Woman under Monasticism
The story of Goliath and of David is also illustrated. David is a diminutive figure wearing a kirtle, Goliath is huge and clad in chain-mail. Another picture represents David playing on the harp. There were also a number of scenes from the books of Kings, of Job, and of Tobit; none of these have as yet been reproduced. A picture of the prophets has, however, been published, in which a number of figures of different ages are depicted in different attitudes standing side by side. One of the most curious and dramatic pictures is the full-page illustration of Jonah being cast up by the fish. The fish is a carp of huge size, but it is designated as a whale.
The New Testament pictures follow on the Old Testament, but between them stand several which illustrate their unity. One is an allegorical figure with two heads, the one the head of Moses, the other that of Christ. There is also a picture in folio size of the mystic family of Christ. At the bottom is Abraham, who holds the mystic vine which grows upwards and divides into beautiful twisted ramifications forming circles, and in these are arranged the heads of patriarchs, kings, and groups of other members of Christ’s family. A picture of Leviathan is extremely curious. He is depicted floating below. God stands above with a rod and line, and uses the cross as a fish-hook, dragging out of the huge creature’s mouth the heads of the prophets which are strung together in a row.
The history of Christ was led up to by an account of the birth of John the Baptist. The Nativity was celebrated by several poems, the words of which have come down to us; the music which accompanied them is apparently lost. Among the most realistic pictures preserved is that of the ‘Murder of the Innocents’; agony is characteristically expressed in the attitude and faces of the mothers who watch the soldiers fulfilling their task.
Other pictures, copies of which have been preserved, illustrate the arrival of the three kings and Christ’s baptism. In this latter picture the Jordan is personified as a river-god sitting in the water; the doors of heaven above are wide open and a dove drawn in the accepted style is descending. Christ’s parables gave the abbess many occasions for depicting scenes taken from real life, many of which in their simplicity are truly delightful. Biblical stories were supplemented by incidents taken from legendary history, which were likewise accompanied by pictures, few of which seem to have been preserved. The story of the healing power of the statue of Christ, the legend of the Vernacle, and the story of the True Cross were all illustrated. There was Adam planting the Tree of Life, King Solomon fetching its wood to Jerusalem and making a bridge over the river with it, and the Queen of Sheba coming on a visit and hesitating to cross the bridge.
The pictures of the story of the Agony, the Resurrection, and the Acts of the Apostles met with great praise from all who saw them. There were folio-sized pictures setting forth the Universality of the Church, and the Contending of Virtues and Vices668. Of this latter series several pictures have just appeared in reproduction; some are arranged in pairs, facing each other. The chief Vices, each with a band of attendants, are depicted confronting and then overcome by the chief Virtues; all are represented as women. Thus Pride, ‘Superbia,’ seated on horseback on a lion’s skin and brandishing a spear, is leading a band of women, who are clad in chain-mail with robes flowing about their feet and carrying spears, against a band of Virtues similarly attired but carrying swords. A most interesting picture is that of Luxury, ‘Luxuria,’ who is seen with fourteen attendant Vices riding in a sumptuous four-wheeled car; Luxury is in front throwing violets. She is confronted by a band of Virtues led by Temperance, ‘Temperantia,’ who are in front of the horses and hold up their hands in reprobation. On the next picture the car of Luxury is smashed, the horses are overturned, and she herself is under the wheels. Of her attendants ‘Voluptas’ has cast aside her rings and ornaments and is caught in a briar-bush, ‘Amor’ has thrown away bow and quiver, and ‘Avaritia’ is seizing upon what the others have dropped. On another picture Liberality, ‘Largitas,’ has stripped Rapine and Avarice, and has transfixed Avarice with a spear.
