The Danger Mark

"People usually like to talk to me. I've noticed it. But the curious part of it is that they have nothing to give me in exchange for my attention."

"What do you mean?"

He laughed. "Oh, nothing. I amuse people; I know it. You—and everybody—say I am all cleverness and froth—not to be taken seriously. But did it ever occur to you that what you see in me you evoke. Shallowness provokes shallowness, levity, lightness, inconsequence—all are answered by their own echo.... And you and the others think it is I who answer."

He laughed, not looking at her:

"And it happens that you—and the others—are mistaken. If I appear to be what you say I am, it is merely a form of self-defence. Do you think I could endure the empty nonsense of a New York winter if I did not present to it a surface like a sounding-board and let Folly converse with its own echo—while, behind it, underneath it, Duane Mallett goes about his own business."

Astonished, not clearly understanding, she listened in absolute silence. Never in all her life had she heard him speak in such a manner. She could not make out whether bitterness lay under his light and easy speech, whether a maliciously perverse humour lurked there, whether it was some new mockery.

He said carelessly: "I give what I receive. And I have never received any very serious attention from anybody. I'm only Duane Mallett, identified with the wealthy section of society you inhabit, the son of a wealthy man, who went abroad and dabbled in colour and who paints pictures of pretty women. Everybody and the newspapers know me. What I see of women is a polished coquetry that mirrors my fixed smirk; what I see of men is less interesting."

He looked out through the dusk at the darkening water:

"You say you are beginning to feel isolated. Can anybody with any rudiment of intellect feel otherwise in the social environment you and I inhabit—where distinction and inherited position count for absolutely nothing unless propped up by wealth—where any ass is tolerated whose fortune and lineage pass inspection—where there is no place for intelligence and talent, even when combined with breeding and lineage, unless you are properly ballasted with money enough to forget that you have any?"

He laughed.

"So you feel isolated? I do, too. And I'm going to get out. I'm tired of decorating a set where the shuttle-cock of conversation is worn thin, frayed, ragged! Where the battledore is fashionable scandal and the players half dead with ennui and their neighbour's wives–"

"Duane!"

"Oh, Lord, you're a world-wise graduate at twenty-two! Truth won't shock you, more's the pity.... As for the game—I'm done with it; I can't stand it. The amusement I extract doesn't pay. Good God! and you wonder why I kiss a few of you for distraction's sake, press a finger-tip or two, brush a waist with my sleeve!"

He laughed unpleasantly, and bent forward in the darkness, clasped hands hanging between his knees.

"Duane," she said in astonishment, "what do you mean? Are you trying to quarrel with me, just when, for the first time, something in this new forest country seemed to be drawing us together, making us the comrades we once were?"

"We're too old to be comrades. That's book rubbish. Men and women have nothing in common, intellectually, unless they're in love. For company, for straight conversation, for business, for sport, a man would rather be with men. And either you and I are like everybody else or we're going to really care for each other. Not for your pretty face and figure, or for my grin, my six feet, and thin shanks; I can care for face and figure in any woman. What's the use of marrying for what you'll scarcely notice in a month?… If you are you, Geraldine, under all your attractive surface there's something else which you have never given me."

"Wh—what?" she asked faintly.

"Intelligent interest in me."

"Do you mean," she said slowly, "that you think I underestimate you?"

"Not as I am. I don't amount to much; but I might if you cared."

"Cared for you?"

"No, confound it! Cared for what I could be."

"I—I don't think I understand. What could you be?"

"A man, for one thing. I'm a thing that dances. A fashionable portrait painter for another. The combination is horrible."

"You are a successful painter."

"Am I? Geraldine, in all the small talk you and I have indulged in since my return from abroad, have you ever asked me one sincere, intelligent, affectionate question about my work?"

"I—yes—but I don't know anything about–"

He laughed, and it hurt her.

"Don't you understand," she said, "that ordinary people are very shy about talking art to a professional–"

"I don't want you to talk art. Any little thing with blue eyes and blond curls can do it. I wanted you to see what I do, say what you think, like it or damn it—only do something about it! You've never been to my studio except to stand with the perfumed crowd and talk commonplaces in front of a picture."

"I can't go alone."

"Can't you?" he asked, looking closely at her in the dusk, so close that she could see every mocking feature.

"Yes," she said in a low, surprised voice, "I could go alone—anywhere—with you.... I didn't realise it before, Duane."

"You never tried. You once mistook an impulse of genuine passion for the sort of thing I've done since. You made a terrific fuss about being kissed when I saw, as soon as I saw you, that I wanted to win you, if you'd let me. Since then you've chosen the key-note of our relations, not I, and you don't like my interpretation of my part."

For a while she sat silent, preoccupied with this totally new revelation of a man about whom she supposed she had long ago made up her mind.

"I'm glad we've had this talk," she said at last.

"I am, too. I haven't asked you to fall in love with me; I haven't asked for your confidence. I've asked you to take an intelligent, affectionate interest in what I might become, and perhaps you and I won't be so lonely if you do."

He struck a match in the darkness and lighted a cigarette. Close inshore Scott Seagrave's electric torch flashed. They heard the velvety scraping of the canoe, the rattle and thump as he flung it, bottom upward, on the sandy point.

"Hello, you people! Where are you?"—sweeping the wood's edge with his flash-light—"oh, there you are. Isn't this glorious? Did you ever see such a sight as those big fellows jumping?"

"Meanwhile," said his sister, rising, "our guests are doubtless yelling with hunger. What time is it, Duane? Half-past eight? Please hurry, Scott; we've got to get back and dress in five minutes!"

"I can do it easily," announced her brother, going ahead to light the path. And all the way home he discussed aloud upon the stripping, hatching, breeding, care, and diseases of trout, never looking back, and quite confident that they were listening attentively to his woodland lecture.

"Duane," she said, lowering her voice, "do you think all our misunderstandings are ended?"

"Certainly," he replied gaily. "Don't you?"

"But how am I going to make everybody think you are not frivolous?"

"I am frivolous. There's lots of froth to me—on top. You know that sort of foam you see on grass-stems in the fields. Hidden away inside is a very clever and busy little creature. He uses the froth to protect himself."

"Are you going to froth?"

"Yes—until–"

"Until what?"

"You–"

"Go on."