Mankind in the Making

X. THOUGHT IN THE MODERN STATE

These speculations upon the possibilities and means of raising the average human result have brought us at last to the problem of increasing the amount of original intellectual activity in the state, as a culminating necessity. That average child who threads our speculations has been bred and fed, we now suppose, educated in school and college, put under stimulating political and social conditions and brought within reach and under the influence of the available literature of the time, and he is now emerging into adult responsibility. His individual thought and purpose has to swim in and become part of the general thought and purpose of the community. If that general flow of thought is meagre, his individual life will partake of its limitations. As the general thought rises out of its pools and narrow channels towards a wide flood, so each individual becomes more capable of free movements and spacious co-operations towards the general end. We have bred our citizen and trained him only to waste all his energy at last; he is no better than the water in an isolated dry-season pool in the bed of a tropical river, unless he can mingle in the end with the general sea of thought and action.

Thought is the life, the spontaneous flexibility of a community. A community that thinks freely and fully throughout its population is capable of a thousand things that are impossible in an unthinking mass of people. The latter, collectively considered, is a large rigid thing, a lifeless thing, that will break rather than bend, that will die rather than develop. Its inevitable end is dust and extinction. Look at the thing from the baser level of political conceptions, and still that floating tide of thought is a necessity. With thought and gathered knowledge things that mean tumult, bloodshed, undying hatreds, schisms and final disaster to uncivilized races, are accomplished in peace; constitutional changes, economic reorganizations, boundary modifications and a hundred grave matters. Thought is the solvent that will make a road for men through Alpine difficulties that seem now unconquerable, that will dissolve those gigantic rocks of custom and tradition that loom so forbiddingly athwart all our further plans. For three thousand years and more the Book has been becoming more and more the evident salvation of man. If our present civilization collapse, it will collapse as all previous civilizations have collapsed, not from want of will but from the want of organization for its will, for the want of that knowledge, that conviction, and that general understanding that would have kept pace with the continually more complicated problems that arose about it. [Footnote: Dr. Beattie Crozier, in his most interesting and suggestive History of Intellectual Development, terms the literary apparatus that holds a people together to a common purpose, the “Bible” of that people, and suggests that the “Bible” of a modern people should be the History of Civilization. His work expresses by very different phrases and methods a line of thought closely akin to the thesis of this paper.]

One writes “our present civilization” and of previous civilizations, but indeed no civilizations have yet really come into existence. Tribes have aggregated into nations, nations have aggregated into empires, and then, after a struggle, has come a great confusion of thought, a failure to clarify a common purpose, and disintegration. Each successive birth has developed a more abundant body of thought, a more copious literature than the last, each has profited by the legacy of the previous failure, but none have yet developed enough. Mankind has been struggling to win this step of a permanent civilized state, and has never yet attained any sort of permanency – unless perhaps in China. And that sole imperfect permanency was based primarily upon a literature. A literature is the triumphant instrument of the invincible culture of the Jews. Through the whole volume of history the thoughtful reader cannot but exclaim, again and again, “But if they had only understood one another, all this bloodshed, all this crash, disaster, and waste of generations could have been avoided!” Our time has come, and we of the European races are making our struggle in our turn. Slavery still fights a guerilla war in factory and farm, cruelty and violence peep from every slum, barbaric habits, rude barbaric ways of thinking, grossness and stupidity are still all about us. And yet in many ways we seem to have got nearer to the hope of permanent beginnings than any of those previous essays in civilization. Collectively we know a great deal more, and more of us are in touch with the general body of knowledge than was ever the case at any earlier stage. Assuredly we know enough to hope that we have passed the last of the Dark Ages. But though we hope, we deal with no certainties, and it is upon the broadening and increase of the flow of ideas that our hope depends.

