The notary did not understand.
He answered: "I don't know."
The painter began to jump about, cracking his fingers.
"Well, monseigneur, I have found out a way."
Then he went more calmly:
"Have you got five francs about you?"
M. Saval replied:
"Why, yes."
The artist said:
"Well! you'll go and buy for me five francs' worth of wax candles while I go and see the cooper."
And he pushed the notary in his evening coat into the street. At the end of five minutes, they had returned one of them with the wax candles, and the other with the hoop of a cask. Then Romantin plunged his hand into a cupboard, and drew forth twenty empty bottles, which he fixed in the form of a crown around the hoop.
He then came down, and went to borrow a ladder from the door-keeper, after having explained that he had obtained the favors of the old woman by painting the portrait of her cat exhibited on the easel.
When he mounted the ladder, he said to M. Saval:
"Are you active?"
The other, without understanding, answered:
"Why, yes."
"Well, you just climb up there, and fasten this chandelier for me to the ring of the ceiling. Then, you must put a wax candle in each bottle, and light it. I tell you I have a genius for lighting up. But off with your coat, damn it! You are just like a Jeames."
The door was opened brutally. A woman appeared, with her eyes flashing, and remained standing on the threshold.
Romantin gazed at her with a look of terror.
She waited some seconds, crossing her arms over her breast, and then, in a shrill, vibrating, exasperated voice, said:
"Ha! you sniveler, is this the way you leave me?"
Romantin made no reply. She went on:
"Ha! you scoundrel! You are again doing the swell, while you pack me off to the country. You'll soon see the way I'll settle your jollification. Yes, I'm going to receive your friends."
She grew warmer:
"I'm going to slap their faces with the bottles and the wax candles…"
Romantin uttered one soft word:
"Mathilde…"
But she did not pay any attention to him; she went on:
"Wait a little my fine fellow! wait a little!"
Romantin went over to her, and tried to take her by the hands:
"Mathilde…"
But she was now fairly under way; and on she went, emptying the vials of her wrath with strong words and reproaches. They flowed out of her mouth, like a stream sweeping a heap of filth along with it. The words hurled out, seemed struggling for exit. She stuttered, stammered, yelled, suddenly recovering her voice to cast forth an insult or a curse.
He seized her hands without her having even noticed it. She did not seem to see anything, so much occupied was she in holding forth and relieving her heart. And suddenly she began to weep. The tears flowed from her eyes without making her stem the tide of her complaints. But her words had taken a howling, shrieking tone; they were a continuous cry interrupted by sobbings. She commenced afresh twice or three times, till she stopped as if something were choking her, and at last she ceased with a regular flood of tears.
Then he clasped her in his arms and kissed her hair, affected himself.
"Mathilde, my little Mathilde, listen. You must be reasonable. You know, if I give a supper-party to my friends, it is to thank these gentlemen for the medal I got at the Salon. I cannot receive women. You ought to understand that. It is not the same with artists as with other people."
She stammered in the midst of her tears:
"Why didn't you tell me this?"
He replied:
"It was in order not to annoy you, not to give you pain. Listen, I'm going to see you home. You will be very sensible, very nice; you will remain quietly waiting for me in bed, and I'll come back as soon as it's over."
She murmured:
"Yes, but you will not begin over again?"
"No, I swear to you!"
He turned towards M. Saval, who had at last hooked on the chandelier:
"My dear friend, I am coming back in five minutes. If any one arrives in my absence, do the honors for me, will you not?"
And he carried off Mathilde, who kept drying her eyes with her handkerchief as she went along.
Left to himself, M. Saval succeeded in putting everything around him in order. Then he lighted the wax candles, and waited.
He waited for a quarter of an hour, half an hour, an hour. Romantin did not return. Then, suddenly, there was a dreadful noise on the stairs, a song shouted out in chorus by twenty mouths and a regular march like that of a Prussian regiment. The whole house was shaken by the steady tramp of feet. The door flew open, and a motley throng appeared – men and women in a row, holding one another arm in arm, in pairs, and kicking their heels on the ground, in proper time, advanced into the studio like a snake uncoiling itself. They howled:
"Come, and let us all be merry,
Pretty maids and soldiers gay!"
M. Saval, thunderstruck, remained standing in evening dress under the chandelier. The procession of revelers caught sight of him, and uttered a shout: