From the Caves and Jungles of Hindostan

Gradually open spaces and glades became more frequent and the light grew as intense as by day. Millions of grasshoppers were shrilling in the forest, filling the air with a metallic throbbing, and flocks of frightened parrots rushed from tree to tree. Sometimes the thundering, prolonged roars of tigers rose from the bottom of the precipices thickly covered with all kinds of vegetation. Shikaris assure us that, on a quiet night, the roaring of these beasts can be heard for many miles around. The panorama, lit up, as if by Bengal fires, changed at every turn. Rivers, fields, forests, and rocks, spread out at our feet over an enormous distance, moved and trembled, iridescent, in the silvery moonlight, like the tides of a mirage. The fantastic character of the pictures made us hold our breath. Our heads grew giddy if, by chance, we glanced down into the depths by the flickering moonlight. We felt that the precipice, 2,000 feet deep, was fascinating us. One of our American fellow travelers, who had begun the voyage on horseback, had to dismount, afraid of being unable to resist the temptation to dive head foremost into the abyss.

Several times we met with lonely pedestrians, men and young women, coming down Mataran on their way home after a day's work. It often happens that some of them never reach home. The police unconcernedly report that the missing man has been carried off by a tiger, or killed by a snake. All is said, and he is soon entirely forgotten. One person, more or less, out of the two hundred and forty millions who inhabit India does not matter much! But there exists a very strange superstition in the Deccan about this mysterious, and only partially explored, mountain. The natives assert that, in spite of the considerable number of victims, there has never been found a single skeleton. The corpse, whether intact or mangled by tigers, is immediately carried away by the monkeys, who, in the latter case, gather the scattered bones, and bury them skillfully in deep holes, that no traces ever remain. Englishmen laugh at this superstition, but the police do not deny the fact of the entire disappearance of the bodies. When the sides of the mountain were excavated, in the course of the construction of the railway, separate bones, with the marks of tigers' teeth upon them, broken bracelets, and other adornments, were found at an incredible depth from the surface. The fact of these things being broken showed clearly that they were not buried by men, because, neither the religion of the Hindus, nor their greed, would allow them to break and bury silver and gold. Is it possible, then, that, as amongst men one hand washes the other, so in the animal kingdom one species conceals the crimes of another?

Having spent the night in a Portuguese inn, woven like an eagle's nest out of bamboos, and clinging to the almost vertical side of a rock, we rose at daybreak, and, having visited all the points de vue famed for their beauty, made our preparations to return to Narel. By daylight the panorama was still more splendid than by night; volumes would not suffice to describe it. Had it not been that on three sides the horizon was shut out by rugged ridges of mountain, the whole of the Deccan plateau would have appeared before our eyes. Bombay was so distinct that it seemed quite near to us, and the channel that separates the town from Salsetta shone like a tiny silvery streak. It winds like a snake on its way to the port, surrounding Kanari and other islets, which look the very image of green peas scattered on the white cloth of its bright waters, and, finally, joins the blinding line of the Indian Ocean in the extreme distance. On the outer side is the northern Konkan, terminated by the Tal-Ghats, the needle-like summits of the Jano-Maoli rocks, and, lastly, the battlemented ridge of Funell, whose bold silhouette stands out in strong relief against the distant blue of the dim sky, like a giant's castle in some fairy tale. Further on looms Parbul, whose flat summit, in the days of old, was the seat of the gods, whence, according to the legends, Vishnu spoke to mortals. And there below, where the defile widens into a valley, all covered with huge separate rocks, each of which is crowded with historical and mythological legends, you may perceive the dim blue ridge of mountains, still loftier and still more strangely shaped. That is Khandala, which is overhung by a huge stone block, known by the name of the Duke's Nose. On the opposite side, under the very summit of the mountain, is situated Karli, which, according to the unanimous opinion or archeologists, is the most ancient and best preserved of Indian cave temples.

