“All right, my red-skin!” continued the cavalier, in a jocular strain, “I see you can find the road to Dancey’s. But I want you to go beyond. In the same direction, only half a mile farther on, there is another hut inhabited by another woodman. You have seen him here also – the young man with the hay-coloured hair, and white eyebrows?”
Oriole signified that he had seen the individual; though a certain expression – just discernible in the Indian’s eye – betokened repugnance to the person so described.
“Very well,” continued the cavalier, without appearing to notice the expression. “I want both Dancey and the light-haired man to come to me – so soon as you can summon them. Go to Dancey’s first; and, if you think you cannot find the other, Dancey will go along with you. Tell both to come prepared for a journey of two days. What a pity you can’t talk, my poor fellow! But no matter for that: Dancey will understand your signs.”
The Indian, as if he either did not hear, or heeded not, this expression of sympathy, turned towards the door; and without either sign or ceremony made his spectral-like departure.
“The night of the 29th,” soliloquised Henry Holtspur, as he sate once more pen in hand before his writing-table. “Not much time have they given me. Dick and his prospective son-in-law must start at once. By-the-way, I don’t know whether it’s safe to trust this Walford – though the old deer-stalker believes in him. I’m always suspicions of white eyebrows. I’ve noticed something in his grey green eyes I don’t like; and this very day – after I had espoused the quarrel of his sweetheart too – I saw him looking at me with glances not altogether grateful! Jealous, perhaps, of the girl having given me those flowers? Ah! if he only knew how little her token was cared for, alongside that other token – if he knew how I myself was suffering – perhaps ’twould cure him of his spleen?
“After all he’s but a brutal fellow – far from worthy of being the favourite of this bold forest bird, Bet Dancey. I’faith she’s a hen-hawk, that deserves an eagle for her mate; and I might have given this rough rustic cause to be uncomfortable, but that his black beauty is eclipsed under the glare of that dazzling sunbeam. Ah! Marion! Marion! in thy presence – or absence either – all other faces seem ill-favoured. Charming, or ugly, to my eyes all are alike!
“Come!” continued the cavalier, as the train of his reflections was interrupted by some thought prompting him to the necessity of action. “I must get these letters ready against the arrival of my messengers. There are a dozen, and I’m but an indifferent scribe. Luckily, as they’re only ‘notes of invitation,’ a word to each will be sufficient.”
Saying this, he drew his chair nearer to the table; and proceeded to pen the epistles.
He did not desist from his task, until some ten or twelve letters – sealed and addressed to various individuals, all gentlemen of the county – lay on the table before him.
“These, I think, are all,” muttered he, as he ran his eye over the addresses. “Along with those, whom Garth has gone to summon, a goodly array they will make – all true friends to the cause of England’s liberty!”
This soliloquy was succeeded by the entrance of the Indian – whose dark form came stealing like a shadow under the light of the lamp.
By a pantomimic gesture, his master was told – that the two men, he had gone to fetch, had arrived along with him, and were waiting orders outside.
“Send them in here,” commanded the cavalier. “One at a time. First, Dancey; the other, after Dancey has gone out.”
Oriole instantly vanished; and soon after the tread of a heavily-shod foot was heard in the hall, outside.
There was a single knock, followed by the spoken permission to “Come in.”
The door opened; and the noted deer-stealer stepped into the apartment.
He was a man of immense body and large limbs, somewhat loosely put together; but from sheer size seemingly endowed with herculean strength.
About his face there was nothing to indicate any evil disposition. On the contrary, it had a cheerful honest look; which rather contradicted the character implied by the appellation of deer-stealer. As with his representative of modern days – the poacher – perhaps the stealing of a deer as the snaring of a pheasant, could scarce have been looked upon in the light of a positive theft. At all events, Dick Dancey, who was notorious in this line, was otherwise well regarded by those who had dealings with him.
He was no ordinary man – either in physical or mental conformation; and his huge muscular form, crowned by a capacious head – in which glanced a pair of dark brown eyes keen as an eagle’s – gave him an imposing, if not a fearful, aspect. He was dressed in a doublet of faded cotton velveteen, with trunks of coarser material reaching down to mid thigh. From the bottoms of these to the tops of his heavy cow-skin boots, his limbs were protected by thick woollen hose; while on his head appeared a full-crowned cap made out of the skin of a spotted dog, the long hair ruffing out around the rim.
The accoutrements of this formidable forester were of the simplest. A skin wallet, suspended by a belt passing over his shoulders, hung by his right side; while as if to balance it, a heavy hanger – half-sword, half-knife – dangled against his left hip. A large knotted stick, carried in hand, completed his equipment for the journey – of the nature of which he seemed to have had some previous acquaintance.
“Dancey!” said the cavalier, as soon as the deer-stealer was fairly inside the room, “I want you upon a matter of business. You are an accomplished traveller, I know. Have you any objection to play errand-boy for a couple of days?”
“To carry any message for you, sir,” rejoined the woodman, with a grotesque effort at a bow, “I’d esteem an honour, ’specially after what happened this day, sir; or I moat say yesterday – seein’ it be now near the morrow mornin’. My daughter, sir – I can answer for Bet – she’s a good-hearted gurl, sir, though may be a little too forrard, or that sort; but she be wonderful obleeged, sir, to you, sir.”
