Friendship Village

Instead of answering she looked out the window at the Friendship Depot platform, and: —

"Ain't he a big minister in the City?" I barely heard her ask.

"No," said Doctor June; "dear me, no. Abel's still gypsyin' it off in the hills. I expect he's out there by the depot with the busses now, come to meet me in his buggy. Better let him take us all home to griddle-cakes, Delia?" he pressed her wistfully.

"I couldn't," she said briefly. And, as he put out his hand silently, "Don't you let anybody know't you saw me!" she charged him again.

When he was gone, and the train was slackening in the station, she moved close to the window. If I had been lonely… I must have caught a certain cheer in the look of the station and in the magnificent, cosmic leisure of the idlers: in Photographer Jimmy Sturgis, in his leather coat, with one eye shut, stamping a foot and waiting for the mail-bag; in old Tillie, known up and down the world for her waffles, and perpetually peering out between shelves of plants and wax fruit set across the window of the "eating-house"; in Peleg Bemus, wood-cutter, stumping about the platform on his wooden leg, wearing modestly the prestige he had won by his flute-playing and by his advantage of New York experience – "a janitor in the far east, he was," Timothy Toplady had once told me; in Timothy Toplady himself, who always meets the trains, but for no reason unless to say an amazed and reproachful – "Blisterin' Benson! not a soul wants off here"; and in Abel Halsey, that itinerant preacher, of whom Doctor June had spoken. Abel was a man of grace, Bible-taught, passioning for service, but within him his gentle soul burned to travel, and his white horse, Major Mary, and his road wagon and his route to the door of many a country church were the sole satisfactions of his wanderlust; and next to these was his delight to be at a railway station when any train arrived, savouring the moment of some silent familiarity with distance. I delighted in them all, and that night, as I looked, I wondered how it would seem to me if I were returning to it after many years; and I could imagine how my heart would ache.

As the train moved on, the girl whom Doctor June had called Delia More turned her head, manifestly to follow for a little way each vanishing light and figure; and as the conductor came through the car and she spoke to him, I saw that she was in a tingle of excitement.

"You sure," she asked, "that you stop to the canal draw?"

"Uh?" said the conductor, and when he comprehended, "Every time," he said, "every time. You be ready when she whistles." He hesitated, manifestly in some curiosity. "They ain't a house in a mile f'om there, though," he told her.

"I know that," she gave back crisply.

When I heard her speaking of the canal draw, I found myself wondering; for a woman is not above wonder. There, where the trains stopped just perceptibly I myself was wont to leave them for the sake of the mile walk on the quiet highroad to my house. That, too, though it chanced to be night, for I am not afraid. But I wondered the more because other women do fear, and also because mine was the only house between the canal draw and Friendship Village; and manifestly the shortest way to reach the village would have been to alight at the station. But I held my peace, for the affairs of others should be to those others an efficient disguise; and moreover, the greater part of one's wonder is wont to come to naught.

Yet, as I seemed to follow this woman out upon the snow and the train kept impersonally on across the meadows, I could not but see that her bags were many and looked heavy, and twice she set them down to rearrange. I think a ghost of the road could have done no less than ask to help her. And I did this with an abruptness of which I am unwilling master, though indeed I had no need to assume impatience, for I saw that my quiet walk was spoiled.

When I spoke to her, she started and shrank away; but there was an austerity in the lonely white road and in the country silence which must have chilled a woman like her; and her bags were many and seemed heavy.

"Much obliged to you," she said indistinctly. "I'd just as li've you should take the basket, if you want."

So I lifted the basket and trudged beside her, hoping very much that she would not talk. For though for my own comfort I would walk far to avoid treading on a nest, or a worm, or a magenta flower (and I loathe magenta), yet I am often blameful enough to wound through the sheerest bungling those who talk to me when I would rather be silent.

The night was one clinging to the way of Autumn, and as yet with no Winter hinting. The air was mild and dry, and the sky was starry. I am not ashamed that on a quiet highroad on a starry night I love to be silent, and even to forget concerns of my own which seem pressing in the publicity of the sun; but I am ashamed, I own, to have been called to myself that night by a little choking breath of haste.

"I can't go – so fast," my companion said humbly; "you might jest – set the basket down anywheres. I can – "

But I think that she can hardly have heard my apology, for she stood where she had halted, staring away from me. We were opposite the cemetery lying in its fence of field stone and whitewashed rails.

