
The Younger Set
Luncheon at Silverside was anything but a function—with the children at table and the dogs in a semicircle, and the nurses tying bibs and admonishing the restless or belligerent, and the wide French windows open, and the sea wind lifting the curtains and stirring the cluster of wild flowers in the centre of the table.
Kit-Ki's voice was gently raised at intervals; at intervals some grinning puppy, unable to longer endure the nourishing odours, lost self-control and yapped, then lowered his head, momentarily overcome with mortification.
All the children talked continuously, unlimited conversation being permitted until it led to hostilities or puppy-play. The elders conducted such social intercourse as was possible under the conditions, but luncheon was the children's hour at Silverside.
Nina and Eileen talked garden talk—they both were quite mad about their fruit-trees and flower-beds; Selwyn, Gerald, and Boots discussed stables, golf links, and finally the new business which Selwyn hoped to develop.
Afterward, when the children had been excused, and Drina had pulled her chair close to Lansing's to listen—and after that, on the veranda, when the men sat smoking and Drina was talking French, and Nina and Eileen had gone off with baskets, trowels, and pruning-shears—Selwyn still continued in conference with Boots and Gerald; and it was plain that his concise, modest explanation of what he had accomplished in his experiments with Chaosite seriously impressed the other men.
Boots frankly admitted it: "Besides," he said, "if the Lawn people are so anxious for you to give them first say in the matter I don't see why we shouldn't have faith in it—enough, I mean, to be good to ourselves by offering to be good to you, Phil."
"Wait until Austin comes down—and until I've tried one or two new ideas," said Selwyn. "Nothing on earth would finish me quicker than to get anybody who trusted me into a worthless thing."
"It's plain," observed Boots, "that although you may have been an army captain you're no captain of industry—you're not even a non-com.!"
Selwyn laughed: "Do you really believe that ordinary decency is uncommon?"
"Look at Long Island," returned Boots. "Where does the boom of worthless acreage and paper cities land investors when it explodes?"
Gerald had flushed up at the turn in the conversation; and Selwyn steered Lansing into other and safer channels until Gerald went away to find a rod.
And, as Drina had finished her French lesson, she and Lansing presently departed, brandishing fishing-rods adorned with the gaudiest of flies.
The house and garden at Silverside seemed to be logical parts of a landscape, which included uplands, headlands, sky, and water—a silvery harmonious ensemble, where the artificial portion was neither officiously intrusive nor, on the other hand, meagre and insignificant.
The house, a long two-storied affair with white shutters and pillared veranda, was built of gray stone; the garden was walled with it—a precaution against no rougher intruder than the wind, which would have whipped unsheltered flowers and fruit-trees into ribbons.
Walks of hardened earth, to which green mould clung in patches, wound through the grounds and threaded the three little groves of oak, chestnut, and locust, in the centres of which, set in circular lawns, were the three axes of interest—the stone-edged fish-pond, the spouting fountain, and the ancient ship's figurehead—a wind-worn, sea-battered mermaid cuddling a tiny, finny sea-child between breast and lips.
Whoever the unknown wood-carver had been he had been an artist, too, and a good one; and when the big China trader, the First Born, went to pieces off Frigate Light, fifty years ago, this figurehead had been cast up from the sea.
Wandering into the garden, following the first path at random, Selwyn chanced upon it, and stood, pipe in his mouth, hands in his pockets, surprised and charmed.
Plunkitt, the head gardener, came along, trundling a mowing-machine.
"Ain't it kind 'er nice," he said, lingering. "When I pass here moonlight nights, it seems like that baby was a-smilin' right up into his mamma's face, an' that there fish-tailed girl was laughin' back at him. Come here some night when there's a moon, Cap'in Selwyn."
Selwyn stood for a while listening to the musical click of the machine, watching the green shower flying into the sunshine, and enjoying the raw perfume of juicy, new-cut grass; then he wandered on in quest of Miss Erroll.
Tulips, narcissus, hyacinths, and other bulbs were entirely out of bloom, but the earlier herbaceous borders had come into flower, and he passed through masses of pink and ivory-tinted peonies—huge, heavy, double blossoms, fragrant and delicate as roses. Patches of late iris still lifted crested heads above pale sword-bladed leaves; sheets of golden pansies gilded spaces steeped in warm transparent shade, but larkspur and early rocket were as yet only scarcely budded promises; the phlox-beds but green carpets; and zinnia, calendula, poppy, and coreopsis were symphonies in shades of green against the dropping pink of bleeding-hearts or the nascent azure of flax and spiderwort.
