
The Rayner-Slade Amalgamation
Allerdyke nodded his head—in complete understanding and affirmation. He was thinking the same thing—thinking, too, that here was at least a clue, a real tangible clue.
"Aye!" he said. "I agree with you. Then, of course, the one and only thing to do is—"
"To find out who the person was that your cousin gave this particular print to!" said Chettle eagerly. "Of course, it's a big field. So far as I understand things, he'd been knocking round a good bit between the time of your taking this photo and his death. He'd been in London, hadn't he? And in Russia—in two or three places. How can we find out when and how he parted with this? For give it to somebody he did, and that somebody was a person who knew of the jewel transaction, and employed Lydenberg in it, and sent the photo to Lydenberg so that he should know your cousin by sight—at once. Mr. Allerdyke, the secret of these murders and thefts is—there!"
Chettle replaced the watch in the cardboard box from which he had taken it, produced a bit of sealing-wax from his pocket, sealed up the box, and put it and the other things belonging to Lydenberg back in the small trunk from which he had withdrawn them to show his companion. And Allerdyke watched him in silence, wondering and speculating about this new development.
"What do you want me to do?" he asked suddenly. "You've got some scheme, of course, or you wouldn't have got me down here alone."
"Just so," agreed Chettle. "I have a scheme—and that's why I did get you down here alone. Mr. Allerdyke, you're a sharp, shrewd man—all you Yorkshiremen are!—at least, all that I've ever come across. You're good hands at ferreting things out. Now, Mr. Allerdyke, let's be plain—there's no two ways about it, no doubt whatever of it, the only people in England that we're aware of who knew about this Nastirsevitch jewel transaction are—Fullaway and whoever he has in his employ! We know of nobody else—unless, indeed, it's the Chicago millionaire, Delkin, and he's not very likely to have wanted to go in for a job of this sort. No, sir—Fullaway is the suspected person, in my opinion!—though I'm going to take precious good care to keep that opinion to myself yet awhile, I can tell you. Fullaway, Mr. Allerdyke, Fullaway!"
"Well?" demanded Allerdyke. "And so—"
"And so I want you to use your utmost ingenuity to find out if your cousin James gave that photo to Fullaway," continued Chettle. "We know very well that he was in touch with Fullaway before he went off to Russia—I have it in my notes that when Fullaway came to see you here in Hull, at the Station Hotel, the day of your cousin's death, he told you that he and Mr. James Allerdyke had been doing business for a couple of years, and that they'd last met in London about the end of March, just before your cousin set off on his journey to Russia. Is that correct?"
"Quite correct—to the letter," answered Allerdyke.
"Very well," said Chettle. "Now, according to you, that 'ud be not so very long after you took that snapshot of your cousin? So, he'd probably have the third print of it—the one we've just been looking at—on him when he was in London at that time?"
"Very likely," assented Allerdyke.
"Then," said Chettle with great eagerness, "try, Mr. Allerdyke, try your best and cleverest to find out if he gave it to Fullaway. You can think—you with a sharp brain!—of some cunning fashion of finding that out. What?"
"I don't know," replied Allerdyke, slowly and doubtfully. He possessed quite as much ingenuity as Chettle credited him with, but his own resourcefulness in that direction only inclined him to credit other men with the possession of just the same faculty. "I don't know about that. If James did give that print to Fullaway, and if Fullaway made use of it as you think, Fullaway'll be far too cute ever to let on that it was given to him. See!"
"I see that—been seeing it all through," answered Chettle. "All the same, there's ways and means. Think of something—you know Fullaway a bit by this time. Try it!"
"Oh, I'll try it, you bet!" exclaimed Allerdyke. "I'll try it for all it's worth, and as cleverly as I can. In fact, I've already thought of a plan, and if you don't want me any more just now, I'll go to the post-office and send off a telegram that's something to do with it."
"Nothing more now, sir," answered Chettle. "But look here—you're not going back to town to-night?"
"Why, that's just what I meant to do," replied Allerdyke. "There's naught to stop here for, is there?"