One who has traversed the passes of the Caucasus again and again; one who, from the top of the Cross Mountain, has beheld beneath her feet thunderstorms and lightnings; who has visited the Alps and the Rigi; who is well acquainted with the Andes and Cordilleras, and knows every corner of the Catskills in America, may be allowed, I hope, the expression of a humble opinion. The Caucasian Mountains, I do not deny, are more majestic than Ghats of India, and their splendour cannot be dimmed by comparison with these; but their beauty is of a type, if I may use this expression. At their sight one experiences true delight, but at the same time a sensation of awe. One feels like a pigmy before these Titans of nature. But in India, the Himalayas excepted, mountains produce quite a different impression. The highest summits of the Deccan, as well as of the triangular ridge that fringes Northern Hindostan, and of the Eastern Ghats, do not exceed 3,000 feet. Only in the Ghats of the Malabar coast, from Cape Comorin to the river Surat, are there heights of 7,000 feet above the surface of the sea. So that no comparison can be dawn between these and the hoary headed patriarch Elbruz, or Kasbek, which exceeds 18,000 feet. The chief and original charm of Indian mountains wonderfully consists in their capricious shapes. Sometimes these mountains, or, rather, separate volcanic peaks standing in a row, form chains; but it is more common to find them scattered, to the great perplexity of geologists, without visible cause, in places where the formation seems quite unsuitable. Spacious valleys, surrounded by high walls of rock, over the very ridge of which passes the railway, are common. Look below, and it will seem to you that you are gazing upon the studio of some whimsical Titanic sculptor, filled with half finished groups, statues, and monuments. Here is a dream-land bird, seated upon the head of a monster six hundred feet high, spreading its wings and widely gaping its dragon's mouth; by its side the bust of a man, surmounted by a helmet, battlemented like the walls of a feudal castle; there, again, new monsters devouring each other, statues with broken limbs, disorderly heaps of huge balls, lonely fortresses with loopholes, ruined towers and bridges. All this scattered and intermixed with shapes changing incessantly like the dreams of delirium. And the chief attraction is that nothing here is the result of art, everything is the pure sport of Nature, which, however, has occasionally been turned to account by ancient builders. The art of man in India is to be sought in the interior of the earth, not on its surface. Ancient Hindus seldom built their temples otherwise than in the bosom of the earth, as though they were ashamed of their efforts, or did not dare to rival the sculpture of nature. Having chosen, for instance, a pyramidal rock, or a cupola shaped hillock like Elephanta, Or Karli, they scraped away inside, according to the Puranas, for centuries, planning on so grand a style that no modern architecture has been able to conceive anything to equal it. Fables (?) about the Cyclops seem truer in India than in Egypt.

The marvellous railroad from Narel to Khandala reminds one of a similar line from Genoa up the Apenines. One may be said to travel in the air, not on land. The railway traverses a region 1,400 feet above Konkan, and, in some places, while one rail is laid on the sharp edge of the rock, the other is supported on vaults and arches. The Mali Khindi viaduct is 163 feet high. For two hours we hastened on between sky and earth, with abysses on both sides thickly covered with mango trees and bananas. Truly English engineers are wonderful builders.

The pass of Bhor-Ghat is safely accomplished and we are in Khandala. Our bungalow here is built on the very edge of a ravine, which nature herself has carefully concealed under a cover of the most luxuriant vegetation. Everything is in blossom, and, in this unfathomed recess, a botanist might find sufficient material to occupy him for a lifetime. Palms have disappeared; for the most part they grow only near the sea. Here they are replaced by bananas, mango trees, pipals (ficus religiosa), fig trees, and thousands of other trees and shrubs, unknown to such outsiders as ourselves. The Indian flora is too often slandered and misrepresented as being full of beautiful, but scentless, flowers. At some seasons this may be true enough, but, as long as jasmines, the various balsams, white tuberoses, and golden champa (champaka or frangipani) are in blossom, this statement is far from being true. The aroma of champa alone is so powerful as to make one almost giddy. For size, it is the king of flowering trees, and hundreds of them were in full bloom, just at this time of year, on Mataran and Khandala.

We sat on the verandah, talking and enjoying the surrounding views, until well-nigh midnight. Everything slept around us.

Khandala is nothing but a big village, situated on the flat top of one of the mountains of the Sahiadra range, about 2,200 feet above the sea level. It is surrounded by isolated peaks, as strange in shape as any we have seen.

One of them, straight before us, on the opposite side of the abyss, looked exactly like a long, one-storied building, with a flat roof and a battlemented parapet. The Hindus assert that, somewhere about this hillock, there exists a secret entrance, leading into vast interior halls, in fact to a whole subterranean palace, and that there still exist people who possess the secret of this abode. A holy hermit, Yogi, and Magus, who had inhabited these caves for "many centuries," imparted this secret to Sivaji, the celebrated leader of the Mahratta armies. Like Tanhauser, in Wagner's opera, the unconquerable Sivaji spent seven years of his youth in this mysterious abode, and therein acquired his extraordinary strength and valour.

Sivaji is a kind of Indian Ilia Moorometz, though his epoch is much nearer to our times. He was the hero and the king of the Mahrattas in the seventeenth century, and the founder of their short-lived empire. It is to him that India owes the weakening, if not the entire destruction, of the Mussulman yoke. No taller than an ordinary woman, and with the hand of a child, he was, nevertheless, possessed of wonderful strength, which, of course, his compatriots ascribed to sorcery. His sword is still preserved in a museum, and one cannot help wondering at its size and weight, and at the hilt, through which only a ten-year-old child could put his hand. The basis of this hero's fame is the fact that he, the son of a poor officer in the service of a Mogul emperor, like another David, slew the Mussulman Goliath, the formidable Afzul Khan. It was not, however, with a sling that he killed him, he used in this combat the formidable Mahratti weapon, vaghnakh, consisting of five long steel nails, as sharp as needles, and very strong. This weapon is worn on the fingers, and wrestlers use it to tear each other's flesh like wild animals. The Deccan is full of legends about Sivaji, and even the English historians mention him with respect. Just as in the fable respecting Charles V, one of the local Indian traditions asserts that Sivaji is not dead, but lives secreted in one of the Sahiadra caves. When the fateful hour strikes (and according to the calculations of the astrologers the time is not far off) he will reappear, and will bring freedom to his beloved country.

