The Seaboard Parish, Volume 1

I had come upon a genius. How nature laughs at our schools sometimes! Education, so-called, is a fine thing, and might be a better thing; but there is an education, that of life, which, when seconded by a pure will to learn, leaves the schools behind, even as the horse of the desert would leave behind the slow pomposity of the common-fed goose. For life is God's school, and they that will listen to the Master there will learn at God's speed. For one moment, I am ashamed to say, I was envious of Shepherd, and repined that, now old Rogers was gone, I had no such glorious old stained-glass window in my church to let in the eternal upon my light-thirsty soul. I must say for myself that the feeling lasted but for a moment, and that no sooner had the shadow of it passed and the true light shined after it, than I was heartily ashamed of it. Why should not Shepherd have the old woman as well as I? True, Shepherd was more of what would now be called a ritualist than I; true, I thought my doctrine simpler and therefore better than his; but was this any reason why I should have all the grand people to minister to in my parish! Recovering myself, I found her last words still in my ears.

"You are very nice to look at," I said. "You must not find fault with the work of God, because you would like better to be young and pretty than to be as you now are. Time and time's rents and furrows are all his making and his doing. God makes nothing ugly."

"Are you quite sure of that, sir?"

I paused. Such a question from such a woman "must give us pause." And, as I paused, the thought of certain animals flashed into my mind and I could not insist that God had never made anything ugly.

"No. I am not sure of it," I answered. For of all things my soul recoiled from, any professional pretence of knowing more than I did know seemed to me the most repugnant to the spirit and mind of the Master, whose servants we are, or but the servants of mere priestly delusion and self-seeking. "But if he does," I went on to say, "it must be that we may see what it is like, and therefore not like it."

Then, unwilling all at once to plunge with her into such an abyss as the question opened, I turned the conversation to an object on which my eyes had been for some time resting half-unconsciously. It was the sort of stool or bench on which my guide had been sitting. I now thought it was some kind of box or chest. It was curiously carved in old oak, very much like the ends of the benches and book-boards.

"What is that you were sitting on?" I asked. "A chest or what?"

"It be there when we come to this place, and that be nigh fifty years agone, sir. But what it be, you'll be better able to tell than I be, sir."

"Perhaps a chest for holding the communion-plate in old time," I said. "But how should it then come to be banished to the tower?"

"No, sir; it can't be that. It be some sort of ancient musical piano, I be thinking."

I stooped and saw that its lid was shaped like the cover of an organ. With some difficulty I opened it; and there, to be sure, was a row of huge keys, fit for the fingers of a Cyclops. I pressed upon them, one after another, but no sound followed. They were stiff to the touch; and once down, so they mostly remained until lifted again. I looked if there was any sign of a bellows, thinking it must have been some primitive kind of reed-instrument, like what we call a seraphine or harmonium now-a-days. But there was no hole through which there could have been any communication with or from a bellows, although there might have been a small one inside. There were, however, a dozen little round holes in the fixed part of the top, which might afford some clue to the mystery of its former life. I could not find any way of reaching the inside of it, so strongly was it put together; therefore I was left, I thought, to the efforts of my imagination alone for any hope of discovery with regard to the instrument, seeing further observation was impossible. But here I found that I was mistaken in two important conclusions, the latter of which depended on the former. The first of these was that it was an instrument: it was only one end of an instrument; therefore, secondly, there might be room for observation still. But I found this out by accident, which has had a share in most discoveries, and which, meaning a something that falls into our hands unlocked for, is so far an unobjectionable word even to the man who does not believe in chance. I had for the time given up the question as insoluble, and was gazing about the place, when, glancing up at the holes in the ceiling through which the bell-ropes went, I spied two or three thick wires hanging through the same ceiling close to the wall, and right over the box with the keys. The vague suspicion of a discovery dawned upon me.

"Have you got the key of the tower?" I asked.

"No, sir. But I'll run home for it at once," she answered. And rising, she went out in haste.

"Run!" thought I, looking after her. "It is a word of the will and the feeling, not of the body." But I was mistaken. The dear old creature had no sooner got outside of the church-yard, within which, I presume, she felt that she must be decorous, than she did run, and ran well too. I was on the point of starting after her at full speed, to prevent her from hurting herself, but reflecting that her own judgment ought to be as good as mine in such a case, I returned, and sitting down on her seat, awaited her reappearance, gazing at the ceiling. There I either saw or imagined I saw signs of openings corresponding in number and position with those in the lid under me. In about three minutes the old woman returned, panting but not distressed, with a great crooked old key in her hand. Why are all the keys of a church so crooked? I did not ask her that question, though. What I said to her, was—

"You shouldn't run like that. I am in no hurry."

