A Strange Story — Complete

“If it be not too great a favour, may I be allowed the same privilege granted to Mr. Margrave? To judge by the outside of the house, the inside must be worth seeing; still, if it be against Sir Philip’s positive orders—”

“His orders were, not to let the Court become a show-house,—to admit none without my consent; but I should be ungrateful indeed, doctor, if I refused that consent to you.”

I tied my horse to the rusty gate of the terrace-walk, and followed the steward up the broad stairs of the terrace. The great doors were unlocked. We entered a lofty hall with a domed ceiling; at the back of the hall the grand staircase ascended by a double flight. The design was undoubtedly Vanbrugh’s,—an architect who, beyond all others, sought the effect of grandeur less in space than in proportion; but Vanbrugh’s designs need the relief of costume and movement, and the forms of a more pompous generation, in the bravery of velvets and laces, glancing amid those gilded columns, or descending with stately tread those broad palatial stairs. His halls and chambers are so made for festival and throng, that they become like deserted theatres, inexpressibly desolate, as we miss the glitter of the lamps and the movement of the actors.

The housekeeper had now appeared,—a quiet, timid old woman. She excused herself for admitting Margrave—not very intelligibly. It was plain to see that she had, in truth, been unable to resist what the steward termed his “pleasant ways.”

As if to escape from a scolding, she talked volubly all the time, bustling nervously through the rooms, along which I followed her guidance with a hushed footstep. The principal apartments were on the ground-floor, or rather, a floor raised some ten or fifteen feet above the ground; they had not been modernized since the date in which they were built. Hangings of faded silk; tables of rare marble, and mouldered gilding; comfortless chairs at drill against the walls; pictures, of which connoisseurs alone could estimate the value, darkened by dust or blistered by sun and damp, made a general character of discomfort. On not one room, on not one nook, still lingered some old smile of home.

Meanwhile, I gathered from the housekeeper’s rambling answers to questions put to her by the steward, as I moved on, glancing at the pictures, that Margrave’s visit that day was not his first. He had been to the house twice before,—his ostensible excuse that he was an amateur in pictures (though, as I had before observed, for that department of art he had no taste); but each time he had talked much of Sir Philip. He said that though not personally known to him, he had resided in the same towns abroad, and had friends equally intimate with Sir Philip; but when the steward inquired if the visitor had given any information as to the absentee, it became very clear that Margrave had been rather asking questions than volunteering intelligence.

We had now come to the end of the state apartments, the last of which was a library. “And,” said the old woman, “I don’t wonder the gentleman knew Sir Philip, for he seemed a scholar, and looked very hard over the books, especially those old ones by the fireplace, which Sir Philip, Heaven bless him, was always poring into.”

Mechanically I turned to the shelves by the fireplace, and examined the volumes ranged in that department. I found they contained the works of those writers whom we may class together under the title of mystics,—Iamblichus and Plotinus; Swedenborg and Behmen; Sandivogius, Van Helmont, Paracelsus, Cardan. Works, too, were there, by writers less renowned, on astrology, geomancy, chiromancy, etc. I began to understand among what class of authors Margrave had picked up the strange notions with which he was apt to interpolate the doctrines of practical philosophy.

“I suppose this library was Sir Philip’s usual sitting-room?” said I.

“No, sir; he seldom sat here. This was his study;” and the old woman opened a small door, masked by false book backs. I followed her into a room of moderate size, and evidently of much earlier date than the rest of the house. “It is the only room left of an older mansion,” said the steward in answer to my remark. “I have heard it was spared on account of the chimneypiece. But there is a Latin inscription which will tell you all about it. I don’t know Latin myself.”

The chimneypiece reached to the ceiling. The frieze of the lower part rested on rude stone caryatides; the upper part was formed of oak panels very curiously carved in the geometrical designs favoured by the taste prevalent in the reigns of Elizabeth and James, but different from any I had ever seen in the drawings of old houses,—and I was not quite unlearned in such matters, for my poor father was a passionate antiquary in all that relates to mediaeval art. The design in the oak panels was composed of triangles interlaced with varied ingenuity, and enclosed in circular bands inscribed with the signs of the Zodiac.