The learned and artful Brahmans, those Jesuits of India, profit by the profound superstition of the masses to extort wealth from them, sometimes to the last cow, the only food giver of a large family.

In the following passage I give a curious example of this. At the end of July, 1879, this mysterious document appeared in Bombay. I translate literally, from the Mahratti, the original having been translated into all the dialects of India, of which there are 273.

"Shri!" (an untranslatable greeting). "Let it be known unto every one that this epistle, traced in the original in golden letters, came down from Indra-loka (the heaven of Indra), in the presence of holy Brahmans, on the altar of the Vishveshvara temple, which is in the sacred town of Benares.

"Listen and remember, O tribes of Hindustan, Rajis-tan, Punjab, etc., etc. On Saturday, the second day of the first half of the month Magha, 1809, of Shalivahan's era" (1887 A.D.), "the eleventh month of the Hindus, during the Ashwini Nakshatra" (the first of the twenty-seven constellations on the moon's path), "when the sun enters the sign Capricorn, and the time of the day will be near the constellation Pisces, that is to say, exactly one hour and thirty-six minutes after sunrise, the hour of the end of the Kali-Yug will strike, and the much desired Satya-Yug will commence" (that is to say, the end of the Maha-Yug, the great cycle that embraces the four minor Yugas). "This time Satya-Yug will last 1,100 years. During all this time a man's lifetime will be 128 years. The days will become longer and will consist of twenty hours and forty-eight minutes, and the nights of thirteen hours and twelve minutes, that is to say, instead of twenty-four hours we shall have exactly thirty-four hours and one minute. The first day of Satya-Yug will be very important for us, because it is then that will appear to us our new King with white face and golden hair, who will come from the far North. He will become the autonomous Lord of India. The Maya of human unbelief, with all the heresies over which it presides, will be thrown down to Patala" (sig-nifying at once hell and the antipodes), "and the Maya of the righteous and pious will abide with them, and will help them to enjoy life in Mretinloka" (our earth).

"Let it also be known to everyone that, for the dissemination of this divine document, every separate copy of it will be rewarded by the forgiveness of as many sins as are generally forgiven when a pious man sacrifices to a Brahman one hundred cows. As for the disbelievers and the indifferent, they will be sent to Naraka" (hell). "Copied out and given, by the slave of Vishnu, Malau Shriram, on Saturday, the 7th day of the first half of Shravan" (the fifth month of the Hindu year), "1801, of Shalivalian's era" (that is, 26th July, 1879).

The further career of this ignorant and cunning epistle is not known to me. Probably the police put a stop to its distribution; this only concerns the wise administrators. But it splendidly illustrates, from one side, the credulity of the populace, drowned in superstition, and from the other the unscrupulousness of the Brahmans.

Concerning the word Patala, which literally means the opposite side, a recent discovery of Swami Dayanand Saraswati, whom I have already mentioned in the preceding letters, is interesting, especially if this discovery can be accepted by philologists, as the facts seem to promise. Dayanand tries to show that the ancient Aryans knew, and even visited, America, which in ancient MSS. is called Patala, and out of which popular fancy constructed, in the course of time, something like the Greek Hades. He supports his theory by many quotations from the oldest MSS., especially from the legends about Krishna and his favourite disciple Arjuna. In the history of the latter it is mentioned that Arjuna, one of the five Pandavas, descendants of the moon dynasty, visited Patala on his travels, and there married the widowed daughter of King Nagual, called Illupl. Comparing the names of father and daughter we reach the following considerations, which speak strongly in favour of Dayanand's supposition.

(1) Nagual is the name by which the sorcerers of Mexico, Indians and aborigines of America, are still designated. Like the Assyrian and Chaldean Nargals, chiefs of the Magi, the Mexican Nagual unites in his person the functions of priest and of sorcerer, being served in the latter capacity by a demon in the shape of some animal, generally a snake or a crocodile. These Naguals are thought to be the descendants of Nagua, the king of the snakes. Abbe Brasseur de Bourbourg devotes a considerable amount of space to them in his book about Mexico, and says that the Naguals are servants of the evil one, who, in his turn, renders them but a temporary service. In Sanskrit, likewise, snake is Naga, and the "King of the Nagas" plays an important part in the history of Buddha; and in the Puranas there exists a tradition that it was Arjuna who introduced snake worship into Patala. The coincidence, and the identity of the names are so striking that our scientists really ought to pay some attention to them.