At present this stream of thought and common understanding is not nearly so wide and deep as it might conceivably become, as it must become if indeed this present civilization is to be more than another false start. Our society [Footnote: Anticipations, Chapter III. Developing Social Elements.] has ceased to be homogeneous, and it has become a heterogeneous confusion without any secure common grounds of action, under the stress of its own material achievements. For the lack of a sufficient literature we specialize into inco-ordinated classes. A number of new social types are developing, ignorant of each other, ignorant almost of themselves, full of mutual suspicions and mutual misunderstandings, narrow, limited, and dangerously incapable of intelligent collective action in the face of crises. The medical man sees nothing beyond his profession; he misunderstands the artist, the divine, and the engineer. The engineer hates and despises the politician, the lawyer misses the aims of the medical man, the artist lives angrily in a stuffy little corner of pure technique; none of them read any general literature at all except perhaps a newspaper. Each thinks parochially in his own limits, and, except for his specialty, is an illiterate man. It is absolutely necessary to the progress of our civilization that these isolations should be overcome, that the community should become aware of itself collectively and should think as a whole. And the only thing that can overcome these isolations and put the mass of intelligent men upon a common basis of understanding, is an abundant and almost universally influential contemporary literature.

We have already discussed the possibility of developing the innervation of the state, the distribution of books, the stimulation and direction of reading, and all the peripheral aspects of literature, and we come now to the difficult and intricate problem of whether we can do anything, and what it is we may do, to stimulate the central thought. Can we hope to improve the conditions of literary production, to make our literature more varied, quintessential and abundant, to enforce it with honour and help, to attract to its service every man and woman with gifts of value, and to make the most of these gifts?

Quite a number of people will assert that those things that constitute literature come and go beyond the control and will of man, they will speak of Shakespeare as being a sort of mystical consequence, of Roger Bacon or Newton as men independent of circumstances, inevitably great. And if they are by way of being comic writers – the word “humorist,” as Schopenhauer long since pointed out, is a stolen lion’s skin for these gentry – they will become extremely facetious about the proposed school for Bacons and Shakespeares. But a little reflection will convince the reader that none of the great figures of the past appeared without certain conditions being added to their inherent powers. In the first place, they had to be reasonably sure of a sympathetic and intelligent atmosphere, however limited in extent – there was no Plato in the heroic age, and no Newton during the Heptarchy – and in the second, the medium, language or what not, had to be ready for their use. In the third place they needed personally a certain minimum of training and preparation, and in the fourth they had to feel that for some reason – not necessarily a worldly one – the thing was “worth while.” Given a “developer” of these ingredients, and they appeared. But without this developer they would not have appeared, and it is therefore reasonable to suppose, first, that a great number of men of a quality as rare as were those who constitute the unparalleled roll of English intellectual greatness, lived and died undeveloped before ever the developer was compounded at all, and that even in the last few hundred years the necessary combination has fallen upon so small an area of our racial life as to have missed far more than it has hit. The second of these papers is, indeed, an attempt to present quite convincingly what the comic man will probably regard as his effectual objection, that inherent tendency cannot be produced at will. But that the developer may conceivably be made in much greater quantities and spread much wider than it is at present is an altogether different thing. There are, one submits, enormous reserves of intellectual force unworked and scarcely touched, even to-day.

We have already discussed the means and possibilities of a net of education that should sweep through the whole social body, and of the creation of an atmosphere more alert and active than our present one. We have now to consider how the greatest proportion of those born with exceptional literary powers may be picked out and induced to exercise those powers to the utmost. Let us admit at once that this is a research of extraordinary subtlety and complexity, that there are ten thousand ways of going wrong, and perhaps mischievously wrong. That one may submit, is not a sufficient reason for abandonment and despair. To take an analogous case, it may be a complex and laborious thing to escape out of a bear-pit into which one has fallen, but few people will consider that a reason for inaction. Even if they had small hope of doing anything effectual they might find speculation and experiments in escape, a congenial way of passing the time. It is the sort of project one should only abandon at the final and conclusive proof of its impossibility. Exactly the same principle applies to human destinies and the saving of other lives than our own. As a matter of fact, the enterprise is not at all a hopeless one if it is undertaken honestly, warily, and boldly.

Let us consider the lines upon which men must go to ensure the greatest possible growth of original thought in the state, original thought of which what scientific men call Research is only one phase.

