"All ready, now!" exclaimed Knuckles, impatiently. "We're all as harmless as doves. Let 'er go, Dan'l!"
The old man was just then assisting Uncle John to lift Myrtle to the top of the table, where the Major had placed a chair for her. Knuckles growled, but waited until the girl was seated near the window. Then Dan'l drew his bow and struck up a spirited march. Patsy took the arm of Knuckles and paraded down the long room. Beth followed with Tobey, and behind them tramped the remittance men in files of two. At the far end were grouped the servants, looking curiously upon the scene, which was lighted by lamps swung from the ceiling and a row of candles upon the edge of the mantelshelf.
To carry out the idea of a grand march Patsy drew her escort here and there by sharp turns and half circles, the others trailing behind like a huge snake until she had passed down the length of the room and started to return up the other side to the starting point. So engrossed had been the cowboys that they did not observe the Major and Uncle John clamber upon the table and stand beside Myrtle.
The procession was half way up the hall on its return when Patsy said abruptly: "Now, Beth!" and darted away from her partner's side and toward the table. Beth followed like a streak, being an excellent runner, and for a moment Knuckles and Tobey, thus deserted by their partners, stopped to watch them in amazement. Then their comrades bumped into them and recalled them to their senses.
By that time the two girls had reached the table and leaped upon it. Uncle John was waving his handkerchief from the window as a signal to Wampus; Dan'l had laid aside his fiddle and seized a revolver in either hand, and the Major had caught up two more of the discarded weapons.
As Beth and Patsy turned, panting, and from their elevation looked up the room, the cowboys gave a bellow of rage and rushed forward.
"Keep back!" shouted the Major, in stentorian tones, "I'll shoot the first man that interferes."
Noting the grim determination in the old soldier's eye, they hesitated and came to a halt.
"What do you mean by this infernal nonsense?" cried Tobey, in disgust.
"Why, it's just checkmate, and the game is up," replied Uncle John amiably. "We've decided not to hold the proposed dance, but to take our departure at once."
He turned and passed Myrtle out of the window where Wampus took her in his arms, crutches and all, and carried her to the automobile. The remittance men, unarmed and confronted by their own revolvers, stood gaping open-mouthed and seemingly dazed.
"Let's rush 'em, boys!" shouted Handsome Tim, defiantly.
"Rush 'em alone, if you like," growled Knuckles. "I'm not ready for the graveyard yet."
"You are vot iss called cowardices," said Dan'l, flourishing the revolvers he held. "Come on mit der courage, somebotty, so I can shoot holes in you."
"You're building your own coffin just now, Dan'l," retorted Tobey, in baffled rage. "We know where to get you, old boy, and we'll have revenge for this night's work."
"I vill take some popguns home mit me," was the composed reply. "Den, ven you come, I vill make a receptioning for you. Eh?"
Uncle John, Patsy and Beth had followed Myrtle through the window and disappeared.
"Now, sir," said the Major to the old fiddler, "make your escape while
I hold them at bay."
"Nod yet," replied Dan'l. "Ve must gif ourselves de most protectionment ve can."
With this he gathered up the firearms, one by one, and tossed them through the window. Then he straightened up and a shot flashed down the hall and tumbled the big Mexican guard to the floor just as he was about to glide through the doorway.
"Dit ve say shtand still, or dit ve nod say shtand still?" asked Dan'l, sternly. "If somebody gets hurt, it iss because he don'd obey de orderations."
"Go, sir!" commanded the Major.
"I vill; bud I go last," declared the old man. "I follow you – see? Bud you take my violin, please – unt be very tender of id, like id vas your sveetheardt."
The Major took the violin and climbed through the window, proceeding to join the others, who were by now seated in the car. When he had gone Dan'l prepared to follow, first backing toward the window and then turning to make an agile leap to the ground below. And now with a shout the cowboys made their rush, only to halt as Dan'l reappeared at the window, covering them again with his revolvers.
"So, you defils – make a listen to me," he called. "I am experiencing a goot-bye to you, who are jackals unt imitation men unt haf no goot right to be alive. Also if I see any of you de next time, I vill shoot first unt apologise at der funeral. I haf no more monkey business mit you voteffer; so keep vere you are until I am gone, unt you vill be safeness."
He slowly backed away from the window, and so thoroughly cowed was the group of ruffians that the old fiddler had been lifted hastily into the automobile before the cowboys mustered courage to leap through the window and search in the darkness for their revolvers, which lay scattered widely upon the ground.
Wampus, chuckling gleefully, jerked the hoods off his glaring searchlights, sprang to his seat and started the machine down the road before the crack of a single revolver was heard in protest. The shots came thicker after that, but now the automobile was bowling merrily along the road and soon was out of range.
"De road iss exceptionalment goot," remarked Dan'l. "Dere iss no dangerousness from here to der rifer."
"Danger?" said the chauffeur, scornfully. "Who cares for danger? I am
Wampus, an' I am here!"
"We are all here," said Patsy, contentedly nestling against the cushions; "and I'm free to confess that I'm mighty glad of it!"