“Poh-poh, Dancey; I am not deserving of your daughter’s thanks. What I did in her behalf was only a duty; which I should equally have felt bound to perform for the humblest individual on the ground. Indeed your beautiful daughter did not seem to stand in need of my interference. She had already found a sufficiently chivalric champion in bold Robin Hood – ”
“Ah! sir,” interrupted the deer-stealer, bending down towards his patron, and speaking in a tone of serious confidence, “That’s just where the trouble be. She han’t thanked him; and the poor fellow’s beside hisself, because she won’t make more o’ him. I do all I can to get her take on to him; for I believe Wull Walford to be a worthy lad: an’ he mean well for my gurl. But ’taren’t no use, sir, ne’er a bit on’t. As the sayin’ be, one man may take a horse to the water, but forty can’t make the anymal drink, if he an’t a mind to.”
“I think, friend Dancey,” quietly rejoined the cavalier, “you’ll do well to leave your daughter free to follow her own inclinations – especially in a matter of the kind you speak of. Perhaps her instincts of what’s best for her, in that regard, may be more trustworthy than yours.”
“Ah! sir,” sighed the fond parent of the beautiful Betsey, “If I’d leave her free to foller her own ways, she’d go clear to the devil —she would. Not that she’s a bad sort, my Bet aren’t. No – no – she be a good-hearted gurl, as I’ve already sayed; but she’s too forrard, sir – too forrard, and proud enough to have inclinings for them as be far above her. That’s why she looks down upon Wull: because ye see, sir, he be only a poor woodman; tho’ that’s as much as I be myself.”
The cavalier might have suspected the beautiful Betsey of having other reasons for disliking “Wull Walford;” but it was not the time to talk upon such a theme; and, without further parley he changed the conversation to the business for which he had summoned the old woodman into his presence.
“Here are six letters I want you to deliver,” said he, taking that number from the table.
“You perceive,” he added, holding them up to the light of the lamp, “that I have numbered the letters – in the order in which you will arrive at the houses where you are to deliver them – so that there may be no mistake. I need not add, Dancey, that each is to be delivered with your own hand, or else not at all.”
“I understand what you mean, sir. I don’t part wi’ ere a one o’ ’em, ’cept to the party hisself. You can trust Dick Dancey for that.”
“I know it, Dick; and that’s why I’m giving you all this trouble. I only wish you could have taken these others; but it’s impossible. They’re for a different section of the county; and must go by another hand.”
“Wull Walford’s wi’ me, sir. Ye sent for him too, didn’t ye?”
“I did. You say he can be trusted, Dancey?”
“Oh sir! there’s no fear o’ him. He han’t no love for eyther Church, or King. He has been in the stocks once too often for that.”
“Ha! ha!” laughed the cavalier, “that is but slight recommendation of his trustworthiness. It don’t matter, however. He shall not know much of the nature of his errand; and, therefore there will be no great danger in his carrying the letters.”
Dancey saw that he was expected to take the road at once; and, without further parley, he started off on his distant round of delivery: before leaving the house, however, having fortified himself against the raw air of the night, by a stoup of strong ale – with which Oriole had been directed to supply him.
Will Walford – who among the dramatis personae of the morris dance had performed the rôle of Robin Hood – next presented himself to receive his chapter of instructions.
This worthy had doffed his tunic of Kendal green, and now figured in his proper costume – a jerkin of grey homespun russet, with wide petticoat breeches reaching to mid thigh. The green woollen stockings, in which he had personated the outlaw, still appeared upon his legs – with a pair of heavy hobnailed buskins on his feet. On his head was the high-crowned hat worn at the fête, with a portion of the plume of cock’s feathers still sticking behind its band of scarlet coloured tape.
Altogether the costume of the woodman was not inelegant; and the wearer affected a certain air of rustic dandyism, which showed him conceited of his personal appearance.
He had but slight reason for this vanity, however. At the fête he had proved himself but a poor representative of the chivalrous outlaw of Sherwood-Forest; and, now that he stood partially plucked of his borrowed feathers, he looked altogether unlike the man, whom the beautiful Bet Dancey would have chosen for her champion.
It was a countenance, though naturally of an evil aspect, more sullen than sinister; while the glance of a watery otter-like eye, along with a certain expression of cowardice, betrayed insincerity.
Will Walford was evidently a man not to be trusted – very far. He appeared like one who, to gratify a passion, would turn traitor upon a partisan.
It was just such a suspicion of his character that hindered Henry Holtspur from revealing to him the secret contained within those half-dozen letters – which he now entrusted to him for delivery, after giving him the names of the gentlemen for whom they were intended.
With a promise to perform the duty – apparently sincere – the woodman walked out of the room; but, as he turned off into the shadowy hall, a glance flung back over his shoulder betrayed some feeling towards his patron, anything but friendly.
Still more surly was the look cast upon the young Indian, as the latter – apparently with an unwilling grace – presented him with the parting cup.
There was no word spoken, no health drunk – neither of master, nor man. The ale vessel was emptied in sullen silence; and then thanklessly tossed back into the hands from which it had been received.
A gruff “good-night,” and Will Walford, striding off through the corridor, was soon lost to view.
Oriole turned back into the room occupied by his master; and, stopping near the door, stood waiting, for the latter to look round. On his doing so, the Indian elevated his right arm; and holding it horizontally, with the back of his hand upwards, he described a wide curve in an outward direction from his body.
“Good, you say? Who is good?”
The Indian made a motion, to signify that he had not completed his pantomime.