On the stone frieze supported by the caryatides, immediately under the woodwork, was inserted a metal plate, on which was written, in Latin, a few lines to the effect that “in this room, Simon Forman, the seeker of hidden truth, taking refuge from unjust persecution, made those discoveries in nature which he committed, for the benefit of a wiser age, to the charge of his protector and patron, the worshipful Sir Miles Derval, knight.”

Forman! The name was not quite unfamiliar to me; but it was not without an effort that my memory enabled me to assign it to one of the most notorious of those astrologers or soothsayers whom the superstition of an earlier age alternately persecuted and honoured.

The general character of the room was more cheerful than the statelier chambers I had hitherto passed through, for it had still the look of habitation,—the armchair by the fireplace; the kneehole writing-table beside it; the sofa near the recess of a large bay-window, with book-prop and candlestick screwed to its back; maps, coiled in their cylinders, ranged under the cornice; low strong safes, skirting two sides of the room, and apparently intended to hold papers and title-deeds, seals carefully affixed to their jealous locks. Placed on the top of these old-fashioned receptacles were articles familiar to modern use,—a fowling-piece here, fishing-rods there, two or three simple flower-vases, a pile of music books, a box of crayons. All in this room seemed to speak of residence and ownership,—of the idiosyncrasies of a lone single man, it is true, but of a man of one’s own time,—a country gentleman of plain habits but not uncultivated tastes.

I moved to the window; it opened by a sash upon a large balcony, from which a wooden stair wound to a little garden, not visible in front of the house, surrounded by a thick grove of evergreens, through which one broad vista was cut, and that vista was closed by a view of the mausoleum.

I stepped out into the garden,—a patch of sward with a fountain in the centre, and parterres, now more filled with weeds than flowers. At the left corner was a tall wooden summer-house or pavilion,—its door wide open. “Oh, that’s where Sir Philip used to study many a long summer’s night,” said the steward.

“What! in that damp pavilion?”

“It was a pretty place enough then, sir; but it is very old,—they say as old as the room you have just left.”

“Indeed, I must look at it, then.”

The walls of this summer-house had once been painted in the arabesques of the Renaissance period; but the figures were now scarcely traceable. The woodwork had started in some places, and the sunbeams stole through the chinks and played on the floor, which was formed from old tiles quaintly tessellated and in triangular patterns; similar to those I had observed in the chimneypiece. The room in the pavilion was large, furnished with old worm-eaten tables and settles. “It was not only here that Sir Philip studied, but sometimes in the room above,” said the steward.

“How do you get to the room above? Oh, I see; a stair case in the angle.” I ascended the stairs with some caution, for they were crooked and decayed; and, on entering the room above, comprehended at once why Sir Philip had favoured it.

The cornice of the ceiling rested on pilasters, within which the compartments were formed into open unglazed arches, surrounded by a railed balcony. Through these arches, on three sides of the room, the eye commanded a magnificent extent of prospect. On the fourth side the view was bounded by the mausoleum. In this room was a large telescope; and on stepping into the balcony, I saw that a winding stair mounted thence to a platform on the top of the pavilion,—perhaps once used as an observatory by Forman himself.

“The gentleman who was here to-day was very much pleased with this look-out, sir,” said the housekeeper. “Who would not be? I suppose Sir Philip has a taste for astronomy.”

“I dare say, sir,” said the steward, looking grave; “he likes most out-of-the-way things.”

The position of the sun now warned me that my time pressed, and that I should have to ride fast to reach my new patient at the hour appointed. I therefore hastened back to my horse, and spurred on, wondering whether, in the chain of association which so subtly links our pursuits in manhood to our impressions in childhood, it was the Latin inscription on the chimneypiece that had originally biassed Sir Philip Derval’s literary taste towards the mystic jargon of the books at which I had contemptuously glanced.

