Devereux — Volume 02

"The world is always as generous with what is worthless as the bishop in the fable was with his blessing. However, I promise thee, Tarleton, that I will not interfere with thy claims either upon Mrs. Denton or Lady Clancathcart."

"Nay," said Tarleton, "I will own that you are a very Scipio; but it must be confessed, even by you, satirist as you are, that Lady Clancathcart has a beautiful set of features."

"A handsome face, but so vilely made. She would make a splendid picture if, like the goddess Laverna, she could be painted as a head without a body."

"Ha! ha! ha!—you have a bitter tongue, Count; but Mrs. Denton, what have you to say against her?"

"Nothing; she has no pretensions for me to contradict. She has a green eye and a sharp voice; a mincing gait and a broad foot. What friend of Mrs. Denton would not, therefore, counsel her to a prudent obscurity?"

"She never had but one lover in the world," said Tarleton, "who was old, blind, lame, and poor; she accepted him, and became Mrs. Denton."

"Yes," said I, "she was like the magnet, and received her name from the very first person[16 - Magnes.] sensible of her attraction."

"Well, you have a shrewd way of saying sweet things," said Tarleton; "but I must own that you rarely or never direct it towards women individually. What makes you break through your ordinary custom?"

"Because I am angry with women collectively; and must pour my spleen through whatever channel presents itself."

"Astonishing," said Tarleton; "I despise women myself. I always did; but you were their most enthusiastic and chivalrous defender a month or two ago. What makes thee change, my Sir Amadis?"

"Disappointment! they weary, vex, disgust me; selfish, frivolous, mean, heartless: out on them! 'tis a disgrace to have their love!"

"O /Ciel/! What a sensation the news of thy misogyny will cause; the young, gay, rich Count Devereux, whose wit, vivacity, splendour of appearance, in equipage and dress, in the course of one season have thrown all the most established beaux and pretty fellows into the shade; to whom dedications and odes and /billet-doux/ are so much waste paper; who has carried off the most general envy and dislike that any man ever was blest with, since St. John turned politician; what! thou all of a sudden to become a railer against the divine sex that made thee what thou art! Fly, fly, unhappy apostate, or expect the fate of Orpheus, at least!"

"None of your raileries, Tarleton, or I shall speak to you of plebeians and the /canaille!"

"/Sacre/! my teeth are on edge already! Oh, the base, base /canaille/, how I loathe them! Nay, Devereux, joking apart, I love you twice as well for your humour. I despise the sex heartily. Indeed, /sub rosa/ be it spoken, there are few things that breathe that I do not despise. Human nature seems to me a most pitiful bundle of rags and scraps, which the gods threw out of Heaven, as the dust and rubbish there."

"A pleasant view of thy species," said I.

"By my soul it is. Contempt is to me a luxury. I would not lose the privilege of loathing for all the objects which fools ever admired. What does old Persius say on the subject?

"'Hoc ridere meum, tam nil, nulla tibi vendo Iliade.'"[17 - "This privilege of mine, to laugh,—such a nothing as it seems,—I would not barter to thee for an Iliad."]

"And yet, Tarleton," said I, "the littlest feeling of all is a delight in contemplating the littleness of other people. Nothing is more contemptible than habitual contempt."

"Prithee, now," answered the haughty aristocrat, "let us not talk of these matters so subtly: leave me my enjoyment without refining upon it. What is your first pursuit for the morning?"

"Why, I have promised my uncle a picture of that invaluable countenance which Lady Hasselton finds so handsome; and I am going to give Kneller my last sitting."

"So, so, I will accompany you; I like the vain old dog; 'tis a pleasure to hear him admire himself so wittily."

"Come, then!" said I, taking up my hat and sword; and, entering

Tarleton's carriage, we drove to the painter's abode.

We found him employed in finishing a portrait of Lady Godolphin.

"He, he!" cried he, when he beheld me approach. "By Got, I am glad to see you, Count Tevereux; dis painting is tamned poor work by one's self, widout any one to make /des grands yeux/, and cry, 'Oh, Sir Godfrey Kneller, how fine dis is!'"

