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The Golden Notebook

Год написания книги
2018
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‘So all we have to do is to persuade them towards a correct understanding of their class position, and we’ll have the whole district in a revolutionary uproar before we can say Left-wing Communism, an Infantile Disorder.’

George looked at Willi, waiting for him to protest. But that morning Willi had said to me that he intended to devote all his time to study, he had no further time for ‘all these playboys and girls looking for husbands’. It was so easily that he dismissed the people he had taken seriously enough to work with for years.

George was now deeply uneasy; he had sensed the pith of our belief was no longer in us, and this meant that his loneliness was confirmed. Now he spoke across Paul and Ted to Johnnie the pianist.

‘They’re talking a lot of cock, aren’t they, mate?’

Johnnie nodded agreement—not to the words, I think he seldom listened to words, he only sensed if people were friendly to him or not.

‘What’s your name? I haven’t run across you before, have I?’

‘Johnnie.’

‘You’re from the Midlands?’

‘Manchester.’

‘You two are members?’

Johnnie shook his head; George’s jaw slowly dropped, then he passed his hand quickly across his eyes, and sat slumped, in silence. Meanwhile Johnnie and Stanley remained side by side, observing. They were drinking beer. Now George, in a sudden desperate attempt to break down the barriers, leaped up and poised a wine bottle. ‘Not much left, but have some,’ he said to Stanley.

‘Don’t care for it,’ said Stanley. ‘Beer’s for us.’ And he patted his pockets and the front of his tunic, where beer bottles stuck out at all angles. Stanley’s great genius was to unfailingly ‘organize’ supplies of beer for Johnnie and himself. Even when the Colony ran dry, which it did from time to time, Stanley would appear with crates of the stuff, which he had stored away in caches all over the city, and which he sold at a profit while the drought lasted.

‘You’re right,’ said George. ‘But we poor bloody colonials have had our stomachs adjusted to Cape hogwash since we were weaned.’ George loved wine. But even this gauge of amity had no softening effect on the couple. ‘Don’t you think these two ought to have their bottoms smacked?’ George enquired, indicating Ted and Paul. (Paul smiled; Ted looked ashamed.)

‘Don’t care for all that stuff myself,’ said Stanley. At first George thought he was still referring to the wine; but when he realized it was politics that were meant, he glanced sharply at Willi, for guidance. But Willi had sunk his head into his shoulders and was humming to himself. I knew he was suffering from homesickness. Willi had no ear, could not sing, but when he was remembering Berlin, he would tunelessly hum, over and over again, one of the tunes from Brecht’s Threepenny Opera.

Oh the shark has Wicked teeth dear And he keeps them Shining white…

Years later it was a popular song, but I first heard it in Mashopi, from Willi; and I remember the sharp feeling of dislocation it gave me to hear the pop-song in London, after Willi’s sad nostalgic humming of what he told us was ‘a song we used to sing when I was a child—a man called Brecht, I wonder what happened to him, he was very good once.’

‘What’s going on, mates?’ George demanded, after a long silence full of discomfort.

‘I would say that a certain amount of demoralization is setting in,’ said Paul deliberately.

‘Oh no,’ said Ted, but checked himself and sat frowning. Then he jumped up and said: ‘I’m going to bed.’

‘We’re all going to bed,’ said Paul. ‘So wait a minute.’

‘I want my bed. I’m proper sleepy,’ said Johnnie, a longer statement than we had yet heard from him. He got up unsteadily, and poised himself with a hand on Stanley’s shoulder. It appeared that he had been thinking things over and now saw the necessity for some kind of a statement. ‘It’s like this,’ he said to George. ‘I came down to th’otel because I’m a mate of Stanley’s. He said they’ve got a piano and a bit of a dance Saturday nights. But I don’t go for the politics. You’re George Hounslow. I’ve heard them talk of you. Pleased to meet you.’ He held out his hand, and George shook it warmly.

Stanley and Johnnie wandered off into the moonlight towards the bedroom block, and Ted got up and said: ‘And me too, and I’ll never come back here again.’

‘Oh, don’t be so dramatic,’ said Paul coldly. The sudden coldness surprised Ted, who gazed around at us all, vaguely, hurt and embarrassed. But he sat down again.

‘What the hell are those two chaps doing with us?’ demanded George roughly. It was the roughness of unhappiness. ‘Nice chaps I’m sure, but what are we doing talking about our problems in front of them?’

