The Pink Fairy Book

Years flew by, and every morning Uraschimataro sailed his boat into the deep sea. But one day as he was making for a little bay between some rocks, there arose a fierce whirlwind, which shattered his boat to pieces, and she was sucked under by the waves. Uraschimataro himself very nearly shared the same fate. But he was a powerful swimmer, and struggled hard to reach the shore. Then he saw a large turtle coming towards him, and above the howling of the storm he heard what it said: ‘I am the turtle whose life you once saved. I will now pay my debt and show my gratitude. The land is still far distant, and without my help you would never get there. Climb on my back, and I will take you where you will.’ Uraschimataro did not wait to be asked twice, and thankfully accepted his friend’s help. But scarcely was he seated firmly on the shell, when the turtle proposed that they should not return to the shore at once, but go under the sea, and look at some of the wonders that lay hidden there.

Uraschimataro agreed willingly, and in another moment they were deep, deep down, with fathoms of blue water above their heads. Oh, how quickly they darted through the still, warm sea! The young man held tight, and marvelled where they were going and how long they were to travel, but for three days they rushed on, till at last the turtle stopped before a splendid palace, shining with gold and silver, crystal and precious stones, and decked here and there with branches of pale pink coral and glittering pearls. But if Uraschimataro was astonished at the beauty of the outside, he was struck dumb at the sight of the hall within, which was lighted by the blaze of fish scales.

‘Where have you brought me?’ he asked his guide in a low voice.

‘To the palace of Ringu, the house of the sea god, whose subjects we all are,’ answered the turtle. ‘I am the first waiting maid of his daughter, the lovely princess Otohime, whom you will shortly see.’

Uraschimataro was still so puzzled with the adventures that had befallen him, that he waited in a dazed condition for what would happen next. But the turtle, who had talked so much of him to the princess that she had expressed a wish to see him, went at once to make known his arrival. And directly the princess beheld him her heart was set on him, and she begged him to stay with her, and in return promised that he should never grow old, neither should his beauty fade. ‘Is not that reward enough?’ she asked, smiling, looking all the while as fair as the sun itself. And Uraschimataro said ‘Yes,’ and so he stayed there. For how long? That he only knew later.

His life passed by, and each hour seemed happier than the last, when one day there rushed over him a terrible longing to see his parents. He fought against it hard, knowing how it would grieve the princess, but it grew on him stronger and stronger, till at length he became so sad that the princess inquired what was wrong. Then he told her of the longing he had to visit his old home, and that he must see his parents once more. The princess was almost frozen with horror, and implored him to stay with her, or something dreadful would be sure to happen. ‘You will never come back, and we shall meet again no more,’ she moaned bitterly. But Uraschimataro stood firm and repeated, ‘Only this once will I leave you, and then will I return to your side for ever.’ Sadly the princess shook her head, but she answered slowly, ‘One way there is to bring you safely back, but I fear you will never agree to the conditions of the bargain.’

‘I will do anything that will bring me back to you,’ exclaimed Uraschimataro, looking at her tenderly, but the princess was silent: she knew too well that when he left her she would see his face no more. Then she took from a shelf a tiny golden box, and gave it to Uraschimataro, praying him to keep it carefully, and above all things never to open it. ‘If you can do this,’ she said as she bade him farewell, ‘your friend the turtle will meet you at the shore, and will carry you back to me.’

Uraschimataro thanked her from his heart, and swore solemnly to do her bidding. He hid the box safely in his garments, seated himself on the back of the turtle, and vanished in the ocean path, waving his hand to the princess. Three days and three nights they swam through the sea, and at length Uraschimataro arrived at the beach which lay before his old home. The turtle bade him farewell, and was gone in a moment.

Uraschimataro drew near to the village with quick and joyful steps. He saw the smoke curling through the roof, and the thatch where green plants had thickly sprouted. He heard the children shouting and calling, and from a window that he passed came the twang of the koto, and everything seemed to cry a welcome for his return. Yet suddenly he felt a pang at his heart as he wandered down the street. After all, everything was changed. Neither men nor houses were those he once knew. Quickly he saw his old home; yes, it was still there, but it had a strange look. Anxiously he knocked at the door, and asked the woman who opened it after his parents. But she did not know their names, and could give him no news of them.