Before we can consider how we may endow him and equip him and help him, we have to consider how we may find the original thinker, and we have, if we can, to define him and to discover whatever we can of his methods and habits, his natural history as it were. We are attempting generalization about a class of remarkably peculiar and difficult persons. They are persons either of great intellectual power or simply of great imaginative power, whose bias and quality it is to apply these exceptional powers not directly and simply to their personal advancement and enrichment, but primarily through philosophical, scientific, or artistic channels, to the increase of knowledge or of wisdom or of both. And here is the peculiar point in this problem, they are men who put, or who wish to put the best of themselves and most of themselves into occupations and interests that do not lead to practical results, that often for the individual in open competition and the market fail more or less completely to “pay.” Their activities, of course, pay tremendously at last for the race, but that is not their personal point of application. They take their lives and their splendid powers, they waste themselves in remote and inaccessible regions and bring back precious things that immediately any sharp commercial-minded man will turn into current coin for himself and the use of the world.

There are certain things follow naturally from this remote concentration, and we must persistently keep them in mind. These men of exceptional mental quality, if they are really to do what they are specially fitted to do, with all their power, will be unable to give their personal affairs, their personal advancement, sustained attention. In a democratic community whose principle is “hustle,” in a leisurely monarchy where only opulence, a powerful top-note, and conspicuous social gifts succeed, they will have either to neglect or taint their special talent in order to survive. It does not follow that because a man’s special qualities and inclinations are towards, let us say, illuminating inquiries into the constitution of matter, or profound and beautiful or simply beautiful renderings of his individual vision of life, that he is indifferent to or independent of honour, of all the freedoms to do and to rest from doing that come with wealth, or of the many lures and pleasures of life. Posthumous Fame is losing its attractiveness in an age which has discovered excellent reasons for doubting whether after all ære perennius was not rather too strong a figure. However powerful the impulse to think, to state and create, there comes a point – often a point a long way from starvation – at which a genius will stop working. Your man of scientific, literary, or artistic genius will not work below his conception of the endurable minimum, the minimum of hope and honour and attention as well as of material things, any more than a coal-heaver will – and we live in a period when the Standard of Life tends to rise. To secure these things which most men make the entire objective of their lives is, or should be, an irrelevancy to the man of exceptional gifts. This means an enormous handicap for him. Unless, therefore, we endow him and make life easy for him so long as he does his proper work, he will have either to pervert his powers more or less completely to these irrelevant ends, or if his powers do not admit of such perversion, he will have no use for them whatever. He will take some subordinate place in the world as a rather less than average man and, it may be, find the leisure to give just an amateurish ineffectual expression of the thing he might have been.

Now this is the case with a great deal of scientific and artistic work, and with nearly all literature at the present time, throughout the English-speaking community. There are a few sciences slightly endowed, there are a few arts patronized with some intelligence and generosity, and for the rest there is nothing for it, for the man who wants to do these most necessary and vital things, but to hammer some at least of his precious gold into the semblance of a brass trumpet and to devote a certain proportion of his time and energy to blowing that trumpet and with that air of conscious modesty the public is pleased to consider genuine, proclaiming the value of his wares. Some men seem able to do this sort of thing without any deterioration in quality and some with only a partial deterioration, but the way of self-advertisement is on a slippery slope, and it has brought many a man of indisputable gifts to absolute vulgarity and ineffectiveness of thought and work. At the best it is a shameful business, this noise and display, for all that Scott and Dickens were past masters in the art. And some men cannot do it at all. Moreover, what the good man may do with an effort, the energetic quack, whose only gift is simulation, can do infinitely better. It is only in the unprofitable branches of intellectual work that the best now holds the best positions unchallenged. In the really popular branches of artistic work every honourable success draws a parasitic swarm of imitators like fish round bread in a pool. In the world of thought, far more than in the world of politics, the polling method, the democratic method has broken down, the method that will only permit an author to write – unless his subject is one that allows him to hold a Professorial Chair – on condition that he can get a publisher to induce the public to buy a certain minimum number of copies of each of his works, a method that will give him no rest, once he is in the full swing of “production,” until the end, no freedom to change his style or matter, lest he should lose that paying following by the transition or the pause.