"Very true, indeed," said I, "no great man can be expected to waste his talents without his proper reward of praise. But, Heavens, Tarleton, did you ever see anything so wonderful? that hand, that arm, how exquisite! If Apollo turned painter, and borrowed colours from the rainbow and models from the goddesses, he would not be fit to hold the pallet to Sir Godfrey Kneller."

"By Got, Count Tevereux, you are von grand judge of painting," cried the artist, with sparkling eyes, "and I will paint you as von tamned handsome man!"

"Nay, my Apelles, you might as well preserve some likeness."

"Likeness, by Got! I vill make you like and handsome both. By my shoul you make me von Apelles, I vill make you von Alexander!"

"People in general," said Tarleton, gravely, "believe that Alexander had a wry neck, and was a very plain fellow; but no one can know about Alexander like Sir Godfrey Kneller, who has studied military tactics so accurately, and who, if he had taken up the sword instead of the pencil, would have been at least an Alexander himself."

"By Got, Meester Tarleton, you are as goot a judge of de talents for de war as Count Tevereux of de /genie/ for de painting! Meester Tarleton, I vill paint your picture, and I vill make your eyes von goot inch bigger than dey are!"

"Large or small," said I (for Tarleton, who had a haughty custom of contracting his orbs till they were scarce perceptible, was so much offended, that I thought it prudent to cut off his reply), "large or small, Sir Godfrey, Mr. Tarleton's eyes are capable of admiring your genius; why, your painting is like lightning, and one flash of your brush would be sufficient to restore even a blind man to sight."

"It is tamned true," said Sir Godfrey, earnestly; "and it did restore von man to sight once! By my shoul, it did! but sit yourself town, Count Tevereux, and look over your left shoulder—ah, dat is it—and now, praise on, Count Tevereux; de thought of my genius gives you—vat you call it—von animation—von fire, look you—by my shoul, it does!"

And by dint of such moderate panegyric, the worthy Sir Godfrey completed my picture, with equal satisfaction to himself and the original. See what a beautifier is flattery: a few sweet words will send the Count Devereux down to posterity with at least three times as much beauty as he could justly lay claim to.[18 - This picture represents the Count in an undress. The face is decidedly, though by no means remarkably, handsome; the nose is aquiline,—the upper lip short and chiselled,—the eyes gray, and the forehead, which is by far the finest feature in the countenance, is peculiarly high, broad, and massive. The mouth has but little beauty; it is severe, caustic, and rather displeasing, from the extreme compression of the lips. The great and prevalent expression of the face is energy. The eye, the brow, the turn of the head, the erect, penetrating aspect,—are all strikingly bold, animated, and even daring. And this expression makes a singular contrast to that in another likeness to the Count, which was taken at a much later period of life. The latter portrait represents him in a foreign uniform, decorated with orders. The peculiar sarcasm of the month is hidden beneath a very long and thick mustachio, of a much darker colour than the hair (for in both portraits, as in Jervas's picture of Lord Bolingbroke, the hair is left undisguised by the odious fashion of the day). Across one cheek there is a slight scar, as of a sabre cut. The whole character of this portrait is widely different from that in the earlier one. Not a trace of the fire, the animation, which were so striking in the physiognomy of the youth of twenty, is discoverable in the calm, sedate, stately, yet somewhat stern expression, which seems immovably spread over the paler hue and the more prominent features of the man of about four or five and thirty. Yet, upon the whole, the face in the latter portrait is handsomer; and, from its air of dignity and reflection, even more impressive than that in the one I have first described.—ED.]

CHAPTER IX

A DEVELOPMENT OF CHARACTER, AND A LONG LETTER; A CHAPTER, ON THE WHOLE, MORE IMPORTANT THAN IT SEEMS

THE scenes through which, of late, I have conducted my reader are by no means episodical: they illustrate far more than mere narration the career to which I was so honourably devoted.