In the rose garden, and along that section of the wall included in it, the rich, dry, porous soil glimmered like gold under the sun; and here Selwyn discovered Nina and Eileen busily solicitous over the tender shoots of favourite bushes. A few long-stemmed early rosebuds lay in their baskets; Selwyn drew one through his buttonhole and sat down on a wheelbarrow, amiably disposed to look on and let the others work.
"Not much!" said Nina. "You can start in and 'pinch back' this prairie climber—do you hear, Phil? I won't let you dawdle around and yawn while I'm pricking my fingers every instant! Make him move, Eileen."
Eileen came over to him, fingers doubled into her palm and small thumb extended.
"Thorns and prickles, please," she said; and he took her hand in his and proceeded to extract them while she looked down at her almost invisible wounds, tenderly amused at his fear of hurting her.
"Do you know," she said, "that people are beginning to open their houses yonder?" She nodded toward the west: "The Minsters are on the way to Brookminster, the Orchils have already arrived at Hitherwood House, and the coachmen and horses were housed at Southlawn last night. I rather dread the dinners and country formality that always interfere with the jolly times we have; but it will be rather good fun at the bathing-beach. . . . Do you swim well? But of course you do."
"Pretty well; do you?"
"I'm a fish. Gladys Orchil and I would never leave the surf if they didn't literally drag us home. . . . You know Gladys Orchil? . . . She's very nice; so is Sheila Minster; you'll like her better in the country than you do in town. Kathleen Lawn is nice, too. Alas! I see many a morning where Drina and I twirl our respective thumbs while you and Boots are off with a gayer set. . . . Oh, don't interrupt! No mortal man is proof against Sheila and Gladys and Kathleen—and you're not a demi-god—are you? . . . Thank you for your surgery upon my thumb—" She naïvely placed the tip of it between her lips and looked at him, standing there like a schoolgirl in her fresh gown, burnished hair loosened and curling in riotous beauty across cheeks and ears.
He had seated himself on the wheelbarrow again; she stood looking down at him, hands now bracketed on her narrow hips—so close that the fresh fragrance of her grew faintly perceptible—a delicate atmosphere of youth mingling with the perfume of the young garden.
Nina, basket on her arm, snipping away with her garden shears, glanced over her shoulder—and went on, snipping. They did not notice how far away her agricultural ardour led her—did not notice when she stood a moment at the gate looking back at them, or when she passed out, pretty head bent thoughtfully, the shears swinging loose at her girdle.
The prairie rosebuds in Eileen's basket exhaled their wild, sweet odour; and Selwyn, breathing it, removed his hat like one who faces a cooling breeze, and looked up at the young girl standing before him as though she were the source of all things sweet and freshening in this opening of the youngest year of his life.
She said, smiling absently at his question: "Certainly one can grow younger; and you have done it in a day, here with me."
She looked down at his hair; it was bright and inclined to wave a little, but whether the lighter colour at the temples was really silvered or only a paler tint she was not sure.
"You are very like a boy, sometimes," she said—"as young as Gerald, I often think—especially when your hat is off. You always look so perfectly groomed: I wonder—I wonder what you would look like if your hair were rumpled?"
"Try it," he suggested lazily.
"I? I don't think I dare—" She raised her hand, hesitated, the gay daring in her eyes deepening to audacity. "Shall I?"
"Why not?"
"T-touch your hair?—rumple it?—as I would Gerald's! . . . I'm tempted to—only—only—"
"What?"
"I don't know; I couldn't. I—it was only the temptation of a second—" She laughed uncertainly. The suggestion of the intimacy tinted her cheeks with its reaction; she took a short step backward; instinct, blindly stirring, sobered her; and as the smile faded from eye and lip, his face changed, too. And far, very far away in the silent cells of his heart a distant pulse awoke.