Some of the pictures which illustrate Solomon in his glory and Solomon’s Vanity of Vanities have also been preserved. Among them is Solomon lying on a sumptuous couch and surrounded by his warriors. A representation of two mannikins occurs among the Vanities; these mannikins were moved by threads, exactly like a modern toy. The pictures illustrating the experiences of the Church, the position of her members from Pope to cleric, the means of repentance, and the coming of Antichrist, all roused the enthusiasm of those who saw them; none of these have till now been reproduced. Gérard, who was probably the last to see and handle the work of Herrad, was especially struck by the pictures of the Last Judgment and of Heaven and Hell. His descriptions of them were lying in the library at the time of the bombardment, and were only rescued by the devotion of a friend669. On the strength of these pictures he numbers Herrad among the most imaginative painters the world has known. Engelhardt also was greatly struck by them. He describes a picture of Hell in the following terms (p. 51):
‘A mass of rocks was arranged so as to make a framework to this picture, in the chasms of which rocks flames were flaring and the condemned were seen suffering torments. Rivers of flame divided the inner part of the picture into four divisions. In the lowest of these, at the bottom of Hell, sat Lucifer or Satan in chains holding Antichrist in his lap. Next to him a demon carried along a covetous monk, whose punishment was then represented: he lay on his back without clothes and a demon poured molten gold into his mouth. In the second division counting from below two boiling caldrons hung suspended: in the one were Jews, in the other soldiers (the text says ‘milites vel armati’). Demons stood by holding men of either kind ready to add them to those already in the caldrons; other demons were stirring the caldrons with forks. In front of the Jews’ caldron a demon was depicted holding a naked sinner to whom he administered punishment by beating him. In the division above this a usurer had hot gold poured into his hand; a slanderer was made to lick a toad; an eaves-dropper had his ears pinched; a vain woman was assisted at her toilet by demons (they seemed to be lacing her); the woman who had murdered her child was forced to devour it. The following peculiar picture filled the highest division: a rope was drawn through chasms in the rocks so as to form a swing; on this a grinning demon sat swinging. At the ends of the rope which hung on the other side of the rocks two sinners were hanging bound head and foot so as to balance each other; demons held them by the hair. Another sinner hung suspended by his feet, with a block of stone hanging from his neck on which a demon was swinging. Sensual pleasures personified were wound around and bitten by snakes, and a man who had committed suicide was depicted plunging a knife into his own body.’
These pictures illustrated with forcible directness conceptions which were current throughout the religious world and served as a means of teaching the lesson of reward and punishment in the world to come. Later on in treating of mysticism we shall again see these conceptions stimulating the imaginative powers of women living in convents.
Copies of the last pages of the ‘Garden of Delights,’ which are devoted to a representation of the Hohenburg and of its convent of women, have fortunately been preserved. Here we see the settlement as it presented itself to Herrad and the thoughts she associated with it. The picture is the size of two folio pages. High above in the centre stands Christ in front of the convent church, holding in His right hand a golden staff which is touched by the Virgin and St Peter, and the end of which is supported by Duke Eticho, whom Herrad looked upon as the father of St Odilia. St John the Baptist and St Odilia are seen standing on the other side of Christ. A green hill is represented below roughly studded with bushes or brambles, – this is the hill of the Hohenburg. On one slope of it Duke Eticho is seated, and he hands the golden key of the convent to St Odilia, who advances towards him followed by a band of women. Relind, Herrad’s teacher and predecessor, also stands on the hill with her hand resting on a cross on which are inscribed verses addressed to the nuns. The fact that she restored the church and the discipline at Hohenburg, which had fallen entirely into decay, is commemorated in a sentence which is placed on the other side of her. Over against her stands Herrad herself, who also holds verses addressed to the nuns. And between these two abbesses all the members of Herrad’s congregation are drawn, six rows of women’s heads placed one above the other. There is no attempt at portraiture, but the name of each nun and each novice is added to her picture. Among these names are those of families of the surrounding landed gentry, from which we gather that the nunnery was chiefly for the upper classes. The nuns in the picture address lines to Christ begging Him to number them among the elect.
