"Yes," replied Agnes, with a sort of hardy sweetness, "but my Lord does not need me as grandmother does; He is in glory, and will never be old or feeble; I cannot work for Him and tend Him as I shall her. I cannot see my way clear at present; but when she is gone, or if the saints move her to consent, I shall then belong to God alone."
"Daughter, there is some truth in your words; and if your Lord accepts you, He will dispose her heart. Will she go with you on this pilgrimage?"
"I have prayed that she might, father, – that her soul may be quickened; for I fear me, dear old grandmamma has found her love for me a snare, – she has thought too much of my interests and too little of her own soul, poor grandmamma!"
"Well, child, I shall enjoin this pilgrimage on her as a penance."
"I have grievously offended her lately," said Agnes, "in rejecting an offer of marriage with a man on whom she had set her heart, and therefore she does not listen to me as she is wont to do."
"You have done right in refusing, my daughter. I will speak to her of this, and show her how great is the sin of opposing a holy vocation in a soul whom the Lord calls to Himself, and enjoin her to make reparation by uniting with you in this holy work."
Agnes departed from the confessional without even looking upon the face of her director, who sat within listening to the rustle of her dress as she rose, – listening to the soft fall of her departing footsteps, and praying that grace might be given him not to look after her: and he did not, though he felt as if his life were going with her.
Agnes tripped round the aisle to a little side-chapel where a light was always kept burning by her before a picture of Saint Agnes, and, kneeling there, waited till her grandmother should be through with her confession.
"Ah, sweet Saint Agnes," she said, "pity me! I am a poor ignorant young girl, and have been led into grievous sin; but I did not mean to do wrong, – I have been trying to do right; pray for me, that I may overcome as you did. Pray our dear Lord to send you with us on this pilgrimage, and save us from all wicked and brutal men who would do us harm. As the Lord delivered you in sorest straits, keeping soul and body pure as a lily, ah, pray Him to keep me! I love you dearly, – watch over me and guide me."
In those days of the Church, such addresses to the glorified saints had become common among all Christians. They were not regarded as worship, any more than a similar outpouring of confidence to a beloved and revered friend yet in the body. Among the hymns of Savonarola is one addressed to Saint Mary Magdalen, whom he regarded with an especial veneration. The great truth, that God is not the God of the dead, but of the living, that all live to Him, was in those ages with the truly religious a part of spiritual consciousness. The saints of the Church Triumphant, having become one with Christ as He is one with the Father, were regarded as invested with a portion of his divinity, and as the ministering agency through which his mediatorial government on earth was conducted; and it was thought to be in the power of the sympathetic heart to attract them by the outflow of its affections, so that their presence often overshadowed the walks of daily life with a cloud of healing and protecting sweetness.
If the enthusiasm of devotion in regard to these invisible friends became extravagant and took the language due to God alone, it was no more than the fervid Italian nature was always doing with regard to visible objects of affection. Love with an Italian always tends to become worship, and some of the language of the poets addressed to earthly loves rises into intensities of expression due only to the One, Sovereign, Eternal Beauty. One sees even in the writings of Cicero that this passionate adoring kind of love is not confined to modern times. When he loses the daughter in whom his heart is garnered up, he finds no comfort except in building a temple to her memory, – a blind outreaching towards the saint-worship of modern times.
Agnes rose from her devotions, and went with downcast eyes, her lips still repeating prayers, to the font of holy water, which was in a dim shadowy corner, where a painted window cast a gold and violet twilight. Suddenly there was a rustle of garments in the dimness, and a jeweled hand essayed to pass holy water to her on the tip of its finger. This mark of Christian fraternity, common in those times, Agnes almost mechanically accepted, touching her slender finger to the one extended, and making the sign of the cross, while she raised her eyes to see who stood there. Gradually the haze cleared from her mind, and she awoke to the consciousness that it was the cavalier! He moved to come towards her, with a bright smile on his face; but suddenly she became pale as one who has seen a spectre, and, pushing from her with both hands, she said faintly, "Go, go!" and turned and sped up the aisle silently as a sunbeam, joining her grandmother, who was coming from the confessional with a gloomy and sullen brow.
