Scotland: The Story of a Nation

The people the Romans called Scoti originally came from Ireland. The name was just a term of opprobrium applied by the Roman authors to describe raiders from Ireland, and probably meant, simply, ‘pirates’; it differentiated the Scoti from the Picti of mainland Scotland. The Scoti had raided in the Hebrides and the western mainland of Scotland, they had taken part in the ‘Barbarian Conspiracy’ which overran the Roman province of Britannia in 367 (see Chapter 2 (#u4a7ca308-683a-5a72-b1bd-06ea1c0e0cb6)), and they had probably been coming across the North Channel to settle in the west of Scotland for quite a long time. Around the year 500, however, tradition suggests that there was a positive ‘migration’ of the Scoti to Scotland: the seventh-century Irish Senchus fer nAlban (‘Tradition of the Men of Scotland’) records the story that the Scoti, under their king Fergus Mór mac Eirc, an enterprising hero in the legendary mould, moved in strength from Antrim in north-eastern Ireland across the North Channel to the rugged, mountainous, island-haunted terrain of Argyll in the west of Scotland. These people were known as the Dál Riata; they spoke Gaelic, and established a new kingdom in the territory of modern Argyll which came to be known as Dalriada.

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The Gaelic-speaking Dál Riata in Argyll and the adjacent Inner Hebrides soon started to colonise farther afield. By the end of the sixth century they were hammering at the boundaries of neighbouring states, led by a series of aggressive warrior kings. One of those whose names are writ large in the Annal of Scotland was Áedán mac Gabhráin, overlord of Dalriada from 574 to 603, whose recorded exploits included large-scale raids by land and sea against the territories of the Picts, the Britons of Strathclyde and the Anglians of Northumbria. He was eventually defeated and killed by the Northumbrians in 603.

Dunadd

The massive natural fortress of Dunadd, in mid-Argyll, rears out of the Crinan Moss (Moine Mhor – the ‘great moss’) at the southern end of the fertile Kilmartin Glen above Lochgilphead. For historical pilgrims intent on getting a ‘feel’ for ancient Dalriada, there is a new Museum and Visitor Centre (Kilmartin House) in the village of Kilmartin at the head of the valley.

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The hill-fort of Dunadd is only one of the many power-bases of the old kingdom of Dalriada, but it is perhaps the most striking and evocative. It stands back from the A816 from Lochgilphead to Oban, fifty-four metres high, a grass-grown rock mass made of epidiorite schist and shaped by glacial action – what geologists call a roche moutonnée. It is a bit of a scramble in places to reach the top, through natural clefts in the rock, but there is a wonderful panoramic view from the summit which makes the effort well worth while.

The steep zigzag route to the summit leads through two defiles which give access to concentric terraces which girdle it. The terraces are buttressed by the living rock, and any gaps were filled in by walling to complete the defences. The terraces provided space for timber structures, no trace of which now remains. The path leads onwards and upwards to the highest of the terraces, just below the sanctuary of the summit. On this grassy shelf lies the magnet which draws visitors to the top: a carved footprint incised into the bedrock, pointing more or less directly towards the distant Ben Cruachan, the ‘holy mountain’ of Argyll. There is also a roughly-scratched outline of a boar (a Pictish symbol) and an inscription in the unintelligible alphabet known as ogam. On another rock, just behind the ‘heel’ of the footprint, is a small hollowed-out basin (possibly for libations).

It is a tantalisingly enigmatic spot, where the imagination can take wing. Most commentators now agree that the carved footprint was used in the ritual inauguration of early Dalriadic kings; the new king would have placed one foot in the carving during the ceremony, in full view of his people gathered on the terrace below, to symbolise a royal ‘marriage’ with the land. Today’s visitors cannot resist trying the fit for themselves.

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There is a magic resonance about Dunadd; for the people of Argyll it is the birthplace of the Scottish nation, a royal centre of major importance in the growth of ‘Scotland’ as a coherent realm. It has an overwhelming sense of place, of belonging to the land, superintending the surrounding countryside: the coiling meanders of the River Add below, Kilmartin Glen to the north, the hills of Knapdale to the south and, to the west, the Crinan Estuary and the Sound of Jura marking the route of the incomers from Antrim.

