francis Crittenden, both officers of the filibustering band, with titles not two days old. Now on the way neither to Texas nor Mexico, but to the shore of Lake Pontchartrain, where many an affair of honour has been settled by the spilling of much blood. A stranger in New Orleans, and knowing scarce a soul, Kearney had bethought him of the young fellow who had been elected first-lieutenant, and asked him to act as his second. Crittenden, a Kentuckian, being one of those who could not only stand fire, but eat it, if the occasion called, eagerly responded to the appeal; and they were now en route along the Shell Road to meet Carlos Santander and whoever he might have with him.

The third individual inside the carriage belonged to that profession, one of whose members usually makes the third in a duel – the doctor. He was a young man who, in the capacity of surgeon, had attached himself to the band of filibusters.

Besides the mahogany box balanced upon his thigh there was another lying on the spare bit of cushion beside him, opposite to where Crittenden sat. It was of a somewhat different shape; and no one who had ever seen a case of duelling pistols could mistake it for aught else – for it was such.

As it had been arranged that swords were to be the weapons, and a pair of these were seen in a corner of the carriage, what could they be wanting with pistols?

It was Kearney who put this question; now for the first time noticing what seemed to him a superfluous armament. It was asked of Crittenden, to whom the pistols belonged, as might have been learnt by looking at his name engraved on the indented silver plate.

“Well,” answered the Kentuckian, “I’m no great swordsman myself. I usually prefer pistols, and thought it might be as well to bring a pair along. I didn’t much like the look of your antagonist’s friend, and it’s got into my head that before leaving the ground I may have something to say to him on my own account. So, if it come to that, I shall take to the barkers.”

Kearney smiled, but said nothing, feeling satisfied that in case of any treachery, he had the right sort of man for his second.

He might have felt further secure, in a still other supporting party, who rode on the box beside the driver. This was a man carrying a long rifle, that stood with the barrel two feet above his shoulders, and the butt rested between his heavily booted feet.

It was Cris Rock, who had insisted on coming along, as he said, to see that the fight was all “fair and square.” He too had conceived an unfavourable opinion of both the men to be met, from what he had seen of them at the rendezvous; for Santander’s second had also been there. With the usual caution of one accustomed to fighting Indians, he always went armed, usually with his long “pea” rifle.

On reaching a spot of open ground alongside the road, and near the shore of the lake, the carriage stopped. It was the place of the appointed meeting, as arranged by the seconds on the preceding day.

Though their antagonists had not yet arrived, Kearney and Crittenden got out, leaving the young surgeon busied with his cutlery and bandage apparatus.