Old Elsie had been enjoined to unite with her grandchild in this scheme of a pilgrimage, and received the direction with as much internal contumacy as would a thriving church-member of Wall Street a proposition to attend a protracted meeting in the height of the business season. Not but that pilgrimages were holy and gracious works, – she was too good a Christian not to admit that, – but why must holy and gracious works be thrust on her in particular? There were saints enough who liked such things; and people could get to heaven without, – if not with a very abundant entrance, still in a modest way, – and Elsie's ambition for position and treasure in the spiritual world was of a very moderate cast.
"Well, now, I hope you are satisfied," she said to Agnes, as she pulled her along with no very gentle hand; "you've got me sent off on a pilgrimage, – and my old bones must be rattling up and down all the hills between here and Rome, – and who's to see to the oranges? – they'll all be stolen, every one."
"Grandmother" – began Agnes in a pleading voice.
"Oh, you hush up! I know what you're going to say. 'The good Lord will take care of them.' I wish He may. He has his hands full, with all the people that go cawing and psalm-singing like so many crows, and leave all their affairs to Him!"
Agnes walked along disconsolate, with her eyes full of tears, which coursed one another down her pale cheeks.
"There's Antonio," pursued Elsie, "would perhaps look after things a little. He is a good fellow, and only yesterday was asking if he couldn't do something for us. It's you he does it for, – but little you care who loves you, or what they do for you!"
At this moment they met old Jocunda, whom we have before introduced to the reader as portress of the Convent. She had on her arm a large square basket, which she was storing for its practical uses.
"Well, well, Saint Agnes be praised, I have found you at last," she said. "I was wanting to speak about some of your blood-oranges for conserving. An order has come down from our dear gracious lady, the Queen, to prepare a lot for her own blessed eating, and you may be sure I would get none of anybody but you. But what's this, my little heart, my little lamb? – crying? – tears in those sweet eyes? What's the matter now?"
"Matter enough for me!" said Elsie. "It's a weary world we live in. A body can't turn any way and not meet with trouble. If a body brings up a girl one way, why, every fellow is after her, and one has no peace; and if a body brings her up another way, she gets her head in the clouds, and there's no good of her in this world. Now look at that girl, – doesn't everybody say it's time she were married? – but no marrying for her! Nothing will do but we must off to Rome on a pilgrimage, – and what's the good of that, I want to know? If it's praying that's to be done, the dear saints know she's at it from morning till night, – and lately she's up and down three or four times a night with some prayer or other."
"Well, well," said Jocunda, "who started this idea?"
"Oh, Father Francesco and she got it up between them, and nothing will do but I must go, too."
"Well, now, after all, my dear," said Jocunda, "do you know, I made a pilgrimage once, and it isn't so bad. One gets a good deal by it, first and last. Everybody drops something into your hand as you go, and one gets treated as if one were somebody a little above the common; and then in Rome one has a princess or a duchess or some noble lady who washes one's feet, and gives one a good supper, and perhaps a new suit of clothes, and all that, – and ten to one there comes a pretty little sum of money to boot, if one plays one's cards well. A pilgrimage isn't bad, after all; one sees a world of fine things, and something new every day."
"But who is to look after our garden and dress our trees?"
"Ah, now, there's Antonio, and old Meta his mother," said Jocunda, with a knowing wink at Agnes. "I fancy there are friends there that would lend a hand to keep things together against the little one comes home. If one is going to be married, a pilgrimage brings good luck in the family. All the saints take it kindly that one comes so far to see them, and are more ready to do a good turn for one when one needs it. The blessed saints are like other folks, they like to be treated with proper attention."
This view of pilgrimages from the material standpoint had more effect on the mind of Elsie than the most elaborate appeals of Father Francesco. She began to acquiesce, though with a reluctant air.
Jocunda, seeing her words had made some impression, pursued her advantage on the spiritual ground.