Recent archaeological excavations have shown that Dunadd was occupied, albeit intermittently, from about AD 500 to 1000; it is usually called ‘the capital’ – or ‘a capital’ – of the kings of Dalriada. It was a place where skilled craftspeople fashioned high-quality jewellery and implements in bronze, silver and gold. It was also a major trading centre in a huge Celtic network which stretched from Ireland, down the west coast of Britain and across to the Mediterranean. Dunadd was clearly an important player in European trade, exporting commodities like hides, leather and metal-work and importing luxury goods from abroad. One of the most intriguing items found during excavations at Dunadd was a small piece of a yellow mineral named orpiment which comes from the Mediterranean; orpiment is the mineral which produced the beautiful golden yellow ink used by medieval scribes for their illuminated manuscripts, and may have been used on Iona to make the Book of Kells. Adomnán, the biographer of St Columba, described a visit paid by Columba to the caput regionis (capital of the region) and his talking to sailors from Gaul – perhaps he was there to buy orpiment for his scriptorium on Iona!

Ted Cowan, Professor of Scottish History at Glasgow University, says of the carved footprint on Dunadd:

The new king of Dalriada metaphorically (and almost literally) stepped into the shoes of the old king – it’s a perfect size nine shoe, by the way. It carried overtones of fitting the role of being king, of being the only person whose foot fitted the footprint; the last echo of that concept is heard in the story of Cinderella and the glass slipper – the Ugly Sisters try it on, but Cinderella, the ‘real’ princess, is the only person whose foot fits.

These inaugurations would have been Christian ceremonies, whatever ancient pagan traditions may have been reflected in them. And that brings us to a consideration of the impact of Christianity on early Scotland.

The coming of Christianity

Before the Romans officially declared an end to their occupation of Scotland, in 410, the south-west of Scotland may already have been Christianised; early in the fourth century the Emperor Constantine had declared Christianity to be the official religion of the Roman Empire, and this may have led to the establishment of some kind of ‘sub-Roman Church’ in Pictland.

The Venerable Bede wrote that, after Constantine made Christianity official, ‘faithful Christians who during the time of danger had taken refuge in woods, deserted places and hidden caves, came into the open and rebuilt the ruined churches. Shrines of the martyrs were founded and completed and openly displayed everywhere as tokens of victory. The festivals of the Church were observed, and its rites performed reverently and sincerely.’

The one name which emerges from the scanty sources about south-west Scotland during this period is that of St Ninian. Ninian (Nynia) is the first Christian missionary in Scotland’s history who is known to us by name. Bede called him ‘a most reverend and holy man of British race’, and recorded a tradition that he had been trained in Rome and that his see was at St Martin’s Church at Candida Casa (the ‘White House’), identified as Whithorn in Galloway. He was, apparently, the son of a converted British chieftain, who began his mission in the south-west late in the fifth century as the bishop of a Romanised community which had been Christian for some time. By the seventh century Ninian had become a cult saint, and many churches were dedicated to him in different parts of Scotland in the ensuing centuries.

In the west of Scotland, St Kentigern, or Mungo,

(#ulink_b93de8eb-058d-5f20-8294-2bd6d0821113) founded a church beside the Molindinar Burn; it was in a ‘green hollow’ (glascu), which gave the city of Glasgow its name. By 600, Kentigern/Mungo was established as the first bishop of the kingdom of Strathclyde centred on Dumbarton; his shrine lies in the crypt of Glasgow Cathedral.

The man most closely associated with the spread of Christianity in the sixth century, however, is Columba (Colum Cille, ‘Dove of the Church’, c.521–97). He was a scion of the Uí Néill, the most powerful royal family in Ireland at the time. Columba was a vigorous and hot-blooded warrior-monk who was banished after a particularly bloody battle and, as a penance, chose to lead a mission to the Scoti of Dalriada. In 563 he set sail in a coracle with twelve companions to do God’s work. After some years on an island which Columba called Hinba (perhaps Jura), the king of Dalriada gave him the island of Iona, off the west coast of Mull, probably in the early 570s. Here he founded a large monastic community which was to become the spiritual powerhouse of Christianity in northern Britain. It also became a renowned centre of learning and artistic excellence, and owned an extensive library of books: many claim that the magnificently illustrated Book of Kells, now in the library of Trinity College, Dublin, was produced in a scriptorium on Iona. Columba’s biographer, Adomnán, wrote that he was engaged in making a new manuscript of a psalter on the day of his death.

