Friendship Village

"Nen do my toat off," Viola gravely directed.

At that Grandma Holly crooned some single indistinguishable syllable in her throat, and then off came the cloak. The little warm, plump body in its fine linen emerged, rose-wise, and Viola smoothed down her frock, and freed her hair from her neck, and glanced up shyly. By the stir and flutter among them I understood that they were feeling just as I feel when a little hood and cloak come off.

Viola stood still for a minute.

"I like be made some 'tention to," she suggested gently.

Ah – and they understood. How they understood! Grandma Holly swept the little girl in her arms, and I know how the others closed about them with smiles and vague unimportant words. Viola sat quietly and happily, like a little come-a-purpose spirit to let them pretend. And it was with them all as if something long pent up went free.

Calliope left the door and turned toward us.

"Seems like my throat couldn't stand it," she said, … and it seemed to me, as we three sat together in the dim little parlor, that Nita Ordway must cherish Viola for us all – for the grandma ladies and Calliope and me.

Half an hour later we three went out to the dining room. Viola ran to her mother when she entered. Nita took her in her arms and sat beside the stove, her cloak slipping from her shoulders, the soft peach tints of her gown shot through with shining lines and the light caught in her collar of gems. "I did want to get a-hold o' somethin' beautiful for them old ladies to see," Calliope had said.

"Oh," said Grandma Holly, and she laid her brown hand on Viola's hand, "ain't she dear an' little an' young?"

"I wish't she'd talk some," begged old Mis' Norris.

"Ain't she good, though, the little thing?" Mis' Ailing said. "Look at how still she sets. Not wigglin' 'round same as some. It was just that way with Sam when he was small – he'd set by the hour an' leave me hold him – "

A little bent creature, whose name I never learned, sat patting Viola's skirt.

"Seems like I'd gone back years," we heard her say.

Grandma Holly held up one half-closed hand.

"Like that," she told them, "my Amy's feet was so little I could hold 'em like that, an' I see hers is the same way. She's wonderful like Amy was, her age."

I cannot recall half the sweet, trivial things that they said. But I remember how they told us stories of their own babies, and we laughed with them over treasured sayings of long-ago lips, or grieved with them over silences, or rejoiced at glad things that had been. Regardless of the Proudfit party, we let them talk as they would, and remember. Then of her own accord Nita Ordway hummed some haunting air, and sang one of the songs that we all loved – the grandma ladies and Calliope and I. It was a sleepy song, whose words I have forgotten, but it was in a kind of universal tongue which I think that no one can possibly mistake. And out of the lullaby came all the little spirits, freed in babyhood or "man-grown," and stood at the knees of the grandma ladies, so that I was afraid that they could not bear it.

When the song was done, Viola suddenly sat up very straight.

"I got a litty box," she announced, "an' I had a parasol. An' once a boy div me a new nail. An' once I didn' feel berry well, but now I am. An' once – "

Their laughter was like a caress. Before it was done, we heard a stamping without, and there was Jimmy Sturgis, with a spray of holly in his old felt hat and the closed 'bus at the door.

We helped Calliope to get their wraps and to fill the 'bus with hot stones from the oven and with many quilts, and we made ready a basket of pop-corn and apples and of the cedar hung around the little room. They stood about us to say good-by, or to tell us some last bit of the news of their long-past youth – dear, wrinkled faces framed in broad lines of bonnet or hood, and smiling, every one.

"This gray shawl I got on me is the very one I used to wrap Amy in to carry her through the cold hall," said Grandma Holly. "My land-a-livin'! seems's if I'd been with her to-night, over again!"

Their way of thanks lay among stumbling words and vague repetitions, but there was a kind of glory in their grateful faces, and one always remembers that.

"Merry Prismas, gramma ladies!" Viola cried shrilly at the 'bus door, and within they laughed like mothers as they answered. And Jimmy Sturgis cracked his whip, and the sleigh-bells jingled.

Nita Ordway and Viola and I stood for a moment with Calliope at her gate.

"Come!" we begged her, "now go with us. We are all late together. There is no reason why you should not go with us to the Christmas party."

But Calliope shook her head.

"I'm ever so much obliged to you," she said, "but oh, I couldn't. I've hed too rilly a Christmas to come down to a party anywheres."

When Nita and Viola and I reached Proudfit House, the guests were all assembled, but we knew that Mrs. Proudfit and Miss Clementina would be the first to forgive us when they understood.

The big colonial home was bright with scarlet-shaded candles and holly-hung walls; there was mistletoe on the sconces, and in the great hall there were tuneful strings. On the landing of the stairs stood Mrs. Proudfit and Miss Clementina, charmingly pretty in their delicate frocks, and wholly gay and gracious. ("They seem lively like in pictures where folks don't make a loud sound a-talkin'," said Friendship. "I s'pose it's somethin' you learn in the City.") And Friendship wore its loyalty like a mantle. Twelve years had passed, and yet one and another said under breath and sighed, "If only Miss Linda could 'a' been here, too."