Dissipation,—women,—wine,—Tarleton for a friend, Lady Hasselton for a mistress. Let me now throw aside the mask.

To people who have naturally very intense and very acute feelings, nothing is so fretting, so wearing to the heart, as the commonplace affections, which are the properties and offspring of the world. We have seen the birds which, with wings unclipt, children fasten to a stake. The birds seek to fly, and are pulled back before their wings are well spread; till, at last, they either perpetually strain at the end of their short tether, exciting only ridicule by their anguish and their impotent impatience; or, sullen and despondent, they remain on the ground, without any attempt to fly, nor creep, even to the full limit which their fetters will allow. Thus it is with the feelings of the keen, wild nature I speak of: they are either striving forever to pass the little circle of slavery to which they are condemned, and so move laughter by an excess of action and a want of adequate power; or they rest motionless and moody, disdaining the petty indulgence they /might/ enjoy, till sullenness is construed into resignation, and despair seems the apathy of content. Time, however, cures what it does not kill; and both bird and beast, if they pine not to the death at first, grow tame and acquiescent at last.

What to me was the companionship of Tarleton, or the attachment of Lady Hasselton? I had yielded to the one, and I had half eagerly, half scornfully, sought the other. These, and the avocations they brought with them, consumed my time, and of Time murdered there is a ghost which we term /ennui/. The hauntings of this spectre are the especial curse of the higher orders; and hence springs a certain consequence to the passions. Persons in those ranks of society so exposed to /ennui/ are either rendered totally incapable of real love, or they love far more intensely than those in a lower station; for the affections in them are either utterly frittered away on a thousand petty objects (poor shifts to escape the persecuting spectre), or else, early disgusted with the worthlessness of these objects, the heart turns within and languishes for something not found in the daily routine of life. When this is the case, and when the pining of the heart is once satisfied, and the object of love is found, there are two mighty reasons why the love should be most passionately cherished. The first is, the utter indolence in which aristocratic life oozes away, and which allows full food for that meditation which can nurse by sure degrees the weakest desire into the strongest passion; and the second reason is, that the insipidity and hollowness of all patrician pursuits and pleasures render the excitement of love more delicious and more necessary to the "/ignavi terrarum domini/," than it is to those orders of society more usefully, more constantly, and more engrossingly engaged.

Wearied and sated with the pursuit of what was worthless, my heart, at last, exhausted itself in pining for what was pure. I recurred with a tenderness which I struggled with at first, and which in yielding to I blushed to acknowledge, to the memory of Isora. And in the world, surrounded by all which might be supposed to cause me to forget her, my heart clung to her far more endearingly than it had done in the rural solitudes in which she had first allured it. The truth was this; at the time I first loved her, other passions—passions almost equally powerful—shared her empire. Ambition and pleasure—vast whirlpools of thought—had just opened themselves a channel in my mind, and thither the tides of my desires were hurried and lost. Now those whirlpools had lost their power, and the channels, being dammed up, flowed back upon my breast. Pleasure had disgusted me, and the only ambition I had yet courted and pursued had palled upon me still more. I say, the only ambition, for as yet that which is of the loftier and more lasting kind had not afforded me a temptation; and the hope which had borne the name and rank of ambition had been the hope rather to glitter than to rise.

These passions, not yet experienced when I lost Isora, had afforded me at that period a ready comfort and a sure engrossment. And, in satisfying the hasty jealousies of my temper, in deeming Isora unworthy and Gerald my rival, I naturally aroused in my pride a dexterous orator as well as a firm ally. Pride not only strengthened my passions, it also persuaded them by its voice; and it was not till the languid yet deep stillness of sated wishes and palled desires fell upon me, that the low accent of a love still surviving at my heart made itself heard in answer.