"I'm expecting a message from the Christiania police some time this afternoon or evening," said Chettle. "I cabled to them yesterday making full inquiries about Lydenberg—he represented himself here, to Dr. Orwin and the police-surgeons especially, as being a medical man in practice in Christiania, who had come across to Hull on some entirely private family business. Now, we've made the most exhaustive inquiries here in Hull—there isn't a soul in the town knows anything whatever of Lydenberg! I'm as certain as I am that I see you that he'd no business here at all—except to kill and rob your cousin. And so, of course, we want to know if he really was what he said he was, over there. I pressed upon the Christiania police to let me know all they could within thirty-six hours. So if you'll stop the night here, I'll likely be able to show you their reply to me."
"Right!" answered Allerdyke. "I'll put up at the Station Hotel. You come and have your dinner with me there at seven o'clock."
"Much obliged, Mr. Allerdyke," replied Chettle. "I'll come."
Then Allerdyke went off to the General Post Office and sent a telegram to his housekeeper in Bradford—
"Send off at once by registered parcel post to me at Waldorf Hotel, London, the morocco-bound photograph album lying on right-hand corner of my writing-desk in the library.—MARSHALL ALLERDYKE."
He went out of the post-office laughing cynically. Bit by bit things were coming out, he said to himself as he strolled away towards the hotel; link after link the chain was being forged. But around whom, in the end, was it going to be fastened? It was the first time in his life that he had ever been brought face to face with crime, and the seeking out of the criminal was beginning to fascinate him.
"Egad, it's a queer business!" he muttered. "A thread here, a thread there!—Heaven knows what it'll all come to. But this Chettle's a good 'un—he's like to do things."
Chettle joined him in the smoking-room of the hotel at a quarter to seven, and immediately produced a telegram.
"Came half an hour ago," he said as they sat down in a corner. "Nobody but myself seen it up to now. And—it's just what I expected. Read it."
Allerdyke slowly read the message through, pondering over it—
"We have made fullest inquiries concerning Lydenberg. He was certainly not in practice here either under that or any other name. Nothing is known of him as a resident in this city. We have definitely ascertained that he came to Christiania from Copenhagen, by land, via Lund and Copenhagen, arriving Christiania May 7th, and that he left here by steamship Perisco for Hull, May 10th."
"You notice the dates?" observed Chettle. "May 7th and 10th. Now, it was on May 8th that your cousin wired to Fullaway from Christiania, Mr. Allerdyke—there's no doubt about it! This man, Lydenberg, whoever he is or was, was sent to waylay your cousin at Christiania—sent from London. I've worked it out—he went overland—Belgium, Holland, Germany, Denmark, Sweden, Norway. Sounds a lot—but it's a quick journey. Sir—he was sent! And the sooner we find out about that photograph the better."
"I'm at work," answered Allerdyke. "Leave it to me."
He found his morocco-bound photograph album awaiting him when he arrived at the Waldorf Hotel next day, and during the afternoon he took it in his hand and strolled quietly and casually into Franklin Fullaway's rooms. Everything there looked as he had always seen it—Mrs. Marlow, charming as ever, was tapping steadily at her typewriter: Fullaway, himself a large cigar in his mouth, was reading the American newspapers, just arrived, in his own sanctum. He greeted Allerdyke with enthusiasm.
"Been away since yesterday, eh?" he said, after warm greetings. "Home?"
"Aye, I've been down to Yorkshire," responded Allerdyke offhandedly. "One or two things I wanted to see to, and some things I wanted to get. This is one of 'em."
"Family Bible?" inquired Fullaway, eyeing the solemnly bound album.
"No. Photos," answered Allerdyke. He was going to test things at once, and he opened the book at the fateful page. "I'm a bit of an amateur photographer," he went on, with a laugh. "Here's what's probably the last photo ever taken of James. What d'ye think of it?"
Fullaway glanced at the photograph, all unconscious that his caller was watching him as he had never been watched in his life. He waved his cigar at the open page.
"Oh!" he said airily. "A remarkably good likeness—wonderful! I said so when I saw it before—excellent likeness, Allerdyke, excellent! Couldn't be beaten by a professional. Excellent!"
Marshall Allerdyke felt his heart beating like a sledgehammer as he put his next question, and for the life of him he could not tell how he managed to keep his voice under control.
"Ah!" he said. "You've seen it before, then? James show it to you?"
Fullaway nodded towards the door of the outer room, from which came the faint click of the secretary's machine.
"He gave one to Mrs. Marlow the very last time he was here." he answered. "They were talking about amateur photography, and he pulled a print of that out of his pocket and made her a present of it; said it couldn't be beaten. You're a clever hand, Allerdyke—most lifelike portrait I ever saw. Well—any news?"