CHAPTER XXIX

I did not see Margrave the following day, but the next morning, a little after sunrise, he walked into my study, according to his ordinary habit.

“So you know something about Sir Philip Derval?” said I. “What sort of a man is he?”

“Hateful!” cried Margrave; and then checking himself, burst out into his merry laugh. “Just like my exaggerations! I am not acquainted with anything to his prejudice. I came across his track once or twice in the East. Travellers are always apt to be jealous of each other.”

“You are a strange compound of cynicism and credulity; but I should have fancied that you and Sir Philip would have been congenial spirits, when I found, among his favourite books, Van Helmont and Paracelsus. Perhaps you, too, study Swedenborg, or, worse still, Ptolemy and Lilly?”

“Astrologers? No! They deal with the future! I live for the day; only I wish the day never had a morrow!”

“Have you not, then that vague desire for the something beyond,—that not unhappy, but grand discontent with the limits of the immediate Present, from which man takes his passion for improvement and progress, and from which some sentimental philosophers have deduced an argument in favour of his destined immortality?”

“Eh!” said Margrave, with as vacant a stare as that of a peasant whom one has addressed in Hebrew. “What farrago of words is this? I do not comprehend you.”

“With your natural abilities,” I asked with interest, “do you never feel a desire for fame?”

“Fame? Certainly not. I cannot even understand it!”

“Well, then, would you have no pleasure in the thought that you had rendered a service to humanity?”

Margrave looked bewildered; after a moment’s pause, he took from the table a piece of bread that chanced to be there, opened the window, and threw the crumbs into the lane. The sparrows gathered round the crumbs.

“Now,” said Margrave, “the sparrows come to that dull pavement for the bread that recruits their lives in this world; do you believe that one sparrow would be silly enough to fly to a house-top for the sake of some benefit to other sparrows, or to be chirruped about after he was dead? I care for science as the sparrow cares for bread,—it may help me to something good for my own life; and as for fame and humanity, I care for them as the sparrow cares for the general interest and posthumous approbation of sparrows!”

“Margrave, there is one thing in you that perplexes me more than all else—human puzzle as you are—in your many eccentricities and self-contradictions.”

“What is that one thing in me most perplexing?”

“This: that in your enjoyment of Nature you have all the freshness of a child, but when you speak of Man and his objects in the world, you talk in the vein of some worn-out and hoary cynic. At such times, were I to close my eyes, I should say to myself, ‘What weary old man is thus venting his spleen against the ambition which has failed, and the love which has forsaken him?’ Outwardly the very personation of youth, and revelling like a butterfly in the warmth of the sun and the tints of the herbage, why have you none of the golden passions of the young,—their bright dreams of some impossible love, their sublime enthusiasm for some unattainable glory? The sentiment you have just clothed in the illustration by which you place yourself on a level with the sparrows is too mean and too gloomy to be genuine at your age. Misanthropy is among the dismal fallacies of gray beards. No man, till man’s energies leave him, can divorce himself from the bonds of our social kind.”

“Our kind! Your kind, possibly; but I—” He swept his hand over his brow, and resumed, in strange, absent, and wistful accents: “I wonder what it is that is wanting here, and of which at moments I have a dim reminiscence.” Again he paused, and gazing on me, said with more appearance of friendly interest than I had ever before remarked in his countenance, “You are not looking well. Despite your great physical strength, you suffer like your own sickly patients.”

“True! I suffer at this moment, but not from bodily pain.”

“You have some cause of mental disquietude?”

“Who in this world has not?”

“I never have.”

“Because you own you have never loved. Certainly, you never seem to care for any one but yourself; and in yourself you find an unbroken sunny holiday,—high spirits, youth, health, beauty, wealth. Happy boy!”

At that moment my heart was heavy within me.

Margrave resumed,—

“Among the secrets which your knowledge places at the command of your art, what would you give for one which would enable you to defy and to deride a rival where you place your affections, which could lock to yourself, and imperiously control, the will of the being whom you desire to fascinate, by an influence paramount, transcendent?”