“What’s the matter with it, Monroe?” asked Broaca bluntly.
“Well, it hardly seems worthwhile to go into it,” said Stahr. Reinmund and Wylie White were both thinking of the professional effect on them. Reinmund had two pictures to his account this year—but Wylie White needed a credit to start his comeback to the scene. Jane Meloney was watching Stahr closely from little skull-like eyes.
“Couldn’t you give us some clue,” Reinmund asked. “This is a good deal of a blow, Monroe.”
“I just wouldn’t put Margaret Sullavan in it,” said Stahr. “Or Colman either. I wouldn’t advise them to play it—”
“Specifically, Monroe,” begged Wylie White. “What didn’t you like? The scenes? The dialogue? The humor? Construction?”
Stahr picked up the script from his desk, let it fall as if it were, physically, too heavy to handle.
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