CHAPTER XIX
THE LATE CALL
It was with a mighty effort of will that Allerdyke controlled himself sufficiently to be able to answer Fullaway's question with calmness. This was for him a critical moment. He knew now to whom James Allerdyke had given the photograph which Chettle had found concealed in Lydenberg's watch; knew that the recipient was sitting close by him, separated only from him by a wall and a door; knew that between her and Lydenberg, or those who had been in touch with Lydenberg, there must be some strange, secret, and sinister connection. From Mrs. Marlow to Lydenberg that photograph had somehow passed, and, as Chettle had well said, the entire problem of the murders and thefts was mixed up in its transference. All that was certain—what seemed certain, too, was that Fullaway knew nothing of these things, and was as innocent as he himself. And for the fraction of a second he was half-minded to tell all he knew to Fullaway there and then—and it was only by a still stronger effort of will that he restrained his tongue, determined to keep a stricter silence than ever, and replied to the American in an offhand, casual tone.
"News?" he said, with a half-laugh. "Nay, not that I know of. They take their time, those detective chaps. You heard aught?"
"Nothing particular," answered Fullaway. "Except that the Princess was in here this morning, and that Miss Lennard came at the same time. But neither of them had anything of importance to tell. The Princess has been ransacking her memory all about her affairs with your cousin; she's more certain than ever now that nobody in Russia but he and she knew anything about the jewel deal. They were always in strict privacy when they discussed the matter; no one was present when she gave him the jewels; she never mentioned the affair to a soul, and she's confident from what she knew of him, that he wouldn't. So she's more convinced than ever that the news got out from this side."
"And Miss Lennard—what did she want?" asked Allerdyke.
"Oh! she's found the various references—two or three of 'em—that she had with the French maid," replied Fullaway. "I looked at them—there's nothing in them but what you'd expect to find. Two of the writers are well-known society women, the third was a French marquise. I don't think anything's to be got out of them, but, anyway, I sent her off to Scotland Yard with them—it's their work that. Fine photos there, Allerdyke," he continued, turning over the leaves of the album. "Some of your places in Bradford, eh."
Allerdyke, who was particularly anxious that he should not seem to have had an ulterior object in bringing the album up to Fullaway's office hailed this question with relief. He began to point out and explain the various pictures—photographs of his mills, warehouses, town office, his own private house, grounds, surroundings, chatting unconcernedly about each. And while the two men were thus engaged in came Mrs. Marlow, bringing letters which needed Fullaway's signature.
"Mrs. Marlow knows more about amateur photography than I do," remarked Fullaway, with a glance at his secretary. "Here, Mrs. Marlow, these are same of Mr. Allerdyke's productions—you remember that his cousin, Mr. James Allerdyke, gave you a photo which this Mr. Allerdyke had taken?"
Allerdyke, keenly watching the secretary's pretty face as she laid her papers on Fullaway's desk, saw no sign of embarrassment or confusion; Fullaway might have made the most innocent and ordinary remark in the world, and yet, according to Allerdyke's theory and positive knowledge, it must be fraught with serious meaning to this woman.
"Oh yes!" she flashed, without as much as the flicker of an eyelash. "I remember—a particularly good photo. So like him!"
Allerdyke's ingenuity immediately invented a remark; he was at that stage when, he wanted to know as much as possible.
"I wonder which print it was that he gave you?" he said. "One of them—I only did a few—had a spot in it that'll spread. If that's the one you've got, I'll give you another in its place, Mrs. Marlow. Have you got it here?"
But Mrs. Marlow shook her head and presented the same unabashed front.
"No," she answered readily enough. "I took it home, Mr. Allerdyke. But there's no spot on my print—I should have noticed it at once. May I look at your album when Mr. Fullaway's finished with it?"
Allerdyke left the album with them and went away. He was utterly astonished by Mrs. Marlow's coolness. If, as he already believed, she was mixed up in the murders and robberies, she must know that the photograph which James Allerdyke had given her was a most important factor, and yet she spoke of it as calmly and unconcernedly as if it had been a mere scrap of paper! Of course she hadn't got it at the office—nor at her home either—it was there at Hull, fitted into the cover of Lydenberg's old watch.
"A cool hand!" soliloquized Allerdyke as he went downstairs. "Cool, clever, calm, never off her guard. A damned dangerous woman!—that's the long and short of it. And—what next?"
