The Girl at Central
"I guess Heaven's lending a hand," said the farmer, "for I hear Hines' business is bad since the fatality. We've a lot of foreign labor round here and they're mighty superstitious and are giving his place the go-by."
It was dark when we saw the lights of the Wayside Arbor, shining out across the road. We'd expected a moon to light us home, but the clouds, though they weren't as thick as they had been, were all broken up into little bits over the sky, like Heaven was paved with them.
The Arbor was quiet as we stepped up and opened the bar door, and there, just like on the night of the murder, was Hines, sitting by the stove reading a newspaper. He jumped up quick and greeted us very cordial and you could see he was glad to get a customer. He sure was a tough looking specimen with a gray stubble all over his chin, and a dirty sweater hanging open over a dirtier shirt that had no collar and was fastened with a fake gold button that left a black mark on his neck. If I thought his looks were bad that day in the summer I thought they were worse now, for he seemed more down and dispirited than he was then.
We asked him if we could have supper and he went out, calling to Mrs. Hines, and we could hear someone clattering down the stairs and then a whispering going on in the hall. When he came back he said they'd get us a cold lunch, but they didn't keep a great deal on hand, seeing as how they hadn't much call for meals at that season.
You could see that was true. I never was in such a miserable, poverty-stricken hole. Leaving Babbitts talking to Hines in the bar, I went back into the dining-room, a long, shabby place that crossed the rear of the house. It was as dingy as the rest of it, with the paper all smudged and peeling off the walls and worn bits of carpet laid over the board floor. At the back two long windows looked out on the garden. Glancing through these I could see the arch of the arbor, with the wet shining on the tables and a few withered leaves trembling on the vines.
When I turned back to the room I got a queer kind of scare – a thing I would have laughed at anywhere else, but in that house on that night it turned me creepy. There was a long, old-fashioned mirror on the opposite wall with a crack going straight across the middle of it. As I caught my reflection in it, I raised my head, wanting to get the effect of my new hat, and it brought the crack exactly across my neck. Believe me I jumped and then stood staring, for it looked just as if my throat was cut! Then I moved away from it, pulling up my collar, ashamed of myself but all the same keeping out of range of the mirror.
In the bar I could hear the voices of Babbitts and Hines, Hines droning on like a person who's complaining. From behind a door at the far end of the room came a noise of crockery and pans and then a woman's voice, peevish and scolding, and another woman's answering back. I don't think I ever was in a place that got on my nerves so and what with the cold of the room – it was like a barn with no steam and the stove not lit – I sat all hunched up in my coat thinking of Sylvia Hesketh coming there for shelter!
Suddenly the door at the end of the room opened and Mrs. Hines came in. She was the match of it all, with her red nose and her little watery eyes and her shoes dropping off at every step so you could hear the heels rapping on the boards where the carpet stopped. She began talking in a whining voice, and as she set the table, told me how the business had gone off, and they didn't know what they were going to do.
Her hands, all chapped and full of knots like twigs, smoothed out the cloth and put on the china so listless it made you tired to look at them. It was better talking to her than sitting dumb with no company but dismal thoughts, so I encouraged her and between her trailings into the kitchen and her trailings out I heard all about their affairs.
For a while after the murder they'd done a lot of business – it made me sort of shrivel up to see she didn't mind that; anything that brought trade was all the same to her – but now, nothing was doing. Only a few automobiles stopped there and the farmhands had dropped off, so their custom hardly counted. And Tecla Rabine, the Bohemian servant, who was a first-class girl, if she did have grouchy spells, had got so slack she'd have to be fired, and she, Mrs. Hines, didn't see how she was to get another one what with the low wages and the lonesomeness.
She trailed off into the kitchen again and I could hear her snapping at someone and that other woman's voice growling back. I supposed it was Tecla Rabine, though it didn't sound like her, my memory of her at the inquest being of a fat, good-natured thing that wouldn't have growled at anybody. And then the door was opened with one swift kick and Tecla came in, carrying a plate of bread in one hand and a platter with ham on it in the other. She didn't look grouchy at all, but gave me that broad, silly sort of smile I remembered and put the things down on the table!