"To be sure," she added, "I don't know how it is with you; but I know that I have, one way and another, rolled up quite an account of sins in my life. When I was tramping up and down with my old man through the country, – now in this castle and then in that camp, and now and then in at the sacking of a city or village, or something of the kind, – the saints forgive us! – it does seem as if one got into things that were not of the best sort, in such times. It's true, it's been wiped out over and over by the priest; but then a pilgrimage is a good thing to make all sure, in case one's good works should fall short of one's sins at last. I can tell you, a pilgrimage is a good round weight to throw into the scale; and when it comes to heaven and hell, you know, my dear, why, one cannot be too careful."
"Well, that may be true enough," said Elsie, "though as to my sins, I have tried to keep them regularly squared up and balanced as I went along. I have always been regular at confession, and never failed a jot or tittle in what the holy father told me. But there may be something in what you say; one can't be too sure; and so I'll e'en school my old bones into taking this tramp."
That evening, as Agnes was sitting in the garden at sunset, her grandmother bustling in and out, talking, groaning, and hurrying in her preparations for the anticipated undertaking, suddenly there was a rustling in the branches overhead, and a bouquet of rosebuds fell at her feet. Agnes picked it up, and saw a scrip of paper coiled among the flowers. In a moment, remembering the apparition of the cavalier in the church in the morning, she doubted not from whom it came. So dreadful had been the effect of the scene at the confessional, that the thought of the near presence of her lover brought only terror. She turned pale; her hands shook. She shut her eyes, and prayed that she might not be left to read the paper; and then, summoning all her resolution, she threw the bouquet with force over the wall. It dropped down, down, down the gloomy, shadowy abyss, and was lost in the damp caverns below.
The cavalier stood without the wall, waiting for some responsive signal in reply to his missive. It had never occurred to him that Agnes would not even read it, and he stood confounded when he saw it thrown back with such apparent rudeness. He remembered her pale, terrified look on seeing him in the morning. It was not indifference or dislike, but mortal fear, that had been shown in that pale face.
"These wretches are practicing on her," he said, in wrath, "filling her head with frightful images, and torturing her sensitive conscience till she sees sin in the most natural and innocent feelings."
He had learned from Father Antonio the intention of Agnes to go on a pilgrimage, and he longed to see and talk with her, that he might offer her his protection against dangers which he understood far better than she. It had never even occurred to him that the door for all possible communication would be thus suddenly barred in his face.
"Very well," he said to himself, with a darkening brow, "let them have it their own way here. She must pass through my dominions before she can reach Rome, and I will find a place where I can be heard, without priest or grandmother to let or hinder. She is mine, and I will care for her."
But poor Agnes had the woman's share of the misery to bear, in the fear and self-reproach and distress which every movement of this kind cost her. The involuntary thrill at seeing her lover, at hearing from him, the conscious struggle which it cost her to throw back his gift, were all noted by her accusing conscience as so many sins. The next day she sought again her confessor, and began an entrance on those darker and more chilly paths of penance, by which, according to the opinion of her times, the peculiarly elect of the Lord were supposed to be best trained. Hitherto her religion had been the cheerful and natural expression of her tender and devout nature, according to the more beautiful and engaging devotional forms of her Church. During the year when her confessor had been, unconsciously to himself, led by her instead of leading, her spiritual food had been its beautiful old hymns and prayers, which she found no weariness in often repeating. But now an unnatural conflict was begun in her mind, directed by a spiritual guide in whom every natural and normal movement of the soul had given way before a succession of morbid and unhealthful experiences. From that day Agnes wore upon her heart one of those sharp instruments of torture which in those items were supposed to be a means of inward grace, – a cross with seven steel points for the seven sorrows of Mary. She fasted with a severity which alarmed her grandmother, who in her inmost heart cursed the day that ever she had placed her in the way of saintship.
"All this will just end in spoiling her beauty, – making her as thin as a shadow," said Elsie; "and she was good enough before."
But it did not spoil her beauty, it only changed its character. The roundness and bloom melted away, but there came in their stead that solemn, transparent clearness of countenance, that spiritual light and radiance, which the old Florentine painters gave to their Madonnas.