Willi still did not respond. The thin mournful humming went on, a couple of inches above my ear: ‘Oh the shark has, wicked teeth dear…’

Paul said, deliberate and nonchalant to Ted: ‘I think we’ve incorrectly assessed the class situation of Mashopi. We’ve overlooked the obvious key man. Here he is under our noses all the time—Mrs Boothby’s cook.’

‘What the hell do you mean, the cook?’ demanded George—much too roughly. He was standing up, aggressive and hurt, and he kept swilling his wine around his glass, so that it sloshed off into the dust. We all thought his belligerence was due, simply, to surprise at our mood. We hadn’t seen him for some weeks. I think we were all measuring the depth of the change in us, because it was the first time we had seen ourselves reflected, so to speak, in our own eyes of so short a time ago. And because we felt guilty we resented George—resented him enough to want to hurt him. I remember very clearly, sitting there, looking at George’s honest angry face, and saying to myself, Good Lord! I think he’s ugly—I think he’s ridiculous, I can’t remember feeling that before. And then understanding why I felt like this. But, of course, it was only afterwards that we really came to understand the real cause of George’s reaction to Paul’s mentioning the cook.

‘Obviously the cook,’ said Paul deliberately, spurred on by his new desire to provoke and hurt George. ‘He can read. He can write. He has ideas—Mrs Boothby complains of it. Ergo, he is an intellectual. Of course he’ll have to be shot later when ideas become a hindrance, but he’ll have served his purpose. After all, we’ll be shot with him.’

I remember George’s long puzzled look at Willi. Then how he examined Ted, who had his head back, his chin pointed up towards the boughs, as he inspected the stars glinting through the leaves. Then his worried stare at Jimmy who was still a sodden corpse in Paul’s arms.

Ted said briskly: ‘I’ve had enough. We’ll escort you to your caravan, George, and leave you.’ It was a gesture of reconciliation and friendship, but George said sharply: ‘No.’ Because he reacted like that Paul immediately got up, dislodging Jimmy who collapsed on to the bench, and said with cool insistence, ‘Of course we’ll take you to your bed.’

‘No,’ said George again. He sounded frightened. Then, hearing his own voice, he altered it. ‘You silly buggers. You drunken sots, you’ll trip all over the railway lines.’

‘I said,’ remarked Paul casually, ‘that we’ll come and tuck you in.’ He swayed as he stood, but steadied himself. Paul, like Willi, could drink heavily and hardly show it. But he was drunk by now.

‘No,’ said George. ‘I said no. Didn’t you hear me?’

And now Jimmy came to himself, staggering up off the bench, and hooking on to Paul for steadiness. The two young men swayed a moment, then went off in a rush towards the railway lines and George’s caravan.

‘Come back,’ shouted George. ‘Silly idiots. Drunken fools. Clods.’ They were now yards away, balancing their bodies on fumbling legs. The shadows from the long sprawling legs cut sharp and black across the glittering sand almost to where George stood. They looked like small jerky marionettes, descending long black ladders. George stared, frowned, then swore deeply and violently and ran after them. Meanwhile the rest of us made tolerant grimaces at each other—What’s wrong with George? George reached the two, grabbed their shoulders, spun them around to face him. Jimmy fell. There was a stretch of rough gravel by the lines and he slipped on the loose stones. Paul remained upright, stiff with the effort of keeping his balance. George was down in the dirt with Jimmy, trying to get him up again, trying to lift the heavy body in its thick felt-like case of uniform. ‘You silly sod,’ he was saying, roughly tender to the drunken boy. ‘I told you to come back, didn’t I? Well didn’t I?’ And he almost shook him with exasperation, though he checked himself, even while he was trying, and with the tenderest compassion, to raise him. By this time the rest of us had run down and stood by the others on the track. Jimmy was lying on his back, eyes closed. He had cut his forehead on the gravel, and the blood poured black across his white face. He looked asleep. His lank hair had for once achieved grace, and lay across his forehead in a full springing wave. The individual hairs gleamed.

‘Oh hell,’ said George, full of despair.

‘Then why make such a fuss?’ said Ted. ‘We were only going to take you to your lorry.’

Willi cleared his throat. It was always a rasping, rather clumsy sound. He did this frequently. It was never from nervousness, but sometimes as a tactful warning, and sometimes the statement: I know something you don’t. I recognized that this time it meant the second, and he was saying that the reason why George didn’t want anyone near his caravan was because there was a woman in it. Willi would never betray a confidence, even indirectly, when sober, so that meant he was drunk. To cover the indiscretion I whispered to Maryrose: ‘We keep forgetting that George is older than us, we must seem like a pack of kids to him.’ I spoke loudly enough for the others to hear. And George heard and gave me a wry grateful smile over his shoulder. But we still couldn’t move Jimmy. There we all stood, looking down at him. It was now long after midnight, and the heat had gone from the soil, and the moon was low over the mountains behind us. I remember wondering how it was that Jimmy, who when in his senses could never seem anything but graceless and pathetic, had just this once, when he was lying drunk in a patch of dirty gravel, managed to appear both dignified and moving, with the black wound on his forehead. And I was simultaneously wondering who the woman could be—which of the tough farmers’ wives, or marriageable daughters, or hotel guests we had drunk with in the bar that evening had crept down to George’s caravan, trying to make herself invisible in the water-clear moonlight. I remember envying her. I remember loving George for just that moment with a sharp painful love, while I called myself all kinds of a fool. For I had turned him down often enough. At that time in my life, for reasons I didn’t understand until later, I didn’t let myself be chosen by men who really wanted me.

At last we managed to get Jimmy on his feet. It took all of us, tugging and pulling. And we supported and pushed him up between the gum-trees and the long path between the flower-beds to the hotel room. There he instantly rolled over, asleep, and stayed asleep while we sponged his cut. It was deep and full of gravel, and took a long time to stop the blood. Paul said he would stay up and watch beside Jimmy, ‘though I hate myself in the role of a bloody Florence Nightingale.’ No sooner had he sat down, however, than he fell asleep, and in the end it was Maryrose who sat up and watched beside both of them until morning. Ted departed to his room with a brief, almost angry good night. (Yet in the morning he would have swung over into a mood of self-mockery and cynicism. He was to spend months altering sharply between a guilty gravity and an increasingly bitter cynicism—later he was to say that this was the time in his life he was most ashamed of.) Willi, George and myself stood on the steps in the now dimming moonlight. ‘Thanks,’ said George. He looked hard and close into my face and then Willi’s, hesitated, and did not say what he had been going to. Instead he added the gruffly obligatory jest: ‘Do the same for you sometime.’ And he strode off down towards the lorry near the railway lines, while Willi murmured: ‘He looks just like a man with an assignation.’ He was back in his sophisticated role, drawling it, with a knowing smile. But I was envying the unknown woman too much to respond, and we went to sleep in silence. And we would have slept, very likely, until midday, if we had not been woken by the three airforce men, bringing in our trays. Jimmy had a bandage around his head, and looked ill. Ted was wildly and improbably gay, and Paul was radiating charm as he announced: ‘We’ve already started undermining the cook, because he allowed us to cook your breakfast, darling Anna, and as an additional but necessary chore, Willi’s.’ He slid the tray before me with an air. ‘The cook’s at work on all the good things for tonight. Do you like what we’ve brought you?’

They had brought food enough for us all, and we feasted on paw-paw and avocado pear, and bacon and eggs and hot fresh bread and coffee. The windows were open and the sunlight was hot outside, and wind coming into the room was warm and smelling of flowers. Paul and Ted sat on my bed and we flirted; and Jimmy sat on Willi’s and was humble about being drunk the night before. But it was already late, and the bar was open, and we soon got dressed and walked down together through the flower-beds that filled all the sunlight with the dry spicy-smelling tang of wilting and overheated petals, to the bar. The verandahs of the hotel were full of people drinking, the bar was full, and the party, as Paul announced, waving his tankard, had begun.

But Willi had withdrawn himself. For one thing, he did not approve of such bohemianism as collective bedroom breakfasts. ‘If we were married,’ he complained, ‘it might be all right.’ I laughed at him, and he said: ‘Yes. Laugh. But there’s sense in the old rules. They kept people out of trouble.’ He was annoyed because I laughed, and said that a woman in my position needed extra dignity of behaviour. ‘What position?’—I was suddenly very angry, because of the trapped feeling women get at such moments. ‘Yes, Anna, but things are different for men and for women. They always have been and they very likely always will be.’ ‘Always have been?’—inviting him to remember his history. ‘For as long as it matters.’ ‘Matters to you—not to me.’ But we had had this quarrel before; we knew all the phrases either was likely to use—the weakness of women, the property sense of men, women in antiquity, etc., etc., etc., ad nauseam. We knew it was a clash of temperament so profound that no words could make any difference to either of us—the truth was that we shocked each other in our deepest feelings and instincts all the time. So the future professional revolutionary gave me a stiff nod and settled himself on the hotel verandah with his Russian grammars. But he would not be left alone to study for long, for George was already striding up through the gum-trees, looking very serious.

Paul greeted me with: ‘Anna, come and see the lovely things in the kitchen.’ He put his arm around me, and I knew Willi had seen, as I had intended him to, and we walked through the stone-floored passages to the kitchen, which was a large low room at the back of the hotel. The tables were loaded with food, and draped with netting against the flies. Mrs Boothby was there with the cook, and clearly wondering how she had put herself into the position that we were such favoured guests we could wander in and out of the kitchen at will. Paul at once greeted the cook and enquired after his family. Mrs Boothby didn’t like this of course; this was the reason for Paul’s doing it at all. Both the cook and his white employer responded to Paul in the same way—watchful, puzzled, slightly distrustful. For the cook was confused. Not the least of the results of having hundreds and thousands of airforce men in the Colony for five years was that a number of Africans had it brought home to them that it was possible—well, among other things, that a white man could treat a black man as a human being. Mrs Boothby’s cook knew the familiarity of the feudal relationship; he knew the crude brutality of the newer impersonal relationship. But he was now discussing his children with Paul on equal terms. There was a slight hesitation before each of his remarks, the hesitation of disuse, but the man’s natural dignity, usually ignored, carried him quickly into the manner of someone in conversation with an equal. Mrs Boothby listened for a few minutes, then cut it short by saying: ‘If you really want to be of help, Paul, you and Anna can go into the big room and do some decorating.’ She spoke in a tone which was meant to tell Paul that she had understood he had been making fun of her the night before. ‘Certainly,’ Paul said. ‘With pleasure.’ But he made a point of continuing his talk with the cook for a while. This man was unusually good-looking—a strong, well-set middle-aged man with a lively face and eyes; a great many of the Africans in this part of the Colony were poor specimens physically from ill-feeding and disease; but this one lived at the back of the Boothbys’ house in a small cottage with his wife and five children. This was of course against the law, which laid down that black people should not live on white man’s soil. The cottage was poor enough, but twenty times better than the usual African hut. There were flowers and vegetables around it, and chickens and guinea-fowl. I should imagine that he was very well content with his service at the Mashopi hotel.

When Paul and I left the kitchen he greeted us as was customary: ’Morning, Nkos. ’Morning, Nkosikaas—that is, Good morning, Chief and Chieftainess.

‘Christ,’ said Paul, with irritation and anger, when we were outside the kitchen. And then, in the whimsical cool tone of his self-preservation: ‘But it’s strange I should mind at all. After all, it has pleased God to call me into the station of life which will so clearly suit my tastes and talents, so why should I care? But all the same…’

We walked up to the big room through the hot sunlight, the dust warm and fragrant under our shoes. His arm was around me again and now I was pleased to have it there for other reasons than that Willi was watching. I remember feeling the intimate pressure of his arm in the small of my back, and thinking that, living in a group as we did, these quick flares of attraction could flare and die in a moment, leaving behind them tenderness, unfulfilled curiosity, a slightly wry and not unpleasant pain of loss; and I thought that perhaps it was above all the tender pain of unfulfilled possibilities that bound us. Under a big jacaranda tree that grew beside the big room, out of sight of Willi, Paul turned me around towards him and smiled down at me, and the sweet pain shot through me again and again. ‘Anna,’ he said, or chanted. ‘Anna, beautiful Anna, absurd Anna, mad Anna, our consolation in this wilderness, Anna of the tolerantly amused black eyes.’ We smiled at each other, with the sun stabbing down at us through the thick green lace of the tree in sharp gold needles. What he said then was a kind of revelation. Because I was permanently confused, dissatisfied, unhappy, tormented by inadequacy, driven by wanting towards every kind of impossible future, the attitude of mind described by ‘tolerantly amused eyes’ was years away from me. I don’t think I really saw people then, except as appendages to my needs. It’s only now, looking back, that I understand, but at the time I lived in a brilliantly lit haze, shifting and flickering according to my changing desires. Of course, that is only a description of being young. But it was Paul who, alone among us, had ‘amused eyes’ and as we went into the big room hand in hand, I was looking at him and wondering if it were possible that such a self-possessed youth could conceivably be as unhappy and tormented as I was; and if it was true that I had, like him, ‘amused eyes’—what on earth could that mean? I fell all of a sudden into an acute irritable depression, as in those days I did very often, and from one second to the next, and I left Paul and went by myself into the bay of a window.

I think that was the most pleasant room I have been in in all my life. The Boothbys had built it because there was no public hall at this station, and they were always having to clear their dining-room for dances or political meetings. But they had built it from good-nature, as a gift to the district, and not for profit.

It was as large as a big hall, but it looked like a living-room, with walls of polished red brick and a floor of dark red cement. The pillars—there were eight great pillars supporting the deep thatched roof—were of unpolished reddish-orange brick. The fireplaces at either end were both large enough to roast an ox. The wood of the rafters was thorn, and had a slightly bitter tang, whose flavour changed according to whether the air was dry or damp. At one end was a grand piano on a small platform, and at the other a radiogram with a stack of records. Each side had a dozen windows, one set showing the piled granite boulders behind the station, and the other miles across country to the blue mountains.

Johnnie was playing the piano at the far end, with Stanley Lett and Ted beside him. He was oblivious of both. His shoulders and feet tapped and shrugged to the jazz, his rather puffy white face blank as he stared away to the mountains. Stanley did not mind that Johnnie was indifferent to him: Johnnie was his meal-ticket, his invitation to parties where Johnnie played, his passport to a good time. He made no secret of why he was with Johnnie—he was the frankest of petty crooks. In return he saw that Johnnie had plenty of ‘organized’ cigarettes, beer and girls, all for nothing. I said he was a crook, but this is nonsense of course. He was a man who had understood from the beginning that there is one law for the rich and one for the poor. This was purely theoretical knowledge for me until I actually lived in a working-class area in London. That was when I understood Stanley Lett. He had the profoundest instinctive contempt for the law; contempt, in short, for the State about which we talked so much. I suppose that was why Ted was intrigued with him? He used to say: ‘But he’s so intelligent!’—the inference being that if the intelligence were used, he could be harnessed to the cause. And I suppose Ted wasn’t so far wrong. There is a type of trade union official like Stanley: tough, controlled, efficient, unscrupulous. I never saw Stanley out of a shrewd control of himself, used as a weapon to get everything he could out of a world he took for granted was organized for the profit of others. He was frightening. He certainly frightened me, with his big hard bulk, hard clear features, and cold analytical grey eyes. And why did he tolerate the fervent and idealistic Ted? Not, I think, for what he could get out of him. He was genuinely touched that Ted, ‘a scholarship boy’, was still concerned about his class. At the same time he thought him mad. He would say: ‘Look, mate, you’ve been lucky, got more brains than most of us. You use your chances and don’t go mucking about. The workers don’t give a muck for anyone but themselves. You know it’s true. I know it’s true.’ ‘But Stan,’ Ted harangued him, his eyes flashing, his black hair in agitated motion all over his head: ‘Stan, if enough of us cared for the others, we could change it all—don’t you see?’ Stanley even read the books Ted gave him, and returned them saying: ‘I’ve got nothing against it. Good luck to you, that’s all I can say.’

On this morning Stanley had stacked the top of the piano with ranks of beer mugs. In a corner was a packing case stacked with bottles. The air around the piano was thick with smoke, lit with stray gleams of reflected sunlight. The three men were isolated from the room in a haze of sun-lanced smoke. Johnnie played, played, played, quite oblivious. Stanley drank and smoked and kept an eye on the girls coming in who might do for himself or Johnnie. And Ted alternately yearned after the political soul of Stanley and the musical soul of Johnnie. As I’ve said, Ted had taught himself music, but he could not play. He would hum snatches from Prokofiev, Mozart, Bach, his face agonized with impotent desire, forcing Johnnie to play. Johnnie played anything by ear, he played the airs as Ted hummed them, while his left hand hovered impatiently just above the keys. The moment the hypnotic pressure of Ted’s concentration relaxed, the left hand broke into syncopation, and then both hands were furious in a rage of jazz, while Ted smiled and nodded and sighed, and tried to catch Stanley’s eye in rueful amusement. But Stanley’s returning smile was for mateyness only, he had no ear at all.

These three stayed at the piano all day.
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