Still more disturbed, he rushed to the burying ground, the only place that could tell him what he wished to know. Here at any rate he would find out what it all meant. And he was right. In a moment he stood before the grave of his parents, and the date written on the stone was almost exactly the date when they had lost their son, and he had forsaken them for the Daughter of the Sea. And so he found that since he had deft his home, three hundred years had passed by.

Shuddering with horror at his discovery he turned back into the village street, hoping to meet some one who could tell him of the days of old. But when the man spoke, he knew he was not dreaming, though he felt as if he had lost his senses.

In despair he bethought him of the box which was the gift of the princess. Perhaps after all this dreadful thing was not true. He might be the victim of some enchanter’s spell, and in his hand lay the counter-charm. Almost unconsciously he opened it, and a purple vapour came pouring out. He held the empty box in his hand, and as he looked he saw that the fresh hand of youth had grown suddenly shrivelled, like the hand of an old, old man. He ran to the brook, which flowed in a clear stream down from the mountain. and saw himself reflected as in a mirror. It was the face of a mummy which looked back at him. Wounded to death, he crept back through the village, and no man knew the old, old man to be the strong handsome youth who had run down the street an hour before. So he toiled wearily back, till he reached the shore, and here he sat sadly on a rock, and called loudly on the turtle. But she never came back any more, but instead, death came soon, and set him free. But before that happened, the people who saw him sitting lonely on the shore had heard his story, and when their children were restless they used to tell them of the good son who from love to his parents had given up for their sakes the splendour and wonders of the palace in the sea, and the most beautiful woman in the world besides.

The Slaying of the Tanuki

From the Japanische Murchen und Sagen

Near a big river, and between two high mountains, a man and his wife lived in a cottage a long, long time ago. A dense forest lay all round the cottage, and there was hardly a path or a tree in the whole wood that was not familiar to the peasant from his boyhood. In one of his wanderings he had made friends with a hare, and many an hour the two passed together, when the man was resting by the roadside, eating his dinner.

Now this strange friendship was observed by the Tanuki, a wicked, quarrelsome beast, who hated the peasant, and was never tired of doing him an ill turn. Again and again he had crept to the hut, and finding some choice morsel put away for the little hare, had either eaten it if he thought it nice, or trampled it to pieces so that no one else should get it, and at last the peasant lost patience, and made up his mind he would have the Tanuki’s blood.

So for many days the man lay hidden, waiting for the Tanuki to come by, and when one morning he marched up the road thinking of nothing but the dinner he was going to steal, the peasant threw himself upon him and bound his four legs tightly, so that he could not move. Then he dragged his enemy joyfully to the house, feeling that at length he had got the better of the mischievous beast which had done him so many ill turns. ‘He shall pay for them with his skin,’ he said to his wife. ‘We will first kill him, and then cook him.’ So saying, he hanged the Tanuki, head downwards, to a beam, and went out to gather wood for a fire.

Meanwhile the old woman was standing at the mortar pounding the rise that was to serve them for the week with a pestle that made her arms ache with its weight. Suddenly she heard something whining and weeping in the corner, and, stopping her work, she looked round to see what it was. That was all that the rascal wanted, and he put on directly his most humble air, and begged the woman in his softest voice to loosen his bonds, which her hurting him sorely. She was filled with pity for him, but did not dare to set him free, as she knew that her husband would be very angry. The Tanuki, however, did not despair, and seeing that her heart was softened, began his prayers anew. ‘He only asked to have his bonds taken from him,’ he said. ‘He would give his word not to attempt to escape, and if he was once set free he could soon pound her rice for her.’ ‘Then you can have a little rest,’ he went on, ‘for rice pounding is very tiring work, and not at all fit for weak women.’ These last words melted the good woman completely, and she unfastened the bonds that held him. Poor foolish creature! In one moment the Tanuki had seized her, stripped off all her clothes, and popped her in the mortar. In a few minutes more she was pounded as fine as the rice; and not content with that, the Tanuki placed a pot on the hearth and made ready to cook the peasant a dinner from the flesh of his own wife!