(2) The Name of Arjuna's wife Illupl is purely old Mexican, and if we reject the hypothesis of Swami Daya-nand it will be perfectly impossible to explain the actual existence of this name in Sanskrit manuscripts long before the Christian era. Of all ancient dialects and languages it is only in those of the American aborigines that you constantly meet with such combinations of consonants as pl, tl, etc. They are abundant especially in the language of the Toltecs, or Nahuatl, whereas, neither in Sanskrit nor in ancient Greek are they ever found at the end of a word. Even the words Atlas and Atlantis seem to be foreign to the etymology of the European languages. Wherever Plato may have found them, it was not he who invented them. In the Toltec language we find the root atl, which means water and war, and directly after America was discovered Columbus found a town called Atlan, at the entrance of the Bay of Uraga. It is now a poor fishing village called Aclo. Only in America does one find such names as Itzcoatl, Zempoaltecatl, and Popocatepetl. To attempt to explain such coincidences by the theory of blind chance would be too much, consequently, as long as science does not seek to deny Dayanand's hypothesis, which, as yet, it is unable to do, we think it reasonable to adopt it, be it only in order to follow out the axiom "one hypothesis is equal to another." Amongst other things Dayanand points out that the route that led Arjuna to America five thousand years ago was by Siberia and Behring's Straits.

It was long past midnight, but we still sat listening to this legend and others of a similar kind. At length the innkeeper sent a servant to warn us of the dangers that threatened us if we lingered too long on the verandah on a moonlit night. The programme of these dangers was divided into three sections—snakes, beasts of prey, and dacoits. Besides the cobra and the "rock-snake," the surrounding mountains are full of a kind of very small mountain snake, called furzen, the most dangerous of all. Their poison kills with the swiftness of lightning. The moonlight attracts them, and whole parties of these uninvited guests crawl up to the verandahs of houses, in order to warm themselves. Here they are more snug than on the wet ground. The verdant and perfumed abyss below our verandah happened, too, to be the favorite resort of tigers and leopards, who come thither to quench their thirst at the broad brook which runs along the bottom, and then wander until daybreak under the windows of the bungalow. Lastly, there were the mad dacoits, whose dens are scattered in mountains inaccessible to the police, who often shoot Europeans simply to afford themselves the pleasure of sending ad patres one of the hateful bellatis (foreigners). Three days before our arrival the wife of a Brahman disappeared, carried off by a tiger, and two favorite dogs of the commandant were killed by snakes. We declined to wait for further explanations, but hurried to our rooms. At daybreak we were to start for Karli, six miles from this place.

In The Karli Caves

At five o'clock in the morning we had already arrived at the limit, not only of driveable, but, even, of rideable roads. Our bullock-cart could go no further. The last half mile was nothing but a rough sea of stones. We had either to give up our enterprise, or to climb on all-fours up an almost perpendicular slope two hundred feet high. We were utterly at our wits' end, and meekly gazed at the historical mass before us, not knowing what to do next. Almost at the summit of the mountain, under the overhanging rocks, were a dozen black openings. Hundreds of pilgrims were crawling upwards, looking, in their holiday dresses, like so many green, pink, and blue ants. Here, however, our faithful Hindu friends came to our rescue. One of them, putting the palm of his hand to his mouth, produced a strident sound something between a shriek and a whistle. This signal was answered from above by an echo, and the next moment several half naked Brahmans, hereditary watchmen of the temple, began to descend the rocks as swiftly and skillfully as wild cats. Five minutes later they were with us, fastening round our bodies strong leathern straps, and rather dragging than leading us upwards. Half an hour later, exhausted but perfectly safe, we stood before the porch of the chief temple, which until then had been hidden from us by giant trees and cactuses.

This majestic entrance, resting on four massive pillars which form a quadrangle, is fifty-two feet wide and is covered with ancient moss and carvings. Before it stands the "lion column," so-called from the four lions carved as large as nature, and seated back to back, at its base. Over the principal entrance, its sides covered with colossal male and female figures, is a huge arch, in front of which three gigantic elephants are sculptured in relief, with heads and trunks that project from the wall. The shape of the temple is oval. It is 128 feet long and forty-six feet wide. The central space is separated on each side from the aisles by forty-two pillars, which sustain the cupola-shaped ceiling. Further on is an altar, which divides the first dome from a second one which rises over a small chamber, formerly used by the ancient Aryan priests for an inner, secret altar. Two side passages leading towards it come to a sudden end, which suggests that, once upon a time, either doors or wall were there which exist no longer. Each of the forty-two pillars has a pedestal, an octagonal shaft, and a capital, described by Fergusson as "of the most exquisite workmanship, representing two kneeling elephants surmounted by a god and a goddess." Fergusson further says that this temple, or chaitya, is older and better preserved than any other in India, and may be assigned to a period about 200 years B.C., because Prinsep, who has read the inscription on the Silastamba pillar, asserts that the lion pillar was the gift of Ajmitra Ukasa, son of Saha Ravisobhoti, and another inscription shows that the temple was visited by Dathama Hara, otherwise Dathahamini, King of Ceylon, in the twentieth year of his reign, that is to say, 163 years before our era. For some reason or other, Dr. Stevenson points to seventy years B.C. as the date, asserting that Karlen, or Karli, was built by the Emperor Devobhuti, under the supervision of Dhanu-Kakata. But how can this be maintained in view of the above-mentioned perfectly authentic inscriptions? Even Fergusson, the celebrated defender of the Egyptian antiquities and hostile critic of those of India, insists that Karli belongs to the erections of the third century B.C., adding that "the disposition of the various parts of its architecture is identical with the architecture of the choirs of the Gothic period, and the polygonal apsides of cathedrals."