"Well, Tecla," I asked for something to say, "how are you getting on?"
"Ach!" she answered disgusted, and pounded over the creaky floor to a cupboard out of which she took some dishes. "Me? I get out. What for do I stay? No luck here, no money. Who comes – nobody. Everything goes on the blink."
She put the things on the table and then stood looking at me, squinting up her little eyes and with her big body, in a dirty white blouse and a skirt that didn't meet it at the waist, slouched up against the table.
"I heard business was bad," I said, and thought that in spite of her being such a coarse, fat animal, she was rosy and healthy looking, which was more than you could say for the other two.
"What do I get?" she said, spreading out her great red hands, "not a thing. Maybe five, ten cents. Every long time maybe a quarter. Since that lady gets killed all goes bad. The dagoes say 'evil eye.' They walk round the house that way," she made a half-circle in the air with her arm, "looking at it afraid. Me, too, I don't like it."
"It sure is awful dismal," I agreed.
"No good," she said. "Last year this time all the room full – to-night —one man" – she held up a finger in the air – "one only man, and he have lost what makes us to laugh. When I see him, I say, 'Hein, Tito, good luck now you come. Make the bear to dance.' And he says this way" – she hunched up her shoulders and pushed out her hands the way the Guineas do – "'Oh, Gawda, there is no more bear; he makes dead long time.'"
"Bear?" I said, and then I remembered. "You mean the one that went round with the acrobats. It's dead, is it?"
Tecla nodded.
"Gone dead in the country. And he says he starve now with no bear to get pennies. The boss says we all starve, and gave him a drink and cheese and bread. Ach!" – she shook her head, as if the loss of the bear was the last straw – "I no can stand it – nothing doing, no money, no more laughs – I quit."
I didn't blame her. If you gave me two hundred a month I wouldn't have stayed there.
Just then Babbitts came in and we began our supper; cold ham and stale bread and coffee that I know was the morning's heated over. Tecla went into the kitchen and I said to him, low and guarded:
"What's Hines been saying to you?"
He answered in the same key:
"Oh, putting up a hard luck story. Cresset needn't bother. He wants to pull up stakes and go West."
"Will they let him?"
"That's one of the things he's been talking about. He says if he makes a move it'll look suspicious, and if he stays he'll be ruined. He certainly is up against it."
I shot a glance from the kitchen to the bar door and then leaned across the table, almost whispering:
"I don't see that our investigations have got us anything but a bad supper."
"Neither do I," he whispered back. "The place looks like a stage setting for The Bandits' Den, but the people don't impress me that way at all."
The kitchen door swung back and Mrs. Hines came in with a pumpkin pie that tasted like it was baked for Thanksgiving. She hovered round, fussing about us and joining in the conversation. You could see she was hungry for someone to talk to. Both she and her husband impressed me that way, as if they were most crazy with the dreariness of the place, and were ready to fasten on anybody who'd speak civil to them and listen to their troubles.
Before we left, Babbitts went into the bar to settle up and I, remembering Tecla's complaints, called her in from the kitchen and fished a quarter out of my new purse. She was as pleased as a child, grinning all over, and wanting to shake hands with me, which I hated but couldn't avoid.
When we were once more in the road I gave a gasp of relief. I felt as if I'd crept out from under a shadow, that was gradually sinking into me, down to the marrow of my bones. The night was cold, but a different kind; fresh and clear, the smell of the damp fields in the air, and the country quiet and peaceful.
We had a good two miles before us and stepped out lively. It was dark; the clouds mottled over the sky; and in one place, where the moon was hidden, a little brightness showing through the cracks. Babbitts said he thought they'd break and that we'd have the moonlight on our way back.
All around us the landscape stretched black and still. When you got accustomed to it, you could see the outlines of the hills against the sky, one darkness set against another, and the line of the road showing faint between the edgings of bushes. We couldn't hear anything but our own footsteps, soft and padding because of the mud, and off and on the rustling of the twigs as I brushed against them. I don't remember ever being out on a quieter night, and there was something lovely and soothing about it after that horrible house.
