[ See some remarks to this effect by Mr. Bain, 'The Emotions and the Will,' 2nd edit. 1865, p. 127.]
1002 (return (#linknoteref_1002))
[ Rengger, Naturgesch. der Saugethiere von Paraguay, 1830, s. 3.]
1003 (return (#linknoteref_1002))
[ Sir C. Bell, 'Anatomy of Expression,' p. 96. On the other hand, Dr. Burgess ('Physiology of Blushing,' 1839, p. 31) speaks of the reddening of a cicatrix in a negress as of the nature of a blush.]
1004 (return (#linknoteref_1002))
[ Moreau and Gratiolet have discussed the colour of the face under the influence of intense passion: see the edit. of 1820 of Lavater, vol. iv. pp. 282 and 300; and Gratiolet, 'De la Physionomie,' p. 345.]
1005 (return (#linknoteref_1005))
[ Sir C. Bell 'Anatomy of Expression,' pp. 91, 107, has fully discussed this subject. Moreau remarks (in the edit. of 1820 of 'La Physionomie, par G. Lavater,' vol. iv. p. 237), and quotes Portal in confirmation, that asthmatic patients acquire permanently expanded nostrils, owing to the habitual contraction of the elevatory muscles of the wings of the nose. The explanation by Dr. Piderit ('Mimik und Physiognomik,' s. 82) of the distension of the nostrils, namely, to allow free breathing whilst the mouth is closed and the teeth clenched, does not appear to be nearly so correct as that by Sir C. Bell, who attributes it to the sympathy (i. e. habitual co-action) of all the respiratory muscles. The nostrils of an angry man may be seen to become dilated, although his mouth is open.]
1006 (return (#linknoteref_1005))
[ Mr. Wedgwood, 'On the Origin of Language,' 1866, p. 76. He also observes that the sound of hard breathing "is represented by the syllables puff, huff, whiff, whence a huff is a fit of ill-temper."]
1007 (return (#linknoteref_1007))
[ Sir C. Bell 'Anatomy of Expression,' p. 95) has some excellent remarks on the expression of rage.]
1008 (return (#linknoteref_1007))
[ 'De la Physionomie,' 1865, p. 346.]
1009 (return (#linknoteref_1009))
[ Sir C. Bell, 'Anatomy of Expression,' p. 177. Gratiolet (De la Phys. p. 369) says, 'les dents se decouvrent, et imitent symboliquement l'action de dechirer et de mordre.'I If, instead of using the vague term symboliquement, Gratiolet had said that the action was a remnant of a habit acquired during primeval times when our semi-human progenitors fought together with their teeth, like gorillas and orangs at the present day, he would have been more intelligible. Dr. Piderit ('Mimik,' &c., s. 82) also speaks of the retraction of the upper lip during rage. In an engraving of one of Hogarth's wonderful pictures, passion is represented in the plainest manner by the open glaring eyes, frowning forehead, and exposed grinning teeth.]
1010 (return (#linknoteref_1009))
[ 'Oliver Twist,' vol. iii. p. 245.]
1011 (return (#linknoteref_1011))
[ 'The Spectator,' July 11, 1868, p. 810.]
1012 (return (#linknoteref_1012))
[ 'Body and Mind,' 1870, pp. 51-53.]
1013 (return (#linknoteref_1013))
[ Le Brun, in his well-known 'Conference sur l'Expression' ('La Physionomie, par Lavater,' edit. of 1820, vol. lx. p. 268), remarks that anger is expressed by the clenching of the fists. See, to the same effect, Huschke, 'Mimices et Physiognomices, Fragmentum Physiologicum,' 1824, p. 20. Also Sir C. Bell, 'Anatomy of Expression,' p. 219.]
1014 (return (#linknoteref_1014))
[ Transact. Philosoph. Soc., Appendix, 1746, p. 65.]
1015 (return (#linknoteref_1015))
[ 'Anatomy of Expression,' p. 136. Sir C. Bell calls (p. 131) the muscles which uncover the canines the snarling muscles.]
1016 (return (#linknoteref_1016))
[ Hensleigh Wedgwood, 'Dictionary of English Etymology,' 1865, vol. iii. pp. 240, 243.]
1017 (return (#linknoteref_1017))
[ 'The Descent of Man,' 1871, vol. L p. 126.]
1101 (return (#linknoteref_1101))
[ 'De In Physionomie et la Parole,' 1865, p. 89.]
1102 (return (#linknoteref_1102))
[ 'Physionomie Humaine,' Album, Legende viii. p. 35. Gratiolet also speaks (De la Phys. 1865, p. 52) of the turning away of the eyes and body.]
1103 (return (#linknoteref_1103))
[ Dr. W. Ogle, in an interesting paper on the Sense of Smell ('Medico-Chirurgical Transactions,' vol. liii. p. 268), shows that when we wish to smell carefully, instead of taking one deep nasal inspiration, we draw in the air by a succession of rapid short sniffs. If "the nostrils be watched during this process, it will be seen that, so far from dilating, they actually contract at each sniff. The contraction does not include the whole anterior opening, but only the posterior portion." He then explains the cause of this movement. When, on the other hand, we wish to exclude any odour, the contraction, I presume, affects only the anterior part of the nostrils.]
1104 (return (#linknoteref_1103))
[ 'Mimik und Physiognomik,' ss. 84, 93. Gratiolet (ibid. p. 155) takes nearly the same view with Dr. Piderit respecting the expression of contempt and disgust.]
1105 (return (#linknoteref_1103))
[ Scorn implies a strong form of contempt; and one of the roots of the word 'scorn' means, according to Mr. Wedgwood (Dict. of English Etymology, vol. iii. p. 125), ordure or dirt. A person who is scorned is treated like dirt.]
1106 (return (#linknoteref_1106))
[ 'Early History of Mankind,' 2nd edit. 1870, p. 45.]
1107 (return (#linknoteref_1107))
[ See, to this effect, Mr. Hensleigh Wedgwood's Introduction to the 'Dictionary of English Etymology,' 2nd edit. 1872, p. xxxvii.]
1108 (return (#linknoteref_1107))
[ Duchenne believes that in the eversion of the lower lip, the corners are drawn downwards by the depressores anguli oris. Henle (Handbuch d. Anat. des Menschen, 1858, B. i. s. 151) concludes that this is effected by the musculus quadratus menti.]
1109 (return (#linknoteref_1109))