I now began to take a different view of Isora's conduct. I now began to doubt where I had formerly believed; and the doubt, first allied to fear, gradually brightened into hope. Of Gerald's rivalry, at least of his identity with Barnard, and, consequently, of his power over Isora, there was, and there could be, no feeling short of certainty. But of what nature was that power? Had not Isora assured me that it was not love? Why should I disbelieve her? Nay, did she not love myself? had not her cheek blushed and her hand trembled when I addressed her? Were these signs the counterfeits of love? Were they not rather of that heart's dye which no skill /can/ counterfeit? She had declared that she could not, that she could never, be mine; she had declared so with a fearful earnestness which seemed to annihilate hope; but had she not also, in the same meeting, confessed that I was dear to her? Had not her lip given me a sweeter and a more eloquent assurance of that confession than words?—and could hope perish while love existed? She had left me,—she had bid me farewell forever; but that was no proof of a want of love, or of her unworthiness. Gerald, or Barnard, evidently possessed an influence over father as well as child. Their departure from ——— might have been occasioned by him, and she might have deplored, while she could not resist it; or she might not even have deplored; nay, she might have desired, she might have advised it, for my sake as well as hers, were she thoroughly convinced that the union of our loves was impossible.

But, then, of what nature could be this mysterious authority which Gerald possessed over her? That which he possessed over the sire, political schemes might account for; but these, surely, could not have much weight for the daughter. This, indeed, must still remain doubtful and unaccounted for. One presumption, that Gerald was either no favoured lover or that he was unacquainted with her retreat, might be drawn from his continued residence at Devereux Court. If he loved Isora, and knew her present abode, would he not have sought her? Could he, I thought, live away from that bright face, if once allowed to behold it? unless, indeed (terrible thought!) there hung over it the dimness of guilty familiarity, and indifference had been the offspring of possession. But was that delicate and virgin face, where changes with every moment coursed each other, harmonious to the changes of the mind, as shadows in a valley reflect the clouds of heaven!—was that face, so ingenuous, so girlishly revelant of all,—even of the slightest, the most transitory, emotion,—the face of one hardened in deceit and inured to shame? The countenance is, it is true, but a faithless mirror; but what man that has studied women will not own that there is, at least while the down of first youth is not brushed away, in the eye and cheek of zoned and untainted Innocence, that which survives not even the fruition of a lawful love, and has no (nay, not even a shadowed and imperfect) likeness in the face of guilt? Then, too, had any worldlier or mercenary sentiment entered her breast respecting me, would Isora have flown from the suit of the eldest scion of the rich house of Devereux? and would she, poor and destitute, the daughter of an alien and an exile, would she have spontaneously relinquished any hope of obtaining that alliance which maidens of the loftiest houses of England had not disdained to desire? Thus confused and incoherent, but thus yearning fondly towards her image and its imagined purity, did my thoughts daily and hourly array themselves; and, in proportion as I suffered common ties to drop from me one by one, those thoughts clung the more tenderly to that which, though severed from the rich argosy of former love, was still indissolubly attached to the anchor of its hope.

It was during this period of revived affection that I received the following letter from my uncle:—

I thank thee for thy long letter, my dear boy; I read it over three times with great delight. Ods fish, Morton, you are a sad Pickle, I fear, and seem to know all the ways of the town as well as your old uncle did some thirty years ago! 'Tis a very pretty acquaintance with human nature that your letters display. You put me in mind of little Sid, who was just about your height, and who had just such a pretty, shrewd way of expressing himself in simile and point. Ah, it is easy to see that you have profited by your old uncle's conversation, and that Farquhar and Etherege were not studied for nothing.

But I have sad news for thee, my child, or rather it is sad for me to tell thee my tidings. It is sad for the old birds to linger in their nest when the young ones take wing and leave them; but it is merry for the young birds to get away from the dull old tree, and frisk it in the sunshine,—merry for them to get mates, and have young themselves. Now, do not think, Morton, that by speaking of mates and young I am going to tell thee thy brothers are already married; nay, there is time enough for those things, and I am not friendly to early weddings, nor to speak truly, a marvellous great admirer of that holy ceremony at any age; for the which there may be private reasons too long to relate to thee now. Moreover, I fear my young day was a wicked time,—a heinous wicked time, and we were wont to laugh at the wedded state, until, body of me, some of us found it no laughing matter.