Above the chief entrance is found a gallery, which reminds one of the choirs, where, in Catholic churches, the organ is placed. Besides the chief entrance there are two lateral entrances, leading to the aisles of the temple, and over the gallery there is a single spacious window in the shape of a horseshoe, so that the light falls on the daghopa (altar) entirely from above, leaving the aisles, sheltered by the pillars, in obscurity, which increases as you approach the further end of the building. To the eyes of a spectator standing at the entrance, the whole daghopa shines with light, and behind it is nothing but impenetrable darkness, where no profane footsteps were permitted to tread. A figure on the dag-hopa, from the summit of which "Raja priests" used to pronounce verdicts to the people, is called Dharma-Raja, from Dharma, the Hindu Minos. Above the temple are two stories of caves, in each of which are wide open galleries formed by huge carved pillars, and from these galleries an opening leads to roomy cells and corridors, sometimes very long, but quite useless, as they invariably come to an abrupt termination at solid walls, without the trace of an issue of any kind. The guardians of the temple have either lost the secret of further caves, or conceal them jealously from Europeans.

Besides the Viharas already described, there are many others, scattered over the slope of the mountain. These temple-monasteries are all smaller than the first, but, according to the opinion of some archeologists, they are much older. To what century or epoch they belong is not known except to a few Brahmans, who keep silence. Generally speaking, the position of a European archaeologist in India is very sad. The masses, drowned in superstition, are utterly unable to be of any use to him, and the learned Brahmans, initiated into the mysteries of secret libraries in pagodas, do all they can to prevent archeological research. However, after all that has happened, it would be unjust to blame the conduct of the Brahmans in these matters. The bitter experience of many centuries has taught them that their only weapons are distrust and circumspection, without these their national history and the most sacred of their treasures would be irrevocably lost. Political coups d'etat which have shaken their country to its foundation, Mussulman invasions that proved so fatal to its welfare, the all-destructive fanaticism of Mussulman vandals and of Catholic padres, who are ready for anything in order to secure manuscripts and destroy them—all these form a good excuse for the action of the Brahmans. However in spite of these manifold destructive tendencies, there exist in many places in India vast libraries capable of pouring a bright and new light, not only on the history of India itself, but also on the darkest problems of universal history. Some of these libraries, filled with the most precious manuscripts, are in the possession of native princes and of pagodas attached to their territories, but the greater part is in the hands of the Jainas (the oldest of Hindu sects) and of the Rajputana Takurs, whose ancient hereditary castles are scattered all over Rajistan, like so many eagles' nests on high rocks. The existence of the celebrated collections in Jassulmer and Patana is not unknown to the Government, but they remain wholly beyond its reach. The manuscripts are written in an ancient and now completely forgotten language, intelligible only to the high priests and their initiated librarians. One thick folio is so sacred and inviolable that it rests on a heavy golden chain in the centre of the temple of Chintamani in Jassulmer, and taken down only to be dusted and rebound at the advent of each new pontiff. This is the work of Somaditya Suru Acharya, a great priest of the pre-Mussulman time, well-known in history. His mantle is still preserved in the temple, and forms the robe of initiation of every new high priest. Colonel James Tod, who spent so many years in India and gained the love of the people as well as of the Brahmans—a most uncommon trait in the biography of any Anglo-Indian—has written the only true history of India, but even he was never allowed to touch this folio. Natives commonly believe that he was offered initiation into the mysteries at the price of the adoption of their religion. Being a devoted archaeologist he almost resolved to do so, but, having to return to England on account of his health, he left this world before he could return to his adopted country, and thus the enigma of this new book of the sibyl remains unsolved.

The Takurs of Rajputana, who are said to possess some of the underground libraries, occupy in India position similar to the position of European feudal barons of the Middle Ages. Nominally they are dependent on some of the native princes or on the British Government; but de facto they are perfectly independent. Their castles are built on high rocks, and besides the natural difficulty of entering them, their possessors are made doubly unreachable by the fact that long secret passages exist in every such castle, known only to the present owner and confided to his heir only at his death. We have visited two such underground halls, one of them big enough to contain a whole village. No torture would ever induce the owners to disclose the secret of their entrances, but the Yogis and the initiated Adepts come and go freely, entirely trusted by the Takurs.