We hadn't gone far – about ten minutes, I should think – when I suddenly clasped my wrist and felt that my purse was gone. I had taken it off to give Tecla the quarter and I remember I'd laid it on the supper table when she made me shake hands.
"Oh dear!" I said, stopping short. "What shall I do – I've left my purse there."
Babbitts stared at me through the dark.
"At Hines'?"
"Yes, on the supper table. And it's new, I'd only just bought it. Oh, Ican't lose it."
"You needn't. We've time, but you'll have to hit up the pace. Come on quick – that's not just the place I'd select to leave a purse in."
He turned to go but I stood still. I hated going back there and it was lovely walking slowly along through the sharp chill air and the peaceful night.
"You go," I said, coaxing. "I'll saunter on and you can catch me up."
"Don't you mind being alone? Aren't you afraid?"
"Afraid?" I gave a laugh. "I'm much more afraid in that queer joint. Besides, I can't go as fast as you can and whatever happens we've got to catch that train."
"If you don't mind that's the best plan. I'll run both ways."
"Then hustle and I'll walk on slowly. But come whether you find the purse or not, for that's the last train to the Junction to-night, and we mustn't lose it."
"Right you are, and we won't lose anything, the train or the purse. I'll make it a rush order. Go slow till I come."
He turned and went off at a run and I walked on. At first I could hear the thud of his feet quite plainly and then the sound was suddenly deadened and I knew he was on the moist turf by the roadside. The silence closed down around me like a black curtain that seemed to be shutting me off from the rest of the world. I walked on slowly, gathering my skirts up from the wet and the twigs, as noiseless as a shadow in the dark of the trees.
I don't know how much further I went, but not very far because I could just make out the line of the Firehill Road curving down between the fields, when I heard behind me a fitful, stealthy rustling in the bushes.
XVII
In beginning this chapter, which is going to end my story of the Hesketh Mystery, I want to say right here that I'm no coward. The reason that things happened as they did was that I was worn out – more than I knew – by the strain and excitement of the last two months. Also I do think that most any girl would have lost her nerve if she'd been up against what I was.
The gloom of that dreadful Wayside Arbor was still on me as I walked along with Babbitts. After a few moments I thought it had gone off and when I told him I wasn't afraid I said what seemed to me the truth. But when the sound of his footsteps died away, the loneliness crept in on me, seemed to be telling me something that I didn't want to hear. Down deep I knew what it was, and that every step was taking me closer to what I was afraid of – the place where Sylvia Hesketh had been murdered.
It was when I was peering out ahead, trying to locate it, telling myself not to be a fool and gathering up my courage, that I heard that faint, stealthy rustling behind me.
I stopped dead, listening. I was scared but not clear through yet, for I knew it might be some little animal, a rabbit or a chipmunk, creeping through the underbrush. I stood waiting, feeling that I was breathing fast, and as still as one of the telegraph poles along the road. The trees hid me completely. A person could have passed close by and not seen me standing there in my black cloak against the black background.
Then I heard it again, very soft and cautious, a crackle of branches and then a wait, and presently – it seemed hours – a crackle of branches again. I moved forward, stepping on tiptoe, stifling my breath, my head turned sideways, listening, listening with every nerve. Even then I wasn't so terribly frightened, but I was shivery, shivery down to my heart, for I could hear that, whether it was beast or human, it was on the other side of the trees, just a little way back, going the way I was.
It only took a few minutes – me stealing forward and it coming on, now soft as it stepped on the earth, now with a twig snapping sharp – to tell me I was being followed.
When I got that clear, the last of my courage melted away. If it had been anywhere else, if it hadn't been so dark, if there'd been a house or a person within call, but, oh, Lord, in that lonesomeness, far off from everything – it was awful! And the awfullest part was that right there in front of me, getting nearer every minute, was the place where another girl had been murdered on a night like this.