"Be you not, sir? I thought, by the way you spoke, you be taken with a longing to get a-top o' the tower, and see all about you like. For you see, sir, fond as I be of the old church, I du feel sometimes as if she'd smother me; and then nothing will do but I must get at the top of the old tower. And then, what with the sun, if there be any sun, and what with the fresh air which there always be up there, sir,—it du always be fresh up there, sir," she repeated, "I come back down again blessing the old church for its tower."

As she spoke she was toiling up the winding staircase after me, where there was just room enough for my shoulders to get through by turning themselves a little across the lie of the steps. They were very high, but she kept up with me bravely, bearing out her statement that she was no stranger to them. As I ascended, however, I was not thinking of her, but of what she had said. Strange to tell, the significance of the towers or spires of our churches had never been clear to me before. True, I was quite awake to their significance, at least to that of the spires, as fingers pointing ever upwards to

"regions mild of calm and serene air,
Above the smoke and stir of this dim spot,
Which men call Earth;"

but I had not thought of their symbolism as lifting one up above the church itself into a region where no church is wanted because the Lord God almighty and the Lamb are the temple of it.

Happy church indeed, if it destroys the need of itself by lifting men up into the eternal kingdom! Would that I and all her servants lived pervaded with the sense of this her high end, her one high calling! We need the church towers to remind us that the mephitic airs in the church below are from the churchyard at its feet, which so many take for the church, worshipping over the graves and believing in death—or at least in the material substance over which alone death hath power. Thus the church, even in her corruption, lifts us out of her corruption, sending us up her towers and her spires to admonish us that she too lives in the air of truth: that her form too must pass away, while the truth that is embodied in her lives beyond forms and customs and prejudices, shining as the stars for ever and ever. He whom the church does not lift up above the church is not worthy to be a doorkeeper therein.

Such thoughts passed through me, satisfied me, and left me peaceful, so that before I had reached the top, I was thanking the Lord—not for his church-tower, but for his sexton's wife. The old woman was a jewel. If her husband was like her, which was too much to expect—if he believed in her, it would be enough, quite—then indeed the little child, who answered on being questioned thereanent, as the Scotch would say, that the three orders of ministers in the church were the parson, clerk, and sexton, might not be so far wrong in respect of this individual case. So in the ascent, and the thinking associated therewith, I forgot all about the special object for which I had requested the key of the tower, and led the way myself up to the summit, where stepping out of a little door, which being turned only heavenwards had no pretence for, or claim upon a curiously crooked key, but opened to the hand laid upon the latch, I thought of the words of the judicious Hooker, that "the assembling of the church to learn" was "the receiving of angels descended from above;" and in such a whimsical turn as our thoughts will often take when we are not heeding them, I wondered for a moment whether that was why the upper door was left on the latch, forgetting that that could not be of much use, if the door in the basement was kept locked with the crooked key. But the whole suggested something true about my own heart and that of my fellows, if not about the church: Revelation is not enough, the open trap-door is not enough, if the door of the heart is not open likewise.

As soon, however, as I stepped out upon the roof of the tower, I forgot again all that had thus passed through my mind, swift as a dream. For, filling the west, lay the ocean beneath, with a dark curtain of storm hanging in perpendicular lines over part of its horizon, and on the other side was the peaceful solid land, with its numberless shades of green, its heights and hollows, its farms and wooded vales—there was not much wood—its scattered villages and country dwellings, lighted and shadowed by the sun and the clouds. Beyond lay the blue heights of Dartmoor. And over all, bathing us as it passed, moved the wind, the life-bearing spirit of the whole, the servant of the sun. The old woman stood beside me, silently enjoying my enjoyment, with a still smile that seemed to say in kindly triumph, "Was I not right about the tower and the wind that dwells among its pinnacles?" I drank deep of the universal flood, the outspread peace, the glory of the sun, and the haunting shadow of the sea that lay beyond like the visual image of the eternal silence—as it looks to us—that rounds our little earthly life.

