Robert Falconer

‘No, mem; but I’ll put in the fiddle at my ain window, and she sanna hae a chance o’ seein’ ‘t,’ answered Robert, not understanding her; for though he felt a good deal of pain, he had no idea what a dreadful appearance he presented.

‘Don’t you know that you have a wound on your head?’ asked Miss St. John.

‘Na! hev I?’ said Robert, putting up his hand. ‘But I maun gang—there’s nae help for ‘t,’ he added.—‘Gin I cud only win to my ain room ohn Betty seen me!—Eh! mem, I hae blaudit (spoiled) a’ yer bonny goon. That’s a sair vex.’

‘Never mind it,’ returned Miss St. John, smiling. ‘It is of no consequence. But you must come with me. I must see what I can do for your head. Poor boy!’

‘Eh, mem! but ye are kin’! Gin ye speik like that ye’ll gar me greit. Naebody ever spak’ to me like that afore. Maybe ye kent my mamma. Ye’re sae like her.’

This word mamma was the only remnant of her that lingered in his speech. Had she lived he would have spoken very differently. They were now walking towards the house.

‘No, I did not know your mamma. Is she dead?’

‘Lang syne, mem. And sae they tell me is yours.’

‘Yes; and my father too. Your father is alive, I hope?’

Robert made no answer. Miss St. John turned.

The boy had a strange look, and seemed struggling with something in his throat. She thought he was going to faint again, and hurried him into the drawing-room. Her aunt had not yet left her room, and her uncle was out.

‘Sit down,’ she said—so kindly—and Robert sat down on the edge of a chair. Then she left the room, but presently returned with a little brandy. ‘There,’ she said, offering the glass, ‘that will do you good.’

‘What is ‘t, mem?’

‘Brandy. There’s water in it, of course.’

‘I daurna touch ‘t. Grannie cudna bide me to touch ‘t,’

So determined was he, that Miss St. John was forced to yield. Perhaps she wondered that the boy who would deceive his grandmother about a violin should be so immovable in regarding her pleasure in the matter of a needful medicine. But in this fact I begin to see the very Falconer of my manhood’s worship.

‘Eh, mem! gin ye wad play something upo’ her,’ he resumed, pointing to the piano, which, although he had never seen one before, he at once recognized, by some hidden mental operation, as the source of the sweet sounds heard at the window, ‘it wad du me mair guid than a haill bottle o’ brandy, or whusky either.’

‘How do you know that?’ asked Miss St. John, proceeding to sponge the wound.

‘’Cause mony’s the time I hae stud oot there i’ the street, hearkenin’. Dooble Sanny says ‘at ye play jist as gin ye war my gran’father’s fiddle hersel’, turned into the bonniest cratur ever God made.’

‘How did you get such a terrible cut?’

She had removed the hair, and found that the injury was severe.

The boy was silent. She glanced round in his face. He was staring as if he saw nothing, heard nothing. She would try again.

‘Did you fall? Or how did you cut your head?’

‘Yes, yes, mem, I fell,’ he answered, hastily, with an air of relief, and possibly with some tone of gratitude for the suggestion of a true answer.

‘What made you fall?’

Utter silence again. She felt a kind of turn—I do not know another word to express what I mean: the boy must have fits, and either could not tell, or was ashamed to tell, what had befallen him. Thereafter she too was silent, and Robert thought she was offended. Possibly he felt a change in the touch of her fingers.

‘Mem, I wad like to tell ye,’ he said, ‘but I daurna.’

‘Oh! never mind,’ she returned kindly.

‘Wad ye promise nae to tell naebody?’

‘I don’t want to know,’ she answered, confirmed in her suspicion, and at the same time ashamed of the alteration of feeling which the discovery had occasioned.

An uncomfortable silence followed, broken by Robert.

‘Gin ye binna pleased wi’ me, mem,’ he said, ‘I canna bide ye to gang on wi’ siccan a job ‘s that.’

How Miss St. John could have understood him, I cannot think; but she did.

‘Oh! very well,’ she answered, smiling. ‘Just as you please. Perhaps you had better take this piece of plaster to Betty, and ask her to finish the dressing for you.’

Robert took the plaster mechanically, and, sick at heart and speechless, rose to go, forgetting even his bonny leddy in his grief.

‘You had better take your violin with you,’ said Miss St. John, urged to the cruel experiment by a strong desire to see what the strange boy would do.

He turned. The tears were streaming down his odd face. They went to her heart, and she was bitterly ashamed of herself.

‘Come along. Do sit down again. I only wanted to see what you would do. I am very sorry,’ she said, in a tone of kindness such as Robert had never imagined.

He sat down instantly, saying,

‘Eh, mem! it’s sair to bide;’ meaning, no doubt, the conflict between his inclination to tell her all, and his duty to be silent.

The dressing was soon finished, his hair combed down over it, and Robert looking once more respectable.

‘Now, I think that will do,’ said his nurse.

‘Eh, thank ye, mem!’ answered Robert, rising. ‘Whan I’m able to play upo’ the fiddle as weel ‘s ye play upo’ the piana, I’ll come and play at yer window ilka nicht, as lang ‘s ye like to hearken.’

She smiled, and he was satisfied. He did not dare again ask her to play to him. But she said of herself, ‘Now I will play something to you, if you like,’ and he resumed his seat devoutly.

When she had finished a lovely little air, which sounded to Robert like the touch of her hands, and her breath on his forehead, she looked round, and was satisfied, from the rapt expression of the boy’s countenance, that at least he had plenty of musical sensibility. As if despoiled of volition, he stood motionless till she said,

‘Now you had better go, or Betty will miss you.’

Then he made her a bow in which awkwardness and grace were curiously mingled, and taking up his precious parcel, and holding it to his bosom as if it had been a child for whom he felt an access of tenderness, he slowly left the room and the house.

Not even to Shargar did he communicate his adventure. And he went no more to the deserted factory to play there. Fate had again interposed between him and his bonny leddy.

When he reached Bodyfauld he fancied his grandmother’s eyes more watchful of him than usual, and he strove the more to resist the weariness, and even faintness, that urged him to go to bed. Whether he was able to hide as well a certain trouble that clouded his spirit I doubt. His wound he did manage to keep a secret, thanks to the care of Miss St. John, who had dressed it with court-plaster.

When he woke the next morning, it was with the consciousness of having seen something strange the night before, and only when he found that he was not in his own room at his grandmother’s, was he convinced that it must have been a dream and no vision. For in the night, he had awaked there as he thought, and the moon was shining with such clearness, that although it did not shine into his room, he could see the face of the clock, and that the hands were both together at the top. Close by the clock stood the bureau, with its end against the partition forming the head of his grannie’s bed.