The Mark Of Cain

Before the men in blue, the crowd of necessity opened. One of the officers stooped down and flashed his lantern on the heap of snow where the dead face lay, as pale as its frozen pillow.

“Lord, it’s old Dicky Shields!” cried a voice in the crowd, as the peaked still features were lighted up.

The man who spoke was one of the latest spectators that had arrived, after the news that some pleasant entertainment was on foot had passed into the warm alcoholic air and within the swinging doors of the Hit or Miss.

“You know him, do you?” asked the policeman with the lantern.

“Know him, rather! Didn’t I give him sixpence for rum when he tattooed this here cross and anchor on my arm? Dicky was a grand hand at tattooing, bless you: he’d tattooed himself all over!”

The speaker rolled up his sleeve, and showed, on his burly red forearm, the emblems of Faith and Hope rather neatly executed in blue.

“Why, he was in the Hit or Miss,” the speaker went on, “no later nor last night.”

“Wot beats me,” said Tommy again, as the policeman lifted the light corpse, and tried vainly to straighten the frozen limbs, “Wot beats me is how he got in this here cart of ours.”

“He’s light enough surely,” added Tommy; “but I warrant we didn’t chuck him on the cart with the snow in Belgrave Square.”

“Where do you put up at night?” asked one of the policemen suddenly. He had been ruminating on the mystery.

“In the yard there, behind that there hoarding,” answered Tommy, pointing to a breached and battered palisade near the corner of the public-house.

At the back of this ricketty plank fence, with its particolored tatters of damp and torn advertisements, lay a considerable space of waste ground. The old houses that recently occupied the site had been pulled down, probably as condemned “slums,” in some moment of reform, when people had nothing better to think of than the housing of the poor.

There had been an idea of building model lodgings for tramps, with all the latest improvements, on the space, but the idea evaporated when something else occurred to divert the general interest. Now certain sheds, with roofs sloped against the nearest walls, formed a kind of lumber-room for the parish.

At this time the scavengers’ carts were housed in the sheds, or outside the sheds when these were overcrowded. Not far off were stables for the horses, and thus the waste ground was not left wholly unoccupied.

“Was this cart o’ yours under the sheds all night or in the open?” asked the policeman, with an air of penetration.

“Just outside the shed, worn’t it, Bill?” replied Tommy.

Bill said nothing, being a person disinclined to commit himself.

“If the cart was outside,” said the policeman, “then the thing’s plain enough. You started from there, didn’t you, with the cart in the afternoon?”

“Ay,” answered Tommy.

“And there was a little sprinkle o’ snow in the cart?”

“May be there wos. I don’t remember one way or the other.”

“Then you must be a stupid if you don’t see that this here cove,” pointing to the dead man, “got drinking too much last night, lost hisself, and wandered inside the hoarding, where he fell asleep in the cart.”

“Snow do make a fellow bloomin’ sleepy,” one of the crowd assented.

“Well, he never wakened no more, and the snow had covered over his body when you started with the cart, and him in it, unbeknown. He’s light enough to make no difference to the weight. Was it dark when you started?”

“One of them spells of fog was on; you could hardly see your hand,” grunted Tommy.

“Well, then, it’s as plain as – as the nose on your face,” said the policeman, without any sarcastic intentions. “That’s how it was.”

“Bravo, Bobby!” cried one of the crowd. “They should make you an inspector, and set you to run in them dynamiting Irish coves.”

The policeman was not displeased at this popular tribute to his shrewdness. Dignity forbade him, however, to acknowledge the compliment, and he contented himself with lifting the two handles of the stretcher which was next him. A covering was thrown over the face of the dead man, and the two policemen, with their burden, began to make their way northward to the hospital.

A small mob followed them, but soon dwindled into a tail of street boys and girls. These accompanied the body till it disappeared from their eyes within the hospital doors. Then they waited for half an hour or so, and at last seemed to evaporate into the fog.