Such in rough outline was the ‘Garden of Delights,’ the loss of which is greatly to be deplored, both from the point of view of culture in general, and from that of women in particular. But even in its fragments the work is a thing to dwell upon, a monument which bears the stamp of wide knowledge and lofty thought. It shows how Herrad found her life’s interest in educating the young women given into her care, how anxious she was that they should be right-minded in all things, and how she strove to make their studies delightful to them. The tone which she took towards her congregation is apparent from the words in which she directly addressed them. For besides occasional admonitory words, two long poems, one at the beginning, the other at the end of the work, are devoted to the admonition of the nuns. Herrad’s poems are composed in different metres; some have the dignity of the hexameter, some the easier flow of shorter-lined dactylic verse. The poems addressed to her nuns are of the latter kind. Their incisive rhythm and ringing rhyme, in which their value chiefly lies, make a translation difficult. Still a version of the first of these poems in English prose will help to give the reader some idea of the tone of the abbess; the form of address is necessarily determined by the mode of expression of the 12th century, the meaning of the original is by no means always clear.
This is: ‘The rhyme of Herrad, the abbess, in which she lovingly greets the young maidens (virgunculas) of the Hohenburg and invites them to their weal to faith and love of the true Bridegroom.
‘Hail, cohort of Hohenburg virgins, white as the lily and loving the Son of God, Herrad, your most devoted, your most faithful mother and handmaiden sings you this song. She greets you times countless and daily prays that in glad victory you may triumph over things that pass. O, mirror of many things, spurn, spurn those of time, and garner virtues, Band of the true Bridegroom. Press on in the struggle to scatter the dread foe, the King of Kings aids you for His desire is towards you. He Himself strengthens your soul against Satan; He Himself will grant the glory of His kingdom after victory. Delights await you, riches are destined for you, the court of heaven proffers you countless joys. Christ prepares espousals wondrous in delights, and you may look for this prince if you preserve your chastity. Mean time put around you noble circlets (?) and make your faces to shine fair, freed from mental strife. Christ hates spot or stain, He abhors time-worn lines (of vice); He desires beauteous virgins and drives forth women who are unchaste. With a dove-like faith call upon that your Bridegroom, that your beauty may become an unbroken glory. Living without guile, be admonished by praisegiving, so that you may complete your best works of ascent. Do not hesitate amidst the doubtful currents of the world, the truthful God holds out rewards after danger. Suffer hardships now, despising the world’s prosperity, be now fellow of the cross, hereafter sharer of the kingdom. Steer across the ocean freighted with holiness, till you leave the bark and land in Sion. May Sion’s heavenly castle with its beauteous halls be your home when the term of life is past. May there the virgin Ruler, Mary’s Son, receive you in His embrace and lift you up from sadness. Setting aside all the wiles of the mean tempter, you will be abundantly glad, sweetly rejoicing. The shining Star of the Sea, the one virgin Mother will join you to her Son in bond eternal. And by your prayer do not cease to draw me with you to the sweetest Bridegroom, the Son of the Virgin. As He will be partner of your victory and of your great glory, He will draw you from earthly things. Farewell, chaste band, you my exceeding joy, live without offence, ever love Christ. May this book prove useful and delightful to you, may you never cease to ponder it in your breast. May forgetfulness not seize you like the ostrich (more Struthineo)670, and may you not leave the way before you have attained. Amen.’
This address in verse was followed by these lines in prose – ‘Herrad, who through the grace of God is abbess of the church on the Hohenburg, here addresses the sweet maidens of Christ who are working as though in the vineyard of the Lord; may He grant grace and glory unto them. – I was thinking of your happiness when like a bee guided by the inspiring God I drew from many flowers of sacred and philosophic writing this book called the ‘Garden of Delights’; and I have put it together to the praise of Christ and the Church, and to your enjoyment, as though into a sweet honeycomb. Therefore you must diligently seek your salvation in it and strengthen your weary spirit with its sweet honey drops; always be bent on love of your Bridegroom and fortified by spiritual joys, and you will safely pass through what is transitory, and secure great and lasting happiness. Through your love of Christ, help me who am climbing along a dangerous uncertain path by your fruitful prayer when I pass away from this earth’s experiences. Amen.’