When everything was complete he looked out of the door, and saw the old man coming from the forest carrying a large bundle of wood. Quick as lightning the Tanuki not only put on the woman’s clothes, but, as he was a magician, assumed her form as well. Then he took the wood, kindled the fire, and very soon set a large dinner before the old man, who was very hungry, and had forgotten for the moment all about his enemy. But when the Tanuki saw that he had eaten his fill and would be thinking about his prisoner, he hastily shook off the clothes behind a door and took his own shape. Then he said to the peasant, ‘You are a nice sort of person to seize animals and to talk of killing them! You are caught in your own net. It is your own wife that you have eaten, and if you want to find her bones you have only to look under the floor.’ With these words he turned and made for the forest.

The old peasant grew cold with horror as he listened, and seemed frozen to the place where he stood. When he had recovered himself a little, he collected the bones of his dead wife, buried them in the garden, and swore over the grave to be avenged on the Tanuki. After everything was done he sat himself down in his lonely cottage and wept bitterly, and the bitterest thought of all was that he would never be able to forget that he had eaten his own wife.

While he was thus weeping and wailing his friend the hare passed by, and, hearing the noise, pricked up his ears and soon recognised the old man’s voice. He wondered what had happened, and put his head in at the door and asked if anything was the matter. With tears and groans the peasant told him the whole dreadful story, and the hare, filled with anger and compassion, comforted him as best he could, and promised to help him in his revenge. ‘The false knave shall not go unpunished,’ said he.

So the first thing he did was to search the house for materials to make an ointment, which he sprinkled plentifully with pepper and then put in his pocket. Next he took a hatchet, bade farewell to the old man, and departed to the forest. He bent his steps to the dwelling of the Tanuki and knocked at the door. The Tanuki, who had no cause to suspect the hare, was greatly pleased to see him, for he noticed the hatchet at once, and began to lay plots how to get hold of it.

To do this he thought he had better offer to accompany the hare, which was exactly what the hare wished and expected, for he knew all the Tanuki’s cunning, and understood his little ways. So he accepted the rascal’s company with joy, and made himself very pleasant as they strolled along. When they were wandering in this manner through the forest the hare carelessly raised his hatchet in passing, and cut down some thick boughs that were hanging over the path, but at length, after cutting down a good big tree, which cost him many hard blows, he declared that it was too heavy for him to carry home, and he must just leave it where it was. This delighted the greedy Tanuki, who said that they would be no weight for him, so they collected the large branches, which the hare bound tightly on his back. Then he trotted gaily to the house, the hare following after with his lighter bundle.

By this time the hare had decided what he would do, and as soon as they arrived, he quietly set on fire the wood on the back of the Tanuki. The Tanuki, who was busy with something else, observed nothing, and only called out to ask what was the meaning of the crackling that he heard. ‘It is just the rattle of the stones which are rolling down the side of the mountain,’ the hare said; and the Tanuki was content, and made no further remarks, never noticing that the noise really sprang from the burning boughs on his back, until his fur was in flames, and it was almost too late to put it out. Shrieking with pain, he let fall the burning wood from his back, and stamped and howled with agony. But the hare comforted him, and told him that he always carried with him an excellent plaster in case of need, which would bring him instant relief, and taking out his ointment he spread it on a leaf of bamboo, and laid it on the wound. No sooner did it touch him than the Tanuki leapt yelling into the air, and the hare laughed, and ran to tell his friend the peasant what a trick he had played on their enemy. But the old man shook his head sadly, for he knew that the villain was only crushed for the moment, and that he would shortly be revenging himself upon them. No, the only way every to get any peace and quiet was to render the Tanuki harmless for ever. Long did the old man and the hare puzzle together how this was to be done, and at last they decided that they would make two boats, a small one of wood and a large one of clay. Then they fell to work at once, and when the boats were ready and properly painted, the hare went to the Tanuki, who was still very ill, and invited him to a great fish-catching. The Tanuki was still feeling angry with the hare about the trick he had played him, but he was weak and very hungry, so he gladly accepted the proposal, and accompanied the hare to the bank of the river, where the two boats were moored, rocked by the waves. They both looked exactly alike, and the Tanuki only saw that one was bigger than the other, and would hold more fish, so he sprang into the large one, while the hare climbed into the one which was made of wood. They loosened their moorings, and made for the middle of the stream, and when they were at some distance from the bank, the hare took his oar, and struck such a heavy blow at the other boat, that it broke in two. The Tanuki fell straight into the water, and was held there by the hare till he was quite dead. Then he put the body in his boat and rowed to land, and told the old man that his enemy was dead at last. And the old man rejoiced that his wife was avenged, and he took the hare into his house, and they lived together all their days in peace and quietness upon the mountain.