It is singular how all religious exercises and appliances take the character of the nature that uses them. The pain and penance, which so many in her day bore as a cowardly expedient for averting divine wrath, seemed, as she viewed them, a humble way of becoming associated in the sufferings of her Redeemer. "Jesu dulcis memoria," was the thought that carried a redeeming sweetness with every pain. Could she thus, by suffering with her Lord, gain power like Him to save, – a power which should save that soul so dear and so endangered! "Ah," she thought, "I would give my life-blood, drop by drop, if only it might avail for his salvation!"
CHAPTER XX
FLORENCE AND HER PROPHET
It was drawing towards evening, as two travelers, approaching Florence from the south, checked their course on the summit of one of the circle of hills which command a view of the city, and seemed to look down upon it with admiration. One of these was our old friend Father Antonio, and the other the cavalier. The former was mounted on an ambling mule, whose easy pace suited well with his meditative habits; while the other reined in a high-mettled steed, who, though now somewhat jaded under the fatigue of a long journey, showed by a series of little lively motions of his ears and tail, and by pawing the ground impatiently, that he had the inexhaustible stock of spirits which goes with good blood.
"There she lies, my Florence," said the monk, stretching his hands out with enthusiasm. "Is she not indeed a sheltered lily growing fair among the hollows of the mountains? Little she may be, sir, compared to old Rome; but every inch of her is a gem, – every inch!"
And, in truth, the scene was worthy of the artist's enthusiasm. All the overhanging hills that encircle the city with their silvery olive-gardens and their pearl-white villas were now lighted up with evening glory. The old gray walls of the convents of San Miniato and the Monte Oliveto were touched with yellow; and even the black obelisks of the cypresses in their cemeteries had here and there streaks and dots of gold, fluttering like bright birds among their gloomy branches. The distant snow-peaks of the Apennines, which even in spring long wear their icy mantles, were shimmering and changing like an opal ring with tints of violet, green, blue, and rose, blended in inexpressible softness by that dreamy haze which forms the peculiar feature of Italian skies.
In this loving embrace of mountains lay the city, divided by the Arno as by a line of rosy crystal barred by the graceful arches of its bridges. Amid the crowd of palaces and spires and towers rose central and conspicuous the great Duomo, just crowned with that magnificent dome which was then considered a novelty and a marvel in architecture, and which Michel Angelo looked longingly back upon when he was going to Rome to build that more wondrous orb of Saint Peter's. White and stately by its side shot up the airy shaft of the Campanile; and the violet vapor swathing the whole city in a tender indistinctness, these two striking objects, rising by their magnitude far above it, seemed to stand alone in a sort of airy grandeur.
And now the bells of the churches were sounding the Ave Maria, filling the air with sweet and solemn vibrations, as if angels were passing to and fro overhead, harping as they went; and ever and anon the great bell of the Campanile came pulsing in with a throb of sound of a quality so different that one hushed one's breath to hear. It might be fancied to be the voice of one of those kingly archangels that one sees drawn by the old Florentine religious artists, – a voice grave and unearthly, and with a plaintive undertone of divine mystery.
The monk and the cavalier bent low in their saddles, and seemed to join devoutly in the worship of the hour.
One need not wonder at the enthusiasm of the returning pilgrim of those days for the city of his love, who feels the charm that lingers around that beautiful place even in modern times. Never was there a spot to which the heart could insensibly grow with a more home-like affection, – never one more thoroughly consecrated in every stone by the sacred touch of genius.
A republic, in the midst of contending elements, the history of Florence, in the Middle Ages, was a history of what shoots and blossoms the Italian nature might send forth, when rooted in the rich soil of liberty. It was a city of poets and artists. Its statesmen, its merchants, its common artisans, and the very monks in its convents, were all pervaded by one spirit. The men of Florence in its best days were men of a large, grave, earnest mould. What the Puritans of New England wrought out with severest earnestness in their reasonings and their lives, these early Puritans of Italy embodied in poetry, sculpture, and painting. They built their Cathedral and their Campanile, as the Jews of old built their Temple, with awe and religious fear, that they might thus express by costly and imperishable monuments their sense of God's majesty and beauty. The modern traveler who visits the churches and convents of Florence, or the museums where are preserved the fading remains of its early religious Art, if he be a person of any sensibility, cannot fail to be affected with the intense gravity and earnestness which pervade them. They seem less to be paintings for the embellishment of life than eloquent picture-writing by which burning religious souls sought to preach the truths of the invisible world to the eye of the multitude. Through all the deficiencies of perspective, coloring, and outline incident to the childhood and early youth of Art, one feels the passionate purpose of some lofty soul to express ideas of patience, self-sacrifice, adoration, and aspiration far transcending the limits of mortal capability.