"O my soul, my soul!" I heard her say. "I'd forgot the graveyard, or I couldn't never 'a' come this way."

At that she went on, her feet quickening, as I thought, without her will; and she kept her face turned to me, so that it should be away from that whitewashed fence. And now because of the wound she had shown me, I walked a little apart in the middle of the road for my attempt at sympathy. So we came to the summit of the hill, and there the dark suddenly yielded up the distance. The lamps of the village began to signal, lights dotted the fields and gathered in a cosey blur in the valley, and half a mile to westward the headlight that marked the big Toplady barn and the little Toplady house shone out as if some one over there were saying something.

"You live here in Friendship?" the girl demanded abruptly.

I could show her my house a little way before us.

"Ever go inside the graveyard?" she asked.

Sometimes I do go there, and at that answer she walked nearer to me and spoke eagerly.

"Air all the tombstones standin' up straight, do you know?" she said. "Hev any o' their headstones fell down on 'em?"

This I could answer too, definitely enough; for Friendship Cemetery, by the vigilance of the Married Ladies' Cemetery Improvement Sodality, is kept in no less scrupulous order than the Friendship parlours.

"Well, that's a relief," she said; "I couldn't get it out o' my head." Then, because she seemed of those on whom silence lays a certain imaginary demand, "My mother an' father an' sister's buried there," she explained. "They're in there. They all died when I was gone. An' I got the notion that their headstones had tipped over on to 'em. Or Aunt Cornie More's, maybe."

Aunt Cornie More. I knew that name, for they had told me about her in Friendship, so that her name, and that of the Oldmoxons, in whose former house I lived, and many others were like folk whom one passes often and remembers. I had been told how Aunt Cornie More had made her own shroud from her crocheted parlour curtains, lest these fall to a later wife of her octogenarian husband; and how as she lay in her coffin the curtain's shell-stitch parrot "come right acrost her chest." This woman beside me had called her "Aunt" Cornie More. And then I remembered the name which Doctor June had spoken on the train and the wheels had measured.

"Delia More!" I said, involuntarily, and regretted it as soon as I had spoken. But, indeed, it was as if some legend woman of the place walked suddenly beside me, like the quick.

Who in Friendship had not heard the name, and who, save one who keeps her own thoughts and forgets to give back greeting, would not on the instant have remembered it? Delia More's stepsister, Jennie Crapwell, had been betrothed to a carpenter of Friendship, and he was at work on their house when, a month before the wedding-day, Delia and that young carpenter had "run away." Who in Friendship could not tell that story? But before I had made an end of murmuring something —

"I might 'a' known they hadn't done talkin' yet," Delia More said bitterly. "They say it was like that when Calliope Marsh's beau run off with somebody else, – for ten years the town et it for cake. Well, they ain't any of 'em goin' to get a look at me. I don't give anybody the chance to show me the cold shoulder. You can tell 'em I was here if you want. They can scare the children with it."

"I won't tell," I said.

She looked at me.

"Well, I can't help it if you do," she returned. "I'm glad enough to speak to somebody, gettin' back so. It's fourteen year. An' I was fair body-sick to see the place again."

At this she asked about Friendship folk, and I answered as best I might, though of what she inquired I knew little, and what I did know was footless enough for human comfort. As to the Topladys, for example, I had no knowledge of that one who had earned his money in bricks and had later married a "foreigner"; but I knew Mis' Amanda, that she had hands dimpled like a baby giant's, and that she carried a blue parasol all winter to keep the sun from her eyes. I could not tell whether Liddy Ember had been able to afford skilled treatment for her poor, queer, pretty little sister, but I knew that Ellen Ember, with her crown of bright hair, went about Friendship streets singing aloud, and leaping up to catch at the low branches of the curb elms, and that she was as picturesque as a beautiful grotesque on a page of sober text. I had not learned where the Oldmoxons had moved, but I knew of them that they had left me a huge fireplace in every room of my house. I could have repeated little about Mis' Holcomb-that-was-Mame-Bliss, save that her black week-day cloak was lined with wine broadcloth, and that she wore it wrong side outward for "best." And of whether Abigail Arnold's children had turned out well or ill, I was profoundly ignorant; but I remembered that she had caused a loaf of bread to be carved on the monument of her husband, the home baker. And so on. But these were not matters of which I could talk to the hungry woman beside me.