Thus far we have followed Herrad in her work and in her relations towards her nuns; the question naturally arises, What inner experiences prompted her to her great undertaking and in what spirit did she carry it through? It has been noticed that a sombreness is characteristic of certain parts of the work, and is peculiar to some of her poems also. Two short verses which occur in the work seem to reflect her mental state. The one urges great liberality of mind. It discusses the basis of purity, and comes to the conclusion that purity depends less on actions than on the spirit in which they are done. The other follows the mind through its several stages of development and deserves to be chronicled among the words of wisdom. It runs as follows: ‘Despise the world, despise nothing, despise thyself, despise despising thyself, – these are four good things.’
CHAPTER VIII
PROPHECY AND PHILANTHROPY
‘Pauper homo magnam stultitiam habet quando vestimenta sua scissa sunt, semper in alium aspiciens, considerans quem colorem vestimentum illius habeat, nec suum a sorde abluit.’
Hildegard.§ 1. St Hildegard of Bingen 671 and St Elisabeth of Schönau 672
From the peaceful pursuits of mediaeval nuns we turn to some of the women who were interested in the problems of the day, and whose minds were agitated by current difficulties which they sought to solve in their own way. In Germany in the early Middle Ages the struggle between Pope and Emperor, and the interference in temporal matters of prelates in their character as dependents of the Pope, gave rise to a prolonged struggle. Much criticism, reflection and speculative energy were brought to bear on the relations between monarchical and ecclesiastical power, on the duties of the ministers of the Church, and on the Pope’s efficiency in controlling them. It is at least curious to find among the voices that are raised in criticism and protest, those of two nuns, who in consideration of the services they have rendered to the faith are estimated as saints. The present chapter proposes to deal in outline with the writings of St Hildegard of Bingen (1098-1178) and of St Elisabeth of Schönau (c. 1129-1165). These two women differed somewhat in their points of view, but they were equally zealous in supporting the Pope’s authority, and were equally inspired by the belief that the Church could and should maintain a lofty and universal standing and act as a regenerator to society. The exhortations of these women were very popular, and in the year 1158, when they were in the full exercise of their power, the annalist wrote, ‘in these days God made manifest His power through the frail sex, in the two maidens Hildegard and Elisabeth, whom He filled with a prophetic spirit, making many kinds of visions apparent to them through His messages, which are to be seen in writing673.’
The attitude of these women and the tone of their writings were the direct outcome of contemporary events. They were deeply moved by the instability of social conditions and shared the belief of other great reformers of the age, that what was needed to remedy social evils was a livelier faith in the truths of religion and a higher standard of morality in conduct.
The 12th century is the age when national feeling in the different countries of Europe first asserted itself strongly, and when consciousness of solidarity within made possible the apprehension of ideas which lie beyond the pale of immediate personal and national advantage. The conception of knighthood, hitherto determined only by land ownership and loyalty to a lord, was given a new interpretation, and the order of Knights Templars was founded, which held knighthood to be based upon devotion to the cause of religion and loyalty to the Saviour. Similarly love of war, which till then had expended itself in self-protective and aggressive warfare, was turned into a new channel, and the thought of the Crusade roused peoples of different nationalities to fight side by side, inspired by a common cause and actuated by a common interest. The authority of the Pope as a temporal ruler had reached its climax, and there were threatening signs of its decline, but when this power, like the conception of knighthood, received the new interpretation, its importance had never been more distinctly emphasized.
The Popes who ruled between 900 and 1000 had been absorbed by party squabbles in Rome and had done little to raise the dignity of their office in other lands. But a change had come through Hildebrand, who nominally served, but practically ruled, five Popes before he himself sat in the chair of St Peter as Gregory VII (1073-1085). Owing to his influence the papal power rapidly increased and took a universal colouring, for, by identifying himself with all the wider and higher interests of humanity, the Pope succeeded in winning for himself the recognition of his supreme authority in matters both spiritual and temporal. There was something grand and inspiring in this conception of the Pope as the universal peace-maker, and of Rome as the central and supreme court of appeal of the civilized world, but it could not last. In proportion as national life in the different countries struggled into being, this overlordship of the Pope was felt to weigh heavily and to hamper development, and criticisms arose concerning his right to interfere in matters that did not appertain directly to the Church. At the time we are speaking of – the second half of the 12th century – there were indications of a distinction drawn between ‘sacerdotium’ and ‘imperium,’ between priestly and imperial status considered as the rightful basis of power, with a consequent loss of prestige to the Church. The position of the Papacy was moreover seriously affected by continued schism. As a check to this loss of prestige, those who were in favour of papal supremacy urged that the Church must be strengthened in its members, and they sought an increase of influence in a reform of the life of the clergy generally.
