
The Middle Temple Murder
"Make it then."
"It is simply this," said Aylmore, turning to the Coroner. "I have found it convenient, during the past three years, to rent a simple set of chambers in the Temple, where I could occasionally—very occasionally, as a rule—go late at night. I also found it convenient, for my own reasons—with which, I think, no one has anything to do—to rent those chambers under the name of Mr. Anderson. It was to my chambers that Marbury accompanied me for a few moments on the midnight with which we are dealing. He was not in them more than five minutes at the very outside: I parted from him at my outer door, and I understood that he would leave the Temple by the way we had entered and would drive or walk straight back to his hotel. That is the whole truth. I wish to add that I ought perhaps to have told all this at first. I had reasons for not doing so. I told what I considered necessary, that I parted from Marbury, leaving him well and alive, soon after midnight."
"What reasons were or are they which prevented you from telling all this at first?" asked the Treasury Counsel.
"Reasons which are private to me."
"Will you tell them to the court?"
"No!"
"Then will you tell us why Marbury went with you to the chambers in Fountain Court which you tenant under the name of Anderson?"
"Yes. To fetch a document which I had in my keeping, and had kept for him for twenty years or more."
"A document of importance?"
"Of very great importance."
"He would have it on him when he was—as we believe he was—murdered and robbed?"
"He had it on him when he left me."
"Will you tell us what it was?"
"Certainly not!"
"In fact, you won't tell us any more than you choose to tell?"
"I have told you all I can tell of the events of that night."
"Then I am going to ask you a very pertinent question. Is it not a fact that you know a great deal more about John Marbury than you have told this court?"
"That I shall not answer."
"Is it not a fact that you could, if you would, tell this court more about John Marbury and your acquaintanceship with him twenty years ago?"
"I also decline to answer that."
The Treasury Counsel made a little movement of his shoulders and turned to the Coroner.
"I should suggest, sir, that you adjourn this enquiry," he said quietly.
"For a week," assented the Coroner, turning to the jury.
The crowd surged out of the court, chattering, murmuring, exclaiming— spectators, witnesses, jurymen, reporters, legal folk, police folk, all mixed up together. And Spargo, elbowing his own way out, and busily reckoning up the value of the new complexions put on everything by the day's work, suddenly felt a hand laid on his arm. Turning he found himself gazing at Jessie Aylmore.
CHAPTER FOURTEEN
THE SILVER TICKETWith a sudden instinct of protection, Spargo quickly drew the girl aside from the struggling crowd, and within a moment had led her into a quiet by-street. He looked down at her as she stood recovering her breath.
"Yes?" he said quietly.
Jessie Aylmore looked up at him, smiling faintly.
"I want to speak to you," she said. "I must speak to you."
"Yes," said Spargo. "But—the others? Your sister?—Breton?"
"I left them on purpose to speak to you," she answered. "They knew I did. I am well accustomed to looking after myself."
Spargo moved down the by-street, motioning his companion to move with him.
"Tea," he said, "is what you want. I know a queer, old-fashioned place close by here where you can get the best China tea in London. Come and have some."
Jessie Aylmore smiled and followed her guide obediently. And Spargo said nothing, marching stolidly along with his thumbs in his waistcoat pockets, his fingers playing soundless tunes outside, until he had installed himself and his companion in a quiet nook in the old tea-house he had told her of, and had given an order for tea and hot tea-cakes to a waitress who evidently knew him. Then he turned to her.
"You want," he said, "to talk to me about your father."
"Yes," she answered. "I do."
"Why?" asked Spargo.
The girl gave him a searching look.
"Ronald Breton says you're the man who's written all those special articles in the Watchman about the Marbury case," she answered. "Are you?"
"I am," said Spargo.
"Then you're a man of great influence," she went on. "You can stir the public mind. Mr. Spargo—what are you going to write about my father and today's proceedings?"
Spargo signed to her to pour out the tea which had just arrived. He seized, without ceremony, upon a piece of the hot buttered tea-cake, and bit a great lump out of it.
"Frankly," he mumbled, speaking with his mouth full, "frankly, I don't know. I don't know—yet. But I'll tell you this—it's best to be candid—I shouldn't allow myself to be prejudiced or biassed in making up my conclusions by anything that you may say to me. Understand?"