A similar story is told concerning the libraries and subterranean passages of Karli. As for the archaeologists, they are unable even to determine whether this temple was built by Buddhists or Brahmans. The huge daghopa that hides the holy of holies from the eyes of the worshippers is sheltered by a mushroom-shaped roof, and resembles a low minaret with a cupola. Roofs of this description are called "umbrellas," and usually shelter the statues of Buddha and of the Chinese sages. But, on the other hand, the worshippers of Shiva, who possess the temple nowadays, assert that this low building is nothing but a lingam of Shiva. Besides, the carvings of gods and goddesses cut out of the rock forbid one to think that the temple is the production of the Buddhists. Fergusson writes, "What is this monument of antiquity? Does it belong to the Hindus, or to the Buddhists? Has it been built upon plans drawn since the death of Sakya Sing, or does it belong to a more ancient religion?"

That is the question. If Fergusson, being bound by facts existing in inscriptions to acknowledge the antiquity of Karli, will still persist in asserting that Elephanta is of much later date, he will scarcely be able to solve this dilemma, because the two styles are exactly the same, and the carvings of the latter are still more magnificent. To ascribe the temples of Elephanta and Kanari to the Buddhists, and to say that their respective periods correspond to the fourth and fifth centuries in the first case, and the tenth in the second, is to introduce into history a very strange and unfounded anachronism. After the first century A.D. there was not left a single influential Buddhist in India. Conquered and persecuted by the Brahmans, they emigrated by thousands to Ceylon and the trans-Himalayan districts. After the death of King Asoka, Buddhism speedily broke down, and in a short time was entirely displaced by the theocratic Brahmanism.

Fergusson's hypothesis that the followers of Sakya Sing, driven out by intolerance from the continent, probably sought shelter on the islands that surround Bombay, would hardly sustain critical analysis. Elephanta and Salsetta are quite near to Bombay, two and five miles distant respectively, and they are full of ancient Hindu temples. Is it credible, then, that the Brahmans, at the culminating point of their power, just before the Mussulman invasions, fanatical as they were, and mortal enemies of the Buddhists, would allow these hated heretics to build temples within their possessions in general and on Gharipuri in particular, this latter being an island consecrated to their Hindu pagodas? It is not necessary to be either a specialist, an architect, or an eminent archeologist, in order to be convinced at the first glance that such temples as Elephanta are the work of Cyclopses, requiring centuries and not years for their construction. Whereas in Karli everything is built and carved after a perfect plan, in Elephanta it seems as if thousands of different hands had wrought at different times, each following its own ideas and fashioning after its own device. All three caves are dug out of a hard porphyry rock. The first temple is practically a square, 130 feet 6 inches long and 130 feet wide. It contains twenty-six thick pillars and sixteen pilasters.

Between some of them there is a distance of 12 or 16 feet, between others 15 feet 5 inches, 13 feet 3 1/2 inches, and so on. The same lack of uniformity is found in the pedestals of the columns, the finish and style of which is constantly varying.

Why, then, should we not pay some attention to the explanations of the Brahmans? They say that this temple was begun by the sons of Pandu, after "the great war," Mahabharata, and that after their death every true believer was bidden to continue the work according to his own notions. Thus the temple was gradually built during three centuries. Every one who wished to redeem his sins would bring his chisel and set to work. Many were the members of royal families, and even kings, who personally took part in these labors.

On the right hand side of the temple there is a corner stone, a lingam of Shiva in his character of Fructifying Force, which is sheltered by a small square chapel with four doors. Round this chapel are many colossal human figures. According to the Brahmans, these are statues representing the royal sculptors themselves, they being doorkeepers of the holy of holies, Hindus of the highest caste. Each of the larger figures leans upon a dwarf representative of the lower castes, which have been promoted by the popular fancy to the rank of demons (Pisachas). Moreover, the temple is full of unskillful work. The Brahmans hold that such a holy place could not be deserted if men of the preceding and present generations had not become unworthy of visiting it. As to Kanari or Kanhari, and some other cave temples, there is not the slightest doubt that they were all erected by Buddhists. In some of them were found inscriptions in a perfect state of preservation, and their style does not remind one in the least of the symbolical buildings of the Brahmans. Archbishop Heber thinks the Kanari caves were built in the first or second centuries B.C. But Elephanta is much older and must be classed among prehistoric monuments, that is to say, its date must be assigned to the epoch that immediately followed the "great war," Mahabharata. Unfortunately the date of this war is a point of disagreement between European scientists; the celebrated and learned Dr. Martin Haug thinks it is almost antediluvian, while the no less celebrated and learned Professor Max Muller places it as near the first century of our era as possible.

The fair was at its culmination when, having finished visiting the cells, climbing over all the stories, and examining the celebrated "hall of wrestlers," we descended, not by way of the stairs, of which there is no trace to be found, but after the fashion of pails bringing water out of a deep well, that is to say, by the aid of ropes. A crowd of about three thousand persons had assembled from the surrounding villages and towns. Women were there adorned from the waist down in brilliant-hued saris, with rings in their noses, their ears, their lips, and on all parts of their limbs that could hold a ring. Their raven-black hair which was smoothly combed back, shone with cocoanut oil, and was adorned with crimson flowers, which are sacred to Shiva and to Bhavani, the feminine aspect of this god.