She turned to her roses again, moving at random among the bushes, disciplining with middle-finger and thumb a translucent, amber-tinted shoot here and there. And when the silence had lasted too long, she broke it without turning toward him:
"After all, if it were left to me, I had rather be merciful to these soft little buds and sprays, and let the sun and the showers take charge. A whole cluster of blossoms left free to grow as Fate fashions them!—Why not? It is certainly very officious of me to strip a stem of its hopes just for the sake of one pampered blossom. . . . Non-interference is a safe creed, isn't it?"
But she continued moving along among the bushes, pinching back here, snipping, trimming, clipping there; and after a while she had wandered quite beyond speaking distance; and, at leisurely intervals she straightened up and turned to look back across the roses at him—quiet, unsmiling gaze in exchange for his unchanging eyes, which never left her.
She was at the farther edge of the rose garden now where a boy knelt, weeding; and Selwyn saw her speak to him and give him her basket and shears; and saw the boy start away toward the house, leaving her leaning idly above the sun-dial, elbows on the weather-beaten stone, studying the carved figures of the dial. And every line and contour and curve of her figure—even the lowered head, now resting between both hands—summoned him.
She heard his step, but did not move; and when he leaned above the dial, resting on his elbows, beside her, she laid her finger on the shadow of the dial.
"Time," she said, "is trying to frighten me. It pretends to be nearly five o'clock; do you believe it?"
"Time is running very fast with me," he said.
"With me, too; I don't wish it to; I don't care for third speed forward all the time."
He was bending closer above the stone dial, striving to decipher the inscription on it:
"Under blue skiesMy shadow lies.Under gray skiesMy shadow dies."If over meTwo Lovers leaningWould solve my MysteryAnd read my Meaning,—Or clear, or overcast the Skies—The Answer always lies within their Eyes.Look long! Look long! For there, and there aloneTime solves the Riddle graven on this Stone!"Elbows almost touching they leaned at ease, idly reading the almost obliterated lines engraved there.
"I never understood it," she observed, lightly scornful. "What occult meaning has a sun-dial for the spooney? I'm sure I don't want to read riddles in a strange gentleman's optics."
"The verses," he explained, "are evidently addressed to the spooney, so why should you resent them?"
"I don't. . . . I can be spoons, too, for that matter; I mean I could once."
"But you're past spooning now," he concluded.
"Am I? I rather resent your saying it—your calmly excluding me from anything I might choose to do," she said. "If I cared—if I chose—if I really wanted to—"
"You could still spoon? Impossible! At your age? Nonsense!"
"It isn't at all impossible. Wait until there's a moon, and a canoe, and a nice boy who is young enough to be frightened easily!"
"And I," he retorted, "am too old to be frightened; so there's no moon, no canoe, no pretty girl, no spooning for me. Is that it, Eileen?"
"Oh, Gladys and Sheila will attend to you, Captain Selwyn."
"Why Gladys Orchil? Why Sheila Minster? And why not Eileen Erroll?"
"Spoon? With you!"
"You are quite right," he said, smiling; "it would be poor sport."
There had been no change in his amused eyes, in his voice; yet, sensitive to the imperceptible, the girl looked up quickly. He laughed and straightened up; and presently his eyes grew absent and his sun-burned hand sought his moustache.
"Have you misunderstood me?" she asked in a low voice.
"How, child?"
"I don't know. . . . Shall we walk a little?"
When they came to the stone fish-pond she seated herself for a moment on a marble bench, then, curiously restless, rose again; and again they moved forward at hazard, past the spouting fountain, which was a driven well, out of which a crystal column of water rose, geyser-like, dazzling in the westering sun rays.
"Nina tells me that this water rises in the Connecticut hills," he said, "and flows as a subterranean sheet under the Sound, spouting up here on Long Island when you drive a well."
She looked at the column of flashing water, nodding silent assent.
They moved on, the girl curiously reserved, non-communicative, head slightly lowered; the man vague-eyed, thoughtful, pacing slowly at her side. Behind them their long shadows trailed across the brilliant grass.
Traversing the grove which encircled the newly clipped lawn, now fragrant with sun-crisped grass-tips left in the wake of the mower, he glanced up at the pretty mermaid mother cuddling her tiny offspring against her throat. Across her face a bar of pink sunlight fell, making its contour exquisite.
"Plunkitt tells me that they really laugh at each other in the moonlight," he said.
She glanced up; then away from him:
"You seem to be enamoured of the moonlight," she said.