Jessie Aylmore took a sudden liking to Spargo because of the unconventionality and brusqueness of his manners.
"I'm not wanting to prejudice or bias you," she said. "All I want is that you should be very sure before you say—anything."
"I'll be sure," said Spargo. "Don't bother. Is the tea all right?"
"Beautiful!" she answered, with a smile that made Spargo look at her again. "Delightful! Mr. Spargo, tell me!—what did you think about—about what has just happened?"
Spargo, regardless of the fact that his fingers were liberally ornamented with butter, lifted a hand and rubbed his always untidy hair. Then he ate more tea-cake and gulped more tea.
"Look here!" he said suddenly. "I'm no great hand at talking. I can write pretty decently when I've a good story to tell, but I don't talk an awful lot, because I never can express what I mean unless I've got a pen in my hand. Frankly, I find it hard to tell you what I think. When I write my article this evening, I'll get all these things marshalled in proper form, and I shall write clearly about 'em. But I'll tell you one thing I do think—I wish your father had made a clean breast of things to me at first, when he gave me that interview, or had told everything when he first went into that box."
"Why?" she asked.
"Because he's now set up an atmosphere of doubt and suspicion around himself. People'll think—Heaven knows what they'll think! They already know that he knows more about Marbury than he'll tell, that—"
"But does he?" she interrupted quickly. "Do you think he does?"
"Yes!" replied Spargo, with emphasis. "I do. A lot more! If he had only been explicit at first—however, he wasn't. Now it's done. As things stand—look here, does it strike you that your father is in a very serious position?"
"Serious?" she exclaimed.
"Dangerous! Here's the fact—he's admitted that he took Marbury to his rooms in the Temple that midnight. Well, next morning Marbury's found robbed and murdered in an entry, not fifty yards off!"
"Does anybody suppose that my father would murder him for the sake of robbing him of whatever he had on him?" she laughed scornfully. "My father is a very wealthy man, Mr. Spargo."
"May be," answered Spargo. "But millionaires have been known to murder men who held secrets."
"Secrets!" she exclaimed.
"Have some more tea," said Spargo, nodding at the teapot. "Look here—this way it is. The theory that people—some people—will build up (I won't say that it hasn't suggested itself to me) is this:—There's some mystery about the relationship, acquaintanceship, connection, call it what you like, of your father and Marbury twenty odd years ago. Must be. There's some mystery about your father's life, twenty odd years ago. Must be—or else he'd have answered those questions. Very well. 'Ha, ha!' says the general public. 'Now we have it!' 'Marbury,' says the general public, 'was a man who had a hold on Aylmore. He turned up. Aylmore trapped him into the Temple, killed him to preserve his own secret, and robbed him of all he had on him as a blind.' Eh?"
"You think—people will say that?" she exclaimed.
"Cock-sure! They're saying it. Heard half a dozen of 'em say it, in more or less elegant fashion as I came out of that court. Of course, they'll say it. Why, what else could they say?"
For a moment Jessie Aylmore sat looking silently into her tea-cup. Then she turned her eyes on Spargo, who immediately manifested a new interest in what remained of the tea-cakes.
"Is that what you're going to say in your article tonight?" she asked, quietly.
"No!" replied Spargo, promptly. "It isn't. I'm going to sit on the fence tonight. Besides, the case is sub judice. All I'm going to do is to tell, in my way, what took place at the inquest."
The girl impulsively put her hand across the table and laid it on Spargo's big fist.
"Is it what you think?" she asked in a low voice.
"Honour bright, no!" exclaimed Spargo. "It isn't—it isn't! I don't think it. I think there's a most extraordinary mystery at the bottom of Marbury's death, and I think your father knows an enormous lot about Marbury that he won't tell, but I'm certain sure that he neither killed Marbury nor knows anything whatever about his death. And as I'm out to clear this mystery up, and mean to do it, nothing'll make me more glad than to clear your father. I say, do have some more tea-cake? We'll have fresh ones—and fresh tea."
"No, thank you," she said smiling. "And thank you for what you've just said. I'm going now, Mr. Spargo. You've done me good."
"Oh, rot!" exclaimed Spargo. "Nothing—nothing! I've just told you what I'm thinking. You must go?…"
He saw her into a taxi-cab presently, and when she had gone stood vacantly staring after the cab until a hand clapped him smartly on the shoulder. Turning, he found Rathbury grinning at him.