All Friendship Village was there, save Abel Halsey, who was at the Good Shepherd's Home Christmas tree in the City, and, perhaps one would say, Delia More, who had begged to be allowed to help in the kitchen "an' be there that way." Even Peleg Bemus was in his place in the orchestra, sitting with closed eyes, playing his flute, and keeping audible time with his wooden leg, – quite as he did when he played his flute at night, on Friendship streets. And there was Mis' Postmaster Sykes, in the tobacco-brown net, with butterflies stitched down the skirt and the Lady Washington geranium in her hair – and forever near her went little Miss Liddy Ember with an almost passionate creative pride in the gown of her hand, so that she would murmur her patron an occasional warning: "Mis' Sykes, throw back your shoulders, you hev to, to bring out the real set o' the basque;" or, "Don't forget you want to give a little hitch to the back when you stand up, Mis' Sykes." And to one and another Liddy said proudly, "I declare if I didn't get that skirt with the butterflies just like a magazine cover." And there, too, was Ellen Ember, wearing a white book muslin and a rosy "nubia" that had been her mother's; and Ellen's face was uplifted, and of pale distinction under the bronze glory of her hair, but all that evening she smiled and sang and wondered, in utter absence of the spirit. ("Oh," poor Miss Liddy said, "I do so want Ellen to come herself before supper. She won't remember a thing she eats, an' she don't have much that's tasty an' good. It'll be just like she missed the whole thing, in spite of all the chore o' comin'.") And there were Mis' Doctor Helman in her new wine silk; Mis' Banker Mason in the black-and-white foulard designed to grace a festival or to respect a tomb; Mis' Sturgis, in a put-away dress that was a surprise to every one; Mis' Holcomb-that-was-Mame-Bliss, and Eppleby, and the "Other" Holcombs; Abigail Arnold, the Gekerjecks, Mis' Toplady and Timothy, even Mis' Mayor Uppers – no one was forgotten. And – save poor Ellen – every one was aglow with the sweet satisfaction of having sent abroad a brave array of pretty things, with stitches of rose and blue on flowered fabrics, with the flutter of ribbons, and the breath of sachets, and with many a gift of substance to those less generously endowed. To them all the delight of the season was in the gifts of their hands and in the night's merry-making, and in the joy of keeping holiday. Here, as Calliope had said, Christmas, begun in a stocking, was ending in a candle.

And yet it was Star of Bethlehem night, the night of Him who "didn't mention givin' things at all."

X

LONESOME. – I

Calliope and I were talking over the Proudfit party, as I had grown to like to talk over most things with her, when I said something of two of the guests whom I did not remember before to have seen: a little man of shy gravity and an extremely pretty girl who, if she looked at any one but him, did so quite undetected.

"That's Eb Goodnight," Calliope replied, "him of the new-born spine. Wasn't it like the Proudfits to ask them?"

And, at my question:

"Some folks," Calliope said, "has got spines and some folks hasn't. But what I say is, nobody can tell which is which. Because now and then the soft-spine' kind just hardens up all in a minute same as steel. So when I meet a stranger that sort o' sops along through life, limp and floppy, I never judge him. I just say, 'You look some like a loose shutter, but mebbe you can fair bang the house down, if you rilly get to blowin'.' It was that way with Eb Goodnight.

"I donno how it is other places. But I've noticed with us here in Friendship – an' I've grown to the town from short dresses to bein'-careful-what-I-eat – I've often noticed't when folks seems not to have any backbone to speak of, or even when they go 'round sort o' crazy – they's usually some other reason, like enough. Sensitive or sick or lonesome, or like that. It was so with Eb – an' it was so with Elspie. Elspie, though, was interestin' on account o' bein' not only a little crazy, but rill pretty besides. But Eb, he was the kind that a sign-board is more interestin' than. An' yet – "

With that she paused, looking down some way of her own thought. I knew Calliope's "an' yet." It splendidly conceded the entire converse of her argument.

"Eb come here to Friendship," she went on, "less public than Elspie did. Elspie come official, as an inmate o' the county house. Eb, he sort o' crep' in town, like he crep' everywhere else. He introduced himself to me through sellin' needles. He walked in on me an' a two-weeks ironin' one mornin' with, 'Lemme present myself as Ebenezer Goodnight, sewin' needles, knittin' needles, crochet hooks an' shuttles an' anything o' that,' an' down he set an' never opened his mouth about his needles again. Eb was real delicate, for an agent. He just talked all the time about Friendship an' himself. 'The whol' blame' town's kin,' s'e; 'I never see such a place. Everybody's kin, only just me. Air you,' he ask' me wistful, 'cousin' of 'em all, too?'