"I like to prowl in it."
"Alone?"
"Sometimes."
"And—at other times?"
He laughed: "Oh, I'm past that, as you reminded me a moment ago."
"Then you did misunderstand me!"
"Why, no—"
"Yes, you did! But I supposed you knew."
"Knew what, Eileen?" "What I meant."
"You meant that I am hors de concours."
"I didn't!"
"But I am, child. I was, long ago."
She looked up: "Do you really think that, Captain Selwyn? If you do—I am glad."
He laughed outright. "You are glad that I'm safely past the spooning age?" he inquired, moving forward.
She halted: "Yes. Because I'm quite sure of you if you are; I mean that I can always keep you for myself. Can't I?"
She was smiling and her eyes were clear and fearless, but there was a wild-rose tint on her cheeks which deepened a little as he turned short in his tracks, gazing straight at her.
"You wish to keep me—for yourself?" he repeated, laughing.
"Yes, Captain Selwyn."
"Until you marry. Is that it, Eileen?"
"Yes, until I marry."
"And then we'll let each other go; is that it?"
"Yes. But I think I told you that I would never marry. Didn't I?"
"Oh! Then ours is to be a lifelong and anti-sentimental contract!"
"Yes, unless you marry."
"I promise not to," he said, "unless you do."
"I promise not to," she said gaily, "unless you do."
"There remains," he observed, "but one way for you and I ever to marry anybody. And as I'm hors de concours, even that hope is ended."
She flushed; her lips parted, but she checked what she had meant to say, and they walked forward together in silence for a while until she had made up her mind what to say and how to express it:
"Captain Selwyn, there are two things that you do which seem to me unfair. You still have, at times, that far-away, absent expression which excludes me; and when I venture to break the silence, you have a way of answering, 'Yes, child,' and 'No, child'—as though you were inattentive, and I had not yet become an adult. That is my first complaint! . . . What are you laughing at? It is true; and it confuses and hurts me; because I know I am intelligent enough and old enough to—to be treated as a woman!—a woman attractive enough to be reckoned with! But I never seem to be wholly so to you."
The laugh died out as she ended; for a moment they stood there, confronting one another.
"Do you imagine," he said in a low voice, "that I do not know all that?"
"I don't know whether you do. For all your friendship—for all your liking and your kindness to me—somehow—I—I don't seem to stand with you as other women do; I don't seem to stand their chances."
"What chances?"
"The—the consideration; you don't call any other woman 'child,' do you? You don't constantly remind other women of the difference in your ages, do you? You don't feel with other women that you are—as you please to call it—hors de concours—out of the running. And somehow, with me, it humiliates. Because even if I—if I am the sort of a girl who never means to marry, you—your attitude seems to take away the possibility of my changing my mind; it dictates to me, giving me no choice, no liberty, no personal freedom in the matter. . . . It's as though you considered me somehow utterly out of the question—radically unthinkable as a woman. And you assume to take for granted that I also regard you as—as hors de concours. . . . Those are my grievances, Captain Selwyn. . . . And I don't regard you so. And I—and it troubles me to be excluded—to be found wanting, inadequate in anything that a woman should be. I know that you and I have no desire to marry each other—but—but please don't make the reason for it either your age or my physical immaturity or intellectual inexperience."
Another of those weather-stained seats of Georgia marble stood embedded under the trees near where she had halted; and she seated herself, outwardly composed, and inwardly a little frightened at what she had said.
As for Selwyn, he remained where he had been standing on the lawn's velvet edge; and, raising her eyes again, her heart misgave her that she had wantonly strained a friendship which had been all but perfect; and now he was moving across the path toward her—a curious look in his face which she could not interpret. She looked up as he approached and stretched out her hand:
"Forgive me, Captain Selwyn," she said. "I am a child—a spoiled one; and I have proved it to you. Will you sit here beside me and tell me very gently what a fool I am to risk straining the friendship dearest to me in the whole world? And will you fix my penance?"
"You have fixed it yourself," he said.
"How?"
"By the challenge of your womanhood."
"I did not challenge—"
"No; you defended. You are right. The girl I cared for—the girl who was there with me on Brier Water—so many, many centuries ago—the girl who, years ago, leaned there beside me on the sun-dial—has become a memory."