The major impact of the Church was the introduction of writing, and the close and mutually beneficial relations between Church and state. The Church was both client and patron of the monarchy. Columba himself ordained one of the kings of Dalriada (Áedán mac Gabhráin) on Iona in 574. Another graphic impact was on Pictish art: following the advent of Christianity the Pictish symbol-stones were shaped into slabs with a dominant cross carved on one face, and Biblical figures like David were introduced to symbolise kingship, alongside the characteristic ornamentation of spirals, snakes, dragons, birds and fish.

Although both the Picti and the Scoti were ethnic Celts, the Picts were not the same kind of Celts as those incomers who came from Ireland around 500 to found the kingdom of Dalriada. The language the Picts spoke was ‘British’ or ‘Brittonic’ Celtic, akin to Welsh, Cornish and Breton (scholars call it ‘P-Celtic’), whereas modern Irish and Scottish Gaelic descend from Goidelic Gaelic (which is classified as ‘Q-Celtic’). The eventual assimilation of the Picts into the Gaelic culture of the Scots was made much easier through the influence of Christianity. Having been converted by Columban missionaries, the Picts looked to Iona as the head of their Church. Differences between Picts and Gaels began to be reduced, through intermarriage and the exchange of church personnel. So it is reasonable to assume that it was the rise of the Gaelic Church in Pictland which laid the foundations for the ultimate unification of the Picts and Scots as a new kingdom.

But before that could come about, there was another threat to be faced, in the shape of an enemy who would serve to bring the Picts and the Scots even closer together – the vikings.

The vikings

The vikings have long been considered the bogeymen of history. For centuries they were cast in the role of Anti-Christ – merciless barbarians from Scandinavia who plundered and burned their way across the known world, heedless of their own lives or the lives of others, intent only on destruction and rape and pillage. In fact it was never quite as one-sided as that – history seldom is – but it made a good story at the time. Today there is emerging a much more balanced version of the story which depicts the vikings in a less lurid and more objective light. It is mainly a matter of emphasis: less on the raiding, more on the trading; less on the piracy and pillage, more on the poetry and artistry; less on the terror, more on the technology of the Norsemen and the positive effect they had.

Politically as well as militarily they had a profound effect on the shifting, unstable kingdoms which were developing in what was to become Scotland. The historical record of their incursions into Scottish waters and territory began in 795 with a raid on Iona (the first of three such raids in ten years), and Scotland was then engulfed in the turmoil of what has come to be called the Viking Age (800–1050). While Danish raiders attacked the Continent and southern England, Norwegian invaders established a Norse earldom in Shetland and Orkney which was to last for more than three hundred years, from the middle of the ninth century to the thirteenth.

The Orkney earldom was a semi-autonomous fiefdom of the Norwegian crown, theoretically a Norwegian possession but frequently a recalcitrant one which displayed a large degree of independence. The main source for our knowledge of the Northern Isles during this period is an Icelandic saga, Orkneyinga Saga (‘The Saga of the Earls of Orkney’), written early in the thirteenth century. It is a sprawling, dynastic chronicle of the lives of the earls of Orkney, a vivid narrative pageant of clashing personalities and dramatic events – not so much a history as a historical novel. It is the only medieval chronicle which has Orkney as the central place of action, but the story has much to say about the Norse impact on the northernmost counties of mainland Scotland, Caithness and Sutherland (which to the Orcadian Norsemen was ‘South-land’!).

Today the people of Shetland celebrate their Norse heritage on the last Tuesday of every January with an exhilarating, night-long viking fire-festival called Up-Helly-Aa, which culminates in the ceremonial burning of a viking galley in Lerwick, the capital town of Shetland. It is not an ancient ritual by any means. It was invented by a blind Shetland poet in the 1880s, an aspect of the Victorian ‘rediscovery’ of the Viking Age by literary figures like Thomas Carlyle and William Morris – and, before them, Sir Walter Scott with his novel The Pirate (1821), which was inspired by a fleeting visit to Shetland in 1814 and a glimpse of the ruined medieval baronial building at Sumburgh which he named, romantically, Jarlshof (‘Earl’s Temple’).