Experience and observation of life had taught Marshall Allerdyke that good counsel is one of life's most valuable assets. He could think for himself and decide for himself at any moment, but he knew the worth and value of putting two heads together, especially at a juncture like this. And so, the afternoon being still young, he went off to his warehouse in Gresham Street, closeted himself with Ambler Appleyard, and having pledged him to secrecy, told him all that had happened since the previous morning.
Ambler Appleyard listened in silence. It was only two or three hours since he had listened to another story—the report of the two Gaffneys, and Allerdyke, all unaware of that business, had come upon him while he was still thinking it over. And while Appleyard gave full attention to all that his employer said, he was also thinking of what he himself could tell. By the time that Allerdyke had finished he, too, had decided to speak.
"So there it is, my lad!" exclaimed Allerdyke, throwing out his hands with an eloquent gesture as he made an end of his story. "I hope I've put it clearly to you. It's just as that Chap Chettle said—the whole secret is in that photograph! And isn't it plain?—that photograph must have been transferred somehow by this Mrs. Marlow to this Lydenberg. How? Why? When we can answer those questions—"
He paused at that, and, looking fixedly at his manager, shook his head half-threateningly.
"I'll tell you what it is, Ambler," he went on, after a moment's silence. "I've got a good, strong mind to go straight to the police authorities, tell 'em what I know, insist on 'em fetching Chettle up from Hull at once, and having that woman arrested. Why not?"
"No!" said Appleyard firmly. "Not yet. Too soon, Mr. Allerdyke—wait a bit. And now listen to me—I've something to tell you. I've been busy while you've been away—in this affair. Bit of detective work. I'll tell you all about it—all! You remember that day I went to lunch with you at the City Carlton, and you pointed out this Mrs. Marlow to me, going into Rothschild's? Yes, well—I recognized her."
"You did!" exclaimed Allerdyke. "Nay!"
"I recognized her," repeated Appleyard. "I said naught to you at the time, but I knew her well enough. As a matter of fact, I've known her for two years. She lives at the same boarding-house, the Pompadour Private Hotel, in Bayswater, that I live in. I see her—have been seeing her for two years—every day, morning and night. But I know her as Miss Slade."
"Miss?" ejaculated Allerdyke.
"Miss—Miss Slade," answered Appleyard. He drew his chair nearer to Allerdyke's, and went on in a lower voice. "Now, then, pay attention, and I'll tell you all about it, and what I've done since I got your note yesterday morning."
He told Allerdyke the whole story of his endeavour to find out something about Rayner merely because Rayner seemed to be in Miss Slade's confidence, and because Miss Slade was certainly a woman of mystery. And Allerdyke listened as quietly and attentively as Appleyard had listened to him, nodding his head at all the important points, and in the end he slapped his manager's shoulder with an approving hand.
"Good—good!" he said. "Good, Ambler! That was a bit of right work, and hang me if I don't believe we shall find something out. But what's to be done? You know, if these two are in at it, they may slip. That 'ud never do!"
"I don't think there's any fear of that—yet," answered Appleyard. "The probability is that neither has any suspicion of being watched—the whole thing's so clever that they probably believe themselves safe. Of course, mind you, this man Rayner may be as innocent as you or I. But against her, on the facts of that photograph affair, there's a primâ facie case. Only—don't let's spoil things by undue haste or rashness. I've thought things out a good deal, and we can do a lot, you and me, before going to the police, though I don't think it 'ud do any harm to tell this man Chettle, supposing he were here—because his discovery of that photo is the real thing."
"What can we do, then?" asked Allerdyke.
"Make use of the two Gaffneys," answered Appleyard without hesitation. "They're smart chaps–real keen 'uns. We want to find out who Rayner is; what his connection, if any, with Miss Slade, alias Mrs. Marlow, is; who she is, and why she goes under two names. That's all what you might call initial proceedings. What I propose is this—when you go back to your hotel, get Gaffney into your private sitting-room. You, of course, know him much better than I do, but from what bit I've seen of him I'm sure he's the sort of man one can trust. Tell him to get hold of that brother of his and bring him here at any hour you like to-morrow, and then—well, we can have a conference, and decide on some means of finding out more about Rayner and keeping an eye on him. For that sort of work I should say that other Gaffney's remarkably well cut out—he's a typical, sharp, knowing Cockney, with all his wits about him, and plenty of assurance."
