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The works of Guy de Maupassant, Volume 5

Год написания книги
2017
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"I promised the father, I must not break my promise."

Then he gave a push to the door of the house bearing the number 18, which stood ajar, discovered a gloomy-looking staircase, ascended three flights, perceived a door, then a second door, came upon the string of a bell, and pulled it. The ringing, which resounded in the apartment before which he stood, sent a shiver through his frame. The door was opened, and he found himself facing a young lady very well dressed, a brunette with a fresh complexion who gazed at him with eyes of astonishment.

He did not know what to say to her, and she who suspected nothing, and who was waiting for the other, did not invite him to come in. They stood looking thus at one another for nearly half-a-minute, at the end of which she said in a questioning tone:

"You have something to tell me Monsieur?" He falteringly replied:

"I am M. Hautot's son."

She gave a start, turned pale, and stammered out as If she had known him for a long time:

"Monsieur César?"

"Yes."

"And what next?"

"I have come to speak to you on the part of my father."

She articulated:

"Oh my God!"

She then drew back so that he might enter. He shut the door and followed her into the interior. Then he saw a little boy of four or five years playing with a cat, seated on a floor in front of a stove, from which rose the steam of dishes which were being kept hot.

"Take a seat," she said.

He sat down.

She asked:

"Well?"

He no longer ventured to speak, keeping his eyes fixed on the table which stood in the center of the room, with three covers laid on it, one of which was for a child. He glanced at the chair which had its back turned to the fire. They had been expecting him. That was his bread which he saw, and which he recognized near the fork, for the crust had been removed on account of Hautot's bad teeth. Then, raising his eyes, he noticed on the wall his father's portrait, the large photograph taken at Paris the year of the exhibition, the same as that which hung above the bed in the sleeping apartment at Ainville.

The young woman again asked:

"Well, Monsieur César?"

He kept staring at her. Her face was livid with anguish; and she waited, her hands trembling with fear.

Then he took courage.

"Well, Mam'zelle, papa died on Sunday last just after he had opened the shooting."

She was so much overwhelmed that she did not move. After a silence of a few seconds, she faltered in an almost inaudible tone:

"Oh! it is not possible!"

Then, on a sudden, tears showed themselves in her eyes, and covering her face with her hands, she burst out sobbing.

At that point the little boy turned round, and, seeing his mother weeping, began to howl. Then, realizing that this sudden trouble was brought about by the stranger, he rushed at César, caught hold of his breeches with one hand, and with the other hit him with all his strength on the thigh. And César remained agitated, deeply affected, with this woman mourning for his father at one side of him, and the little boy defending his mother at the other. He felt their emotion taking possession of himself, and his eyes were beginning to brim over with the same sorrow; so, to recover her self-command, he began to talk:

"Yes," he said, "the accident occurred on Sunday, at eight o'clock – ."

And he told, as if she were listening to him, all the facts without forgetting a single detail, mentioning the most trivial matters with the minuteness of a countryman. And the child still kept assailing him, making kicks at his ankles.

When he came to the time at which his father had spoken about her, her attention was caught by hearing her own name, and, uncovering her face she said:

"Pardon me! I was not following you; I would like to know – If you did not mind beginning over again."

He related everything at great length, with stoppages, breaks and reflections of his own from time to time. She listened to him eagerly now perceiving with a woman's keen sensibility all the sudden changes of fortune which his narrative indicated, and trembling with horror, every now and then, exclaiming:

"Oh, my God!"

The little fellow, believing that she had calmed down, ceased beating César, in order to catch his mother's hand, and he listened, too, as if he understood.

When the narrative was finished, young Hautot continued:

"Now we will settle matters together in accordance with his wishes."

"Listen: I am well off he has left me plenty of means. I don't want you to have anything to complain about – "

But she quickly interrupted him.

"Oh, Monsieur César, Monsieur César, not to-day. I am cut to the heart – another time – another day. No, not to-day. If I accept, listen! 'Tis not for myself – no, no, no, I swear to you. 'Tis for the child. Besides this provision will be put to his account."

Thereupon, César scared, divined the truth, and stammering:

"So then – 'tis his – the child?"

"Why, yes," she said.

And Hautot, Junior, gazed at his brother with a confused emotion, intense and painful.

After a lengthened silence, for she had begun to weep afresh, César, quite embarrassed, went on:

"Well, then, Mam'zelle Donet I am going. When would you wish to talk this over with me?"

She exclaimed:

"Oh! no, don't go! don't go. Don't leave me all alone with Emile. I would die of grief. I have no longer anyone, anyone but my child. Oh! what wretchedness, what wretchedness. Mousieur César! Stop! Sit down again. You will say something more to me. You will tell me what he was doing over there all the week."

And César resumed his seat, accustomed to obey.

She drew over another chair for herself in front of the stove, where the dishes had all this time been simmering, took Emile upon her knees, and asked César a thousand questions about his father with reference to matters of an intimate nature, which made him feel without reasoning on the subject, that she had loved Hautot with all the strength of her frail woman's heart.

And, by the natural concatenation of his ideas – which were rather limited in number – he recurred once more to the accident, and set about telling the story over again with all the same details.

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