I tried to pull myself together, to remember that Babbitts would be back soon, but I couldn't stop my heart from beating like a hammer, terrible thuds up in my throat. Way off through the trees I could see the twinkle of Cresset's lights and I thought of them there; but it was as if they were at the other end of the world, too far for me to reach them or for them to hear my call.
I don't know why I walked on, but I think it was pure fear. I was afraid if I stopped that dreadful following thing would overtake me. Once I tried to look back but I couldn't. I thought I might see it and I stole forward, now and then stopping and listening and every time hearing the crackle and snap of the twigs as it crept after me. I could see now the place where Sylvia was found, the shrubs curving back from the road as if to leave a space wide enough for her body.
The sight made me stop and, as I stood there still as a statue, I heard the sounds behind me get louder, as if a big body was feeling and pushing its way between the trees, not so careful now, but trampling and crushing through the interlaced boughs. Then for the first time in my life I knew what it means when they say your hair stands on end. Down at the roots of mine there was a stirring all over my head and my heart! It was banging against my chest, blow after blow, as if it was trying to break a hole.
The sky began to brighten. I got a sort of impression of those cracks in the clouds parting and the moonlight leaking through; but I didn't seem to see it plain, everything in me was turned to terror. The noise behind me was closer and louder and through it I heard a breathing, deep, panting breaths, drawn hard. Then I knew if I turned I could have seen what was following me, seen its awful face, glaring between the branches and its bent body, crouched, ready to spring.
It's hard for me to tell what followed – everything came together and I couldn't see or think. I remember trying to scream, to give one shriek for Babbitts, and no sound coming, and that the thing, as if it knew what I was doing, made a sudden crashing close at my back. The brightness of the sky flashed in my eyes. I saw the clouds broken open, and the moon, big and white, whirling round like a silver plate. I tried to run but the earth rose up in waves and I staggered forward over them, wave after wave, with the moon spinning close to my eyes, and then blackness shutting down like the lid of a box.
The next thing I remember was the sky with clouds all over it and in one place an opening with a little star as big as a pinhead set in the middle. I looked at that star for a long time, having a queer feeling that I was holding on to it and it was pulling me up. Then I felt as if something was helping the star, a strong support under my shoulders that raised me still further, and while I seemed to be struggling out of a darkness like water, I heard Babbitts' voice close to my ear:
"Thank God, she's coming out of it."
I turned my head and there was his face close to mine. A strong yellow light shone on it – afterward I saw it came from a lantern on the ground – and without speaking I looked into his eyes, and had a lovely feeling of rest as if I'd found something I was looking for.
"You're all right?" he said; "you're not hurt?"
"I'm very well, thank you," I said back, and my voice was like a whisper.
The support under my shoulders tightened, drew me up against him, and he bent down and kissed me.
We said no more, but stayed that way, looking at each other. I didn't want to move or speak. I didn't feel anything or care about anything. It seemed like Babbitts and I were the only two people in the whole world, as if there was no world, just us, and all the rest nothing.
After that – he's often told me it was only a minute or two, though if you'd asked me I'd have said it was hours – I began to look round and take notice. I heard queer sounds as if someone was groaning in pain, and saw the shrubs and grass plain by the light of two lanterns standing on the ground. Near these was a man, lit up as far as his knees, and close by him, all crumpled on the earth, another person. The lanterns threw a bright glow over the upper part of that figure, and I saw the head and shoulders, the hair with leaves and twigs in it and round the neck a red bandanna. Then I made out it was a man and that it was from him the sounds were coming – moans and groans and words in a strange language.
"What is it?" I whispered to Babbitts. "What's happened?"
And he whispered back:
"I'll tell you later. You're all right – that's all that matters now."
It was like a dream and I can only tell it that way – me noticing things in little broken bits, as if I was at the "movies" and kept falling to sleep, and then woke up and saw a new picture. The man who was standing turned round and it was Hines. He looked across the road and gave a shout and others answered it, and lights danced up and down, coming closer through the dark. Then men came running – Farmer Cresset and his sons – and behind them Mrs. Hines, with her clothes held up high and her thin legs like a stork's. I could hear them breathing as they raced up and one man's voice crying:
"It's all right, is it? There ain't been no harm done?"