"All right, Mr. Spargo, I saw you!" he said. "Well, it's a pleasant change to squire young ladies after being all day in that court. Look here, are you going to start your writing just now?"
"I'm not going to start my writing as you call it, until after I've dined at seven o'clock and given myself time to digest my modest dinner," answered Spargo. "What is it?"
"Come back with me and have another look at that blessed leather box," said Rathbury. "I've got it in my room, and I'd like to examine it for myself. Come on!"
"The thing's empty," said Spargo.
"There might be a false bottom in it," remarked Rathbury. "One never knows. Here, jump into this!"
He pushed Spargo into a passing taxi-cab, and following, bade the driver go straight to the Yard. Arrived there, he locked Spargo and himself into the drab-visaged room in which the journalist had seen him before.
"What d'ye think of today's doings, Spargo?" he asked, as he proceeded to unlock a cupboard.
"I think," said Spargo, "that some of you fellows must have had your ears set to tingling."
"That's so," assented Rathbury. "Of course, the next thing'll be to find out all about the Mr. Aylmore of twenty years since. When a man won't tell you where he lived twenty years ago, what he was exactly doing, what his precise relationship with another man was—why, then, you've just got to find out, eh? Oh, some of our fellows are at work on the life history of Stephen Aylmore, Esq., M.P., already—you bet! Well, now, Spargo, here's the famous box."
The detective brought the old leather case out of the cupboard in which he had been searching, and placed it on his desk. Spargo threw back the lid and looked inside, measuring the inner capacity against the exterior lines.
"No false bottom in that, Rathbury," he said. "There's just the outer leather case, and the inner lining, of this old bed-hanging stuff, and that's all. There's no room for any false bottom or anything of that sort, d'you see?"
Rathbury also sized up the box's capacity.
"Looks like it," he said disappointedly. "Well, what about the lid, then? I remember there was an old box like this in my grandmother's farmhouse, where I was reared—there was a pocket in the lid. Let's see if there's anything of the sort here?"
He threw the lid back and began to poke about the lining of it with the tips of his fingers, and presently he turned to his companion with a sharp exclamation.
"By George, Spargo!" he said. "I don't know about any pocket, but there's something under this lining. Feels like—here, you feel. There—and there."
Spargo put a finger on the places indicated.
"Yes, that's so," he agreed. "Feels like two cards—a large and a small one. And the small one's harder than the other. Better cut that lining out, Rathbury."
"That," remarked Rathbury, producing a pen-knife, "is just what I'm going to do. We'll cut along this seam."
He ripped the lining carefully open along the upper part of the lining of the lid, and looking into the pocket thus made, drew out two objects which he dropped on his blotting pad.
"A child's photograph," he said, glancing at one of them. "But what on earth is that?"
The object to which he pointed was a small, oblong piece of thin, much-worn silver, about the size of a railway ticket. On one side of it was what seemed to be a heraldic device or coat-of-arms, almost obliterated by rubbing; on the other, similarly worn down by friction, was the figure of a horse.
"That's a curious object," remarked Spargo, picking it up. "I never saw anything like that before. What can it be?"
"Don't know—I never saw anything of the sort either," said Rathbury. "Some old token, I should say. Now this photo. Ah—you see, the photographer's name and address have been torn away or broken off—there's nothing left but just two letters of what's apparently been the name of the town—see. Er—that's all there is. Portrait of a baby, eh?"
Spargo gave, what might have been called in anybody else but him, a casual glance at the baby's portrait. He picked up the silver ticket again and turned it over and over.
"Look here, Rathbury," he said. "Let me take this silver thing. I know where I can find out what it is. At least, I think I do.''
"All right," agreed the detective, "but take the greatest care of it, and don't tell a soul that we found it in this box, you know. No connection with the Marbury case, Spargo, remember."
"Oh, all right," said Spargo. "Trust me."
He put the silver ticket in his pocket, and went back to the office, wondering about this singular find. And when he had written his article that evening, and seen a proof of it, Spargo went into Fleet Street intent on seeking peculiar information.