But to return, Morton,—to return to thy brothers: they have both left me; and the house seems to me not the good old house it did when ye were all about me; and, somehow or other, I look now oftener at the churchyard than I was wont to do. You are all gone now,—all shot up and become men; and when your old uncle sees you no more, and recollects that all his own contemporaries are out of the world, he cannot help saying, as William Temple, poor fellow, once prettily enough said, "Methinks it seems an impertinence in me to be still alive." You went first, Morton; and I missed you more than I cared to say: but you were always a kind boy to those you loved, and you wrote the old knight merry letters, that made him laugh, and think he was grown young again (faith, boy, that was a jolly story of the three Squires at Button's!), and once a week comes your packet, well filled, as if you did not think it a task to make me happy, which your handwriting always does; nor a shame to my gray hairs that I take pleasure in the same things that please thee! So, thou seest, my child, that I have got through thy absence pretty well, save that I have had no one to read thy letters to; for Gerald and thou are still jealous of each other,—a great sin in thee, Morton, which I prithee to reform. And Aubrey, poor lad, is a little too rigid, considering his years, and it looks not well in the dear boy to shake his head at the follies of his uncle. And as to thy mother, Morton, I read her one of thy letters, and she said thou wert a graceless reprobate to think so much of this wicked world, and to write so familiarly to thine aged relative. Now, I am not a young man, Morton; but the word aged has a sharp sound with it when it comes from a lady's mouth.

Well, after thou hadst been gone a month, Aubrey and Gerald, as I wrote thee word long since, in the last letter I wrote thee with my own hand, made a tour together for a little while, and that was a hard stroke on me. But after a week or two Gerald returned; and I went out in my chair to see the dear boy shoot,—'sdeath, Morton, he handles the gun well. And then Aubrey returned alone: but he looked pined and moping, and shut himself up, and as thou dost love him so, I did not like to tell thee till now, when he is quite well, that he alarmed me much for him; he is too much addicted to his devotions, poor child, and seems to forget that the hope of the next world ought to make us happy in this. Well, Morton, at last, two months ago, Aubrey left us again, and Gerald last week set off on a tour through the sister kingdom, as it is called. Faith, boy, if Scotland and England are sister kingdoms, 'tis a thousand pities for Scotland that they are not co-heiresses!

I should have told thee of this news before, but I have had, as thou knowest, the gout so villanously in my hand that, till t' other day, I have not held a pen, and old Nicholls, my amanuensis, is but a poor scribe; and I did not love to let the dog write to thee on all our family affairs, especially as I have a secret to tell thee which makes me plaguy uneasy. Thou must know, Morton, that after thy departure Gerald asked me for thy rooms; and though I did not like that any one else should have what belonged to thee, yet I have always had a foolish antipathy to say "No!" so thy brother had them, on condition to leave them exactly as they were, and to yield them to thee whenever thou shouldst return to claim them. Well, Morton, when Gerald went on his tour with thy youngest brother, old Nicholls—you know 'tis a garrulous fellow—told me one night that his son Hugh—you remember Hugh, a thin youth and a tall—lingering by the beach one evening, saw a man, wrapped in a cloak, come out of the castle cave, unmoor one of the boats, and push off to the little island opposite. Hugh swears by more than yea and nay that the man was Father Montreuil. Now, Morton, this made me very uneasy, and I saw why thy brother Gerald wanted thy rooms, which communicate so snugly with the sea. So I told Nicholls, slyly, to have the great iron gate at the mouth of the passage carefully locked; and when it was locked, I had an iron plate put over the whole lock, that the lean Jesuit might not creep even through the keyhole. Thy brother returned, and I told him a tale of the smugglers, who have really been too daring of late, and insisted on the door being left as I had ordered; and I told him, moreover, though not as if I had suspected his communication with the priest, that I interdicted all further converse with that limb of the Church. Thy brother heard me with an indifferently bad grace; but I was peremptory, and the thing was agreed on.