From their base in the Northern Isles the Norsemen ruled a miniature empire of the North Sea. It was probably from Orkney that their early raids on Iona were mounted; it was from Orkney that they exercised dominion over the Western Isles, which from then on owed fealty to the Norwegian crown. Viking armies penetrated deep into mainland Scotland in the north and the west, inflicting heavy defeats on the Scoti and the Picts alike. On the west coast, in 870, the vikings stormed the Strathclyde fortress of Dumbarton after a four-month siege; on the east coast in 890 they captured the formidable Pictish fortress of Dunnottar on its apparently impregnable rock projecting from the coast three kilometres south of Stonehaven. Norse power played a potent part in the kaleidoscope of aggression and alliance from which the picture of Scotland was to emerge.

Kenneth mac Alpin (800–58): the union of the Picts and the Scots

One effect of the viking incursions in the west was to force the Scots of Dalriada to look eastwards along Strathearn (‘the Strath of the Irish’) towards the richer lands of Pictish Fortriu, where the Picts, too, were under fierce pressure from viking attacks from the east. The power of Dalriada was now in decline and, despite occasional hostility between Scots and Picts, there was a certain inevitability about the way in which the two kingdoms began to come together against the common viking enemy.

This process of gradual unification culminated in the middle of the ninth century with the first joint king of the Picts of Fortriu and the Scots of Dalriada – Kenneth mac Alpin (Cináed mac Aílpín), known as Kenneth I. He was born about 800, and is believed to have been of mixed Dalriadan and Pictish stock, with a Gaelic father and a Pictish mother.

Out of the welter of warfare which saw the royal families of both kingdoms crushed, Kenneth mac Alpin emerged as king of Dalriada around 840; a few years later he became king of Pictish Fortriu as well. How exactly that came about is not known; according to a lurid folk-tale he invited the leaders of the Pictish nobility to a feast under a flag of truce and had them all slaughtered, but that yarn is no longer given any credence.

Kenneth mac Alpin soon moved his base out of Dalriada and eastward to Tayside, the heartland of Pictland itself. The island of Iona, founding centre of the Columban Church, had proved to be too vulnerable to viking raids; so when another huge viking fleet came prowling down the west coast in 849 on its way to Ireland, Iona and the other ‘hallowed’ islands were abandoned and the relics of their saints taken to safety on the mainland. The bones and treasures of St Columba were carried from Iona to Dunkeld (‘Fort of the Caledonians’), and installed in a great new church there.

It was the end of Dalriada as a historical identity. Kenneth mac Alpin, or one of his successors, established a new royal seat at Scone, near Perth, which became the capital of a united kingdom. He died in his palace at Forteviot in 858, having in the last ten years of his life invaded the kingdom of Northumbria no fewer than six times. In the course of these incursions he burned the royal fortress of Dunbar and the great early monastery at Melrose.

Kenneth mac Alpin’s unification of Dalriada and Pictland as a new political entity was a landmark in the evolution of Scotland as a single kingdom. His authority extended from the Moray Firth in the north to the Firth of Forth in the south. This kingdom soon came to be called Alba, the old Gaelic name for Britain as a whole, which was now applied specifically to the territory ruled by Scottish kings.

Kenneth mac Alpin founded the first recognisably Scottish royal dynasty, and as a result Scotland’s kings are formally numbered from him as Kenneth I. However, the perceived significance of Kenneth mac Alpin in the origins of the Scottish nation is now diminished in the eyes of modern historians. Ted Cowan backs another king as the real creator of the kingdom we now call Scotland; his name was Constantin II (Constantín mac Áeda), and he ruled from 900 to 943:

In my view, Constantín mac Áeda was Scotland’s equivalent of England’s King Alfred, and he should be on the lips of every schoolchild in this country. Perhaps the only reason that he isn’t is because his Gaelic name looks so difficult to pronounce! This Constantín did two things. First, he married members of his family into the viking war-bands and bought peace with them in that way. Second, he manufactured a new origin myth for the ‘Scots’ to give them a pedigree which showed how the Picts and Scots were related.