Before the temple there were rows of small shops and of tents, where could be bought all the requisites for the usual sacrifices—aromatic herbs, incense, sandal wood, rice, gulab, and the red powder with which the pilgrim sprinkles first the idol and then his own face. Fakirs, bairagis, hosseins, the whole body of the mendicant brotherhood, was present among the crowd. Wreathed in chaplets, with long uncombed hair twisted at the top of the head into a regular chignon, and with bearded faces, they presented a very funny likeness to naked apes. Some of them were covered with wounds and bruises due to mortification of the flesh. We also saw some bunis, snake-charmers, with dozens of various snakes round their waists, necks, arms, and legs—models well worthy of the brush of a painter who intended to depict the image of a male Fury. One jadugar was especially remarkable. His head was crowned with a turban of cobras. Expanding their hoods and raising their leaf-like dark green heads, these cobras hissed furiously and so loudly that the sound was audible a hundred paces off. Their "stings" quivered like lightning, and their small eyes glittered with anger at the approach of every passer-by. The expression, "the sting of a snake," is universal, but it does not describe accurately the process of inflicting a wound. The "sting" of a snake is perfectly harmless. To introduce the poison into the blood of a man, or of an animal, the snake must pierce the flesh with its fangs, not prick with its sting. The needle-like eye teeth of a cobra communicate with the poison gland, and if this gland is cut out the cobra will not live more than two days. Accordingly, the supposition of some sceptics, that the bunis cut out this gland, is quite unfounded. The term "hissing" is also inaccurate when applied to cobras. They do not hiss. The noise they make is exactly like the death-rattle of a dying man. The whole body of a cobra is shaken by this loud and heavy growl.

Here we happened to be the witnesses of a fact which I relate exactly as it occurred, without indulging in explanations or hypotheses of any kind. I leave to naturalists the solution of the enigma.

Expecting to be well paid, the cobra-turbaned buni sent us word by a messenger boy that he would like very much to exhibit his powers of snake-charming. Of course we were perfectly willing, but on condition that between us and his pupils there should be what Mr. Disraeli would call a "scientific frontier."[2 - Written in 1879.] We selected a spot about fifteen paces from the magic circle. I will not describe minutely the tricks and wonders that we saw, but will proceed at once to the main fact. With the aid of a vaguda, a kind of musical pipe of bamboo, the buni caused all the snakes to fall into a sort of cataleptic sleep. The melody that he played, monotonous, low, and original to the last degree, nearly sent us to sleep ourselves. At all events we all grew extremely sleepy without any apparent cause. We were aroused from this half lethargy by our friend Gulab-Sing, who gathered a handful of a grass, perfectly unknown to us, and advised us to rub our temples and eyelids with it. Then the buni produced from a dirty bag a kind of round stone, something like a fish's eye, or an onyx with a white spot in the centre, not bigger than a ten-kopek bit. He declared that anyone who bought that stone would be able to charm any cobra (it would produce no effect on snakes of other kinds) paralyzing the creature and then causing it to fall asleep. Moreover, by his account, this stone is the only remedy for the bite of a cobra. You have only to place this talisman on the wound, where it will stick so firmly that it cannot be torn off until all the poison is absorbed into it, when it will fall off of itself, and all danger will be past.

Being aware that the Government gladly offers any premium for the invention of a remedy for the bite of the cobra, we did not show any unreasonable interest on the appearance of this stone. In the meanwhile, the buni began to irritate his cobras. Choosing a cobra eight feet long, he literally enraged it. Twisting its tail round a tree, the cobra arose and hissed. The buni quietly let it bite his finger, on which we all saw drops of blood. A unanimous cry of horror arose in the crowd. But master buni stuck the stone on his finger and proceeded with his performance.

"The poison gland of the snake has been cut out," remarked our New York colonel. "This is a mere farce."

As if in answer to this remark, the buni seized the neck of the cobra, and, after a short struggle, fixed a match into its mouth, so that it remained open. Then he brought the snake over and showed it to each of us separately, so that we all saw the death-giving gland in its mouth. But our colonel would not give up his first impression so easily. "The gland is in its place right enough," said he, "but how are we to know that it really does contain poison?"

Then a live hen was brought forward and, tying its legs together, the buni placed it beside the snake. But the latter would pay no attention at first to this new victim, but went on hissing at the buni, who teased and irritated it until at last it actually struck at the wretched bird. The hen made a weak attempt to cackle, then shuddered once or twice and became still. The death was instantaneous. Facts will remain facts, the most exacting critic and disbeliever notwithstanding. This thought gives me courage to write what happened further. Little by little the cobra grew so infuriated that it became evident the jadugar himself did not dare to approach it. As if glued to the trunk of the tree by its tail, the snake never ceased diving into space with its upper part and trying to bite everything. A few steps from us was somebody's dog. It seemed to attract the whole of the buni's attention for some time. Sitting on his haunches, as far as possible from his raging pupil, he stared at the dog with motionless glassy eyes, and then began a scarcely audible song. The dog grew restless. Putting his tail between his legs, he tried to escape, but remained, as if fastened to the ground. After a few seconds he crawled nearer and nearer to the buni, whining, but unable to tear his gaze from the charmer. I understood his object, and felt awfully sorry for the dog. But, to my horror, I suddenly felt that my tongue would not move, I was perfectly unable either to get up or even to raise my finger. Happily this fiendish scene was not prolonged. As soon as the dog was near enough, the cobra bit him. The poor animal fell on his back, made a few convulsive movements with his legs, and shortly died. We could no longer doubt that there was poison in the gland. In the meanwhile the stone had dropped from the buni's finger and he approached to show us the healed member. We all saw the trace of the prick, a red spot not bigger than the head of an ordinary pin.