There were a good many trees in the church-yard, and as I looked down, the tops of them in their richest foliage hid all the graves directly below me, except a single flat stone looking up through an opening in the leaves, which seemed to have been just made for it to let it see the top of the tower. Upon the stone a child was seated playing with a few flowers she had gathered, not once looking up to the gilded vanes that rose from the four pinnacles at the corners of the tower. I turned to the eastern side, and looked over upon the church roof. It lay far below—looking very narrow and small, but long, with the four ridges of four steep roofs stretching away to the eastern end. It was in excellent repair, for the parish was almost all in one lord's possession, and he was proud of his church: between them he and Mr. Shepherd had made it beautiful to behold and strong to endure.

When I turned to look again, the little child was gone. Some butterfly fancy had seized her, and she was away. A little lamb was in her place, nibbling at the grass that grew on the side of the next mound. And when I looked seaward there was a sloop, like a white-winged sea-bird, rounding the end of a high projecting rock from the south, to bear up the little channel that led to the gates of the harbour canal. Out of the circling waters it had flown home, not from a long voyage, but hardly the less welcome therefore to those that waited and looked for her signal from the barrier rock.

Reentering by the angels' door to descend the narrow cork-screw stair, so dark and cool, I caught a glimpse, one turn down, by the feeble light that came through its chinks after it was shut behind us, of a tiny maiden-hair fern growing out of the wall. I stopped, and said to the old woman—

"I have a sick daughter at home, or I wouldn't rob your tower of this lovely little thing."

"Well, sir, what eyes you have! I never saw the thing before. Do take it home to miss. It'll do her good to see it. I be main sorry to hear you've got a sick maiden. She ben't a bedlar, be she, sir?"

I was busy with my knife getting out all the roots I could without hurting them, and before I had succeeded I had remembered Turner's using the word.

"Not quite that," I answered, "but she can't even sit up, and must be carried everywhere."

"Poor dear! Everyone has their troubles, sir. The sea's been mine."

She continued talking and asking kind questions about Connie as we went down the stair. Not till she opened a little door I had passed without observing it as we came up, was I reminded of my first object in ascending the tower. For this door revealed a number of bells hanging in silent power in the brown twilight of the place. I entered carefully, for there were only some planks laid upon the joists to keep one's feet from going through the ceiling. In a few moments I had satisfied myself that my conjecture about the keys below was correct. The small iron rods I had seen from beneath hung down from this place. There were more of them hanging shorter above, and there was yet enough of a further mechanism remaining to prove that those keys, by means of the looped and cranked rods, had been in connection with hammers, one of them indeed remaining also, which struck the bells, so that a tune could be played upon them as upon any other keyed instrument. This was the first contrivance of the kind I had ever seen, though I have heard of it in other churches since.

"If I could find a clever blacksmith in the neighbourhood, now," I said to myself, "I would get this all repaired, so that it should not interfere with the bell-ringing when the ringers were to be had, and yet Shepherd could play a psalm tune to his parish at large when he pleased." For Shepherd was a very fair musician, and gave a good deal of time to the organ. "It's a grand notion, to think of him sitting here in the gloom, with that great musical instrument towering above him, whence he sends forth the voice of gladness, almost of song to his people, while they are mowing the grass, binding the sheaves, or gazing abroad over the stormy ocean in doubt, anxiety, and fear. 'There's the parson at his bells,' they would say, and stop and listen; and some phrase might sink into their hearts, waking some memory, or giving birth to some hope or faint aspiration. I will see what can be done." Having come to this conclusion, I left the abode of the bells, descended to the church, bade my conductress good morning, saying I would visit her soon in her own house, and bore home to my child the spoil which, without kirk-rapine, I had torn from the wall of the sanctuary. By this time the stormy veil had lifted from the horizon, and the sun was shining in full power without one darkening cloud.

Ere I left the churchyard I would have a glance at the stone which ever seemed to lie gazing up at the tower. I soon found it, because it was the only one in that quarter from which I could see the top of the tower. It recorded the life and death of an aged pair who had been married fifty years, concluding with the couplet—

"A long time this may seem to be, But it did not seem long to we."