CHAPTER XV
THE ROMANCE OF DAN'L
It did not take them very long to reach the river, a muddy little stream set below high banks. By Dan'l's direction they turned to the left and followed the wind of the river for a mile or so until suddenly out of the darkness loomed a quaint little bungalow which the old German claimed to be his home.
"I haf architectured it mineself, unt make it built as I like it. You vill come in unt shtop der night mit me," he said, as Wampus halted the machine before the door.
There was a little murmur of protest at this, for the house appeared to be scarcely bigger than the automobile. But Uncle John pointed out, sensibly enough, that they ought not to undertake an unknown road at nighttime, and that Spotville, the town for which they were headed, was still a long way off. The Major, moreover, had a vivid recollection of his last night's bed upon the roof of the limousine, where he had crept to escape rattlesnakes, and was in no mood to again camp out in the open while they traveled in Arizona. So he advocated accepting Dan'l's invitation. The girls, curious to know how so many could be accommodated in the bungalow, withdrew all further objections and stood upon the low, pergola-roofed porch while their host went inside to light the lamps.
They were really surprised at the cosy aspect of the place. Half the one-story dwelling was devoted to a living room, furnished simply but with modest taste. A big square table was littered with music, much being in manuscript – thus proving Dan'l's assertion that he was a composer. Benches were as numerous as chairs, and all were well-cushioned with tanned skins as coverings. A few good prints were on the walls and the aspect of the place was entirely agreeable to the old man's guests.
As the room was somewhat chilly he made a fire in the ample fireplace and then with an air of pride exhibited to his visitors his tiny kitchen, his own bedroom and a storeroom, which occupied the remainder of the space in the bungalow. He told them he would prepare beds in the living room for the girls, give his own room to Mr. Merrick and Major Doyle, while he and Wampus would bunk in the storeroom.
"I haf much blankets," he said; "dere vill be no troubles to keep varm."
Afterward they sat before the fire and by the dim lights of the kerosene lamps chatted together of the day's adventures.
Uncle John asked Dan'l what had brought him to this deserted, out-of-the-way spot, and the old man told his story in a manner that amused them all greatly.
"I haf been," said he, "much famous in my time, unt had a individualness pointed out whereeffer I went. I vas orchestra leader at the Theater Royal in Stuttgart, unt our king haf complimented me many times. But I vas foolish. I vas foolish enough to think that ven a man iss great he can stay great. I married me to a clefer prima donna, unt composed a great opera, which vas finer as anything Herr Wagner has efer done. Eh? But dere vas jealousness at work to opposition me. Von day ven my fine opera vas all complete I vent to the theater to lead mine orchestra. To my surprisement der Herr Director tells me I can retire on a pension; I am too old unt he has hired a younger man, who iss Herr Gabert. I go home bewildered unt mishappy, to find that Herr Gabert has stole the score of mine opera unt run avay mit mine vife. Vot I can do? Nothing. Herr Gabert he lead my orchestra tint all der people applauds him. I am forgot. One day I see our king compliment Herr Gabert. He produces my opera unt say he compositioned it. Eferybody iss crazy aboud id, unt crown Herr Gabert mit flowers. My vife sings in der opera. The people cheer her unt she rides avay mit Herr Gabert in his carriage to a grand supper mit der nobility unt der Herr Director.
"I go home unt say: 'Who am I?' I answer: 'Nobody!' Am I now great? No; I am a speck. Vot can I do? Veil, I go avay. I haf some money – a leedle. I come to America. I do not like crowds any more. I like to be alone mit my violin. I find dis place; I build dis house; I lif here unt make happiness. My only neighbors are de remittance men, who iss more mischiefing as wicked. Dey vill nod bother me much. So after a time I die here. Vy nod? I am forgot in Stuttgart."
There was pathos in the tale and his way of telling it. The old man spoke cheerfully, but they could see before them the tragedy depicted by his simple words. His hearers were all silent when he had concluded, feeling they could say nothing to console him or lighten his burden. Only Wampus, sitting in the background, looked scornfully upon the man who had once been the idol of his townspeople.
Dan'l took a violin from a shelf and began to play, softly but with masterly execution. He caught their mood instantly. The harmony was restful and contented. Patsy turned down the lamps, to let the flicker of the firelight dominate the room, and Dan'l understood and blended the flickering light into his melody.
For a long time he continued to improvise, in a way that fairly captivated his hearers, despite their varied temperaments, and made them wonder at his skill. Then without warning he changed to a stirring, martial air that filled the room with its rich, resonant tones. There was a fugue, a wonderful finale, and while the concluding notes rang in their ears the old man laid his violin in his lap, leaned back against his cushions and heaved a deep sigh.
They forebore disturbing him for a while. How strange it seemed that this really talented musician should be banished to a wilderness while still possessing power to stir the souls of men with his marvelous execution. Truly he was a "maestro," as he had said; a genius whose star had risen, flashed across the sky and suddenly faded, leaving his future a blank.
Wampus moved uneasily in his chair.
"I like to know something," he remarked.