"'Mis' Sprague that's dead was connected up with me by marriage an' Mis' Sykes is my mother's secunt cousin,' I owned up.'

"'That's it again,' s'e, sighin'. 'I'm the odd number, dum it,' he says sorrowful.

"Well, an' he hed sort of an odd-number way about him, too. He went along the street like he didn't belong. I donno if you know what I mean, but he was always takin' in the tops o' buildin's an' lookin' at the roads an' behavin' like he noticed – the way you don't when you live in a town. Yes, Ebenezer Goodnight went around like he see things for the first time. An' somehow he never could join in. When he walked up to a flock o' men, he stood side of 'em, an' not with 'em. An' he shook hands sort o' loose an' temporary like he meant somethin' else. An' he just couldn't bear not to agree with you. If he let out't the sky was blue an' you said, No, pink, he'd work around till he'd dyed his sky pink, too. That man would agree to things he never heard of. Let Peleg Bemus be tellin' one o' his eastern janitor adventures, an' Eb'd set an' agree with him, past noddin' an' up to words, all about elevators an' Ferris boats an' Eyetalians an' things he'd never laid look to. He seemed to hev a spine made mostly o' molasses. An' sometimes I think your spine's your soul.

"Eb hed been lonelyin' 'round the village a month or so when Sum Merriman, that run the big rival business to the post-office store, an' was fire chief besides, took him an' his peddler's pack into the dry goods end – an' Eb was tickled. He went down first mornin' in his best clo'es, a-wearin' both collar an' cuffs. But when somebody remarked on the clo'es, he didn't hev backbone enough to keep on wearin' 'em – he slimpsed right back to his peddler duds an' done his best to please. An' he did please – he made a rill first-rate merchant clear up till June o' the year. An' then Sum Merriman, his employer, he went to work an' died.

"Sum died a Tuesday, an', bein' it never rains but it pours, an' piles peelin's on ashes, or whatever it is they say, it was the Tuesday that the poorhouse burnt down – just like it knew the fire chief was gone. The poorhouse use' to be across the track, beyond the cemetery an' quite near my house. An' the night it burnt I was settin' on the side stoop without anything over my head, just smellin' in the air, when I see a little pinky look on the sky beyond the track. It wasn't moon-time, an' they wa'n't nothin' to bonfire that time o' year, an' I set still, pretendin' it was rose-bushes makin' a ladder an' buildin' a way of escape by night. It was such a nice evenin' you couldn't imagine anything rilly happenin' bad. But all at once I heard the fire-engine bell poundin' away like all possessed – an' then runnin' feet, like when they's an accident. I got to the gate just as somebody come rushin' past, an' I piped up what was the matter. 'Poorhouse's afire,' s'e. 'Poorhouse,' s'I. 'My land!' An' I out the gate an' run alongside of him, an' he sort o' slowed down for me, courteous.

"Then I noticed it was Eb Goodnight – lonelier'n ever now that his employer hed died that day. I'd never see Eb hustle that much before, an' the thought went through my head, kind o' wonderin', that he was runnin' as if the fire was a real relation o' his an' he was sent for. 'Know anything else about it?' I ask' him, keepin' up. 'Not much,' s'e, 'but I guess it's got such a head-start the whol' thing'll go like a shell.' An' when we got to the top o' the bank on the other side o' the track, we see it was that way – the poorhouse'd got such a head-start burnin' that nothin' could save it, though Timothy Toplady, that was town marshal an' chairman o' the county board, an' Silas Sykes an' Eppleby Holcomb, that was managers o' the poorhouse, an' some more, went puffin' past us, yellin', 'Put it out – run fer water – why don't you do suthin'?' – an' like that, most beside theirselves.

"'Them poor critturs,' says I, 'oh, my, them poor critturs in the home' – for there must 'a' ben twenty o' the county charges all quartered in the buildin'. An' when we come to the foot o' the poorhouse hill, land, land, I never see such Bedlam.

"The fire had started so soon after dusk that the inmates was all up yet. An' they was half of 'em huddled in a bunch by the side-yard stile an' half of 'em runnin' 'round wild as anything. The whol' place looked like when you hev a bad dream. It made me weak in my knees, an' I was winded anyway with runnin', an' I stopped an' leant up against a tree, an' Eb, he stopped too, takin' bearin's. An' there I was, plump against Elspie, standin' holdin' her arms 'round the tree trunk an' shiverin' some.

"'Elspie,' s'I, 'why, you poor child.'

"'No need to rub that in,' s'she, tart. It's the one word the county charges gets sensitive about – an' Eb, he seemed to sense that, an' he ask' her, hasty, how the fire started. He called her 'Miss,' too, an' I judged that 'Miss' was one o' them poultice words to her.