By this time Tommy and his mate had unharnessed their horses and taken them to stable, the cart was housed (beneath the sheds this time), and Bill had so far succumbed to the genial influences of the occasion as to tear off his blue badge and follow Tommy into the Hit or Miss.

A few chance acquaintances, hospitable and curious, accompanied them, intent on providing with refreshments and plying with questions the heroes of so remarkable an adventure. It is true that they already knew all Tommy and Bill had to tell; but there is a pleasure, in moments of emotional agitation, in repeating at intervals the same questions, and making over and again the same profound remarks. The charm of these performances was sure to be particularly keen within the very walls where the dead man had probably taken his last convivial glass, and where some light was certain to be thrown, by the landlady or her customers, on the habits and history of poor Dicky Shields.

CHAPTER III. – An Academic Pothouse

The Hit or Miss tavern, to customers (rough customers, at least) who entered it on a foggy winter night, seemed merely a public by the river’s brim. Not being ravaged and parched by a thirst for the picturesque, Tommy and his mates failed to pause and observe the architectural peculiarities of the building. Even if they had been of a romantic and antiquarian turn, the fog was so thick that they could have seen little to admire, though there was plenty to be admired. The Hit or Miss was not more antique in its aspect than modern in its fortunes. Few public-houses, if any, boasted for their landlord such a person as Robert Maitland, M.A., Fellow of St. Gatien’s, in the University of Oxford.

It is, perhaps, desirable and even necessary to explain how this arrangement came into existence. We have already made acquaintance with “mine host” of the Hit or Miss, and found him to be by no means the rosy, genial Boniface of popular tradition. That a man like Maitland should be the lessee of a waterside tavern, like the Hit or Miss, was only one of the anomalies of this odd age of ours. An age of revivals, restorations, experiments – an age of dukes who are Socialists – an age which sees the East-end brawling in Pall Mall, and parties of West-end tourists personally conducted down Ratcliffe Highway – need not wonder at Maitland’s eccentric choice in philanthropy.

Maitland was an orphan, and rich. He had been an unpopular lonely boy at a public school, where he was known as a “sap,” or assiduous student, and was remarked for an almost unnatural indifference to cricket and rowing. At Oxford, as he had plenty of money, he had been rather less unpopular. His studies ultimately won him a Fellowship at St. Gatien’s, where his services as a tutor were not needed. Maitland now developed a great desire to improve his own culture by acquaintance with humanity, and to improve humanity by acquaintance with himself. This view of life and duty had been urged on him by his college “coach,” philosopher, and friend, Mr. Joseph Bielby. A man of some energy of character, Bielby had made Maitland leave his desultory reading and dull hospitalities at St. Gatien’s and betake himself to practical philanthropy.

“You tell me you don’t see much in life,” Bielby had said. “Throw yourself into the life of others, who have not much to live on.”

Maitland made a few practical experiments in philanthropy at Oxford. He once subsidized a number of glaziers out on strike, and thereon had his own windows broken by conservative undergraduates. He urged on the citizens the desirability of running a steam tramway for the people from the station to Cowley, through Worcester, John’s, Baliol, and Wadham Gardens and Magdalene. His signature headed a petition in favor of having three “devils,” or steam-whoopers, yelling in different quarters of the town between five and six o’clock every morning, that the artisans might be awakened in time for the labors of the day.

As Maitland’s schemes made more noise than progress at Oxford, Bielby urged him to come out of his Alma Mater and practise benevolence in town. He had a great scheme for building over Hyde Park, and creating a Palace of Art in Poplar with the rents of the new streets. While pushing this ingenious idea in the columns of the Daily Trumpet, Maitland looked out for some humbler field of personal usefulness. The happy notion of taking a philanthropic public-house occurred to him, and was acted upon at the first opportunity. Maitland calculated that in his own bar-room he could acquire an intimate knowledge of humanity in its least sophisticated aspects. He would sell good beer, instead of drugged and adulterated stuff He would raise the tone of his customers, while he would insensibly gain some of their exuberant vitality. He would shake off the prig (which he knew to be a strong element in his nature), and would, at the same time, encourage temperance by providing good malt liquor.