Next he made his snakes rise on their tails, and, holding the stone between his first finger and thumb, he proceeded to demonstrate its influence on the cobras. The nearer his hand approached to the head of the snake, the more the reptile's body recoiled. Looking steadfastly at the stone they shivered, and, one by one, dropped as if paralyzed. The buni then made straight for our sceptical colonel, and made him an offer to try the experiment himself. We all protested vigorously, but he would not listen to us, and chose a cobra of a very considerable size. Armed with the stone, the colonel bravely approached the snake. For a moment I positively felt petrified with fright. Inflating its hood, the cobra made an attempt to fly at him, then suddenly stopped short, and, after a pause, began following with all its body the circular movements of the colonel's hand. When he put the stone quite close to the reptile's head, the snake staggered as if intoxicated, its hissing grew weak, its hood dropped helplessly on both sides of its neck, and its eyes closed. Drooping lower and lower, the snake fell at last on the ground like a stick, and slept.

Only then did we breathe freely. Taking the sorcerer aside we expressed our desire to buy the stone, to which he easily assented, and, to our great astonishment, asked for it only two rupees. This talisman became my own property and I still keep it. The buni asserts, and our Hindu friends confirm the story, that it is not a stone but an excrescence. It is found in the mouth of one cobra in a hundred, between the bone of the upper jaw and the skin of the palate. This "stone" is not fastened to the skull, but hangs, wrapped in skin, from the palate, and so is very easily cut off; but after this operation the cobra is said to die. If we are to believe Bishu Nath, for that was our sorcerer's name, this excrescence confers upon the cobra who possesses it the rank of king over the rest of his kind.

"Such a cobra," said the buni, "is like a Brahman, a Dwija Brahman amongst Shudras, they all obey him. There exists, moreover, a poisonous toad that also, sometimes, possesses this stone, but its effect is much weaker. To destroy the effect of a cobra's poison you must apply the toad's stone not later than two minutes after the infliction of the wound; but the stone of a cobra is effectual to the last. Its healing power is certain as long as the heart of the wounded man has not ceased to beat."

Bidding us good-bye, the buni advised us to keep the stone in a dry place and never to leave it near a dead body, also, to hide it during the sun and moon eclipses, "otherwise," said he, "it will lose all its power." In case we were bitten by a mad dog, he said, we were to put the stone into a glass of water and leave it there during the night, next morning the sufferer was to drink the water and then forget all danger.

"He is a regular devil and not a man!" exclaimed our colonel, as soon as the buni had disappeared on his way to a Shiva temple, where, by the way, we were not admitted.

"As simple a mortal as you or I," remarked the Rajput with a smile, "and, what is more, he is very ignorant. The truth is, he has been brought up in a Shivaite pagoda, like all the real snake-charmers. Shiva is the patron god of snakes, and the Brahmans teach the bunis to produce all kinds of mesmeric tricks by empirical methods, never explaining to them the theoretical principles, but assuring them that Shiva is behind every phenomenon. So that the bunis sincerely ascribe to their god the honor of their 'miracles."'

"The Government of India offers a reward for an antidote to the poison of the cobra. Why then do the bunis not claim it, rather than let thousands of people die helpless?"

"The Brahmans would never suffer that. If the Government took the trouble to examine carefully the statistics of deaths caused by snakes, it would be found that no Hindu of the Shivaite sect has ever died from the bite of a cobra. They let people of other sects die, but save the members of their own flock."

"But did we not see how easily he parted with his secret, notwithstanding we were foreigners. Why should not the English buy it as readily?"

"Because this secret is quite useless in the hands of Europeans. The Hindus do not try to conceal it, because they are perfectly certain that without their aid nobody can make any use of it. The stone will retain its wonderful power only when it is taken from a live cobra. In order to catch the snake without killing it, it must be cast into a lethargy, or, if you prefer the term, charmed. Who is there among the foreigners who is able to do this? Even amongst the Hindus, you will not find a single individual in all India who possesses this ancient secret, unless he be a disciple of the Shivaite Brahmans. Only Brahmans of this sect possess a monopoly of the secret, and not all even of them, only those, in short, who belong to the pseudo-Patanjali school, who are usually called Bhuta ascetics. Now there exist, scattered over the whole of India, only about half-a-dozen of their pagoda schools, and the inmates would rather part with their very lives than with their secret."