CHAPTER FIFTEEN
MARKET MILCASTERThe haunt of well-informed men which Spargo had in view when he turned out of the Watchman office lay well hidden from ordinary sight and knowledge in one of those Fleet Street courts the like of which is not elsewhere in the world. Only certain folk knew of it. It was, of course, a club; otherwise it would not have been what it was. It is the simplest thing in life, in England, at any rate, to form a club of congenial spirits. You get so many of your choice friends and acquaintances to gather round you; you register yourselves under a name of your own choosing; you take a house and furnish it according to your means and your taste: you comply with the very easy letter of the law, and there you are. Keep within that easy letter, and you can do what you please on your own premises. It is much more agreeable to have a small paradise of your own of this description than to lounge about Fleet Street bars.
The particular club to which Spargo bent his steps was called the Octoneumenoi. Who evolved this extraordinary combination of Latin and Greek was a dark mystery: there it was, however, on a tiny brass plate you once reached the portals. The portals were gained by devious ways. You turned out of Fleet Street by an alley so narrow that it seemed as if you might suddenly find yourself squeezed between the ancient walls. Then you suddenly dived down another alley and found yourself in a small court, with high walls around you and a smell of printer's ink in your nose and a whirring of printing presses in your ears. You made another dive into a dark entry, much encumbered by bales of paper, crates of printing material, jars of printing ink; after falling over a few of these you struck an ancient flight of stairs and went up past various landings, always travelling in a state of gloom and fear. After a lot of twisting and turning you came to the very top of the house and found it heavily curtained off. You lifted a curtain and found yourself in a small entresol, somewhat artistically painted—the whole and sole work of an artistic member who came one day with a formidable array of lumber and paint-pots and worked his will on the ancient wood. Then you saw the brass plate and its fearful name, and beneath it the formal legal notice that this club was duly registered and so on, and if you were a member you went in, and if you weren't a member you tinkled an electric bell and asked to see a member—if you knew one.
Spargo was not a member, but he knew many members, and he tinkled the bell, and asked the boy who answered it for Mr. Starkey. Mr. Starkey, a young gentleman with the biceps of a prize-fighter and a head of curly hair that would have done credit to Antinous, came forth in due course and shook Spargo by the hand until his teeth rattled.
"Had we known you were coming," said Mr. Starkey, "we'd have had a brass band on the stairs."
"I want to come in," remarked Spargo.
"Sure!" said Mr. Starkey. "That's what you've come for."
"Well, stand out of the way, then, and let's get in," said Spargo. "Look here," he continued when they had penetrated into a small vestibule, "doesn't old Crowfoot turn in here about this time every night?"
"Every night as true as the clock, my son Spargo, Crowfoot puts his nose in at precisely eleven, having by that time finished that daily column wherein he informs a section of the populace as to the prospects of their spotting a winner tomorrow," answered Mr. Starkey. "It's five minutes to his hour now. Come in and drink till he comes. Want him?"
"A word with him," answered Spargo. "A mere word—or two."
He followed Starkey into a room which was so filled with smoke and sound that for a moment it was impossible to either see or hear. But the smoke was gradually making itself into a canopy, and beneath the canopy Spargo made out various groups of men of all ages, sitting around small tables, smoking and drinking, and all talking as if the great object of their lives was to get as many words as possible out of their mouths in the shortest possible time. In the further corner was a small bar; Starkey pulled Spargo up to it.
"Name it, my son," commanded Starkey. "Try the Octoneumenoi very extra special. Two of 'em, Dick. Come to beg to be a member, Spargo?"
"I'll think about being a member of this ante-room of the infernal regions when you start a ventilating fan and provide members with a route-map of the way from Fleet Street," answered Spargo, taking his glass. "Phew!—what an atmosphere!"
"We're considering a ventilating fan," said Starkey. "I'm on the house committee now, and I brought that very matter up at our last meeting. But Templeson, of the Bulletin—you know Templeson—he says what we want is a wine-cooler to stand under that sideboard—says no club is proper without a wine-cooler, and that he knows a chap—second-hand dealer, don't you know—what has a beauty to dispose of in old Sheffield plate. Now, if you were on our house committee, Spargo, old man, would you go in for the wine-cooler or the ventilating fan? You see—"
"There is Crowfoot," said Spargo. "Shout him over here, Starkey, before anybody else collars him."