It has been mentioned above how from the 10th century onwards a direct connection had grown up between the Pope and the monastic centres, and how the founders of new religious orders had by a like direct connection secured a safeguard against wilful interference with their prerogatives by prince and prelate. Outside Italy it was in the monastery that the Pope throughout the 12th century found his chief advocates, that his spiritual supremacy was most earnestly emphasized, and that the belief was fostered that through his influence a re-organization of society could be obtained.
In this connection no figure of the age is more remarkable than that of Bernard of Clairvaux674 († 1153), ‘the simple monk, clad in plain clothes, weakened by fasting,’ whose power is felt in religious and lay circles alike. The secret of Bernard’s influence lay in the fact that he was in one direction the mouthpiece of the ideal aspirations of his age – he emphasized the spiritual side of religion and insisted on the great social and moral advantages to be obtained by accepting spiritual direction as a guide in practical matters. By doing so he at once increased the reverence felt for religion and gave it a practical value. His very success commands admiration, repellent as his narrowness appears in some particulars. It is true that he diminished schism by persuading King Louis VI of France to recognise Pope Innocent II (1130-43), that he won over the German Emperor Lothar († 1137) to the same course; it is true that he founded the order of the Knights Templars, gave a new impulse to the order of Citeaux, and preached the Crusade; but it was he who declared the writings of Abelard († 1142) false, and who had Arnold of Brescia expelled from Paris on the charge of heresy.
Socially and politically speaking the state of affairs in the German Empire during the first half of the 12th century had taken a deplorable turn through the choice of Konrad († 1152) as emperor. His vacillating policy left party hatred rampant between the rival houses of Welf (Guelph) and Hohenstaufen. On the slightest provocation this hatred broke out in warfare; it was checking all possibility of material progress and prosperity when the thought of a crusade offered a welcome diversion to these turbulent elements. For the first crusade few recruits had been drawn from any districts except the northern provinces of France, but the second assumed very different proportions. As early as 1145 Pope Eugenius was granting indulgences to those who joined it, while Bernard took up the idea and preached it with great success all along the Rhine. Disastrous as the undertaking itself proved to those who took part in it, its immediate effects on the countries from which the crusaders were drawn were most beneficial. After speaking of the terrible contentions which for years had set the ruling powers in Poland, Saxony and Bohemia at strife, Bishop Otto III of Freising († 1158) continues in this strain: ‘Suddenly, through the counsel of the Most High, a speedy change was effected; and in a short time the turmoils of war were quieted, the whole earth seemed restored to peace, and unnumbered bands from France and from Germany received the Cross and departed to fight against its enemies.’
When these crusaders had been sped on their way – a motley crowd in which figured emperor and king, adventurous knight, venturesome woman, and vagrants of every kind and of both sexes – Pope Eugenius, whose position at Rome was insecure and who had been staying at Clairvaux with Bernard, journeyed to Trier at the request of the archbishop to meet in council the prelates of the neighbouring districts. Among them was Heinrich, archbishop of Mainz (1142-53), who together with Wibald, abbot of Corvei, had been appointed representative of the emperor during his absence. It was on this occasion that some of Hildegard’s writings were first submitted to the Pope, probably at the request of Archbishop Heinrich. Judging from what Hildegard says herself, Heinrich and the church at Mainz had accepted her writings, saying that ‘they had come through God and through that power of prophecy by which the prophets had anciently written675.’