The scheme seemed feasible, and the next thing to do was to acquire a tavern. Now, Maitland had been in the Oxford movement just when æstheticism was fading out, like a lovely sun-stricken lily, while philanthropy and political economy and Mr. Henry George were coming in, like roaring lions. Thus in Maitland there survived a little of the old leaven of the student of Renaissance, a touch of the amateur of “impressions” and of antiquated furniture. He was always struggling against this “side,” as he called it, of his “culture,” and in his hours of reaction he was all for steam tramways, “devils,” and Kindergartens standing where they ought not. But there were moments when his old innocent craving for the picturesque got the upper hand; and in one of those moments Maitland had come across the chance of acquiring the lease of the Hit or Miss.

That ancient bridge-house pleased him, and he closed with his opportunity. The Hit or Miss was as attractive to an artistic as most public-houses are to a thirsty soul When the Embankment was made, the bridge-house had been one of a street of similar quaint and many-gabled old buildings that leaned up against each other for mutual support near the rivers edge. But the Embankment slowly brought civilization that way: the dirty rickety old houses were both condemned and demolished, till at last only the tavern remained, with hoardings and empty spaces, and a dust-yard round it.

The house stood at what had been a corner. The red-tiled roof was so high-pitched as to be almost perpendicular. The dormer windows of the attics were as picturesque as anything in Nuremberg. The side-walls were broken in their surface by little odd red-tiled roofs covering projecting casements, and the house was shored up and supported by huge wooden beams. You entered (supposing you to enter a public-house) by a low-browed door in front, if you passed in as ordinary customers did. At one corner was an odd little board, with the old-fashioned sign:

“Jack’s Bridge House.
“Hit or Miss– Luck’s All.”

But there was a side-door, reached by walking down a covered way, over which the strong oaken rafters (revealed by the unflaking of the plaster) lay bent and warped by years and the weight of the building. From this door you saw the side, or rather the back, which the house kept for its intimates; a side even more picturesque with red-tiled roofs and dormer windows than that which faced the street. The passage led down to a slum, and on the left hand, as you entered, lay the empty space and the dust-yard where the carts were sheltered in sheds, or left beneath the sky, behind the ruinous hoarding.

Within, the Hit or Miss looked cosey enough to persons entering out of the cold and dark. There was heat, light, and a bar-parlor with a wide old-fashioned chimney-place, provided with seats within the ingle. On these little benches did Tommy and his friends make haste to place themselves, comfortably disposed, and thawing rapidly, in a room within a room, as it were; for the big chimney-place was like a little chamber by itself. Not on an ordinary night could such a party have gained admittance to the bar-parlor, where Maitland himself was wont to appear, now and then, when he visited the tavern, and to produce by his mere presence, and without in the least intending it, an Early Closing Movement.

But to-night was no common night, and Mrs. Gullick, the widowed landlady, or rather manager, was as eager to hear all the story of the finding of poor Dicky Shields as any of the crowd outside had been. Again and again the narrative was repeated, till conjecture once more began to take the place of assertion.

“I wonder,” asked one of the men, “how old Dicky got the money for a boose?”

“The money, ay, and the chance,” said another. “That daughter of his – a nice-looking girl she is – kept poor Dicky pretty tight.”

“Didn’t let him get – ” the epigrammatist of the company was just beginning to put in, when the brilliant witticism he was about to utter burst at once on the intellect of all his friends.

“Didn’t let him get tight, you was a-goin’ to say, Tommy,” howled three or four at once, and there ensued a great noise of the slapping of thighs, followed by chuckles which exploded, at intervals, like crackers.