Through the door by which Spargo had entered a few minutes previously came a man who stood for a moment blinking at the smoke and the lights. He was a tall, elderly man with a figure and bearing of a soldier; a big, sweeping moustache stood well out against a square-cut jaw and beneath a prominent nose; a pair of keen blue eyes looked out from beneath a tousled mass of crinkled hair. He wore neither hat nor cap; his attire was a carelessly put on Norfolk suit of brown tweed; he looked half-unkempt, half-groomed. But knotted at the collar of his flannel shirt were the colours of one of the most famous and exclusive cricket clubs in the world, and everybody knew that in his day their wearer had been a mighty figure in the public eye.
"Hi, Crowfoot!" shouted Starkey above the din and babel. "Crowfoot, Crowfoot! Come over here, there's a chap dying to see you!"
"Yes, that's the way to get him, isn't it?" said Spargo. "Here, I'll get him myself."
He went across the room and accosted the old sporting journalist.
"I want a quiet word with you," he said. "This place is like a pandemonium."
Crowfoot led the way into a side alcove and ordered a drink.
"Always is, this time," he said, yawning. "But it's companionable. What is it, Spargo?"
Spargo took a pull at the glass which he had carried with him. "I should say," he said, "that you know as much about sporting matters as any man writing about 'em?"
"Well, I think you might say it with truth," answered Crowfoot.
"And old sporting matters?" said Spargo.
"Yes, and old sporting matters," replied the other with a sudden flash of the eye. "Not that they greatly interest the modern generation, you know."
"Well, there's something that's interesting me greatly just now, anyway," said Spargo. "And I believe it's got to do with old sporting affairs. And I came to you for information about it, believing you to be the only man I know of that could tell anything."
"Yes—what is it?" asked Crowfoot.
Spargo drew out an envelope, and took from it the carefully-wrapped-up silver ticket. He took off the wrappings and laid the ticket on Crowfoot's outstretched palm.
"Can you tell me what that is?" he asked.
Another sudden flash came into the old sportsman's eyes—he eagerly turned the silver ticket over.
"God bless my soul!" he exclaimed. "Where did you get this?"
"Never mind, just now," replied Spargo. "You know what it is?"
"Certainly I know what it is! But—Gad! I've not seen one of these things for Lord knows how many years. It makes me feel something like a young 'un again!" said Crowfoot. "Quite a young 'un!"
"But what is it?" asked Spargo.
Crowfoot turned the ticket over, showing the side on which the heraldic device was almost worn away.
"It's one of the original silver stand tickets of the old racecourse at Market Milcaster," answered Crowfoot. "That's what it is. One of the old original silver stand tickets. There are the arms of Market Milcaster, you see, nearly worn away by much rubbing. There, on the obverse, is the figure of a running horse. Oh, yes, that's what it is! Bless me!—most interesting."
"Where's Market Milcaster?" enquired Spargo. "Don't know it."
"Market Milcaster," replied Crowfoot, still turning the silver ticket over and over, "is what the topographers call a decayed town in Elmshire. It has steadily decayed since the river that led to it got gradually silted up. There used to be a famous race-meeting there in June every year. It's nearly forty years since that meeting fell through. I went to it often when I was a lad—often!"
"And you say that's a ticket for the stand?" asked Spargo.
"This is one of fifty silver tickets, or passes, or whatever you like to call 'em, which were given by the race committee to fifty burgesses of the town," answered Crowfoot. "It was, I remember, considered a great privilege to possess a silver ticket. It admitted its possessor—for life, mind you!—to the stand, the paddocks, the ring, anywhere. It also gave him a place at the annual race-dinner. Where on earth did you get this, Spargo?"
Spargo took the ticket and carefully re-wrapped it, this time putting it in his purse.
"I'm awfully obliged to you, Crowfoot," he said, "The fact is, I can't tell you where I got it just now, but I'll promise you that I will tell you, and all about it, too, as soon as my tongue's free to do so."
"Some mystery, eh?" suggested Crowfoot.
"Considerable," answered Spargo. "Don't mention to anyone that I showed it to you. You shall know everything eventually."
"Oh, all right, my boy, all right!" said Crowfoot. "Odd how things turn up, isn't it? Now, I'll wager anything that there aren't half a dozen of these old things outside Market Milcaster itself. As I said, there were only fifty, and they were all in possession of burgesses. They were so much thought of that they were taken great care of. I've been in Market Milcaster myself since the races were given up, and I've seen these tickets carefully framed and hung over mantelpieces—oh, yes!"