The whole story of a human life lay in that last verse. True, it was not good grammar; but they had got through fifty years of wedded life probably without any knowledge of grammar to harmonise or to shorten them, and I daresay, had they been acquainted with the lesson he had put into their dumb mouths, they would have been aware of no ground of quarrel with the poetic stone-cutter, who most likely had thrown the verses in when he made his claim for the stone and the cutting. Having learnt this one by heart, I went about looking for anything more in the shape of sepulchral flora that might interest or amuse my crippled darling; nor had I searched long before I found one, the sole but triumphant recommendation of which was the thorough "puzzle-headedness" of its construction. I quite reckoned on seeing Connie trying to make it out, looking as bewildered over its excellent grammar, as the poet of the other ought to have looked over his rhymes, ere he gave in to the use of the nominative after a preposition.

"If you could view the heavenly shore,
Where heart's content you hope to find,
You would not murmur were you gone before,
But grieve that you are left behind."

CHAPTER XVI.

CONNIE'S WATCH-TOWER

As I walked home, the rush of the rising tide was in my ears. To my fancy, the ocean, awaking from a swoon in which its life had ebbed to its heart, was sending that life abroad to its extremities, and waves breaking in white were the beats of its reviving pulse, the flashes of returning light. But so gentle was its motion, and so lovely its hue, that I could not help contrasting it with its reflex in the mind of her who took refuge from the tumult of its noises in the hollow of the old church. To her, let it look as blue as the sky, as peaceful and as moveless, it was a wild, reckless, false, devouring creature, a prey to its own moods, and to that of the blind winds which, careless of consequences, urged it to raving fury. Only, while the sea took this form to her imagination, she believed in that which held the sea, and knew that, when it pleased God to part his confining fingers, there would he no more sea.

When I reached home, I went straight to Connie's room. Now the house was one of a class to every individual of which, whatever be its style or shape, I instantly become attached almost as if it possessed a measure of the life which it has sheltered. This class of human dwellings consists of the houses that have grown. They have not been, built after a straight-up-and-down model of uninteresting convenience or money-loving pinchedness. They must have had some plan, good, bad, or indifferent, as the case may be, at first, I suppose; but that plan they have left far behind, having grown with the necessities or ambitions of succeeding possessors, until the fact that they have a history is as plainly written on their aspect as on that of any you or daughter of Adam. These are the houses which the fairies used to haunt, and if there is any truth in ghost-stories, the houses which ghosts will yet haunt; and hence perhaps the sense of soothing comfort which pervades us when we cross their thresholds. You do not know, the moment you have cast a glance about the hall, where the dining-room, drawing-room, and best bedroom are. You have got it all to find out, just as the character of a man; and thus had I to find out this house of my friend Shepherd. It had formerly been a kind of manor-house, though altogether unlike any other manor-house I ever saw; for after exercising all my constructive ingenuity reversed in pulling it to pieces in my mind, I came to the conclusion that the germ-cell of it was a cottage of the simplest sort which had grown by the addition of other cells, till it had reached the development in which we found it.

I have said that the dining-room was almost on the level of the shore. Certainly some of the flat stones that coped the low wall in front of it were thrown into the garden before the next winter by the waves. But Connie's room looked out on a little flower-garden almost on the downs, only sheltered a little by the rise of a short grassy slope above it. This, however, left the prospect, from her window down the bay and out to sea, almost open. To reach this room I had now to go up but one simple cottage stair; for the door of the house entered on the first floor, that is, as regards the building, midway between heaven and earth. It had a large bay-window; and in this window Connie was lying on her couch, with the lower sash wide open, through which the breeze entered, smelling of sea-weed tempered with sweet grasses and the wall-flowers and stocks that were in the little plot under it. I thought I could see an improvement in her already. Certainly she looked very happy.

"O, papa!" she said, "isn't it delightful?"

"What is, my dear?"

"O, everything. The wind, and the sky, and the sea, and the smell of the flowers. Do look at that sea-bird. His wings are like the barb of a terrible arrow. How he goes undulating, neck and body, up and down as he flies. I never felt before that a bird moves his wings. It always looked as if the wings flew with the bird. But I see the effort in him."

"An easy effort, though, I should certainly think."

"No doubt. But I see that he chooses and means to fly, and so does it. It makes one almost reconciled to the idea of wings. Do angels really have wings, papa?"

"It is generally so represented, I think, in the Bible. But whether it is meant as a natural fact about them, is more than I take upon me to decide. For one thing, I should have to examine whether in simple narrative they are ever represented with them, as, I think, in records of visions they are never represented without them. But wings are very beautiful things, and I do not exactly see why you should need reconciling to them."