Now before we can discuss how else we can deal with those who constitute the current thought of the community, we must consider how we are to distinguish what is worth sustaining from what is not.

This is the public aspect of Criticism. It is the mineralogy of literature and art. At present Criticism, as a public function, is discharged by private persons, usually anonymous and frequently mysterious, and it is discharged with an astonishing ineffectiveness. Nowhere in the whole English-speaking world is there anything one can compare to a voice and a judgment – much less any discussion between reputable voices. There are periodicals professing criticism, but most of them have the effect of an omnibus in which disconnected heterogeneous people are continually coming and going, while the conductor asks first one of his fluctuating load and then another haphazard for an opinion on this or that. The branch of literature that has first to be put on a sound footing is critical literature. The organization into efficiency of the criticism of contemporary work one is forced to believe an almost necessary preliminary to the hopeful treatment of the rest of the current of thought.

There is, of course, also the suggestion that an English Academy of Letters might be of great service in discounting vulgar “successes” and directing respect and attention to literary achievements. One may doubt whether such an Academy as a Royal Charter would give the world would be of any service at all in this connection. But Mr. Herbert Trench has suggested recently that it might be possible to organize a large Guild of literary men and women, which would include all capable writers, and from which a sort of Academy could be elected, either by a general poll or, I would suggest, by a Jury of Election or successive Juries confirming one another. The New Republican would like to see such a Guild not purely English, but Anglo-American, or in duplicate for the two countries. With a very carefully chosen nucleus and some little elaboration in the admission of new members – whose works might be submitted to the report of a critical jury – such a Guild might be made fairly representative of literary capacity. Election, one may suggest, should be involuntary. There would be a number of literary men, one fears – great men some of them – who would absolutely refuse to work with any such body, and from the first the Guild would have to determine to make such men unwilling members, members to whom all the honours and privileges of the Guild would be open whenever they chose to abandon their attitude of scorn or distrust. Such a Guild would furnish a useful constituency, a useful jury-list. It could be used to recommend writers for honours, to check the distribution of public pensions for literary services, perhaps even to send a member or so to the Upper Chamber. It is, at any rate, an experiment worth trying.

But such a Guild at best is only one of many possible expedients in this matter. Another is for a few people of means to subsidize a magazine for the exhaustive criticism of contemporary work for a few years. Quite a small number of people, serious in this matter, a couple of thousand or so, could float such a magazine by the simple expedient of guaranteeing subscriptions. [Footnote: It may be suggested that among other methods of putting the criticism of contemporary literature upon a better footing is one that might conceivably be made to pay its own expenses. There is so much room for endowments nowadays that where one can get at the purse of the general public one should certainly prefer it to that of the generous but overtaxed donor. The project would require a strong endowment, but that endowment might be of the nature of a guarantee fund, and might in the end return unimpaired to the lender. The suggestion is the establishment of a well-planned and reasonably cheap monthly or weekly critical magazine, written on a level at present unattainable – chiefly because of the low rate of payment for all literary criticism. There can be no doubt among those who read much among literary and quasi-literary periodicals in English that there is a very considerable amount of high critical ability available. Buried and obscured to an ineffectual degree among much that is formal, foolish, and venial, there is to be found to-day a really quite remarkable number of isolated reviews, criticisms and articles in which style is apparent, in which discrimination shines fitfully, in which there is the unmistakable note of honest enthusiasm for good work. For the most part, such criticism bears also the marks of haste – as, indeed, it must do when a review as long as the column of a daily paper, a day’s work, that is, of steady writing, earns scarcely a pound. But the stuff is there. Scarcely a number of the Academy, or the Spectator, scarcely a week of the Morning Post, the Daily News, or the Daily Chronicle, but there is a review, or a piece of a review, that has the stigmata of literature. And this suggestion is that some of these writers shall be got together, shall be paid at least as well as popular short-story writers are paid, shall each have a definite department marked out under a trustworthy editor, and be pledged to limit their work to the pages of this new critical magazine. Their work would be signed, and there they would be, conspicuously urged to do the best that was in them, apropos of more or less contemporary books and writers. They would have leisure for deliberate judgments, for the development of that consistency of thought which the condition of journalism renders so impossible. This review would mean for them status, reputation, and opportunity. They would deal with contemporary fiction, with contemporary speculative literature, and with the style, logic, methods and vocabulary of scientific and philosophical writers. Their work would form the mass of the magazine, but there would also be (highly paid) occasional writers, towards whose opinions the regular staff would very carefully define their attitude. The project, of course, in foolish hands, might be very foolishly misinterpreted. It might be quite easy to drive a team of egregious asses in this way over contemporary work, leaving nothing but hoof-marks and injuries, but we are assuming the thing to be efficiently done. It is submitted that such a magazine, patiently and generously sustained for a few years, would at last probably come to pay its way. Unless the original selection of the staff was badly done, it would by sheer persistent high quality win its way to authority with the reading public, and so fill its covers with a swelling mass of advertisement pages. And once it paid, then forthwith a dozen rivals would be in the field, all of them, of course, also paying highly for critical matter and competing for critics of standing. Such an enterprise would be a lever for criticism through the whole of our literary world.]