The Flying Trunk

Translated from the German of Hans Andersen

There was once a merchant who was so rich that he could have paved the whole street, and perhaps even a little side-street besides, with silver. But he did not do that; he knew another way of spending his money. If he spent a shilling he got back a florin-such an excellent merchant he was till he died.

Now his son inherited all this money. He lived very merrily; he went every night to the theatre, made paper kites out of five-pound notes, and played ducks and drakes with sovereigns instead of stones. In this way the money was likely to come soon to an end, and so it did.

At last he had nothing left but four shillings, and he had no clothes except a pair of slippers and an old dressing-gown.

His friends did not trouble themselves any more about him; they would not even walk down the street with him.

But one of them who was rather good-natured sent him an old trunk with the message, ‘Pack up!” That was all very well, but he had nothing to pack up, so he got into the trunk himself.

It was an enchanted trunk, for as soon as the lock was pressed it could fly. He pressed it, and away he flew in it up the chimney, high into the clouds, further and further away. But whenever the bottom gave a little creak he was in terror lest the trunk should go to pieces, for then he would have turned a dreadful somersault-just think of it!

In this way he arrived at the land of the Turks. He hid the trunk in a wood under some dry leaves, and then walked into the town. He could do that quite well, for all the Turks were dressed just as he was-in a dressing-gown and slippers.

He met a nurse with a little child.

‘Halloa! you Turkish nurse,’ said he, ‘what is that great castle there close to the town? The one with the windows so high up?’

‘The sultan’s daughter lives there,’ she replied. ‘It is prophesied that she will be very unlucky in her husband, and so no one is allowed to see her except when the sultan and sultana are by.’

‘Thank you,’ said the merchant’s son, and he went into the wood, sat himself in his trunk, flew on to the roof, and crept through the window into the princess’s room.

She was lying on the sofa asleep, and was so beautiful that the young merchant had to kiss her. Then she woke up and was very much frightened, but he said he was a Turkish god who had come through the air to see her, and that pleased her very much.

They sat close to each other, and he told her a story about her eyes. They were beautiful dark lakes in which her thoughts swam about like mermaids. And her forehead was a snowy mountain, grand and shining. These were lovely stories.

Then he asked the princess to marry him, and she said yes at once.

‘But you must come here on Saturday,’ she said, ‘for then the sultan and the sultana are coming to tea with me. They will be indeed proud that I receive the god of the Turks. But mind you have a really good story ready, for my parents like them immensely. My mother likes something rather moral and high-flown, and my father likes something merry to make him laugh.’

‘Yes, I shall only bring a fairy story for my dowry,’ said he, and so they parted. But the princess gave him a sabre set with gold pieces which he could use.

Then he flew away, bought himself a new dressing-gown, and sat down in the wood and began to make up a story, for it had to be ready by Saturday, and that was no easy matter.

When he had it ready it was Saturday.

The sultan, the sultana, and the whole court were at tea with the princess.

He was most graciously received.

‘Will you tell us a story?’ said the sultana; ‘one that is thoughtful and instructive?’

‘But something that we can laugh at,’ said the sultan.

‘Oh, certainly,’ he replied, and began: ‘Now, listen attentively. There was once a box of matches which lay between a tinder-box and an old iron pot, and they told the story of their youth.

‘“We used to be on the green fir-boughs. Every morning and evening we had diamond-tea, which was the dew, and the whole day long we had sunshine, and the little birds used to tell us stories. We were very rich, because the other trees only dressed in summer, but we had green dresses in summer and in winter. Then the woodcutter came, and our family was split up. We have now the task of making light for the lowest people. That is why we grand people are in the kitchen.”