"It's detective work, you know, Ambler," said Allerdyke. "It needs a bit of more than ordinary cuteness."
"From my observation, I should say both those chaps are just cut for it," answered Appleyard, with a laugh. "What's more, they enjoy it. And when men enjoy what they're doing—"
"Why, they do it well," agreed Allerdyke, finishing the sentence. "Aye, that's true enough. All right—I'll speak to Gaffney, when I go back. And look here—as you're so well known to this woman, Miss Slade or Mrs. Marlow, whichever her name is, you'd better not show up at the Waldorf at any time in my company, eh?"
"Of course," said Appleyard. "You trust me for that! What we've got to do must be done as secretly as possible."
Allerdyke rose to go, but turned before he reached the door.
"There's one thing I'm uneasy about," he said. "If—I say if, of course—if these folks—I mean the lot that's behind this woman, for I can't believe that she's worked it all herself—have got those jewels, won't they want to clear out with them? Isn't delay dangerous?"
"Not such delay as I'm thinking of," answered Appleyard firmly. "She's cute enough, this lady, and if she made herself scarce just now, she'd know very well that it would excite suspicion. Don't let's spoil things by being too previous. We've got a pretty good watch on her, you know. I should know very quickly if she cleared out of the Pompadour; you'd know if she didn't turn up at Fullaway's. Wait a bit, Mr. Allerdyke; it's the best policy. You'll come here to-morrow?"
"Eleven o'clock in the morning," replied Allerdyke. "I'll fix it with Gaffney to-night."
He went back to the Waldorf, summoned Gaffney to his private room, and sent him to arrange matters with his brother. Gaffney accepted the commission with alacrity; his brother, he said, was just then out of a job, having lost a clerkship through the sudden bankruptcy of his employers; such a bit of business as that which Mr. Appleyard had entrusted to him was so much meat and drink to one of his tastes—in more ways than one.
"It's the sort of thing he likes, sir," remarked Gaffney, confidentially. "He's always been a great hand at reading these detective tales, and to set him to watch anybody is like offering chickens to a nigger—he fair revels in it!"
"Well, there's plenty for him to revel in," observed Allerdyke grimly.
Plenty! he said to himself with a cynical laugh when Gaffney had left him—aye, plenty, and to spare. He spent the whole of that evening alone, turning every detail over in his own mind; he was still thinking, and speculating, and putting two and two together when he went to bed at eleven o'clock. And just as he was about to switch off his light a waiter knocked on his door.
"Gentleman downstairs, sir, very anxious to see you at once," he said, when Allerdyke opened it. "His card, sir."
Allerdyke gave one glance at the card—a plain bit of pasteboard on which one word had been hastily pencilled—
CHETTLECHAPTER XX
NUMBER FIFTY-THREE
Chettle!—whom he had left only that morning in Hull, two hundred miles away, both of them agreed that the next step was still unseen, and that immediate action was yet problematical. Something had surely happened to bring Chettle up to town and to him.
"Show Mr. Chettle up here at once," he said to the waiter. "And here—bring a small decanter of whisky and a syphon of soda-water and glasses. Be sharp with 'em."
He pulled on a dressing-gown when the man had gone, and, tying its cord about his waist, went a step or two into the corridor to look out for his visitor. A few minutes elapsed; then the lift came up, and the waiter, killing two birds with one stone, appeared again, escorting the detective and carrying a tray. And Allerdyke, with a sly wink at Chettle, greeted him unconcernedly, ushered him into his room and chatted about nothing until the waiter had gone away. Then he turned on him eagerly.
"What is it?" he demanded. "Something, of course! Aught new?"
For answer Chettle thrust his hand inside his overcoat and brought out a small package, wrapped in cartridge paper, and sealed.
He began to break the seals and unwrap the covering.
"Well, it brought me up here—straight," he said. "I think I shall have to let our people at the yard know everything, Mr. Allerdyke. But I came to you first–I only got to King's Cross half an hour ago, and I drove on to you at once. Well see what you think before I decide on anything."
"What is it!" repeated Allerdyke, gazing with interest at the package.
"You've found something of fresh importance, eh!"
Chettle took the lid off a small box and produced Lydenberg's watch and postcard on which the appointment in the High Street had been made. He sat down at the table, laying his hand on the watch.