The ‘original’ Scottish origin myth traced the lineage of the Scoti back to Biblical times: they were descended from an Egyptian princess named Scota, the daughter of the Pharaoh of the Oppression (Ramses II, 1304–1237 BC). This enterprising princess left Egypt shortly after the Israelites crossed the Red Sea. She wandered for 1,200 years in the deserts of the eastern Mediterranean, before crossing to Sicily and making her way through the Pillars of Hercules (Straits of Gibraltar), through Spain and then across to Ireland. In her baggage she brought the block of sandstone, weighing 152 kilograms, which was reputed to have been used as a pillow by Jacob when, according to Genesis 28, he had his celebrated dream about Jacob’s Ladder (‘I am the Lord God of Abraham thy father, and the God of Isaac: the land whereon thou liest, to thee will I give it, and to thy seed’). From the east coast of Ireland, Scota beheld her own Promised Land – Scotland – and crossed over to it with Jacob’s sacred Stone.

Constantin II, according to Ted Cowan, made a significant addition to this imaginative account: he instructed his bards to give Scota a husband – Gaedel Glas (Gathelos), a Prince of Scythia and ancestor of the Picts. That gave the Picts and the Scots a common ancestry, as a deliberate part of the nation-building on which Constantin II was engaged. As part of the redefining of the new integrated kingdom, Scota’s far-travelled Stone was moved to Scone, where it was put to use as the seat on which the rulers of the united Scottish kingdom were inaugurated – the ‘Stone of Scone’ or ‘Stone of Destiny’, as it came to be called.

The origin myth of ‘the Scots’

Your identity, both as an individual and as part of a nation, is crucially determined by where you believe you come from – what your origins are, in effect. There comes a time in the growth of any country when it is both politic and imperative to have a respectable pedigree as a nation. And if you don’t know it, you invent it.

But how and when, in the case of Scotland, was it done? On what basis was this embryonic origin myth manufactured? Dauvit Brown, a lecturer in Scottish History at the University of Glasgow, has made an exhaustive study of early medieval written sources:

The earliest surviving text which propounds the idea, in all seriousness, of Scotland being two thousand years old was written during the 1290s, during the ill-fated reign of John Balliol [see Chapter 9]. It is basically a king-list, but it also includes an account of Scottish origins, explaining that the original Scots were descended from Gaedel Glas and Scota, and came from Egypt and eventually ended up in Scotland. The length of reigns in the king-list, we are told, added up to 1,976 years to the coronation of John Balliol in 1292.

The way it was achieved was by an ingenious and simple use of the available material. There was a list of kings from Kenneth mac Alpin. There was also a list of about thirty kings from Fergus Mór mac Eirc, the alleged founder of the ‘Scottish’ colony of Dalriada around the year 500. There was also a list of sixty-five-plus Pictish kings. All this material was stitched together and presented as if it were a single series of kings, which totalled 113 (once you had included Robert Bruce).

It is noticeable that this text, elaborating in this rudimentary way the idea that Scotland was an ancient kingdom, was written when Edward I [of England] was knocking on Scotland’s door with a vengeance. This Irish identity gave the kingship of Scotland the authenticity of age which medieval institutions required, through a royal genealogy stretching all the way back to Noah via the Irish king-lists.

Any desire to express Scottish identity as a form of ethnicity has an inherent weakness: there is not any one set of ‘people’ who form the backbone of a group which can be identified as modern Scots. Even in the tenth century this was so, and notions of Scottish ethnicity had to be carefully blended into a constructed notion of Scottish nationality. In the twentieth century, too, the range of peoples and cultures one might mix together when trying to construct a notion of Scottish national identity or national characteristics is as broad as ever. But the one culture still in existence today in Scotland, and the one with the longest track record, is that of the Gaels, who have the strongest claim to being the indigenous people of Scotland.

And that raises a puzzle concerning Walter Scott’s Tales of a Grandfather: the Celts, these Irish progenitors, were given no mention at all in the opening chapter, and very little mention, indeed, throughout the whole book. Why? Alex Woolf, lecturer in Scottish and Celtic History at Edinburgh University, says: