Normally in broadcasting, the editor will be in the gallery or booth outside the actual studio. This wouldn’t do for Angus, who insisted on sitting next to his presenter and whispering instructions in his ear, often while the presenter was talking to the nation. Instruction through a talkback system is commonplace in broadcasting and it becomes second nature to react while still speaking, but it was most disconcerting to have Angus’ lips in contact with your earhole, and if you didn’t react immediately to his instruction, for the very valid reason that you couldn’t actually hear it, he would become apoplectic with rage.
Before one such programme, he and I were sitting in the office putting the final touches to the script for the evening show. At the time, a well-known Daily Mail journalist called J. L. (‘Jim’) Manning used to come in to the show on Saturday nights and do his ‘final word’ piece. Jim was quite a contentious individual and his three minutes were worth listening to.
The phone rang and it was for Angus. I obviously only heard his end of the conversation, the abridged version of which went like this.
‘Hello, Amy [Manning’s wife]. Oh no. A heart attack. In the small hours. Intensive care. Our love goes out to you, Amy. We’ll be thinking of Jim. Call you later.’
Then Angus turned to his number two, Bob Burrows. ‘Bob,’ he said, ‘we’ve got a problem. Manning’s fucking let us down.’
A couple of years after I joined the department, a young Alan Parry came for an interview. If he was lucky enough to get the job, Angus asked him, what did he think his ultimate ambition in broadcasting would be? Alan thought for a moment and, probably struggling for a response, said: ‘I suppose, in the long term, I would like to have a go at television.’ There was a long silence and then much sucking in of air and glances round the room. ‘Don’t you think, Alan, that if television was important Mr Burrows [his assistant] and I would be in television?’
That was Angus: a man with little self-doubt and possessing a consummate belief in his standing in the great world of radio. Alan, of course, has gone on to forge a highly successful career in television.
If I wasn’t doing Sports Report, then I usually presented Sports Session, which went out at 6.30 in the evening on Radio 4. Chris Martin-Jenkins sometimes filled this role as well. One evening, I had finished a stint on Angus’ programme and was listening to ‘Jenko’ doing his bit on Sports Session. It was a half-hour show. At about 6.50 I heard him say, ‘That’s all for this week. Good night.’ We couldn’t believe it. There followed about a minute of nothing, then much shuffling of papers, and then came Jenko’s voice again. ‘I’m afraid that wasn’t the end of Sports Session. And now the rugby.’ One producer had got his timings a bit wrong. We were hysterical with laughter and gave the future much-respected cricket correspondent plenty of stick when he appeared in the office later.
A fairly regular guest on Sports Report at the time was Eric Morecambe who was a director of Luton Town Football Club. I interviewed him several times at their Kenilworth Road ground and once at the BBC Television Centre where he and Ernie Wise were in rehearsals for one of their shows. He always gave his time, no matter how busy he was.
On one occasion I was presenting the programme from London and was talking to him ‘down the line’ during one of Luton’s games.
‘By the way,’ he said, ‘We’ve got a penalty. Whey hey!’
‘Tell us about it then,’ I said and Eric proceeded to do a perfect commentary on the build up, the spot kick and the celebrations. It’s a much replayed piece of radio history. Eric was such a huge star at the time, I couldn’t believe how down to earth and how kind he was to this unknown radio reporter.
My first really big adventure with BBC Radio came in the summer of 1972, when I learned that I had been selected for the team to cover the Munich Olympic Games.
Peter Jones had gone out to Germany early to do some preview reports and he phoned me in typically upbeat fashion. ‘When you arrive on Thursday, old son,’ he said, ‘call me straight away. I have fixed up two beauties who are going to join us for dinner.’ I was already greatly excited about going to the Games anyway. Now I had an extra incentive. I was of course married at the time, but I thought a little innocent flirtation would not go amiss.
When I arrived I met Jonesy for a drink and was told that the ladies in question would be joining us shortly. A few minutes later I looked up the long staircase adjoining the bar, and one of the most beautiful girls I had ever seen was descending in our direction. I nudged Jonesy. ‘Have a look at that,’ I said. ‘Ah, that’s Heidi,’ he said. ‘She’s my partner for the evening.’ Heidi turned out to be the daughter of a baron, twenty-four years of age, and a multi-linguist who would be working as a translator at the Games but who would not have looked out of place in a Miss World competition. Her friend arrived a few minutes later. I used to tell the story afterwards that Jonesy tucked me up and the friend was hideously ugly. In truth she wasn’t a bad-looking girl and we had some fun for a few days before the Games began.
One day we hired a car so that ‘Marguerite’ could show me a little of the Bavarian countryside and its wonderful castles. I had forgotten to bring my driving licence, so the car had to be hired in her name and she had to be seen driving it away. Only then did she inform me that she had passed her driving test just a few weeks before. Result: first big roundabout, a Munich taxi hit our Ford Taunus amidships. Cue much screaming and yelling in a foreign tongue. Our car now had a mighty dent in it but was drivable and I took over, despite having no valid licence or insurance. The rest of the day went without mishap. In fact it turned out to be idyllic.
When Dick Scales arrived at the Games, he spent the first few days in Munich moaning about everything. He didn’t like the place, hated the food and had been given an impossible task, etc. Then we went to the Games village and as we entered, a group of female interpreters approached. ‘I think I may get to like it here after all,’ said Scalesy. He certainly did. He married one of them a year or two later and I was his best man.
The story of the Munich Olympics is well documented. Mary Peters won her marvellous gold medal in what was then the women’s pentathlon. I remember Alan Minter being cheated out of a potential gold medal in the boxing when he was on the receiving end of a dreadful decision in his semi-final; and of course these were the Games of Olga Korbut, who charmed the world with her gymnastics. Then there were the seven swimming gold medals of Mark Spitz. But, most of all, the Munich Games will be remembered for the tragic killing of several members of the Israeli team by terrorists.
On the morning it happened I found myself the reporter on duty. In the course of that day I became a news correspondent, answering the questions of London-based presenters on the Today programme and World at One. Did I think the Black September movement was responsible? I was being asked by William Hardcastle, doyen of radio news presenters. It could have been the Green October movement for all I knew, but I waffled my way through and came to realise very quickly that it was more important to sound fluent than to produce any real facts. To this day I never put too much weight on those incessant two-ways by which television news programmes are mesmerised.
When I returned from the Games I was hauled before the Head of BBC Radio News. ‘Listen,’ he said, ‘you handled the terrorist story pretty well in Munich. I think you should stop messing about with sport and join the news team as a reporter. In a couple of years we’ll make you a correspondent and you’ll be off round the world covering proper stories.’
‘Like wars?’ I asked.
‘Well, that might be part of it,’ he said.
‘Thank you for the compliment,’ I said. ‘But I’m perfectly happy doing what I’m doing.’
‘I think you’re making a mistake,’ he said. In the ensuing years, not for one moment have I ever thought he was correct.
Twenty-five years later I returned to Munich for a television programme and reported from the very apartment where the tragedy had taken place. It all came back and I shuddered at both the memory and at the rapid passage of time.
I telephoned home fairly regularly from the Games but there was one period lasting about a week when my home phone was not being answered. Whenever I rang, at whatever time of the day, there was no reply. This was worrying. I telephoned my wife’s parents. What was going on, I wondered? I was told that Susan was just taking a little break and that they were looking after Patrick. This was most odd. Why had I not been told about this? When I got home I subsequently learned that Sue had fallen for someone else and was having an affair. I knew the person in question; he was an accountant. I had thought he was a friend. My marriage was over. It had lasted just seven years. Now I would be one of those ‘visiting’ fathers. Heartbreaking.
I had nobody else to blame but myself. I had been so absorbed with my new life and career, Sue and my new baby son had not received the attention they deserved. How many times have you heard of men throwing themselves into careers at a cost to their families?
I was especially guilty in Sue’s case. After Patrick’s birth in 1970, she had suffered a breakdown. It wasn’t just post-natal depression. Sue was seriously ill: for a time she became a completely different personality and had to spend some time in hospital. Baby Patrick was without his mother for the first three months of his life. How I wish that my mother had been alive to look after him. As it was, my mother-in-law did a pretty good job, but it was a desperate time. When Sue recovered, she needed my arms around her and a great deal of loving attention, but I was intrigued with my new job. I was commuting, travelling abroad, working nights from time to time, and enjoying all the social invitations that went with it. Sue had to recover her health and deal with a demanding infant, mostly on her own. It should have been no real surprise that when an affectionate arm was offered, she took it. Nonetheless, it did come as a huge shock, and she made it clear there was no way back. We had met as kids, I had been at the local boys’ grammar school, she at the girls’ equivalent. We had had some good times and she gave me my wonderful son, who remains a delight in my life. No recriminations. Had she not strayed, it is almost certain that I would have done: there were so many temptations.
The most important thing to do now was to make absolutely sure I didn’t lose touch with my son. Of course I had to preplan my visits to him, and for a time it was awkward. I missed seeing him grow up on a day-to-day basis; but as he got older we had marvellous times together and I know that to this day he remembers them as fondly as I do. We ate out together a great deal. Even as a four-year-old he was asking for parmesan cheese with his spaghetti. He had impeccable manners in restaurants and I was often complimented on his behaviour. We played table tennis and we swam.
Brighton was a great place for us to be together. We enjoyed the beach and the funfair and exploring. Like all small children, Patrick would ask those questions that stun adults. ‘Why does the sea stop coming in, Daddy?’ Pause for thought. ‘Ahem, it’s because the land stops going out.’ Four-year-old accepts answer and moves on to jumping over cracks in pavement.
Meanwhile my BBC career was expanding into areas other than sport. I had been popping up on a Radio 2 programme called Late Night Extra, reporting on the day’s sport. I had one close shave on the programme. I had adjourned to the bar after what I had thought to be my day’s work done when, having consumed about four pints of lager, I was asked by a chap called Derek Thompson, now of Channel Four racing fame, if I could stand in for him on Late Night Extra as he felt decidedly ill. Well, I did; but I shouldn’t have done and I slurred my way through the broadcast, much to the amusement of the presenter, David Hamilton.
Normally I did the job responsibly, and I seemed to interact well with whichever presenter was working on the show. Soon I was asked by the music department if I would like to introduce a new programme that would go out just after the seven o’clock news each night, appropriately called After Seven. I would do one night a week, while the likes of Michael Aspel, Michael Parkinson and the late Ray Moore would do other nights. I used to joke on air that I was the only person doing the show that I had never heard of, and soon under the guiding hand and ample bosom of a fearsome lady producer called Angela Bond, I established a new strand to my broadcasting life. It was basically a middle of the road music programme with some features included. I came up with an idea which we called ‘Monday’s Mimic’. Members of the public could win a prize for their impressions of famous figures, but they had to do it live down the telephone. Some were good, the odd professional was clearly ringing in, but we tried to avoid them because the deluded amateurs were hilarious. We had one poor chap whose ‘James Cagney’ and ‘Mae West’ were indistinguishable and we used to fall about in the studio.
In addition, having presented the sportsdesk on the Today programme I was asked if I fancied actually presenting the whole programme. I began doing this on the occasional Saturday by myself and then joined Jack de Manio, John Timpson and later Robert Robinson, as one of the weekday presenters of the show. All the while, I continued with my sports programmes. I was working flat out. Some weeks I was up at three in the morning to present the Today show, did After Seven on the Monday, plus a six-hour sports show on the Saturday. Bear in mind that I was now to all intents and purposes a ‘single’ man again. I was not exactly behaving like a monk, and the candles were being burnt not just at both ends but in the middle too. Eventually I turned down the invitation to renew my agreement with Today and got my life back on a more even keel. But being on the programme taught me a huge lesson about how to work under pressure and write lucidly and concisely in a very limited space of time.
I retain undying admiration for the likes of John Humphrys, who, despite the ungodly hour his day begins, is as sharp as a tack on the current Today programme. He also has to deal constantly with heavyweight issues. In my time, although politics was very much part of the programme, overall it had a lighter feel to it. There was still time for the ‘record egg-laying hen’ type of story.
In fact one morning, when Jack de Manio was still doing the show, he had to conduct an interview with a chap who had bred an unusual type of mouse. The creatures had been brought into the studio in a small cage. Jack, rascal that he was, finished the interview and, as I began the next item, I could see out of the corner of my eye that he was heading towards me, small furry beast in hand. He promptly shoved it up the sleeve of my jacket. As it ran across my shoulder and down my back, I just kept ploughing through my link. Jack later told the listeners what he had done and was amazed I had kept going. In truth I was still a bit raw, and thought that was the thing to do.
While working on Today I had a few dates with a pretty secretary on the show. One evening I arrived at her flat in North London to take her out to the pictures. While I was enjoying one of her liberal gin and tonics, the door bell rang. She peered out of the window and very quickly ushered me into the back garden.
‘Slight problem,’ she said. From the safety of the pitch-black garden, I was able to see her problem. He was one of my occasional co-presenters on Today, famous both then and now, and seemed most put out when he was fairly hastily dealt with and shown the door. I was retrieved from my hiding place and it was explained to me by my date that he was just a friend and he had arrived on this occasion uninvited. Off we went to the cinema and the incident was never mentioned again, although for some time afterwards every time I saw him I was sorely tempted to ask him if he fancied the lady in question.
In my radio days I was sent up to Hampstead one morning to do an interview with Dudley Moore for the Today programme.
I was quite nervous about it. Dudley and Peter Cook were hugely famous at the time and I was a big fan. I had first seen them in their satirical hit ‘Beyond the Fringe’ at the Theatre Royal, Brighton, during their pre-London run.
Dr Jonathan Miller, one of the famous quartet – the fourth of course was Alan Bennett, once told me that the local theatre cognoscenti who came back-stage after a performance were of the opinion that while the show was attractive it had its limitations. Apparently one old, rather camp theatre regular told him ‘whatever you do, don’t even think about taking it to the West End.’ Of course, it had a record-breaking run in London.
By the time I was to interview Dudley, he and Cook had been delighting television audiences with their shows and were at the peak of their popularity.
I arrived at Dudley’s home and he came to the door himself. ‘Welcome,’ he said. For some reason his facial movement as he said the one word, made me laugh. ‘I’ll have to write a sketch around the word “welcome”,’ he said. ‘It obviously works for you.’
I turned on my tape-recorder and Dudley went through a comedy routine for me, interspersed with a few delightful examples of his genius on the grand piano. I ended up with a brilliant interview, which had precious little to do with me. Dudley had just performed.
As I was about to leave, he asked me where I was heading. ‘I’m going back to the West End,’ I said. ‘Back to Broadcasting House.’
‘I’ll give you a lift,’ said Dudley. ‘I’ve got to go down that way myself.’ And so in a few minutes I found myself a passenger in Dudley Moore’s blue Mini, being driven by the star himself.
It was another example of how my life had changed in a few short years. I was mixing with the stars. Well, if not exactly mixing, at least having the opportunity to meet them.
I bumped into Dudley again some ten years later, by which time he had become a hit in Hollywood. He seemed as down to earth and personable as ever but thereafter his life became complicated and ended horribly when he contracted a disease of the nervous system.
Another star I met during those radio days was Fenella Fielding, she of the sultry voice and the fluttering eyelashes who appeared in numerous British comedy films.
Again with my trusty tape-recorder in tow, I had made arrangements to interview Fenella at her flat in Knightsbridge.
When she opened the door, I was astonished to find this glamorous lady attired only in a rather flimsy negligee. ‘Oh darling, you’re a little early. I hadn’t quite finished getting ready,’ she said. My eyes were now popping out of my head. And I was consumed also by the obviously expensive perfume she seemed to have bathed in.