"What do you mean?" she asked faintly.
"Shall I tell you?"
"Yes."
"You will not be unhappy if I tell you?"
"N-no."
"Have you any idea what I am going to say, Eileen?"
She looked up quickly, frightened at the tremor in his voice:
"Don't—don't say it, Captain Selwyn!"
"Will you listen—as a penance?"
"I—no, I cannot—"
He said quietly: "I was afraid you could not listen. You see, Eileen, that, after all, a man does know when he is done for—"
"Captain Selwyn!" She turned and caught his hands in both of hers, her eyes bright with tears: "Is that the penalty for what I said? Did you think I invited this—"
"Invited! No, child," he said gently. "I was fool enough to believe in myself; that is all. I have always been on the edge of loving you. Only in dreams did I ever dare set foot across that frontier. Now I have dared. I love you. That is all; and it must not distress you."
"But it does not," she said; "I have always loved you—dearly, dearly. . . . Not in that way. . . . I don't know how. . . . Must it be in that way, Captain Selwyn? Can we not go on in the other way—that dear way which I—I have—almost spoiled? Must we be like other people—must sentiment turn it all to commonplace? . . . Listen to me; I do love you; it is perfectly easy and simple to say it. But it is not emotional, it is not sentimental. Can't you see that in little things—in my ways with you? I—if I were sentimental about you I would call you Ph—by your first name, I suppose. But I can't; I've tried to—and it's very, very hard—and makes me self-conscious. It is an effort, you see—and so would it be for me to think of you sentimentally. Oh, I couldn't! I couldn't!—you, so much of a man, so strong and generous and experienced and clever—so perfectly the embodiment of everything I care for in a man! I love you dearly; but—you saw! I could—could not bring myself to touch even your hair—even in pure mischief. . . . And—sentiment chills me; I—there are times when it would be unendurable—I could not use an endearing term—nor suffer a—a caress. . . . So you see—don't you? And won't you take me for what I am?—and as I am?—a girl—still young, devoted to you with all her soul—happy with you, believing implicitly in you, deeply, deeply sensible of your goodness and sweetness and loyalty to her. I am not a woman; I was a fool to say so. But you—you are so overwhelmingly a man that if it were in me to love—in that way—it would be you! . . . Do you understand me? Or have I lost a friend? Will you forgive my foolish boast? Can you still keep me first in your heart—as you are in mine? And pardon in me all that I am not? Can you do these things because I ask you?"
"Yes," he said.
CHAPTER IX
A NOVICE
Gerald came to Silverside two or three times during the early summer, arriving usually on Friday and remaining until the following Monday morning.
All his youthful admiration and friendship for Selwyn had returned; that was plainly evident—and with it something less of callow self-sufficiency. He did not appear to be as cock-sure of himself and the world as he had been; there was less bumptiousness about him, less aggressive complacency. Somewhere and somehow somebody or something had come into collision with him; but who or what this had been he did not offer to confide in Selwyn; and the older man, dreading to disturb the existing accord between them, forbore to question him or invite, even indirectly, any confidence not offered.
Selwyn had slowly become conscious of this change in Gerald. In the boy's manner toward others there seemed to be hints of that seriousness which maturity or the first pressure of responsibility brings, even to the more thoughtless. Plainly enough some experience, not wholly agreeable, was teaching him the elements of consideration for others; he was less impulsive, more tolerant; yet, at times, Selwyn and Eileen also noticed that he became very restless toward the end of his visits at Silverside; as though something in the city awaited him—some duty, or responsibility not entirely pleasant.
There was, too, something of soberness, amounting, at moments, to discontented listlessness—not solitary brooding; for at such moments he stuck to Selwyn, following him about and remaining rather close to him, as though the elder man's mere presence was a comfort—even a protection.
At such intervals Selwyn longed to invite the boy's confidence, knowing that he had some phase of life to face for which his experience was evidently inadequate. But Gerald gave no sign of invitation; and Selwyn dared not speak lest he undo what time and his forbearance were slowly repairing.
So their relations remained during the early summer; and everybody supposed that Gerald's two weeks' vacation would be spent there at Silverside. Apparently the boy himself thought so, too, for he made some plans ahead, and Austin sent down a very handsome new motor-boat for him.