Then, to my amazement, when I mentioned the Proudfits, – those great and rich Proudfits whose motor had raced by our train, – Delia More would have none of them.

"I do' want to hear about 'em," she said. "I know about 'em. I use' to play with Miss Clementina an' Miss Linda when we were little things. I use' to live with the Proudfits then, an' go to school. They were good to me – time an' time again they've told me their home was mine, too. But now– it wouldn't be the same. I know 'em. They always were cruel proud an' cruel pious. Mis' Proudfit, she use' to set up goodness an' worship it like a little god."

This judgment startled me, and yet to its import I secretly assented. For though I barely had their acquaintance, Madame Proudfit and her daughter Clementina were thorns to me too, so that I had had no pleasure in giving them back their greetings. Perhaps it was that they alone in Friendship sounded for me a note of other days – but whatever it was, they were thorns to me; and I remember how, once more, something within me seemed to answer to this woman's bitterness.

None the less, since of the Proudfits I could give her some fragment of account, I did so, to forge for Delia More what link I might between her present and her past. And it was knowledge which all Friendship shared.

"You knew," I said, "that Miss Linda does not come here now, because she married against the wish of her family."

Delia More looked up at me. But though I saw that now she softened somewhat, I had no relish for giving to her anything of the sad romance of beautiful Linda Proudfit (as they said) and the poor young clerk of nobody knew where, who, a dozen years before, had fled away together "into the storm."

"Then there is Calliope Marsh," I ventured, to turn my thought not less than hers. But Delia More did not answer, and at this I was puzzled, for I think that Calliope has lived in Friendship since the beginning, when she and Liddy Ember were partners in their little "modiste" shop. "You will recall Calliope?" I pressed the matter.

And at that, "Yes. Oh, yes," she said, and would say no more. And because Calliope had forbidden me, I did not mention that I had seen her on the train that morning, and that she was absent from Friendship, but it grieved me that this stranger should be indifferent to anything about her.

I would have passed my own gate, because the basket was heavy and because I knew that the girl was crying. But she remembered how I had shown her my house, and there she detained me and caught at her basket, in haste to be gone. So I, who feel upon me a weak necessity to do a bidding, watched her go down the still road; yet I could not let her go away quite like that, and before I had meant to do so I called to her.

"Delia More!" I said – as familiarly as if she had been some other expression of myself.

I saw her stop, but I did not go forward. I lifted my voice a little, for by the distance between us I was less ill at ease than I am in the usual personalities of comfort.

"I heard that on the train," I said then awkwardly, – and I was the more awkward that I was not persuaded of any reason in my words, – "that about 'the shadow of good things to come.' Maybe it meant something."

Delia More's thin, high-pitched voice came back to me, expressing all my unvoiced doubt.

"Tisn't like," she said. "I never take any stock."

Then I looked at my dark house in a kind of consternation lest it had heard me trying to give comfort, for within those walls I had sometimes spoken almost as this woman spoke. But it occurred to me that even the drowned should throw immaterial ropes to any who struggle in dark waters.

It will not be necessary, I hope, to say that I followed Delia More that night from no faintest wish to know what might happen to her. For I have a weak desire for peace of mind, and I would rather have forgotten her story. I followed because the quiet highroad was so profoundly lonely, and the country silence is ambiguous, and I cannot bear to think of a woman abroad alone in the dark. I cannot bear to think of myself abroad alone in the dark, though I go quite without fear; but certain other women have fear, and this one was crying. I kept well behind her, and as soon as she reached the village, I meant to lose sight of her and return, for a village is guardian enough. But when we had passed the bleak meadow of the slaughter-house and the wide, wet-smelling wood yard and had reached the first cottage on Daphne Street, I was startled to see her unlatch that cottage gate and enter the yard. And I was suddenly sadly apprehensive, for the cottage was the home of Calliope, who that morning had left the village and had asked me to say nothing about it. What if this poor creature had fled to Calliope for sanctuary, only to find locked doors? So I waited in the shadow of a warehouse like a bandit; and I raged at the thought of having possibly to harbour this stranger among the books of my quiet home.