After that the men were in a group talking low, the lanterns in their hands sending circles and squares of light over the bushes and the grass. Presently Farmer Cresset broke away and went to the figure on the ground. He tried to pull him up, but the man squirmed out of his hand and fell back like a meal sack, his face to the earth, the moans coming from him loud and awful.
After a while they put me on something long and hard with a bundle under my head and took me away up the road and through the woods. It was dark and no one said anything, the Cresset boys carrying what I was on and Babbitts walking alongside. As we started I heard someone say the Farmer would stay with Hines and "communicate with the authorities." And then we went swinging off under the trees, the footsteps of the men squashing in the mud. Soon there were lights twinkling through the branches, and just as I saw them and heard a dog bark, and a woman call out, my heart faded away again and that blackness swept over me.
I didn't know till afterwards how long I was sick – weeks it was – lying in Mrs. Cresset's spare room with that blessed woman caring for me like her own daughter. No people in this world were ever better to another than that family was to me. And others were good – it takes sickness and trouble to make you value human nature – for when I got desperate bad Dr. Fowler came over and took a hand. Mrs. Cresset herself told me that respecting Dr. Graham as she did, she thought I'd never have come through if Dr. Fowler hadn't given himself right up to it, staying in the house for two days the time I was worst. And not a cent would he ever take for it, only a pair of bed slippers I knitted for him while I was getting better.
It was not till I was well along on the upgrade that I heard what happened on that gruesome night. I was still in bed, sitting up in a pink flannel jacket that Anne Hennessey gave me, with the sunlight streaming in through the windows and a bunch of violets scenting up the room. Babbitts had brought them and it was he that told me, sitting in a rocker by the bedside and speaking very quiet and gentle so as not to give me any shock. For without my knowledge, just like an instrument of fate, it was I that had solved the Hesketh mystery.
Neither man nor woman had killed Sylvia Hesketh. The murderer was the dancing bear.
The man they found on the ground beside me that night was its owner, Tito Malti, the dago I had seen nearly three months before making the bear dance at Longwood, and the man Babbitts and I had seen that afternoon on the hill. Hines and Farmer Cresset carried him – he was unable to walk at first – to the Wayside Arbor and in the bar there he told them his story.
He had been associated with the acrobats for several years, working over the country with them during the summer and lying up in small towns for the winter. That spring, when the company went out on their tour, he had noticed that his bear (he called it Bruno and spoke of it like a human) showed signs of bad temper. It was a big strong beast, but was getting old and a viciousness that it had always had was growing on it. He kept quiet about it as he hoped to get through the season without trouble and knew, if the company thought it was dangerous, they wouldn't stand for having it around. All the summer he wandered with them, guarding the bear carefully, never leaving it unmuzzled, and sleeping beside it at night.
Toward the end of the season it began to grow worse. It had tried to attack one of the acrobats and there had been a quarrel. He saw he'd have to part from them, but they patched up the fight and he stayed on for their last performance at Longwood, where the business was always good.
After that they separated, the company going into winter quarters at Bloomington and Malti telling them he would take Bruno across country and make a little extra money at the farms and villages. He did intend to do this but he really wanted to get off by himself, watch the animal, and try and gain his old control over it.
He started, working round by the turnpike, letting Bruno perform when he seemed good tempered, but a good part of the time being afraid to. In this way he made enough money to keep himself, sleeping when the nights were bad, in barns and on the lee side of hayricks, the bear chained to him.
On the night of the murder he had got round as far as the Wayside Arbor. His intention had been to take his supper there – he knew the place well – and have the bear dance for the Italian customers. But by the time he reached the Arbor he didn't dare. For some days Bruno had been sullen and savage – that afternoon Malti had had to beat him with the iron-spiked staff he always carried. The poor man said he was half crazy with fright and misery. He told Hines and Cresset, who said he was as simple as a young child, that what between his fear of getting into trouble with the authorities and his fear of losing the bear which was all he had in the world, he was distracted.