Then it should also be possible to endow university lectureships and readerships in contemporary criticism, lectureships and readerships in which questions of style and method could be illustrated by quotation (not necessarily of a flattering sort) from contemporary work. Why should there not be an endowment which would enable a man of indisputable critical capacity to talk through an illuminating course, to sit before a little pile of marked books and reading sometimes here and sometimes there and talking between, to distinguish the evil from the good? What a wholesome thing to have Mr. Henley, for example, at that in the place of some of the several specialists who will lecture you so admirably on the Troubadours! How good to hear Mr. Frederic Harrison (with some one to follow) adjusting all our living efforts to the scale of the divine Comte, and Mr. Walkley and Mr. Herbert Paul making it perfectly clear that a dead dog is better than a living lion, by demonstrations on the lion. Criticism to-day is all too much in the case of that doctor whose practice was deadly, indeed, but his post-mortems admirable! No doubt such lectures would consist at times of highly contentious matter, but what of that? There could be several chairs. It would not be an impossible thing to set a few Extension Lecturers afloat upon the same channel. We have now numerous courses of lectures on the Elizabethan Dramatists and the evolution of the Miracle Play, and the people who listen to this sort of thing will depart straight away to recreate their souls in the latest triumph of vehement bookselling. Why not base the literary education of people upon the literature they read instead of upon literature that they are scarcely more in touch with than with Chinese metaphysics? A few carefully chosen pages of contemporary rubbish, read with a running comment, a few carefully chosen pages of what is, comparatively, not rubbish, a little lucid discussion of effects and probabilities, would do more to quicken the literary sense of the average person than all the sham enthusiasm about Marlowe and Spenser that was ever concocted. There are not a few authors who would be greatly the better and might even be subsequently grateful for a lecture upon themselves in this style. Let no one say from this that the classics of our tongue are depreciated here. But the point is, that for people who know little of history, little of our language, whose only habitual reading is the newspaper, the popular novel, and the sixpenny magazine, to plunge into the study of works written in the language of a different period, crowded with obsolete allusions, and saturated with obsolete ideas and extinct ways of thinking, is pretentious and unprofitable, and that most of such Extension Lecturing is fruitless and absurd. And I appeal to these two facts in confirmation, to the thousands of people who every year listen to such lectures and to the hundreds of thousands of copies of our national classics sold by the booksellers, on the one hand, and on the other to the absolute incapacity of our public to judge any new literary thing or to protect itself in any way from violently and vulgarly boomed rubbish of the tawdriest description. Without a real and popular criticism of contemporary work as a preliminary and basis, the criticism and circulation of the classics is quite manifestly vain.