He quickly presses the “decrease” button several times. Achieves a complete match of the size of the cells on the screen and on the paper.
The size of the cells coincided, but the image on the monitor screen is brighter than the wall.
Fred puts the camcorder on the table. Pick up the remote monitor.
– Adjust the brightness.
He presses the button “reduce brightness”. Monitor brightness starts to decrease. He keeps the button pressed until the brightness of the wall and the screen begins to coincide. He again misses a little. With quick and short clicks on the “increase brightness” button, he achieves a full coincidence of the brightness of the screen and the drawing paper with the coordinate grid.
On the wall, right above the monitor hangs the picture “Cubic Chess.” Fred takes a picture. In the wall there is a nail sticking out on which the picture was hanging. Fred picks up a long metal ruler from the table with a hole at one end.
– Now we will hang the pendulum and launch it to swing.
Fred hangs a ruler on a nail. It attaches a magnet from the old speaker to the lower end of the ruler. Then he pulls the lower end of the ruler to the side and releases. A ruler with a magnet on the end starts to swing like a pendulum. Fred moves away from the table and looks at the monitor.
– What do we see? The pendulum does not disappear behind the monitor. We see him constantly! We see objects and space behind the monitor, but we don’t see the insides of the monitor and the video camera.
He takes a screwdriver, and begins to unscrew the screws securing the casing (casing) of the monitor.
– It remains to remove the lining of the monitor, leaving only one “bare” LCD screen.
He puts the casing (casing) of the monitor on the floor. On the table there is only a “bare” screen. Fred looks at himself and the monitor through a mirror hanging on the opposite wall. He holds his hand between the monitor and the video camera.
– Here is the hand between the camera and the monitor, we do not see it.
He runs his hand between the camera and the wall.
– But the hand behind the camera, and we see it. Mom’s firm produces monitors that are as flexible as cloth. I will make a fairing for a motorcycle and a suit for myself out of such a monitor.
– It will be possible not only to change the color of the color, but also to be not visible. It will be necessary to prepare several options for coloring. All ingenious is simple! Well, who then will say that I am not a follower of Leonardo da Vinci?
GARAGE OF THE GANG
In the garage, on the left wall, when viewed from the gate, next to the entrance there are a lot of barrels of engine oil and other fuels and lubricants next to each other.
From these barrels in the garage spreads the smell of engine oil, diesel and gasoline. Perhaps this smell is not only and not so much from these long empty barrels, but from the walls themselves, the ceiling and the floor, which during the work of the transport company were soaked with the smell of fuels and lubricants. At the right wall, when viewed from the gate, somewhere in the middle, there is a crossbar (horizontal bar). Next to the crossbar, closer to the gate, two racks with bars. Under the counter, which is closer to the gate, there is a bench for the bench press. In the back of the garage is a table. On the table are small scales, a small bag of white powder, a pack of paper (for making sachets). Members of the group sit at the table, weighed and scattered white powder in small paper bags. Gray collects money, and returns to everyone, the interest due to him.
Leshy gives money. Gets a small part back.
– How I left the police! BUT?
– Cool! – Sincerely admires Dan. – Even in the news got, lucky as some. You are now almost a TV star!
Leshy whistles a song about money. (ABBA) “money money money”.
– And if someone would have killed? – He asks uncertainly Tikhon.
– Let them not click the beak. – Dan retorts.
Mountain gives money to Gray. Gray indicatively recounts money. Returns Woe interest.
– Accumulate – Dreaming Mountain. – And buy yourself a cool and powerful bike.
– I’m a cool iPhone. – Picks up the dreamy tone of Dan.
– I – Continues the topic Leshy. – Now I will go to all the films. No, I’ll buy a cool 3D home cinema. I’m picking up movies…
CYBERBIKE
.Fred pastes the motorcycle with pieces of a flexible LCD monitor, and solders the wires. The trim covers the entire motorcycle. The wheels are almost completely covered with a fairing.
The contour drawing of a motorcycle is visible on the monitor of the working computer. Fred, looking at the monitor, draws the outlines of the future borders of color. He “fills” the contours in different colors, tries different color options. All his actions are visible on the body of the motorcycle. Fred keeps coloring options in computer memory.
Fred takes out Leo’s processor from the system unit standing on the table.
He sets the Leo processor inside the bike. Fred connects the processor with the control unit, with video cameras and electrical equipment.
– Well? Let’s try? – Hurries to see the result of Fred.
Leo, already as a cybernetic motorcycle, standing on a stand, turns the lenses of the front video cameras, located in the front direction indicators.
– The room is turning! What’s happening? Can I turn the room around? This is for sure I turn on, turn, turn off, stop turning.
– This is not a room turning, it is you who control the rotation of video cameras.
– This is the turn of the camcorder. – Repeats Leo, and stores this data in his memory.
Leo starts turning the rear camcorder.
– What’s up with the room? Now I saw one wall, and now I see another.
– You probably switched to the rear camera. Before that, you saw what is in front of you, and now you see what is behind you.
– Switch from front to rear camcorders – Leo repeats again and stores in memory.
Leo turns the rear camera lenses.
– The room just does not move?
– No, this is the turn of the rear video cameras.
– This is a rear camera. – Repeats Leo, and stores this data in his memory.
Leo switches to the front camera, and includes an approximation (zoom) of lenses.
– The wall is moving towards me!
– This is not a wall moving towards you, apparently you increase the focal length of the lenses.