The angels and celestial beings of these grave old painters are as different from the fat little pink Cupids or lovely laughing children of Titian and Correggio as are the sermons of President Edwards from the love-songs of Tom Moore. These old seers of the pencil give you grave, radiant beings, strong as man, fine as woman, sweeping downward in lines of floating undulation, and seeming by the ease with which they remain poised in the air to feel none of that earthly attraction which draws material bodies earthward. Whether they wear the morning star on their forehead or bear the lily or the sword in their hand, there is still that suggestion of mystery and power about them, that air of dignity and repose, that speak the children of a nobler race than ours. One could well believe such a being might pass in his serene poised majesty of motion through the walls of a gross material dwelling without deranging one graceful fold of his swaying robe or unclasping the hands folded quietly on his bosom. Well has a modern master of art and style said of these old artists, "Many pictures are ostentatious exhibitions of the artist's power of speech, the clear and vigorous elocution of useless and senseless words; while the earlier efforts of Giotto and Cimabue are the burning messages of prophecy delivered by the stammering lips of infants."
But at the time of which we write, Florence had passed through her ages of primitive religious and republican simplicity, and was fast hastening to her downfall. The genius, energy, and prophetic enthusiasm of Savonarola had made, it is true, a desperate rally on the verge of the precipice; but no one man has ever power to turn back the downward slide of a whole generation.
When Father Antonio left Sorrento in company with the cavalier, it was the intention of the latter to go with him only so far as their respective routes should lie together. The band under the command of Agostino was posted in a ruined fortress in one of those airily perched old mountain-towns which form so picturesque and characteristic a feature of the Italian landscape. But before they reached this spot, the simple, poetic, guileless monk, with his fresh artistic nature, had so won upon his traveling companion that a most enthusiastic friendship had sprung up between them, and Agostino could not find it in his heart at once to separate from him. Tempest-tossed and homeless, burning with a sense of wrong, alienated from the faith of his fathers through his intellect and moral sense, yet clinging to it with his memory and imagination, he found in the tender devotional fervor of the artist monk a reconciling and healing power. He shared, too, in no small degree, the feelings which now possessed the breast of his companion for the great reformer whose purpose seemed to meditate nothing less than the restoration of the Church of Italy to the primitive apostolic simplicity. He longed to see him, – to listen to the eloquence of which he had heard so much. Then, too, he had thoughts that but vaguely shaped themselves in his mind. This noble man, so brave and courageous, menaced by the forces of a cruel tyranny, might he not need the protection of a good sword? He recollected, too, that he had an uncle high in the favor of the King of France, to whom he had written a full account of his own situation. Might he not be of use in urging this uncle to induce the French King to throw before Savonarola the shield of his protection? At all events, he entered Florence this evening with the burning zeal of a young neophyte who hopes to effect something himself for a glorious and sacred cause embodied in a leader who commands his deepest veneration.
"My son," said Father Antonio, as they raised their heads after the evening prayer, "I am at this time like a man who, having long been away from his home, fears, on returning, that he shall hear some evil tidings of those he hath left. I long, yet dread, to go to my dear Father Girolamo and the beloved brothers in our house. There is a presage that lies heavy on my heart, so that I cannot shake it off. Look at our glorious old Duomo; – doth she not sit there among the houses and palaces as a queen-mother among nations, – worthy, in her greatness and beauty, to represent the Church of the New Jerusalem, the Bride of the Lord? Ah, I have seen it thronged and pressed with the multitude who came to crave the bread of life from our master!"
